Oak Knoll

For at least a dozen years, Luca Lattuga has been collecting and cataloguing metal and wooden movable type produced in Italy between the 1920s and 1940s. During his research, he rediscovered a recurring and consistent style, hitherto little considered, that characterized that period. Although widespread at the time, this style, which originated in the printing workshops, remained in the shadows for decades.

These lesser-known typefaces coexisted alongside the famous types from historic foundries, such as Nebiolo and Reggiani, surviving thanks to their versatility and affordability and enjoying spontaneous and widespread popularity even in the most isolated provinces. They remained in use until the 1960s or 1970s, effectively lasting until the end of the era of movable type printing. They were widely used in advertising, flyers, posters, book covers, and magazine headlines. They followed European trends toward more modern forms and represented a fascinating vernacular expression, entirely Italian, of the international taste of the time.

This book contains over one hundred specimens, divided and grouped into categories and subcategories. It is accompanied by a testimony from the books editors, Veronica Bassini and Luca Lattuga, a historical analysis by Carlo Vinti, and a technical study by Luciano Perondi. The work is completed by in-depth profiles of some of the key figures of that era: Guido Modiano, Ruggero Zuliani, Francesco and Antonio Tocchio, and a gem by Enrico Tallone.

Designed for students, researchers, scholars of typography and printing history, as well as type designers, graphic designers, creatives, and enthusiasts of the world of letters.