Oak Knoll Books & Oak Knoll Press



Advanced Search >>

	Bibliography
	Book Collecting
	Book Design
	Book Illustration
	Book Selling
	Bookbinding
	Bookplates
	Cartography
	Children's Books
	Delaware Books
	Fine Press Books
	Forgery
	Graphic Design
	Images & Broadsides
	Libraries
	Literary Criticism
	Miniature Books
	Papermaking
	Printing History
	Publishing
	Typography
	Writing & Calligraphy

Antiquarian (269)

Typography - In US

Refine Result ?

Displaying 1-21 of 21

Typography - In US


Sort By :

Annenberg, Maurice TYPE FOUNDRIES OF AMERICA AND THEIR CATALOGS
With additions and an introduction by Stephen O. Saxe and an index by Elizabeth K. Lieberman. New Castle, Delaware Oak Knoll Press 1994 4to. cloth, dust jacket. xviii, 276 pages.
Reprint of the first edition with an added appendix. Recognized by booksellers, collectors, librarians and bibliographers for its great usefulness as the definitive bibliography of American type specimen books. This edition contains an appendix listing 73 type specimen books unknown at the time of the first edition, more than 10 percent of the former total. TYPE FOUNDRIES contains historical accounts of each foundry, a list of their specimen books with size and number of pages and countless tidbits of fascinating historical and typographical information. Oak Knoll's edition has been updated and amended by the well-known printing historian, Stephen O. Saxe. He has added eight appendixes to the book, as well as a four-page introduction and a biographical sketch of the author. In addition, one new type foundry, Abraham Riggs of New York City, has been discovered and is described in a separate appendix. There are also listings of the complete type specimen holdings of the New York Public Library, the Smithsonian Institution and Stephen O. Saxe's personal collection. The appendixes conclude with a list of errata, omissions and duplications in the first edition; and a select bibliography. Also, of the greatest importance, the much-lamented lack of an index has now been corrected through the efforts of Elizabeth Lieberman.
Price: $ 49.95 other currencies Order nr. 40614

READ MORE...

(Bird & Bull Press) de Nova Villa, Henricus SO LONG, HOT-METAL MEN
The Comprehensive Bird & Bull Type Specimen Book Newtown, PA Bird & Bull Press 2007 small folio quarter morocco, slipcase (x), 117, (3) pages
Limited to an edition of 140 numbered copies. This book represents a full year of daily work creating a type specimen book that not only shows type faces ranging from the very rare to the common but also contains wonderful Henry Morris quotes composed in type. While there are serious entries, many, if not most, exhibit Morris's finely-tuned humor. How often does one get immense reading pleasure, to say nothing of a good laugh, from an exquisitely executed type specimen book? The alphabets shown range from the gargantuan 84-pt. to a miniscule 4-pt. There is ornamental material from the last days of the great German type founders, which is rarely seen in American private presses, much of which was designed by Hermann Zapf and others of equal ability. "I've seen many of the type specimen books of the twentieth century and I believe I have come up with a novel way of doing this. I predict the idea will be copied, but this is the original and no serious collection should be without it." (from the prospectus). Set in numerous types printed on Frankfurt paper.
Price: $ 550.00 other currencies Order nr. 93138

READ MORE...

