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Writing & Calligraphy
 
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Writing & Calligraphy
 
   
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See More... (Maret, Russell) Maret, Russell MEDIÆVAL IN PADUA
New York City (Russell Maret) 2008 4to. stiff paper wrappers 25, (3), 10 plates, (2) pages
Limited to 226 copies. This is the first in a new series of occasional publications with the overarching name of Swan & Hoop which documents non-typographic letter forms. This volume focuses on the round gothic capital in Padua Italy. It was written, illustrated and printed letterpress in eight colors by Maret. It features a visual glossary of variant letter forms, a detailed structural analysis of round gothic, and a quire of photographic plates. This is also the first use of Russell Maret's new Baskerville typeface. Included is a letterpress printed announcement of the series which is a little larger than the publication, and a prospectus card for the book itself.
Price: $ 250.00 other currencies Order nr. 100265

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See More... Osley, Arthur S. LUMINARIO. AN INTRODUCTION TO THE ITALIAN WRITING-BOOKS OF THE SIXTEENTH AND SEVENTEENTH CENTURIES.
Nieuwkoop HES & DE GRAAF 1972 small folio cloth xiii, 173 pages,
The first complete survey of Italian writing-manuals, 1514-1660. Appendix I contains a Check-list of first editions of 16th-and 17th century Italian writing-books. With 116 full-size facsimiles, and 13 vignettes, portraits and motifs.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 230.00 other currencies Order nr. 103728

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See More... Roelands, David T`MAGAZIN OF T`PAC-HUYS DER LOFFELIJCKER PENN-CONST ...
Nieuwkoop HES & DE GRAAF 1971 oblong small folio; 15.5 x 11.5 inches decorative stiff paper wrappers. 89 pages
Facsimile reprint of the 1616 edition published in Antwerp, 1616. Edition limited to 300 handnumbered copies. Typographical design: Aldert Witte. With numerous calligraphic specimens on 41 plates.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 190.00 other currencies Order nr. 103730

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See More... (Sanvito, Bartolomeo) Mare, A.C. de la and Laura Nuvoloni BARTOLOMEO SANVITO: THE LIFE AND WORK OF A RENAISSANCE SCRIBE.
London, England Association Internationale de Bibliophilie 2009 large 4to cloth, dust jacket 463 pages with 196 images
Bartolomeo Sanvito was one of the most active and famous scribes of fifteenth century Italy, and the supreme exponent of the italic script. He was born in Padua in 1435 into a family reduced to near-hardship by the deaths of his uncle and father. He worked first for a notary, but was soon employed to copy manuscripts by the young Bernardo Bembo, who remained a lifelong friend, the scholarly Francesco Buzzacarini, Cardinal Ludovico Trevisan, patriarch of Aquileia, and the Venetian patrician Marcanonio Morosini. When the Venetian Pietro Barbo was elected Pope as Paul II Sanvito made a first exploratory visit to Rome and moved there permanently (though with frequent visits to Padua) in 1466. He was appointed a member of Cardinal Frencesco Gonzaga's household, possibly as the result of a recommendation by Mantegna, and after the cardinal's death to that of the Pope's nephew Cardinal Raffaelle Riario. Pope Sixtus IV was one of his principal clients. He was also an illuminator, and on occasion collaborated with famous artists -- Franco de' Russi and Marco Zoppo in the north, Gaspare da Padova in Rome. Towards the end of the century he moved back to Padua, to become a canon of the Collegiate Church of Sta Giustina at Monselice and to collaborate with Fra Giovanni Giocondo on collecting examples for his Sylloge of ancient inscriptions. His last great enterprise was to copy and illustrate two large service-books as gifts to the Church of Sta Giustina. He died in 1511.

Published by the Association Internationale de Bibliophilie & The Handwriting of Italian Humanists, this book is a biography of one of the legends in the history of calligraphy. Detailing everything from illumination, bindings and his experimentations in book design, Laura Nuvoloni put together a beautiful book based on the notes of the late A. C. de la Mare. Includes contributions by Scott Dickerson, Ellen Cooper Erdreich and Anthony Hobson, as well as an annotated catalogue of Santivo's manuscripts by Nuvoloni.

Albinia ('Tilly') de la Mare (1932-2001) was one of the outstanding paleographers of the twentieth century. Her achievement was in tracing the careers of the hundreds of scribes writing the newly introduced humanist script in Italy in the fifteenth century. After completing her thesis on Vespasiano da Bisticci. the Florentine bookseller and historian, she was an Assistant to the Bodleian Library until her appointment as Professor of Paleography at King's College, London. She held the chair from 1989 until retirement in 1997. Besides volume I of The Handwriting of Italian Humanists, which discussed eight scholars of the Quattrocento, she published the catalogue of the Lyell manuscripts in the Bodleian Library, The Italian Manuscripts in the Library of Major J. R. Abbey (with J. J. G. Alexander), the section on 'Clients and Scribes' in Miniatura Fiorentian del Rinascimento by Annarosa Garzelli, and numerous articles in specialised periodicals. She had been collecting material on Bartolomeo Sanvito for many years and had visited several countries to see his manuscripts.

Price: $ 350.00 other currencies Order nr. 115992

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See More... (Zapf, Hermann) Kelly, Jerry ABOUT MORE ALPHABETS: THE TYPES OF HERMANN ZAPF
Foreword by Robert Bringhurst New York The Typophiles 2011 4.5 x 7 inches hardcover, slipcase 112 pages
Deluxe edition signed by the author and limited to 75 copies. Includes four type specimens in a paper folder and a slipcase for the book and specimen folder.

Typophiles Chapbook, New Series, 3. "Letterforms are things that nearly all of us in the Western world have learned to take for granted. We treat them much like door knobs, water taps, thermostats, and hinges. We evidently think (in defiance of all logic) that what we read or write matters far more than how it's read or written, and that letterforms are just a way to get there, as a door knob is a way to open a door," writes Robert Bringhurst in the Foreword to About More Alphabets. This book hopes to bring attention to a neglected topic by focusing on the letterforms of Hermann Zapf.

From metal type to the digital characters, Hermann Zapf has composed exceptional type designs for seventy years. He can be considered one of the most important calligraphers of all time, as well as a most notable book designer and typographer. His typefaces are among the most beautiful and familiar in the world. This book, a companion volume to the Typophile Chapbook About Alphabets (1960, updated 1970), describes Zapfs post-1970 type designs and provides new research on many of the earlier types.

In this volume, typographer and calligrapher Jerry Kelly describes the origins and history of numerous Hermann Zapf typefaces including Marconi, ITC Zapf International, Linotype Zapfino, and Zapf Civilité. Kelly also includes new information on the Palatino nova and Optima nova families. This new Typophiles Chapbook is profusely illustrated with type specimens and drawings, many of which have never before been reproduced. Illustrations include drawings by Zapf, comparisons of various types, early sketches, typefaces never issued, and a twenty-eight page image section of type specimens. Other types described include Hallmark Textura, AMS Euler fraktur bold, Zapf Renaissance italic swash, Medici script, Aurelia, AMS Euler, Zapf Renaissance, ITC Zapf Chancery, and Zapf Civilité.

Robert Bringhurst calls Zapf one of historys greatest two-dimensional architects. He says, "Hermann Zapf has made letters so subtle, so lovely they bring tears to knowledgeable eyes. And there are very few people who know Zapfs work as well as Jerry Kelly. Read him and weep."

Price: $ 170.00 other currencies Order nr. 109481

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