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Type Specimens
 
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Type Specimens
 
   
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See More... (Bird & Bull Press) de Nova Villa, Henricus SO LONG, HOT-METAL MEN
The Comprehensive Bird & Bull Type Specimen Book Newtown, PA Bird & Bull Press 2007 small folio quarter morocco, slipcase (x), 117, (3) pages
Limited to an edition of 140 numbered copies. This book represents a full year of daily work creating a type specimen book that not only shows type faces ranging from the very rare to the common but also contains wonderful Henry Morris quotes composed in type. While there are serious entries, many, if not most, exhibit Morris's finely-tuned humor. How often does one get immense reading pleasure, to say nothing of a good laugh, from an exquisitely executed type specimen book? The alphabets shown range from the gargantuan 84-pt. to a miniscule 4-pt. There is ornamental material from the last days of the great German type founders, which is rarely seen in American private presses, much of which was designed by Hermann Zapf and others of equal ability. "I've seen many of the type specimen books of the twentieth century and I believe I have come up with a novel way of doing this. I predict the idea will be copied, but this is the original and no serious collection should be without it." (from the prospectus). Set in numerous types printed on Frankfurt paper.
Price: $ 550.00 other currencies Order nr. 93138

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See More... (Bird & Bull Press) Hopkins, Richard L. (editor) PRIVATE TYPECASTERS, PRESERVING THE CRAFT OF HOT-METAL TYPE INTO THE TWENTY-FIRST CENTURY.
Newtown, PA Bird & Bull Press 2008 small 4to. quarter morocco with Japanese cloth sides, leather spine label. 194 pages.
First edition, limited to 150 numbered copies. The private press has been with us in one form or another for 200 years or more. The equipment for a small private press was inexpensive, required little space and almost anyone could learn to do basic printing in a short time. Private typecasting is entirely different. A single machine weighs almost a ton and a lot of practice and experience is required in order to decently produce the most basic work. This once-costly equipment came into the hands of printing enthusiasts when hot-metal typesetting was forced into decline by the computer. The members of this hot-metal fraternity comprise a network of small shops using the machines and matrices which once supported the hot-metal letterpress era. They are, in effect, a group of small, working museums. The work of fifteen of these typecasters has been gathered into the pages of this book. Here you will see unknown, newly-created types, ancient types cast from 200-year-old matrices, proprietary types and a beautiful Civilité face designed by Hermann Zapf, which was never released to the commercial market. There are five fold-out pages, two of which open together to make a 32-inch spread. One of the fold-outs is a recreated page from the 36-line Gutenberg Bible with rubrication. It took six months to turn the printed images on the original page into a complete font of hand-fitted metal types. Printed on dampened handmade paper, this leaf required a week's work, and handling it is as close as most of us will get to experiencing the genuine page.
A biographical sketch of each contributor precedes his alphabets and the specimen pages which show the alphabets in use. Produced over a 14-month period, the labor and expense lavished on this work exceeds any previous book from Bird & Bull Press.
The Private Typecasters, a 194-page small folio printed on Zerkall mould-made paper, is beautifully bound in quarter morocco with Japanese cloth sides and leather spine label. The same cloth and spine label are used on the clamshell case which houses the book.

Price: $ 900.00 other currencies Order nr. 100094

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See More... Janssen, Frans A. TECHNIQUE & DESIGN IN THE HISTORY OF PRINTING.
`t Goy-Houten HES & DE GRAAF 2004 7 x 9.75 inches hardcover, dust jacket 380 pages
Containing 26 selected and thoroughly rewritten essays and articles (all written by Janssen and published previously between 1976 and 2002 in yearbooks and periodicals) all dedicated to the history of printing and book production, this work draws systematically attention to the typographical design of the book. The articles are mainly divided into two fields of attention: the analytical bibliography of the printed book (book production, studies of the technical aspects of type-setting and printing, type founding, printing presses, paper etc.) and the typographical design of books (its functions and its influence on how texts are read). With illustrations. Cover design, typography, and lay-out by Bram de Does.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 220.00 other currencies Order nr. 103672

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See More... Johnson, A.F. SELECTED ESSAYS ON BOOKS AND PRINTING. EDITED BY PERCY H. MUIR.
Amsterdam HES & DE GRAAF 1970 small folio cloth xi, 489 pages.
Forty extensive essays on the history of printing, publishing, typefounding, type design, etc. Emphasis is on the sixteenth century. A very beautifully produced book: Designed by Giovanni Mardersteig and printed at the Stamperia Valdonega, Verona. With numerous plates and illustrations.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 340.00 other currencies Order nr. 103257

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See More... (Old School Press) Thomas, Martyn, John A. Lane and Anne Rogers HARRY CARTER, TYPOGRAPHER
Bath The Old School Press 2004 small 4to. cloth, dust jacket 120 pages
Printed in an edition limited to 240 copies. The bibliography lists over 200 written works by Harry Carter. He wrote primarily about the history of typography, publishing and associated crafts. He began his career as a lawyer but is remembered as "one of the least-known best-known men in the world of books." The voice of this leading typographer and typefounder is a highly respected in his field. This invaluable resource make his authoritative and concise writings available to a new generation of scholars, with location details for rarer items. This deluxe copy includes a volume of hitherto unpublished writings by Carter, including sections he drafted for the putative second volume of his history of Oxford University Press. Includes 11 tipped-in photographs of Carter, a sample of the original Curwen paper that he designed, a self-portrait when aged 13, a triple wood-engraving portrait of him by George Buday and a setting using his 'Emerald' Bible typeface. Dust jacket made of green Huhnemühle Bugra Bütten carrying a line-drawing portrait of Carter by John Watts. To be publisged Spring 2005.
Price: $ 165.00 other currencies Order nr. 78577

