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Antiquarian (414)

Private Press

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(Bird & Bull Press) Wolfe, Richard J. THREE EARLY FRENCH ESSAYS ON PAPER MARBLING, 1642-1765
WITH AN INTRODUCTION AND THIRTEEN ORIGINAL MARBLED SAMPLES. Newtown, PA Bird & Bull Press 1987 8vo. quarter bound by E.G. Parrot in morocco and tips with leather spine label, and "snail" pattern marbled paper sides made by Wolfe especially for this edition. 106 pages.
Limited to 310 numbered copies and hand-printed by Henry Morris at his Bird & Bull Press on Umbria handmade paper. Wolfe has translated an unpublished manuscript from Lyon circa 1642, containing the earliest known French marbling recipe, an article from Journal Oeconomique,1758, and an article from the Diderot-D'Alembert Encyclopedie of 1765 into English. The Diderot article is especially interesting as it comments on the practical side of marbling, i.e., how much money could be made. The samples were produced by Wolfe using the instructions in the translated manuals. Included is a four-color sequence showing the various steps taken by Wolfe in producing the Placard pattern.
Price: $ 275.00 other currencies Order nr. 17530

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(Black Sparrow Press) Oates, Joyce Carol TRIUMPH OF THE SPIDER MONKEY
Santa Barbara Black Sparrow Press 1976 8vo. cloth-backed, paper-covered boards, paper spine label, slipcase 89, (5) pages
Limited to 350 copies for sale, this being one of the 50 signed copies hand-bound in black-and-white patterned cloth by Earle Gray and with a black paper slipcase. (Morrow and Cooney 239). A captivating story about a maniac by Joyce Carol Oates. Designed by Barbara Martin. In fine condition.
Price: $ 150.00 other currencies Order nr. 97757

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Blake, William ILLUSTRATIONS TO YOUNG'S NIGHT THOUGHTS DONE IN WATER-COLOUR BY WILLIAM BLAKE.
Cambridge, MA Fogg Museum of Art 1927 folio cloth portfolio with fold-in flaps and ties. (20) pages + 30 plates.
Printed for the Fogg Art Museum by the Harvard University Press in an edition limited to 500 numbered copies (Bentley 395). Prefatory Note by Chester N. Greenough. Introductory Essay by Geoffrey Keynes. Thirty plates, five in color, selected from the 537 original water-colors in the library of William Augustus White. An excellent job of color facsimile, showing the glory of the original water-colors. Portfolio is faded.
Price: $ 250.00 other currencies Order nr. 70129

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(Bookbinding) Tidcombe, Marianne THE DOVES BINDERY.
London and New Castle, Delaware The British Library and Oak Knoll Books 1991 4to. cloth. xiv, 490 pages.
First edition. This famous bindery was founded by T.J. Cobden-Sanderson in 1893 and over a period of 30 years it produced some of the finest bookbindings ever conceived. In its early years the bindery shared premises with William Morris's Kelmscott Press. The consequent collaboration resulted in a series of richly-decorated copies of the Kelmscott Chaucer. Later on the majority of the bindery's work was for the Doves Press, which Cobden-Sanderson founded with Emery Walker in 1900. Dr. Tidcombe's comprehensive work provides a detailed history of the Bindery and includes a complete catalogue of the books produced, over 120 of which are described in full and illustrated. The text is supported by indexes and appendices, including a discussion of fake bindings discovered by the author in collections all over the world. Well-illustrated with over 200 black-and-white illustrations and 16 pages in color. Some spotting along hinges.
Price: $ 195.00 other currencies Order nr. 53214

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One of 40 Copies

(Book Club of California) McClintock, Elizabeth CALIFORNIA FLORA
San Francisco Book Club of California 1995 small 4to. stiff paper wrappers which is loosely inserted in a pocket in the left side of the portfolio and with the separate suite of plates inserted in a paper wrapper portfolio which is in turn inserted in the right side of the cloth portfolio, paper spine l (34) pages
One of 40 copies inserted in this specially made portfolio and containing a separate suite of the 13 DePol plates which often have a penciled "D" under the image. The "floral portraits" were printed from John DePol's original wood engravings by the Feathered Serpent Press. In a fashion similar to earlier publications for the Book Club of California, this volume contains twelve sections. Each pair of facing pages contains text on the left describing the properties of the flower illustrated on the right. John DePol's illustrations are typical of his style and show off his ability to balance blackness with movement within each composition. Patterned endpapers. Cover printed in olive, orange and black.
Price: $ 300.00 other currencies Order nr. 93797

