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Fiering, Norman and Susan L. Newbury. PRINTING & PUBLISHING IN THE COLONIAL ERA OF THE UNITED STATES, A SUPPLEMENT TO THE BOOK IN THE AMERICAS (1988) WITH A CHECKLIST OF THE ITEMS IN THAT CATALOGUE.
Providence The John Carter Brown Library 1990 4to. stiff paper wrappers xvi, 37 pages
Describes 12 examples of printing in Colonial America, from the Bay Psalm Book of 1640 to Jefferson's Summary View of the Rights of British America. Illustrated.
Price: $ 10.00 other currencies Order nr. 53776

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Fitzgerald, Carol. SERIES AMERICANA: POST DEPRESSION-ERA REGIONAL LITERATURE, 1938-1980, A DESCRIPTIVE BIBLIOGRAPHY INCLUDING BIOGRAPHIES OF THE AUTHORS, ILLUSTRATORS, AND EDITORS.
2 volumes. New Castle, Delaware Oak Knoll Press 2009 6 x 9 inches 2 volumes, hardcover, dust jacket 1028 pages
First edition. During the years of the Great Depression and the decades that followed, works of American regional writing became increasingly popular. The thirteen series highlighted in this book were published from 1938 to 1980 and contain 163 titles, providing a broad representation of series Americana published during this span. Taken together, the series constitute a unique and compelling self-portrait of America, encompassing the American people, their history and culture, and the nation's natural treasures-its mountains, plains, and lakes-over a broad sweep of time measured in centuries. Other aspects of America-landmarks, seaports, forts, trails, folkways, customs, society in America, and even regional murders-are also subjects of these series. "Series Americana" continued to fill in the national self-portrait that began with the publication of state guide series by
the Federal Writers Project of the WPA (1937--1942), and continued with the Rivers of America series (1937--1974).

Each of the thirteen sections contains an introduction and publishing history, brief biographical sketches of the series editors, authors, and illustrators, a precise bibliographical description of the first edition/first printing of each title in the series, a tabulation of the number of reprints, and a listing of other works by the book's author. There are 242 biographical sketches altogether. With this wealth of relevant information, the books in these series function as guides to the regions or subjects they address. Much of the information presented about these books and their publishers, editors, and authors, has never before been assembled in an organized and usable format. This book will help preserve the memory of the talented American men and women who contributed to these series.

Carol Fitzgerald is the author of The Rivers of America: A Descriptive Bibliography (Oak Knoll Press, 2001). A longtime book collector, she has co-curated several exhibits of books and ephemera from her personal collections of Americana. She is a member of The Grolier Club, the Book Club of California, and the Fontaneda Society and lives in Fort Lauderdale, Florida, with her husband, Jean.

Published in association with the Center for the Book, Library of Congress.
Price: $ 125.00 other currencies Order nr. 96683

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Fleck, Robert D. BOOKS ABOUT BOOKS: A HISTORY AND BIBLIOGRAPHY OF OAK KNOLL PRESS, 1978-2008.
New Castle, Delaware Oak Knoll Press 2008 6 x 9 inches Hardback, dust jacket 238 pages
Written to mark Oak Knoll Press's thirtieth anniversary, Books about Books is a comprehensive history and bibliography of the press, from its beginning in 1978 through the fall of 2008. Bob Fleck, founder, owner, and president of the Press, tells the story of his adventures in publishing. Bob decided to leave the field of chemical engineering in 1976 to start Oak Knoll Books, an antiquarian bookseller specializing in books about books. Two years later, he started publishing in the same field, beginning with a reprint of Bigmore and Wyman's A Bibliography of Printing. Oak Knoll Press has operated out of several buildings and under several publishing directors, but in the thirty years of its existence, it has developed a reputation for excellence in the field of books about books. The Press has published 320 books to date and is still going strong.