(Bird & Bull Press) Hopkins, Richard L. (editor) PRIVATE TYPECASTERS, PRESERVING THE CRAFT OF HOT-METAL TYPE INTO THE TWENTY-FIRST CENTURY.
Newtown, PA Bird & Bull Press 2008 small 4to. quarter morocco with Japanese cloth sides, leather spine label. 194 pages.
First edition, limited to 150 numbered copies. The private press has been with us in one form or another for 200 years or more. The equipment for a small private press was inexpensive, required little space and almost anyone could learn to do basic printing in a short time. Private typecasting is entirely different. A single machine weighs almost a ton and a lot of practice and experience is required in order to decently produce the most basic work. This once-costly equipment came into the hands of printing enthusiasts when hot-metal typesetting was forced into decline by the computer. The members of this hot-metal fraternity comprise a network of small shops using the machines and matrices which once supported the hot-metal letterpress era. They are, in effect, a group of small, working museums. The work of fifteen of these typecasters has been gathered into the pages of this book. Here you will see unknown, newly-created types, ancient types cast from 200-year-old matrices, proprietary types and a beautiful Civilité face designed by Hermann Zapf, which was never released to the commercial market. There are five fold-out pages, two of which open together to make a 32-inch spread. One of the fold-outs is a recreated page from the 36-line Gutenberg Bible with rubrication. It took six months to turn the printed images on the original page into a complete font of hand-fitted metal types. Printed on dampened handmade paper, this leaf required a week's work, and handling it is as close as most of us will get to experiencing the genuine page.
A biographical sketch of each contributor precedes his alphabets and the specimen pages which show the alphabets in use. Produced over a 14-month period, the labor and expense lavished on this work exceeds any previous book from Bird & Bull Press.
The Private Typecasters, a 194-page small folio printed on Zerkall mould-made paper, is beautifully bound in quarter morocco with Japanese cloth sides and leather spine label. The same cloth and spine label are used on the clamshell case which houses the book.
Price: $ 900.00 other currencies Order nr. 100094

READ MORE...

(Calligraphy) Knight, Stan HISTORICAL SCRIPTS FROM CLASSICAL TIMES TO THE RENAISSANCE.
New Castle, Delaware Oak Knoll Press and John Neal, Bookseller 1998 4to. hardcover, dust jacket 112 pages.
Reprint with minor corrections of second edition. The craft of calligraphy has a 2000-year history in the Western world. Up to the time of the Renaissance, calligraphy was the only means of preserving literature, and so, it played a vital role in the spread of learning, culture, and religion. Historical scripts were not rigidly-fixed "styles;" they represented the high peaks in an endlessly shifting landscape. Throughout centuries, styles of writing were continually being modified and developed in response to a multitude of influences encompassing political, religious, aesthetic, intellectual, sociological, and pragmatic changes in the ways that books were made and scripts were written. The modern calligrapher, typographer, historian, and anyone interested in western lettering and documents benefits from studying the methods, skills, and attitudes of generations of historical scribes who produced such outstanding and accomplished works for so many centuries.
Revised and expanded, this book is an excellent survey of bookhands with its full-page, enlarged illustrations and solidly researched sources. It is a useful text for studying the history of manuscripts as well as the details of letter construction. This work also helps one make judgments about the technical condition of letter writing and its qualities of rhythm and movement, possible only when consulting an original manuscript. The author has gone to considerable lengths to obtain photographs that are well-focused and lit so that the tactile qualities of surfaces, ink tone, and flow are revealed. The author has chosen examples of formal writing that show a coherent and reasonably consistent relationship between methods of tool use and letter formation, making the construction of a script much easier to grasp in practice. He has also made the effort of selecting writing without idiosyncrasies of style.
Price: $ 39.95 other currencies Order nr. 52752

READ MORE...

Signed copy available upon request

Clouse, Doug MACKELLAR, SMITHS & JORDAN: TYPOGRAPHIC TASTEMAKERS OF THE LATE NINETEENTH CENTURY.
New Castle, Delaware Oak Knoll Press 2008 8.5 x 11 inches Hardcover, dust jacket. 176 pages
First edition. This is the first full-length study of the leading American type foundry of the nineteenth century. It is an interesting history of the foundry from both a business and a design point of view. The emphasis is on the design of the hundreds of typefaces that were produced by the foundry, from its inception in the 1860s until its merger with most other American foundries at the end of the century. The author describes (with many detailed photographic illustrations) how changing business conditions and technical improvements in typefounding interacted with changes in public taste to modify, over the decades, the appearance of the typefaces that Americans found in their publications. While this is a study of only one of many American foundries, in many ways MacKellar, Smiths & Jordan can stand as an exemplar of all the rest. It was the descendant of the first successful American type foundry, Binny and Ronaldson, started in Philadelphia in 1796. Extensive business records of the firm exist, as do scores of type specimen books and promotional publications of the foundry. All of these have been used extensively by the author. The scores of typefaces illustrated and described are considered as the ever-changing output of a corporation, with lesser emphasis on the individual creators of each typeface. At the turn of the twentieth century, taste turned away from the florid, ornamented style of the earlier decades. Mr. Clouse has shown in this well-written study that the earlier styles were very successful in their own time and should be judged on that basis. A completely illustrated appendix showing MS&J's patented typefaces is extremely helpful.
Price: $ 65.00 other currencies Order nr. 96669

READ MORE...