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BOOKS AT IOWA
Iowa City University of Iowa Libraries 1964-1988 8vo. stiff paper wrappers variously paginated
Numbers 1- 48. Including the separate indexes. There was one issued in 1964 and two each year after that. Number 48 is the first of two for 1988. An unbroken run of the first 24 years. (It ceased publication in 1996.) Sent to Friends of the University of Iowa Libraries, the issues described collections and acquisitions on a wide range of subjects. Most of the issues are lightly shelf worn, all are in nice shape.
Price: $ 650.00 other currencies Order nr. 94509

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(Boss Dog Press) A CATALOG OF BOOKBINDING TOOLS AND EQUIPMENT FORMERLY BELONGING TO DR. LOYD HABERLY.
N.P. Boss Dog Press 2012 4to. quarter leather, decorated paper-covered boards, top edge cut, other edges uncut, slipcase. unpaginated
Limited to 70 copies signed by designer, printer and binder Dan Rash; this is one of the 20 lettered copies bound thus and printed on handmade paper. A "small bit of book arts history" designed to provide a "resource for collectors and scholars of Loyd Haberly's bindings." Tipped-in color illustrations throughout include equipment, finishing tools, hand tools and supplies. Text includes descriptions of the tools in the illustrations. Includes a center fold-out reproduced from an original page of finishing tool smoke proofs.
Price: $ 235.00 other currencies Order nr. 114255

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(Bowne & Co.) Poe, Edgar Allan THE PIT AND THE PENDULUM.
New York South Street Seaport Museum 1991 8vo. cloth, wrap around paper spine and cover label. (vi), 22, (4) pages.
Printed in an edition limited to 150 copies signed by the illustrator John DePol. Illustrated with eight wood engravings and patterned paper endpapers by DePol. Signed by DePol on the colophon page.
Price: $ 225.00 other currencies Order nr. 61628

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(Bradley, Will H.) Bambace, Tony WILL H. BRADLEY: HIS WORK, A BIBLIOGRAPHICAL GUIDE.
Accompanied by an original copy of BRADLEY HIS BOOK. New Castle, Delaware and Boston, Massachusetts Oak Knoll Press and Thomas G. Boss Fine Books 1995 8vo. quarter leather with paste paper over boards, leather spine label. Booklet is stiff paper wrappers held in porfolio. Both inserted in a cloth-covered clamshell box. xxiii, 216 pages.
First edition. One of 44 special signed and numbered copies. Will H. Bradley (1868-1962) is widely regarded as one of the masters of design during the Art Nouveau and Arts & Crafts periods. His typographic and illustrative work pushed the boundaries of these fields into new directions. In addition, his re-introduction and use of Caslon type brought it back into popularity. The guide includes 261 illustrations, including his designer's marks to help identify his pieces. The guide includes a Book Work section containing three parts: one of 81 definite books of Bradley's own execution, one listing those exhibiting the Bradley stamp but with no confirming documentation, and one listing those using his designs but were probably not produced by him. The remaining sections document magazine covers, advertisements, illustrations, posters, and other works.
Price: $ 450.00 other currencies Order nr. 41679

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(Brooding Heron Press) Sternlieb, Barry THOREAU'S HAT.
Waldron Island, WA Brooding Heron Press 1994 8vo. half cloth, decorated paper-covered boards, title label on spine, top edge cut, other edges uncut unpaginated
Limited to 300 numbered or lettered copies. This is the artist's copy. Title page illustration by Michael McCurdy. Bound by Sam Green, printed by Sally Green. Signed by the author on title page. Signed by the artist, binder, and printer on the colophon page. A collection of poetry. Letter from the binder to McCurdy laid in.
Price: $ 150.00 other currencies Order nr. 114917