The book begins with a fifty-page history of the press, which is well illustrated with more than fifty images. The history is followed by the bibliography, which lists 320 books in order of publication. Each entry includes the author, title, edition, and a brief physical description, as well as a paragraph describing the contents of the book. Any subsequent reprints are also listed. The bibliography includes about twenty full-page images of Oak Knoll Press publications. Books about Books is sure to be a useful tool for all of those wishing to expand their Oak Knoll Press collection or understand individual titles in the context of the whole.
Price: $ 45.00 other currencies Order nr. 99582

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Fleck, Robert D. BOOKS ABOUT BOOKS: A HISTORY AND BIBLIOGRAPHY OF OAK KNOLL PRESS, 1978-2008.
New Castle, Delaware Oak Knoll Press 2008 6 x 9 inches Paperback 238 pages
Written to mark Oak Knoll Press's thirtieth anniversary, Books about Books is a comprehensive history and bibliography of the press, from its beginning in 1978 through the fall of 2008. Bob Fleck, founder, owner, and president of the Press, tells the story of his adventures in publishing. Bob decided to leave the field of chemical engineering in 1976 to start Oak Knoll Books, an antiquarian bookseller specializing in books about books. Two years later, he started publishing in the same field, beginning with a reprint of Bigmore and Wyman's A Bibliography of Printing. Oak Knoll Press has operated out of several buildings and under several publishing directors, but in the thirty years of its existence, it has developed a reputation for excellence in the field of books about books. The Press has published 320 books to date and is still going strong.

The book begins with a fifty-page history of the press, which is well illustrated with more than fifty images. The history is followed by the bibliography, which lists 320 books in order of publication. Each entry includes the author, title, edition, and a brief physical description, as well as a paragraph describing the contents of the book. Any subsequent reprints are also listed. The bibliography includes about twenty full-page images of Oak Knoll Press publications. Books about Books is sure to be a useful tool for all of those wishing to expand their Oak Knoll Press collection or understand individual titles in the context of the whole.
Price: $ 25.00 other currencies Order nr. 99583

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(Franklin, Ben) Green, James N. & Peter Stallybrass BENJAMIN FRANKLIN, WRITER AND PRINTER
New Castle, Delaware Oak Knoll Press & Library Company of Philadelphia & The British Library 2006 8.5 x 11 inches hardcover, dust jacket 192 pages
Benjamin Franklin, Writer and Printer begins by focusing on Franklin's career as a printer, from his apprenticeship to his retirement in 1748, by which time he had created the largest printing business in colonial America. His success as a printer was based not only on his newspaper and the popular almanacs he published but also on his own writings, first for his brother's press in Boston and then for his own press in Philadelphia. Most of his early writing took the form of compiling and editing, as in the case of the proverbs that he collected from a variety of sources for his Poor Richard's Almanack and reused for The Way to Wealth, his most frequently reprinted work.
Much of what we know about Franklin as a writer and printer comes from his autobiography, the focus of the last part of this book. Left unfinished at his death in 1790, the autobiography was known to the world for nearly eighty years only in translations, fragments, paraphrases, and, in English, from retranslations of a 1791 French translation. The posthumous publishing histories of the autobiography and of The Way to Wealth illuminate the transformation of Benjamin Franklin from a youthful printer into the most famous American writer of the eighteenth century. Co-Published with the Library Company of Philadelphia and The British Library.
Price: $ 49.95 other currencies Order nr. 90643

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Govi, Fabrizio I CLASSICI CHE HANNO FATTO L'ITALIA: PER UN NUOVO CANONE BIO-BIBLIOGRAFICO DEGLI AUTORI ITALIANI.
THE CLASSICS THAT HAVE MADE ITALY: A NEW BIO-BIBLIOGRAPHY OF ITALIAN AUTHORS
with an introductory essay by John Ragone and a note by Umberto Pregliasco Modena Giorgio Regnani Editore 2010 8.25 x 11.25 inches hardcover, dust jacket 415 pages
I Classici Che Hanno Fatto Ltalia (or The Classics That Have Made Italy) offers itself as a counterpart to the great work Printing and the Mind of Man, illustrating the history of the Italian culture through a selection of works by Italian authors (by birth or adoption) from the thirteenth century to the present.