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See More... (Poltroon Press) Butler, Frances and Alastair Johnston PSHAW! 1975 - 2005
30 years of Poltroonery N.P. (but Berkeley CA) Poltroon Press n.d.(but 2006) folio quarter cloth, paper-covered boards not paginated (but 44 pages)
100 copies letterpress on Hahnemühle paper. The paper is in three colors. Far more than a simple bibliography, there are eight pochoir plates by Frances Butler and 28 tipped-in facsimiles and recreations of Poltroon ephemera.
Price: $ 500.00 other currencies Order nr. 91656

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See More... (Type Specimens) Jammes, Paul COLLECTION DE SPÉCIMENS DE CARACTÈRES, 1517-2004
(Paris) Librairie Paul Jammes, Éditions des Cendres (2006) 4to. paper-covered boards, dust jacket 393, (5) pages
Text in French. Limited to an edition of 1000. A magnificent catalogue of type specimen books issued by this noted French bookseller. Contains 380 color illustrations of type specimens, many never before seen, with historical and bibliographical information for each. Printed in Sabon Next type.
Price: $ 320.00 other currencies Order nr. 94597

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See More... (Type Specimens) Laurent LA FONDERIE TYPOGRAPHIQUE.
de Laurent, Balzac et Barbier Crée en 1827. Réédition du Spécimen des Divers Caractères, Vignettes et Ornemens Typographiques de la Fonderie de Laurent et de Berny Dit de Balzac Paris Éditions des Cendres 1992 oblong large 4to. quarter cloth, marbled paper-covered boards, glassine wrapper xxxix, (ix) pages followed by 86 leaves numbered recto only, then (3) pages
Text in French. Limited to an edition of 999. Facsimile of the rare 1828 catalogue of types and decorations offered by the Founderie de Laurent et de Berny printed by H. Balzac. Preface by René Ponot and foreword with an history of Balzac as an editor and printer by John Dreyfus. Illustrated throughout, with 1505 examples of type and decorations. Printed in Bauer-Bodoni type.
Price: $ 195.00 other currencies Order nr. 94612

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See More... Vervliet, H.D.L SIXTEENTH-CENTURY PRINTING TYPES OF THE LOW COUNTRIES. WITH A FOREWORD BY HARRY CARTER.
Amsterdam HES & DE GRAAF 1968 4to. cloth. xxv, 366 pages.
This pioneer work is an annotated catalogue, illustrated with specimens of the types made during the sixteenth century in the area now covered by the Netherlands and Belgium. The influence of the sixteenth-century typecutters was considerable; in fact, many of their type faces, described in this book, were to be found in English printing offices of those days and even much later. With 267 facsimile-illustrations depicting 147 type specimens.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 450.00 other currencies Order nr. 103261

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See More... (Zapf, Hermann) Kelly, Jerry ABOUT MORE ALPHABETS: THE TYPES OF HERMANN ZAPF
Foreword by Robert Bringhurst New York The Typophiles 2011 4.5 x 7 inches hardcover, slipcase 112 pages
Deluxe edition signed by the author and limited to 75 copies. Includes four type specimens in a paper folder and a slipcase for the book and specimen folder.

Typophiles Chapbook, New Series, 3. "Letterforms are things that nearly all of us in the Western world have learned to take for granted. We treat them much like door knobs, water taps, thermostats, and hinges. We evidently think (in defiance of all logic) that what we read or write matters far more than how it's read or written, and that letterforms are just a way to get there, as a door knob is a way to open a door," writes Robert Bringhurst in the Foreword to About More Alphabets. This book hopes to bring attention to a neglected topic by focusing on the letterforms of Hermann Zapf.

From metal type to the digital characters, Hermann Zapf has composed exceptional type designs for seventy years. He can be considered one of the most important calligraphers of all time, as well as a most notable book designer and typographer. His typefaces are among the most beautiful and familiar in the world. This book, a companion volume to the Typophile Chapbook About Alphabets (1960, updated 1970), describes Zapfs post-1970 type designs and provides new research on many of the earlier types.

In this volume, typographer and calligrapher Jerry Kelly describes the origins and history of numerous Hermann Zapf typefaces including Marconi, ITC Zapf International, Linotype Zapfino, and Zapf Civilité. Kelly also includes new information on the Palatino nova and Optima nova families. This new Typophiles Chapbook is profusely illustrated with type specimens and drawings, many of which have never before been reproduced. Illustrations include drawings by Zapf, comparisons of various types, early sketches, typefaces never issued, and a twenty-eight page image section of type specimens. Other types described include Hallmark Textura, AMS Euler fraktur bold, Zapf Renaissance italic swash, Medici script, Aurelia, AMS Euler, Zapf Renaissance, ITC Zapf Chancery, and Zapf Civilité.

Robert Bringhurst calls Zapf one of historys greatest two-dimensional architects. He says, "Hermann Zapf has made letters so subtle, so lovely they bring tears to knowledgeable eyes. And there are very few people who know Zapfs work as well as Jerry Kelly. Read him and weep."

Price: $ 170.00 other currencies Order nr. 109481

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