A MANUAL OF THE ART OF BOOKBINDING CONTAINING FULL INSTRUCTIONS IN THE DIFFERENT BRANCHES OF FORWARDING, GILDING AND FINISHING. Also, the Art of Marbling Book-Edges and Paper, the Whole Designed for the Practical Workman, the Amateur, and the Book-collector.
- Philadelphia: Henry Carey Baird, 1856.
- 8vo.
- quarter blue leather over vellum-covered boards, cloth clamshell box with original cloth boards of the first edition incorporated into the binding, binder's stamp on the rear paste-down of the book 'DON RASH 2026'.
- 318, (2), 18 pages.
Price: $2,000.00 other currencies
Order Nr. 8421
First edition of this manual on bookbinding, of which is the first authored by an American (Mejer 1950; Appleton p.83; Brenni no.39 - for first edition). This copy has been rebound by the world-reknowned bookbinder, Don Rash, of Plains, PA. The binding and clamshell box are in fine condition. Normal offsetting to the pages opposite the plates and marbled paper specimens. A scarce book in a lovely binding.
The binding is quarter blue goatskin over vellum-covered boards which incorporates a drawing of a binding sample, all edges sprinkled, handsewn yellow silk endbands, handmade paper endsheets with goatskin inner joints, spine title in gold. Housed in a blue clamshell box incorporating the original boards and spine.
Contains 12 plates of binding samples and 7 samples of marbled paper in addition to the illustrations in the text.
James Nicholson (1820-1901) was born in St. Louis, but lived most of his life in Philadelphia. He founded the bookbinding firm of Pawson & Nicholson, in Philadelphia, in 1848, and was well qualified to write a practical manual on bookbinding. Indeed, this was the first practical manual written in this country. The book reproduces the specimens of rolls and hand-stamps produced by the early American bookbinder tool makers, Gaskill, Cooper and Fry. The section on marbling (pages 83-130) reprints the entire text of Charles Woolnough's manual of 1853. The marbled specimens were executed by Charles Williams of Philadelphia.
Having expertise in not only artists' bindings, Don Rash is a gifted conservator and preservationist that has worked with numerous collectors, booksellers, institutions, and fine press artists. He is also a noted printer, operating four printing presses which he prints under the Boss Dog Press imprint.