The publishing history of a text, whether a masterpiece or the work of a pioneering era, can be broken into two parts: information on the production and dissemination of works such as print runs, reprints, counterfeits, privileges, trade agreements, etc; and the mutual relationship between the press and the readers, showing how the printed book has influenced the way people read and write. Each work explained in the book calls special attention to editorial strategies such as format, font, illustrations, dedications, etc. The Classics That Have Made Italy is not just a list of prominent texts defining Italian history or a history of the Italian book from a typographic standpoint, but also a chronological overview of known printed texts.

The Classics That Have Made Italy provides the edition, background information, references, historical and cultural significance of each work, brief biography of the author, and an index. An essay by John Ragone examining the transformation of Italy from the fifteenth century is included. The book is written in Italian and accompanied by an English translation of the introduction.

Fabrizio Govi, who graduated from Bologna in 1997 with a degree in literature, is an antiquarian bookseller in Modena. John Ragone teaches at the University of Rome La Sapienza and has contributed to a number of books, including A Century of Books, Publishing in Italy, History and Scenarios for the XXI Century, Communication Memory, and others. Umberto Pregliasco works at an antiquarian bookshop in Turin and is the author of several articles on the bibliophile and trade and protection of antique books. He has been the chairman of the Antiquarian Booksellers Association of Italy (ALAI) since 2004.
Price: $ 95.00 other currencies Order nr. 104769

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THE GROLIER CLUB CREATES: BOOK ARTS BY CLUB MEMBERS.
New York The Grolier Club 2009 6 x 9 inches paperback 44 pages
The Grolier Club membership consists of private and institutional collectors; the antiquarian book trade; book scholars; and practitioners in the book arts, both amateurs and professional. No matter the reason for their interest, all Grolier Club members appreciate good design, fine bindings, letterforms, quality paper, and all the other facets of books. This book celebrates the 125th anniversary of the Club by displaying the work of twenty-nine members who are active in the fields of printing, book design, bookbinding, printmaking, illustration, calligraphy, and the production of artists books. The Grolier Club Creates showcases the work of each member, provides a brief description of the work, and a small essay written by the member. It is beautifully illustrated with a photograph or illustration for each entry.
Price: $ 12.00 other currencies Order nr. 107103

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Hellinga, Lotte, Alastair Duke, Jacob Harskamp, and Theo Hermans (editors) THE BOOKSHOP OF THE WORLD. THE ROLE OF THE LOW COUNTRIES IN THE BOOKTRADE 1473-1941.
`t Goy-Houten HES & DE GRAAF 2001 6.5 x 9.5 inches clothq 350 pages
Proceedings of a Conference held in London, 15-17 September 1999, organized by The Association for Low Countries Studies, University College London, Centre for Dutch and Flemish Culture, The British Library, Dutch and Flemish section, Wellcome Institute for the History of Medicine. Twenty-five papers by experts in their particular period or area were selected for publication. Covering almost five centuries, they represent a wholly modern approach to the history of the book and publishing in a European context, highlighting for the first time the crucial role of the Low Countries in transmitting the intellectual heritage of an area well beyond their own changing borders. Illustrated.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 115.00 other currencies Order nr. 103445

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Hinks, John and Catherine Armstrong (editors) BOOK TRADE CONNECTIONS FROM THE SEVENTEENTH TO THE TWENTIETH CENTURIES.
Delivered at the Twenty-second Conference on the History of the British Book Trade Birmingham, July 2005 New Castle, Delaware and London, England Oak Knoll Press and The British Library 2008 6 x 9 inches Hardcover, dust jacket. 281 pages
First edition. This ninth volume of the Print Networks series contains twelve exciting chapters from scholars working on the connections between the parties involved in the production of print artifacts; from author to printer, publisher, bookseller and reader. Chronologically, the offerings range from the seventeenth to the twentieth century as they track the developing trade in England, Scotland, Wales and Ireland. Publishers and readers who spent part of their lives in North America are also featured in several of the chapters. The main theme emerging from this volume is the significance of cheap print, including newspapers and journals. The social, cultural, political and economic significance of these artifacts is highlighted by an in-depth examination of the lives of those men and women who participated in the book trade. Co-published with The British Library.

