FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE. Don Rash.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.
FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.

FRITZ EBERHARDT'S FINISHING TOOLS & TECHNIQUE.

(Boss Dog Press).
  • Plains, PA: Boss Dog Press, 2020.
  • 8vo
  • decorative paper and leather binding
  • 50, (2) pages

Price: $375.00  other currencies

Order Nr. 135701

One of 80 copies, of which this is one of 50 numbered copies. The Boss Dog Press is pleased to announce the upcoming publication of Fritz Eberhardts Finishing Tools and Technique, the sixth book from the Press and the third volume in the series Eberhardtiana. The goal of this series is to preserve the writings and art of fine hand bookbinders Fritz Eberhardt (1917-1997) and his wife Trudi (1921 -2004). In addition to being two of the finest binders of the twentieth century, Fritz and Trudi were teachers, mentors and good friends to many practitioners of the book arts, and their work and lives deserve to be remembered and celebrated. It has been the honor of the Press to do this in a small way.

Finishing Tools follows 2004s Rules for Bookbinders and 2014s Three Lectures. It catalogs 94 unique finishing tools which Fritz fabricated for tooling in blind and gold on his design bindings. Each tool is represented by a description, measurements, and a scanned image of the tools impression. There will also be digital photographs of the tools, of the electric tooling station that Fritz used, and of a paper tooling pattern used on Fritzs design binding of Gordon Craigs Paris Diary. The catalog proper is preceded by two essays dealing with Fritzs work, one by Professor Hans Halbey and one by Fritz himself. The essays were published together in the March 1990 issue of the German bibliophile journal Philobiblon.

From the colophon:

This is the third volume of EBERHARDTIANA. It was compiled, designed and executed by Don Rash, with the ongoing support of Elaine Rash. Types used are digital versions of Herman Zapf's Aldus for the text and Michaelangelo for the titling. The book was composed in Adobe InDes1gn. Boxcar Press supplied the polymer plates for printing. The paper was made at the University of Iowa Center for the Book by Tim Barrett and student co-workers, and as printed damp on the BDP Washington handpress. Inks are Graphic Chemical Albion

Matte Black and Hanco Leaf Brown. The tool impressions in the catalog were done by scanning smoke proofs, converting them to printable images in Adobe Illustrator and printing them with the text. All photographic images are digitally printed onto 48 gram Asuka paper.

The edition consists of 80 copies, with 10 copies (I-X) unbound, and with 50 regular copies (1-50) and 20 hors commerce copies(A-T) bound in full decorated paper over boards with leather strips at head and tail.