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Topic=LINOCUTS
 
   
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See More... (Creekside Press) Howell, Peter LUCKY DOG
Easton The Creekside Press 2000 8vo. cord tied stiff paper wrappers unpaginated
Printed at the Creekside Press. Story by Peter Howell, linoleum cuts by Bill Jackson. Presentation from the printer on colophon page, with another note from the printer laid in. Wrappers slightly rubbed.
Price: $ 35.00 other currencies Order nr. 105485

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See More... Getty, George A. THE PAST AND PRESENT DAY TRENDS IN XYLOGRAPHY AND LINOLEUM BLOCK CUTTING.
California, PA State Teachers College n.d. 8vo. stiff paper wrappers, cord-tied (ii), 14 pages.
Limited to 200 numbered copies. With six black-and-white illustrations, as well as four color illustrations, by Julian Shinol. Covers soiled, head and tail edges creased and bumped. With the bookplate of a former owner on the inside front cover.
Price: $ 75.00 other currencies Order nr. 102438

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See More... Seaby, Allen W. HAND PRINTING IN COLOUR.
(Leicester Dryad Handicrafts) n.d. 8vo. self paper wrappers 7+(1) pages
Dryad Leaflet No. 7. Brief discussion of color lino block printing by a professor at University College, Reading, England. Illustrations. Wrappers and text soiled. Tearing at spine.
Price: $ 10.00 other currencies Order nr. 115216

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See More... (Whittington Press) Anderson, Andrew A VISION OF ORDER, 32 LINOCUTS BY ANDREW ANDERSON.
(Lower Marston Farm, Risbury) Whittington Press 2011 22 x 15 inches quarter buckram and paper covered boards, slipcase 64 pages
Andrew Andersons astonishing linocuts are an arresting mix of image, lettering and symbolism. The images show strong influences of his background as an architect with a particular interest in mediaeval architecture; the lettering brings Eric Gill to mind, but with an added fluency and versatility; and much of the symbolism comes from his involvement with cathedral and church architecture. He has written about his work in MATRIX 28, pp. 9.

He combines these three elements with immense skill and with a rare dedication, and yet his images have an astonishing vibrance and magnetism. Little known or seen over the years, hampered perhaps because of their size and the artists preoccupation with his architectural work, they appear here for the first time in a readily accessible form, each with a note by the artist explaining its content and symbolism.

The large format of A VISION OF ORDER allows most of the prints to be tipped in unfolded. Like our Posters published in 1996, it will be a monumental volume in its own right, set in a large size of the Caslon type for which the Press has become renowned. Tom Mayo, who will be doing much of the printing of this large and unusual project, will be posting a blog giving an illustrated report of its progress.

Available Summer 2011
Price: $ 525.00 other currencies Order nr. 107015

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See More... (Woodcraft Press) Morris, William ON FIRST SEEING ICELAND
(Tonbridge) Woodcraft Press 1992 8vo tan stiff paper wrappers not paginated (8 pages)
Limited to 100 copies numbered and signed by Owen Legg, but this one is numbered 102/100. William Morris first published this poem in a collection called "Poems by the Way" in 1892 having written in after visits to Iceland in 1871 and 1873. The Woodcraft edition was printed to mark Legg's departure for Iceland with the British Schools Exploring Society. Printed on handmade white Wilcox 100 cotton, made at Wookey Hole Mill. The type is Dante 16pt. The illustration is printed on Japanese mulberry paper.
Price: $ 75.00 other currencies Order nr. 100383

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