Available in the UK from The British Library.
Price: $ 49.95 other currencies Order nr. 96655

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Hinks, John and Catherine Armstrong (editors) PRINTING PLACES: LOCATIONS OF BOOK PRODUCTION & DISTRIBUTION SINCE 1500
New Castle, DE and London, UK Oak Knoll Press and The British Library 2005 5.75 x 8.25 inches cloth 222 pages
This seventh Print Networks volume is a collection of essays presented at the 2002 Conference on the History of the Book Trade. The theme reinforces the importance of studying specific local factors alongside the wider picture of printing history. As with the other volumes in the Print Networks series, the scope of these scholarly essays is wide-ranging: the book trade in Britain, including links with the former colonies, in early modern and modern times. This collection of essays clearly reflects the book-trade history and is a lively engagement with other historical approaches: cultural, social, economic and intellectual. Edited by John Hinks and Catherine Armstrong to noted scholars in this field. Co-published with the British Library. Available in the UK from The British Library.
Price: $ 45.00 other currencies Order nr. 88192

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Hinks, John and Catherine Armstrong (editors) WORLDS OF PRINT: DIVERSITY IN THE BOOK TRADE
New Castle, Delaware Oak Knoll Press 2006 8vo. hardcover, dust jacket 254 pages
The infinite variety of people and places touched by the British book trade is the focus of this eighth volume in the Print Networks series. These papers - by established book historians and younger scholars - reflect the complex networks that existed between book trade people in the British Isles and the wider colonial world, focusing on those involved in the creation of the book, from author to agent, publisher to printer, bookseller to reader. The broad chronology covered here allows scholars of book history to observe thematic developments. Topics range from Scotland's earliest printers to late twentieth-century global marketing strategies, also exploring books in and about central America, New Zealand, Australia, Elgin, Northampton, and East Kent, among other diverse locations. These essays demonstrate what the connections between book trade practitioners locally and internationally can tell us about the significance of print. They accomplish this by analyzing the lives of the men and women who created and lived in these fascinating 'worlds of print'. Co-published with The British Library. Available in the UK from The British Library.
Price: $ 45.00 other currencies Order nr. 90945

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Hinks, John and Matthew Day (editors) FROM COMPOSITORS TO COLLECTORS: ESSAYS ON BOOK-TRADE HISTORY
New Castle, Delaware and London Oak Knoll Press and The British Library 2012 6 x 9 inches hardcover, dust jacket 400 pages
The essays in this collection trace texts from their creation and printing through to their publication, dissemination, and collection. In doing so, they show how production processes change texts and how collectors subsequently appropriate them for their own ends. By examining the diverse activities of those involved in both textual creation and collection over a long period, these essays highlight both continuities and changes in the book trade. Taken together, this collection offers considerable new insights into many facets of the book trade, ranging from creation to consumption. This newest addition to the Print Networks series includes nineteen essays from leading book history scholars, including Mariko Nagase, Daniel Cook, Stephen Brown, Brian Hillyard, Catherine Delafield, Rob Allen, Rachel Bower, Iain Beavan, and more. The "compositors" section covers everything from The Mayor of Quinborough, published in 1661, to My Name is Salma, published in 2007. Essays on "collectors" include Dr. James Fraser, Titus Wheatcroft, Sir Walter Scott, the USA Armed Services, and more. The book is illustrated throughout in black and white.