Coakley, J.F. THE TYPOGRAPHY OF SYRIAC: A HISTORICAL CATALOGUE OF PRINTING TYPES, 1537-1958.
New Castle, Delaware and London Oak Knoll Press and The British Library 2006 7 x 10 inches hardcover 272 pages
Syriac, a dialect of the ancient Aramaic language, has a remarkable Christian literature spanning a thousand years from the fourth to the thirteenth century, including important versions of the Bible. It remains the liturgical language of several churches in the Middle East, India, and the west, and 'Modern Syriac' is a vernacular still in use today. It is no wonder that this language has a long and rich printing history. The challenge of conveying the beautiful cursive Syriac script, in one or another of its three varieties, was taken up by many well-known type-designers in the letterpress era, from Robert Granjon in the sixteenth century to the Monotype and Linotype corporations in the twentieth, as well as by many lesser-known ones. This study records and abundantly illustrates no fewer than 129 different Syriac types, using archival documents, type-specimens, and the often scattered evidence of the print itself. The Typography of Syriac will be of interest not only to scholars of Middle Eastern languages and scripts but also to all historians of type and printing.
J. F. Coakley is Senior Lecturer in the Department of Near Eastern Languages and Civilizations, and on the staff of Houghton Library, at Harvard University. His private press, the Jericho Press, occasionally makes use of Syriac and other exotic types.
Price: $ 75.00 other currencies Order nr. 91843

READ MORE...

Hopkins, Richard L. TOLBERT LANSTON AND THE MONOTYPE; THE ORIGIN OF DIGITAL TYPESETTING.
Tampa, FL University of Tampa Press 2012 small 4to cloth covered boards, dust jacket 232 pages
This special hardback edition is limited to 300 copies. It includes a 24-page Monotype letterpress keepsake booklet, Going with Goudy to Philadelphia, composed, printed in several colors, and signed by Richard Hopkins. Tolbert Lanston and the Monotype is printed in full color, with more than three hundred photos and illustrations, 232 pages, plus several appendices and index.

LEARN THE UNTOLD STORY OF DIGITAL TYPESETTING.

Tolbert Lanston, at the end of the nineteenth century, was a man obsessed with the idea of creating a machine which would provide automated typesetting yet preserve all the nuances of excellence in typography and fine printing. This also is the story of the man and the company that created and manufactured Monotypes for three-quarters of a century.

An American Civil War veteran, Lanston has remained a poorly documented hero of the typographic revolution. His Monotype System was the very first digital concept put into daily use in typesetting plants across the globe. The Monotype was a groundbreaking precursor to the computer revolution in the typesetting industry, though it was introduced over seventy years before computerized typesetting systems were developed.
Price: $ 75.00 other currencies Order nr. 116377

READ MORE...