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(Catfish Press) Catich, Edward M. LETTERS REDRAWN FROM THE TRAJAN INSCRIPTION IN ROME
Davenport Catfish Press (1961) 8vo. cloth. xi, 244 pages. With 93 4to. broadside plates, the two sections enclosed in a cloth bound case specially constructed to hold the two different sized parts.
With a three page introduction by W.A. Dwiggins followed by the text in the calligraphic handwriting of Catich. Catich has based his work on the original Trajan columns in Rome and included short critiques of the sources of these letters. Dwiggins, in his introduction, states that this work "will be a good tool in art schools - and elsewhere - for renovating standards that have become a trifle frayed in these revolutionary years. It will stimulate a return to an understanding of the true function of letters ..." His words still hold true 40 years later. First plate age yellowed as usual from cloth in case. Signed by Catich on first blank page and he has also added a presentation "to John Michael, E.M. Catich." In addition, the preface has been signed and dated by Dwiggins.
Price: $ 400.00 other currencies Order nr. 41601

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(Catfish Press) Catich, Edward M. REED, PEN, & BRUSH ALPHABETS FOR WRITING AND LETTERING
2 volumes. Davenport, Iowa Catfish Press (1972) 8vo. and 4to. half cloth over marbled paper-covered boards, paper cover labels. 32 pages in book and 28 heavy leaves printed on both sides loosely inserted in 4to. portfolio.
Beautifully printed in red, blue and black. The portfolio contains reproductions of alphabets while the book describes the art of calligraphy and explains the plates. Presentation on first blank page "To Alan Fern with warmest regards, E. Catich" and with a typed note from Catich addressed to Fern meant to accompany this gift copy.
Price: $ 220.00 other currencies Order nr. 114280

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Cave, Roderick & Thomas Rae1 PRIVATE PRESS BOOKS 1959 TO 1991, 31 volumes
31 volumes, complete run from the first volume of 1959 up through 1998. Pinner Private Library Association 1960-1993 8vo. stiff paper wrappers.
Various limitations ranging from 750 to 1200 copies. Descriptions of modern private press books issued each of the years between 1960 and 1991. Illustrated. A wealth of information. The first volume is the third reprint of the first edition.
Price: $ 650.00 other currencies Order nr. 7544

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(Center for Book Arts) Blocker, Mare ISTORIATO.
(New York Center for Book Arts 2001) 11" x 11" Round shaped, case bound concertina, with printed navy Iris cloth on both the book covers and lidded clamshell box n.p.
Limited to an edition of 50 signed and numbered copies. Istoriato is an Italian narrative style of pottery decoration which uses the pottery body solely as support for a purely pictorial effect. Originating about 1500 in Faenza, Italy, paintings comparable in seriousness to Italian Renaissance easel paintings were applied to Maiolica ware. The subjects, biblical, historical, and mythological scenes, are executed with a realism (including the use of perspective) quite unlike any previous pottery decoration. Although violating aesthetic rules in their subordination of shape to decoration, such wares remain works of great skill, as well as beauty.

During her Sally R. Bishop residency at the Center, Mare Blocker explored how the design of this pottery changed with the invention of the printing press. Multiple color linoeleum blocks and type were printed on Magnani Pescia. Produced at the Center for Book Arts, each boxed set also includes a unique plate decorated in the style of Maiolica pottery.
Price: $ 1,250.00 other currencies Order nr. 103051

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(Center for Book Arts) Bringhurst, Robert NEW WORLD SUITE NUMBER THREE
(New York Center for Book Arts 2005) 17" x 17", four 8.5 x 11 books black cloth with paper label three 28 pages, one at 20 pages
Edition limited to 75 signed and numbered copies, including five artist proofs, with only 25 copies for sale. This innovative interdisciplinary work intersects at the pinnacle of creative writing, graphic design, book art, and performance. This is a poem for three voices, meant to be read by three people at once. In addition to the poem, the author has written an afterword articulating the evolution of his polyphonic poetry, documenting for the reader a history of this definitive edition. The work is made to be performed, and his essay concludes, "The printed text should be as fine as it can be, but it should never be the final incarnation. A book must be a place where things begin."