Available in the UK from The British Library.
Price: $ 75.00 other currencies Order nr. 105524

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Hinks, John, Catherine Armstrong, and Matthew Day (editors) PERIODICALS AND PUBLISHERS: THE NEWSPAPER AND JOURNAL TRADE, 1740-1914
New Castle, Delaware Oak Knoll Press and The British Library 2009 6 x 9 inches hardcover, dust jacket 256 pages
This tenth volume of the Print Networks series contains eleven original contributions by scholars working on periodicals and newspapers in the British Isles, outside London. The essays focus on the period between 1740 and 1914, including some case studies of individual publishers and their experiences in the print market. This volume demonstrates the cultural and political significance of newspapers and periodicals and their producers. A key theme emerging from the essays is the range of relationships between producers and consumers of print who lived and worked in the provinces and their connections with London. Examination of the question of "provinciality" sheds considerable new light on the connections between book trade people in all parts of the British Isles.

Dr. John Hinks is an Honorary Fellow at the Centre for Urban History, University of Leicester, where he is researching networks and communities in the British book trade. At the University of Birmingham he is an Honorary Research Fellow in English and a Visiting Lecturer in History, where he teaches early modern cultural history.

Dr. Catherine Armstrong is lecturer in American History at Manchester Metropolitan University. Her research interests include the cultural connections between Britain and North America during the colonial period, especially the ways in which the American landscape is portrayed in print on both sides of the Atlantic.

Dr. Matthew Day is Head of English at Bishop Grosseteste University College, Lincoln. He has research interests in print culture and early modern travel, and their intersection. He has published on censorship, paratexuality and the reception of early modern travel narratives in the eighteenth century.

Available in the UK from The British Library.
Price: $ 49.95 other currencies Order nr. 100486

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Howard-Hill, T.H. THE BRITISH BOOK TRADE, 1475-1890: A BIBLIOGRAPHY.
New Castle, Delaware, and London, England Oak Knoll Press and The British Library 2009 7.5 x 9.75 inches Hardcover, 2 volumes 1,876 pages in 2 volumes, plus index on CD-ROM
This superbly comprehensive and detailed bibliography of the British book trade, the product of research in over three hundred libraries in the UK and USA, supersedes all bibliographies on British authors and authorship, bibliography itself, book collecting, bookbinding, book illustration, bookselling, censorship, copyright, libraries, literacy, papermaking, printing, publishing, textual criticism, and typography until 1890. More than 24,000 items (notably articles in trade journals) are lightly annotated and arranged in classified chronological order to illustrate the social and technological development of British book crafts and industries. Items are minutely indexed on the accompanying CD-ROM. Large areas of the history and practices of the British book trades are opened to scholarly study for the first time. British Book Trade, 1475-1890 belongs in every research library: no-one who works in the fields of British literature, bibliography, or book trade history should neglect this work.

Trevor Howard-Hill is Distinguished Professor of English Emeritus at the University of South Carolina, Columbia, SC. Besides his many publications on Shakespearean texts, Renaissance dramatic manuscripts, and textual scholarship are eight volumes of the Index of British Literary Bibliography (Oxford 1969-99).

Published by Oak Knoll Press and The British Library, in association with The Bibliographical Society and The Bibliographical Society of America.
Price: $ 175.00 other currencies Order nr. 96665

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(INSEL-VERLAG) Brinks, John Dieter VOM ORNAMENT ZUR LINIE, DER FRÜHE INSEL-VERLAG 1899 BIS 1924.
2 volumes. Berlin Triton 2000 4to. linen-covered boards, both volumes enclosed in a linen slipcase. 391,(3) pages; 20 inserts in portfolio.
Printed in an edition of 2000 copies. Volume I of a series of three installments, not yet completed. Praised as "a masterpiece of book production" and "a product of enthusiasts" by critic Wilfried F. Schoeller, the book traces the early 20th-century history of the Insel publishing house. Insel earned its renown by turning book production into an art form as it printed the works of classic authors and gave a new generation of writers, such as Rainer Maria Rilke, their start. The editor, Brinks, reveals Insel's high aesthetic standards through sumptuous illustrations of its work. In all, there are 240 illustrations, seven of which are foldouts, many polychrome with three and four colors, and many with stunning gold print. One splendid example of the high-quality illustrations is the foldout of a series of classics, The Thousand and One Nights and the Decameron, the bindings designed by Marcus Behmer. The colors are so rich and the detail so striking that the reader almost feels he can touch and leaf through the deckled pages of the books shown. Another example depicted is that of Henry van de Velde's designs for the covers of Nietzsche's Also Sprach Zarathustra, as well as sample pages from the edition, both finely detailed with gold print. Text edited by Brinks with seventeen essays contributed by him and twelve other specialists such as Juergen Suess, Marcus Haucke, and Suzanne Buchinger. Essays beautifully printed with wide margins and double-spaced on Gardapat paper in cursive Borgis White Antiqua. Outstanding documentation for the essays at the back of the book, as well as detailed indices for artwork and literary sources. Accompanying the book is a slim briefcase volume containing twelve facsimile resolution papers and eight folder reproductions in their original format. Distributed for Triton in North America by Oak Knoll Press. In German.
Price: $ 200.00 other currencies Order nr. 63454