Hudson, Graham THE DESIGN AND PRINTING OF EPHEMERA IN BRITAIN AND AMERICA, 1720-1920.
New Castle, Delaware and London Oak Knoll Press and The British Library 2008 8.5 x 11 inches Hardcover, dust jacket 160 pages
First edition. Ephemera has been collected for many years, but only recently has it become widely accepted as material for academic study. This is the first book to discuss ephemera as an aspect of design history, showing how function, production process and period have affected the changing appearance of billheads, trade cards, flyers, playbills and other ephemera. This book explores the closely interwoven printing histories of Britain and America. American colonial printers and engravers imported British type and equipment, took instruction from the same manuals and were guided by the same exemplars as their British counterparts, a relationship that continued through the first half of the nineteenth century. Following the Civil War, American graphic design and typography began to establish distinctive identities, with developments in color printing bringing an efflorescence of color-rich trade cards, cigar-box labels and other chromolithographed ephemera that was essentially American. Nevertheless, ideas continued to be shared across the Atlantic. American foundries devised entirely original typefaces that were imported into Britain, yet the development of expertise in designing with these new faces depended on printers learning from one another, and the scheme of specimen exchange that successfully achieved this was wholly devised and administered from London. Richly illustrated with letterforms, engravings, drawings and the reproduction of over 200 items of ephemera, many in full color, this is a book for collectors, students, design historians and all with an interest in the visual arts. Graham Hudson is secretary and a founding member of the Ephemera Society and a member of the Ephemera Society of America. His published articles on aspects of ephemeral printing include contributions to the Journal of the Printing Historical Society, Art Libraries Journal, the Journal of the Writing Equipment Society, Industrial Archaeology and numerous articles in The Ephemerist..

Sales rights: North and South America; available elsewhere from The British Library
Price: $ 65.00 other currencies Order nr. 95868

READ MORE...

Johnston, Alastair ALPHABETS TO ORDER: LITERATURE OF 19TH-CENTURY TYPEFOUNDERS' SPECIMENS
New Castle Oak Knoll Press 2000 small 4to. cloth, dust jacket. 222 pages.
First edition. This work explores the literature of nineteenth century typefounders Catalogues. Combining typographic scholarship and literary criticism, Alastair Johnston presents and discusses hundreds of examples of texts that show British and North American founders' interests and preoccupations with letter forms. Co-published with The British Library. Illustrated with hundreds of type specimens.
Price: $ 39.95 other currencies Order nr. 60132

READ MORE...

(Kat Ran Press) Hidy, Lance. LANCE HIDY: DESIGNING THE MENTORING STAMP
An artist's commentary on theory, gesture, photography, compostition, color, light , and the typeface Penumbra (Florence MA) Kat Ran Press 2007 8vo. stiff paper wrappers 60 pages
Part of the Kat Ran Essays in Philatelics. First edition. Hidy describes the entire process and evolution of the stamp. This stamp is believed to be, by the post office, the only U.S. stamp with the artwork and typeface designed by the same individual. Many color illustrations, mostly Hidy's work but some of earlier stamps. A very interesting book for those interested in stamp collecting or in graphic design in general.
Price: $ 45.00 other currencies Order nr. 99451

READ MORE...

Loy, William E. (edited by Alastair M. Johnston and Stephen O. Saxe) NINETEENTH-CENTURY AMERICAN DESIGNERS AND ENGRAVERS OF TYPE.
New Castle, Delaware Oak Knoll Press 2009 9 x 12 inches hardcover, dust jacket 164 pages
New technology, such as electrotyping, the pantograph and router, introduced in the middle of the nineteenth century, combined with the expansion of commerce as America moved westward, created a great outpouring of exuberantly ornamented typefaces. Though these "Victorian" faces have moved in and out of favor, many of them have great charm and usefulness. They were produced in conditions of a commercial free-for-all, even outright piracy, not unlike the "desktop font" boom of the 1990s. While many Victorian types have been revived by digital foundries, their sheer number has intimidated historians unable to establish their true origins.

In 1896 William E. Loy, a San Francisco printing equipment salesman and scholar, had the idea of writing a series of profiles of type designers. Loy took a long view of history, and realized that it was important to document the men in the background who created the nineteenth century's fanciful types, even as the furiously competing type foundries got the credit for introducing them to the printing trade. His work was serialized in The Inland Printer over the next three years and included biographies, photographs of the artists, and lists of the type they had designed or cut, which Loy had painstakingly compiled through correspondence with the type founders and other craftsmen. Unfortunately, due to the technical limitations of a monthly periodical, it was not possible to show the typefaces mentioned. Finally here is the work as Loy envisioned it, with over 800 illustrations of typefaces designed by the craftsmen he discusses.