The display type was set by hand, and the text was printed by the Center's Master Printer, Barbara Henry at their Jane Mead Timken Printshop in three separate colors in Monotype Dante by, with composition by the Bixler Foundry in Skaneateles, NY.The text was then hand word and line spaced at the Center by Ms. Henry to Robert Bringhurst's exacting specifications. Mr. Bringhurst created the typographic design for the book, as well as the text. Hedi Kyle designed the innovative binding structure specifically for New World Suite Number Three. When opened, each volume within the book forms its own lectern. The poetry for each voice has been bound in heavy blue cardstock, while the afterword was done in burnt orange. When closed, the book has a stunning three dimensional architectural presence. It was produced at the Center for Book Arts under the supervision of Master Binder, Mirah von Wicht, who studied traditional bookbinding in Germany, book conservation in the USA, and worked at the Metropolitan Museum of Art in New York, and by artists Jennifer Bantz Biddle, Ana Cordeiro, Nancy Loeber and Linda Trimbath.
Price: $ 3,500.00 other currencies Order nr. 103052

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) rectangular 4to. lavender Fabriano Tiziano paper covered storage box with deep rose cloth spine, cream color paper title label with rose colored lettering, Velcro closure not paginated.
This special limited edition portfolio features the work of the artist members of The Center for Book Arts. Each participating artist submitted a broadside in an edition of 100. The theme of the project was the celebration of the contributions of the artist members, past and present, to the growth of the Center and the field of book arts over the past 30 years. Includes the catalogue, which opens to a poster where each of the 58 broadsides is illustrated. It also includes an essay by Nina Schneider and a curatorial statement by Roni Gross, Artist Member, who organized the project. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Benjamin D. Rinehart.
Price: $ 1,500.00 other currencies Order nr. 103041

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) rectangular 4to. binders board storage box covered with black cloth and blue Zerkall paper with black ribbon tie closure, tag with black and red lettering not paginated.
This special limited edition portfolio features the work of the artist members of The Center for Book Arts. Each participating artist submitted a broadside in an edition of 100. The theme of the project was the celebration of the contributions of the artist members, past and present, to the growth of the Center and the field of book arts over the past 30 years. Includes the catalogue, which opens to a poster where each of the 58 broadsides is illustrated. It also includes an essay by Nina Schneider and a curatorial statement by Roni Gross, Artist Member, who organized the project. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Benjamin D. Rinehart.
Price: $ 1,500.00 other currencies Order nr. 103042

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) rectangular 4to. museum board storage box covered with Moriki paper in a variety of colors, button and tag on flap not paginated.
This limited edition portfolio features the work of the artist members of the Center for Book Arts. Each artist submitted a broadside in an edition of 100, the theme of which is a celebration of the contributions of artist members to the growth of the CBA and the field of book arts over the past 30 years. Each portfolio also includes the catalogue of broadsides, an essay by Nina Schneider, and a curatorial statement by Roni Gross, artist member and project organizer. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Barbara Mauriello.
Price: $ 1,500.00 other currencies Order nr. 103043

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) oblong 4to. Canford cardstock folding portfolio in multiple colors with overlapping closure, separate pocket for exhibition catalogue not paginated.
This limited edition portfolio features the work of the artist members of the Center for Book Arts. Each artist submitted a broadside in an edition of 100, the theme of which is a celebration of the contributions of artist members to the growth of the CBA and the field of book arts over the past 30 years. Each portfolio also includes the catalogue of broadsides, an essay by Nina Schneider, and a curatorial statement by Roni Gross, artist member and project organizer. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Peter Schell.
Price: $ 1,500.00 other currencies Order nr. 103044