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(Jansz, Broer) THE CATALOGUS UNIVERSALIS OF BROER JANSZ (1640-1652). WITH AN INTRODUCTION BY H.W. DE KOOKER.
Utrecht HES & DE GRAAF 1986 22x15 cm stiff paper wrappers. (66), 362 pages.
Facsimile of this series of publications by Jansz. Jansz (1579 or 1580-1647) was a Dutch publisher and bookseller. He issued this series of listings of all books published (continued by his son) which were essentially a publisher's weekly of his time. Catalogi Redivivi V.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 190.00 other currencies Order nr. 103273

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Signed copy available upon request

Johnson, Kevin THE DARK PAGE II: BOOKS THAT INSPIRED AMERICAN FILM NOIR, 1950-1965.
Foreword by Guy Maddin New Castle, Delaware Oak Knoll Press 2009 9 x 12 inches hardcover, dust jacket 272 pages
Following up on his well-received bibliography of first edition sources for American film noir of the 1940s, Kevin Johnson's new bibliography The Dark Page II explores the second half of the classic American period, covering the years 1950-1965. Ground rules for noir style were by this time firmly established in Hollywood, and new techniques and themes had emerged, including location shooting and documentary-style storytelling, the incorporation of social issues into storylines, the final years of the Production Code's stranglehold on film content, and the influence of the style on Westerns, melodramas, and even science fiction. Importantly too, this era would see many of Hollywood's finest writers and directors blacklisted, jailed, or exiled as a result of McCarthy and the House Un-American Activities hearings.

The literary sources that informed this era evolved as well, with Hollywood taking a greater interest in the surprisingly literate novels that were being published as paid-by-the-word paperback originals, as well as hardcover titles being released by obscure and often short-lived publishers. The influence of the film industry on the book industry was felt in turn, with stories being snatched up as film options as soon as they first appeared in magazines and newspapers, sometimes resulting in a book publication that would never have occurred otherwise.

The Dark Page II is an essential volume in a continuing series of references that are projected to cover American screwball comedies, European film noir, and American crime films and dramas of the late 1960s and 1970s. Full-color photos of each first edition are featured, as well as bibliographical points for each book and a bounty of factual information surrounding both the origins of the books and their subsequent film adaptations.
Price: $ 95.00 other currencies Order nr. 100483

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Johnson, Kevin THE DARK PAGE II: BOOKS THAT INSPIRED AMERICAN FILM NOIR, 1950-1965.
Foreword by Guy Maddin New Castle, Delaware Oak Knoll Press 2009 9 x 12 inches cloth, slipcase 272 pages
Deluxe version, limited to 110 copies, with a slipcase and a colophon page signed by Guy Maddin and Kevin Johnson.

Following up on his well-received bibliography of first edition sources for American film noir of the 1940s, Kevin Johnson's new bibliography The Dark Page II explores the second half of the classic American period, covering the years 1950-1965. Ground rules for noir style were by this time firmly established in Hollywood, and new techniques and themes had emerged, including location shooting and documentary-style storytelling, the incorporation of social issues into storylines, the final years of the Production Code's stranglehold on film content, and the influence of the style on Westerns, melodramas, and even science fiction. Importantly too, this era would see many of Hollywood's finest writers and directors blacklisted, jailed, or exiled as a result of McCarthy and the House Un-American Activities hearings.