Here, written by a man who knew many of the designers and engravers, is the behind-the-scenes story: biographies of men - artists, sportsmen, blacksmiths, soldiers, even a game warden - who were the creators of these innovative types. Loy traces their personal stories adding much incidental detail about the politics & business practices of the time and the innovations of each of these thirty men. Now, a century later, typographical historians Alastair Johnston and Stephen Saxe have realized Loy's vision, fully illustrated and annotated. This is one of the first reference books on nineteenth-century American type design, and as such is an important addition to typographical history.

William E. Loy (1847-1906) grew up in the Midwest and moved to California in 1874. He worked as a newspaperman, printer and printing equipment salesman. He was associated with Nelson Crocker Hawks at the Pacific Type Foundry in San Francisco, before branching out on his own. His vast typographical library formed the core of the Kemble Collection now at the California Historical Society.

Stephen O. Saxe is the author of American Iron Hand Presses (Oak Knoll & The British Library, 1995); he annotated the revised edition of Annenberg's Typefoundries of America and their Catalogs (Oak Knoll & The British Library, 2000). A graduate of Harvard and Yale, he was a stage and television scenic designer before he became interested in printing history. Alastair Johnston is the author of Alphabets to Order: the Literature of Nineteenth-Century Typefounders' Specimens (Oak Knoll & The British Library, 2000). A co-founder of Poltroon Press, he has taught at the University of California since 1979. He also teaches book arts in public elementary schools. He is currently writing a biography of Richard Austin, the English type cutter, and his son the wood-engraver.
Price: $ 59.95 other currencies Order nr. 96679

READ MORE...

McGrew, Mac AMERICAN METAL TYPEFACES OF THE TWENTIETH CENTURY.
New Castle, Delaware Oak Knoll Press 1993 9 x 12 inches paperback 398 pages
Reprint of the second, revised edition. Discover 1,600 classical as well as bizarre typefaces in one of the most massive tributes to the history of printing and metal types. This edition of American Metal Typefaces of the Twentieth Century contains 300 more typefaces in a clean, attractive format. This well-organized work captures the rapidly disappearing traditions and legacy that metal-type printing has left behind. Much of this information has been lost by the passage of time, and its preservation in this book is essential for anyone studying typefaces, typography, and its history.

Structured by alphabetically-listed type families, these typefaces and their variant forms are shown in full alphabets - upper and lower case with numerals and punctuation. The specimens themselves are cleanly reproduced from metal types for maximum clarity. The text is detailed and informative, not only identifying the designer, foundry, and date of issue but also the range of sizes and closely similar designs by other founders. The history, aims, and purpose behind many of these typefaces are also described, along with production problems encountered and individual characteristics. Additional information includes extensive appendices listing common pseudonyms, popular imports, and antique faces, plus American Typefounders, Monotype, and Ludlow series numbers. The indexes provide easy access to typeface names as well as names of designers, punch cutters, matrix engravers, and other tradesman.

The history of metal types and printing, now forever preserved, has long affected the spread of human civilization. Oak Knoll Press is proud to offer this work to generations of graphic designers, typographers, printing and graphic arts enthusiasts all over the world.
Price: $ 65.00 other currencies Order nr. 34980

READ MORE...

(MERGENTHALER, OTTMAR) NEW-YORK DAILY TRIBUNE, SATURDAY, JULY 3, 1886.
New Castle, DE Oak Knoll Books 1988 17.5 x 23.5 inches. folded broadsheet Printed in black on one side only.
A facsimile of the first newspaper page composed on a commercial Linotype. Although printed by offset lithography, the parts composed by the Linotype can still be visibly distinguished from the hand-set type because of a single wrong-font bold face apostrophe. This appears in only three of the stories (see Schlesinger: Ottmar Mergenthaler, Inventor of the Linotype, pp. 113-116).
Price: $ 10.00 other currencies Order nr. 24085

READ MORE...

