MAKING PAPER AT ABBEY MILLS.
MAKING PAPER AT ABBEY MILLS.
MAKING PAPER AT ABBEY MILLS.
MAKING PAPER AT ABBEY MILLS.
MAKING PAPER AT ABBEY MILLS.
MAKING PAPER AT ABBEY MILLS.
MAKING PAPER AT ABBEY MILLS.
MAKING PAPER AT ABBEY MILLS.
Instructions for making paper from esparto grass, and more, printed on a selection of Abbey Mills papers

MAKING PAPER AT ABBEY MILLS.

(Old School Press).
  • (Seaton, England): The Old School Press, 2020.
  • oblong 4to
  • quarter cloth over decorated paper covered boards, paper spine label
  • unpaginated
  • ISBN: 9781899933211

Price: $125.00  other currencies

Order Nr. 136746

Limited to 65 numbered copies of which 60 were available for sale.

From the publisher's website: Abbey Mills was a paper mill in the Grosvenor Chater Group which closed in the 1990s. Situated in North Wales, it took advantage of good water and a port nearby that could bring in raw materials. In the last century it specialised in high-quality papers such as Basingwerk Parchment, Greenfield, and Royal Cornwall which it introduced in the 1920s. A speciality of the mill was making paper from esparto grass.

Amongst the archives of the mill we found a typescript, written in the 1920s by the then manager, describing in some detail the processing of the esparto grass, and this text is at the heart of our new book. It has of course been printed on a stock of Basingwerk, a fine and quite heavy, opaque paper with a creamy colour. We also acquired a collection of a dozen batches of coloured papers from the mill and so looked for a way to incorporate them. For some time I've had a copy of the Abbey Mills paper specimen book produced in 1958, with texts and illustrations designed to show off their range of papers. Whilst we don't have such a range, we've used the coloured papers now here at the press to make something along the same lines.

For the material printed on the coloured leaves we've taken our inspiration partly from samples in the original specimen book and partly from the 1950s period itself: the 1951 Festival of Britain, the 1953 Coronation, typefaces and texts from the period, various Curwen 'dashes', the two-element Glint ornament, and a personal favourite, the Festival display face; and it's been an opportunity to pull out many of our text founts - Dante, Perpetua, Octavian, Caslon Old Face, Fournier - all hand-set of course. The main text is set in 12pt Romulus with Optima headings. The whole thing runs to 64 pages and is case bound with a letterpress-printed pattern-paper on the boards.