The literary sources that informed this era evolved as well, with Hollywood taking a greater interest in the surprisingly literate novels that were being published as paid-by-the-word paperback originals, as well as hardcover titles being released by obscure and often short-lived publishers. The influence of the film industry on the book industry was felt in turn, with stories being snatched up as film options as soon as they first appeared in magazines and newspapers, sometimes resulting in a book publication that would never have occurred otherwise.

The Dark Page II is an essential volume in a continuing series of references that are projected to cover American screwball comedies, European film noir, and American crime films and dramas of the late 1960s and 1970s. Full-color photos of each first edition are featured, as well as bibliographical points for each book and a bounty of factual information surrounding both the origins of the books and their subsequent film adaptations.
Price: $ 375.00 other currencies Order nr. 100484

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(Johnson, Samuel) Eddy, Donald D. and J.D. Fleeman PRELIMINARY HANDLIST OF BOOKS TO WHICH DR. SAMUEL JOHNSON SUBSCRIBED.
Charlottesville Bibliographical Society of the University of Virginia 1993 8vo. stiff paper wrappers. (iv), 34 pages.
Reprinted from Studies in Bibliography. 68 books identified to which Johnson subscribed. Notes to entries discuss other subscribers, record published references to the book or to Johnson's connection with it, and report the copies on which the present record is based.
Price: $ 10.00 other currencies Order nr. 53831

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Jones, Howard PRINTING THE CLASSICAL TEXT
`t Goy-Houten HES & DE GRAAF 2004 6.25 x 9.75 inches hardcover 238 pages
Printing the Classical Text presents a comprehensive survey of the period in which the first Classical text was printed in 1465 through the end of 1500. The opening chapter of the book locates Classical printing within the wider context by reviewing some of the cultural, intellectual, and commercial factors which affected the printing industry as a whole during the first fifty years of its development. The two central chapters are devoted to the Latin and Greek editions.
Latin editions, representing more than ninety percent of the whole, include comprehensive chronological listings that detail the printing history of each of the more than seventy authors represented, a synoptic chart, and running commentary in which the author identifies observable patterns and highlights the text's most distinctive features. An account of the introduction of Greek studies into Italy, where all fifteenth-century editions of Greek authors were printed, and a review of the typographical challenges that the earliest printers of Greek texts faced is followed by an examination of each of the Greek editions in the context of its printer's instinctive publishing program. In the concluding chapter, the author examines what the process of editing involved and attempts to assign to the earliest printed Classical editions their appropriate place in the evolution of the authoritative text in light of both the claims which the earliest editors themselves made and the less enthusiastic judgment rendered by modern critics. Illustrated in black-and-white.
Howard Jones is Professor of Classics at McMaster University in Canada, and is the author of books on Cicero, Gassendi, and the Epicurean tradition.
Price: $ 200.00 other currencies Order nr. 103669

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Kerssemakers, Agnes M.L. SOCIAL LIBERATION: FROM THE FRENCH REVOLUTION TO THE MIDDLE OF THE TWENTIETH CENTURY
Houten HES & DE GRAAF 2012 8.5 x 11 inches hardcover 835 pages
This extensive catalogue describes around 9,000 printed books, pamphlets, papers, periodicals, almanacs, broadsides, posters, prints, caricatures, photographs, manuscripts, and memorabilia that were collected by author Agnes M.L. Kerssemakers over the course of many years.

It is a collection of mainly propaganda and enlightenment publications, but also entertainment pieces like songs and literature, including almost every edition of the Malik-Verlag. The book is complemented with pictorial surveys of social bodies or activities, as well as the great works of the social Fathers, like Babeuf, Morelly, Rousseau, Moses Hess, Flora Tristan, Marx and Lenin.

The catalogue has been enriched with 161 full color illustrations.