Moran, Bill, Robert Style, Dennis Ichiyama, and Richard Zauft HAMILTON WOOD TYPE: A HISTORY IN HEADLINES
St Paul, MS Blinc Publishing 2004 8.5 x 8.5 stiff paper wrappers 65 pages
Hamilton began producing type in 1880 and within 20 years became the largest provider in the United States. The Hamilton Wood Type and Printing Museum is the only museum dedicated to the preservation, study, production and printing of wood type. With 1.5 million pieces of wood type and more than 1,000 styles and sizes of patterns, Hamilton's collection is one of the premier wood type collections in the world. In honor of the Museum's fifth anniversary, Blinc Publishing was commissioned to produce a 65 page book outlining the history of the Hamilton Wood Type Company, the importance of wood type to the growth of printing world-wide, and the role the Museum plays in the education of today's design professionals. The book includes a foreword by Jim Sherraden and five chapters on the history of Hamilton as a company and a museum. Well illustrated in full color. Cover is letterpress printed. Distributed for the Hamilton Wood Type and Printing Museum.
Price: $ 20.00 other currencies Order nr. 99663

READ MORE...

Pankow, David (Editor) AMERICAN PROPRIETARY TYPEFACES
New York American Printing History Association 1998 8vo. cloth 176, (4) pages followed by 38 plates.
This book is a fascinating survey of typefaces developed in America after 1892 and intended for composition in metal for the use of an individual or press. It includes essays by the following: Susan Otis Thompson on American Arts & Crafts typefaces, Martin Hutner on the Merrymount Press, Herbert Johnson on Bruce Rogers's Centaur type, Cathleen Baker on Dard Hunter's typefaces, Mark Argetsinger on Frederic Warde, Stanley Morison, and the Arrighi type, Jerry Kelly on Joseph Blumenthal's Spiral (Emerson) type, Dwight Anger on Frederic Goudy's Kaatskill type, W. Gay Reading on Victor Hammer's Uncial Types, John Kristensen on experimental types of W.A. Dwiggins, and Paul Hayden Duensing on contemporary private types. Limited to 600 regular edition copies set in Monotype Centaur and Bembo with text printed letterpress and the illustrations printed by offset lithography at The Stinehour Press. Designed by Jerry Kelly. Includes 66 illustrations at the end of the book.
Price: $ 50.00 other currencies Order nr. 97457

READ MORE...

(Poltroon Press) Butler, Frances and Alastair Johnston PSHAW! 1975 - 2005
30 years of Poltroonery N.P. (but Berkeley CA) Poltroon Press n.d.(but 2006) folio quarter cloth, paper-covered boards not paginated (but 44 pages)
100 copies letterpress on Hahnemühle paper. The paper is in three colors. Far more than a simple bibliography, there are eight pochoir plates by Frances Butler and 28 tipped-in facsimiles and recreations of Poltroon ephemera.
Price: $ 500.00 other currencies Order nr. 91656

READ MORE...

Rossen, Susan F. (editor) INLAND PRINTERS: THE FINE-PRESS MOVEMENT IN CHICAGO, 1920-1945.
Chicago The Caxton Club 2003 small 4to. stiff paper wrappers, smythsewn: drawn-on, hinge-scored cover; trimmed flush 40 pages.
Full color catalogue written for the Caxton Club exhibition Inland Printers: The Fine-Press Movement in Chicago, 1920-45, held at Columbia College in Chicago, January 15, 2003. Features writings of 12 Caxtonians including: John P. Chalmers, Robert A. Cotner, Kim Coventry, Celia Hilliard, Thomas J. Joyce, Arthur H. Miller, Frank J. Piehl, Susan F. Rossen, Michael Thompson, and James M. Wells. An Introductory essay written by Paul F. Gehl. Over 40 Illustrations detailing the history of the private fine-press movement in Chicago. Includes information on the Private Press of Will Ransom, the Trovillion Private Press, and the Pony Barn Press.
Price: $ 15.00 other currencies Order nr. 72548

READ MORE...

(Silver Buckle Press) WOOD TYPE SAMPLER
Madison, WI Silver Buckle Press 2008 8" x 4" loose sheets 6 samples
Handprinted set of wood type specimen cards from the Silver Buckle Press. These specimens show six major styles of wood type in the collection: Antique, Gothic, Tuscan, Clarendon, Roman and Script faces. Each type is identified on the back of the card.

The specimens in Wood Type Sampler were designed and printed by students on staff at the Silver Buckle Press. Cards were originally printed in unnumbered editions as gifts for visitors. Seventy-five of each card were reserved for this limited edition offering. A title card displaying decorative wood type was printed for the edition. Sets are press numbered on the back of the title card.
Price: $ 35.00 other currencies Order nr. 102511

READ MORE...

(Type Specimens) INTERNATIONAL TYPEFOUNDERS/INTERNATIONAL TYPEFOUNDERS
2 volumes (Norristown PA) International Typefounders 1995; 1998 square 8vo. Two volumes, paper-covered boards not paginated
Thousands of type faces, each having one example, available from over 50 independent foundries and designers from around the world for PC or Mac. There is a CD available, but it is not included in the books. There is also a list of typeface distributors worldwide who carry these typefonts along with a website for ordering online. Quite interesting and very comprehensive.
Price: $ 25.00 other currencies Order nr. 92971

READ MORE...

(Typography.) Kegler, Richard, James Grieshaber and Tamye Riggs (editors) INDIE FONTS 2, A COMPENDIUM OF DIGITAL TYPE FROM INDEPENDENT FOUNDRIES.
New York P-Type Publications 2003 small square 8vo. cloth, dust jacket. 392 Pages
First edition. Foreword by Peter Bain. Book design by James Grieshaber. Text face is Alisal, designed by Carter & Cone. Indie Fonts provides a showcase collection of almost 1600 diverse fonts from 19 of today's hottest digital type foundries, creating an invaluable resource for designers, art directors and typographers. The book is organized by foundry so the user can get a feel for the work produced by each group. A visual font index is provided in the front for quick-scanning, with a fully cross-referenced index of font names, designers, and original designers. Contributing foundries include Atomic Media, Identikal, Jukebox, Storm Type Foundry, Terminal Design, and Union Fonts. Accompanying this book is a Bonus Fonts CD-ROM that contains representative 38 fonts. With a glossary of typographic terms and quick reference charts as appendixes. Designers looking for unique typefaces will find what they are looking for, whether historical revivals or futuristic techno faces.
Price: $ 39.95 other currencies Order nr. 76365

READ MORE...

Updike, Daniel Berkeley PRINTING TYPES, THEIR HISTORY, FORMS AND USE
2 volumes in one. New Castle, Delaware Oak Knoll Press 2001 6.5 x 9 inches hardcover, dust jacket 1,088 pages
Third edition, reprinted with new introduction by Martin Hutner. This extraordinary work explores the art of typography from the dawn of printing to the twentieth century. By tracing the development of type design, Updike discusses the importance of each historic period and the lessons they contain for today's designers. The original two-volume set has been combined into one book containing the original 367 typographical illustrations selected from rare and beautiful books. Updike's well-written text constitutes a running commentary on the historical and artistic significance of these illustrations, which exemplify the best work of printers and type founders from Gutenberg to Bruce Rogers. In Volume I, Mr. Updike discusses the Latin alphabet, the invention of printing, the cutting and casting of types, fifteenth-century types in Germany, Italy, France, Spain, and England, as well as German, Italian and French types of the sixteenth, seventeenth, and eighteenth centuries. Volume II continues the discussion of types to the beginning of the nineteenth century and then describes American types and nineteenth-century types in general. The closing chapters on choice of type and the industrial conditions of the past and their relationship to problems printers face are very informative. Co-published with The British Library.
Price: $ 85.00 other currencies Order nr. 63429

READ MORE...

E-mail/Export ?

Refine Result
Within This List:

New search of entire database?

	Include		Exclude
Author		Author
Title		Title
Keyword		Keyword

Clear all entries and click "Go" button to return to original search result.

Technology by Rockingstone
Viewed best in Internet Explorer 7

Copyright © 2009 Oak Knoll. All rights reserved.