Available outside North America from HES & DE GRAAF.
Price: $ 200.00 other currencies Order nr. 108986

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Keulen, E.A van, E.K. Spits IN DE GEKROONDE LOOTSMAN. HET KAARTEN-, BOEKUITGEVERS EN INSTRUMENTENMAKERSHUIS VAN KEULEN TE AMSTERDAM 1680-1885.
Utrecht HES & DE GRAAF 1989 8.25 x 9.25 inches Paperback 104 pages
For over two centuries, the chartmakers firm of Van Keulen was established in the instrument-house of 'De Gekroonde Lootsman' in Amsterdam. Written in Dutch, this text studies the maps and books published by Van Keulen from their opening in 1680 to their closing in 1885.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 55.00 other currencies Order nr. 103314

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Kirkpatrick, Robert FROM THE PENNY DREADFUL TO THE HA'PENNY DREADFULLER.
A Bibliographic History of the Boys' Periodical in Britain, 1762 - 1950 New Castle, Delaware Oak Knoll Press and The British Library 2013 6.75 x 9.5 inches hardcover, dust jacket 586 pages
This book tells, for the first time, the full history of the British boys' periodical, from its origins in the second half of the 18th century to its decline after the Second World War. It contains 100 black-and-white illustrations and 16 in color.

Beginning with educational and religious magazines, it follows the trail through the violent and sensational 'penny blood' which thrived between around 1830 and 1870, to early attempts to entertain as well as educate boys through monthly magazines, and the ground-breaking weekly story papers and 'penny dreadfuls' of Edwin J. Brett, beginning with Boys of England in 1866, and his rivalry with the Emmett brothers and other publishers.

It also looks at cheap periodical publishing for boys in America, before exploring the introduction of more 'respectable' periodicals such as the Boy's Own Paper and Chums, and the attempts of a young Alfred Harmsworth, later Lord Northcliffe and founder of the Amalgamated Press, to usurp the 'penny dreadful' by producing the 'ha'penny dreadfuller'.

Finally, it charts the progress of the story paper through the first half of the 20th century, before it gave way to comics, imported American magazines, and television. It concludes with a comprehensive checklist, giving publication details of over 600 periodicals.

Robert J. Kirkpatrick is the author of Bullies, Beaks and Flannelled Fools: An Annotated Bibliography of Boys School Fiction, 1742 - 2000 (privately published, 1990 and 2001) and The Encyclopaedia of Boys School Stories (Ashgate, 2000). He is a long-standing member of the Childrens Books History Society, and a regular contributor to the Societys newsletter as well as to newsletters from other literary societies. In an earlier life he spent many years working as a welfare benefits adviser for a London housing association, and was the author of several books and articles on housing benefit and other social security matters.

Available outside North and South America from the British Library
Price: $ 85.00 other currencies Order nr. 108513

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Kooker, H.W. de, B. van Selm BOEKCULTUUR IN DE LAGE LANDEN 1500-1800. BIBLIOGRAFIE VAN PUBLIKATIES OVER PARTICULIER BOEKENBEZIT IN NOORD- EN ZUID-NEDERLAND, VERSCHENEN VOOR 1991.
Utrecht HES & DE GRAAF 1993 8vo cloth xviii, 210 pages.
Study of the book culture of this area. Illustrated.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 100.00 other currencies Order nr. 103477

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Laurentius, F. CLEMENT DE JONGHE (CA. 1624-1677): KUNSTVERKOPER IN DE GOUDEN EEUW
Houten HES & DE GRAAF 2010 6 x 9.5 inches Hardcover 190 pages
Frans Laurentius describes Dutch prints and the life and business of art vendor and publisher, Clement de Jonghe . It is known that Jonghe was in possession of a group of Rembrandt etched copper plates. Despite his relative fame in this area, Clement de Jonghe has never fully explained in literature. Contains 44 illustrations. Written in Dutch with English summary.

Volume XL in the series of Bibliotheca Neerlandica.
Price: $ 140.00 other currencies Order nr. 105568

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