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(Center for Book Arts) CENTER BROADSIDES 2002 READING SERIES.
(New York Center for Book Arts 2002) 11 ¼" x 16" handmade paste paper covered boards with a blue cloth spine, blue grosgrain ribbon ties, title label on front cover 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Thomas Glave, Rodney Terich Leonard, Marie Ponsot, Lila Zemborain, Bill Luoma, Martha Rhodes, Patricia Spears Jones, Kristin Prevallet, Brenda Coultas, L.B. Thompson, Linda Gregg and Peter Covino. Produced in a signed limited edition of 150, the broadsides are reserved for the yearly portfolios. The 2002 portfolio is covered in paper printed with a combed texture with a quarter blue cloth spine and blue grosgrain ribbon ties.
Price: $ 500.00 other currencies Order nr. 103152

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(Center for Book Arts) CENTER BROADSIDES 2004 READING SERIES.
(New York Center for Book Arts 2004) 11 ¼" x 16" handmade paste paper covered boards with an ivory cloth spine, brown cotton ties, title label on front cover 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Tony Hoagland, Trapeta B. Mayson, Renee Gladman, Kenneth Hart, Eugene Ostashevsky, Mary DiLucia, Linda Susan Jackson, Tsitsi Jaji, Rachel Levitsky, Phillis Levin, Joe Elliot and Jeanne Marie Beaumont. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2004 portfolio is covered in paper printed with a dotted swirled texture with a quarter ivory cloth spine and brown cotton ties.
Price: $ 500.00 other currencies Order nr. 103153

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(Center for Book Arts) CENTER BROADSIDES 2005 READING SERIES.
(New York Center for Book Arts 2005) 11 ¼" x 16" hand-dyed paper printed with a gold cloth spine and gold grosgrain ribbon ties, title label on front cover 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Joan Larkin, Elizabeth Alexander, Elaine Equi, Laure-Anne Bosselaar, Tony Towle, Douglas Goetsch, Angelo Verga, Mark Nickels, M.J. Bender, Garrett Kalleberg, Jeff Friedman and Daniel Nester. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2005 portfolio is covered in paper printed with a rectangular pattern with a quarter gold cloth spine and gold grosgrain ribbon ties.
Price: $ 500.00 other currencies Order nr. 103154

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(Center for Book Arts) CENTER BROADSIDES 2006 READING SERIES.
(New York Center for Book Arts 2006) 13" x 15" paper letterpress pressure-printed with a freeform design, front flaps open to form a box shape made from lavender book cloth faced with blue paper, title printed on tan cardstock attached to the sky blue grosgrain ribbon loop that is part of the tie 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Sheila Maldonado, Sharon Mesmer, Jan Heller Levi, Karen Garthe, Rachel Wetzsteon, David Trinidad, Elizabeth Frost, Erica Ehrenberg, Patricia Carlin, Lynn Wagner, Baron Wormser and Grace Paley. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The design of the 2006 portfolio, which varies significantly from those of past years, features a center opening that fastens with sky blue grosgrain ribbon. Covered in paper printed with a freeform design in shades of blue, green and pale orange, the front cover flaps open to reveal a pop-up box that contains the individual broadsides.
Price: $ 500.00 other currencies Order nr. 103155

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(Center for Book Arts) CENTER BROADSIDES 2007 READING SERIES.
(New York Center for Book Arts 2007) 13" x 15" paper letterpress pressure-printed with wood type, front flaps open to form a box shape made from navy book cloth faced with white paper, title printed in red on front and back, gray grosgrain ribbon loop closure 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Kevin Prufer, Scott Hightower, Amy Lemmon, Jennifer Kwon Dobbs, David Lehman, Colette Inez, Rigoberto Gonzalez, Nicole Walker, Brenda Connor-Bey, D.A. Powell, Nicole Cooley and Emily Fragos. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The design of the 2007 portfolio, which was created last year, features a center opening that fastens with grey grosgrain ribbon. The boards are covered in paper printed with a design of letters in shades of blue over grey rectangles. The title in red is repeated in various fonts and sizes on the front while on the back, the single line is framed top and bottom with two lines of printers' ornaments. The front cover flaps open to reveal a pop-up box that contains the individual broadsides.
Price: $ 500.00 other currencies Order nr. 103157

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(Center for Book Arts) CENTER BROADSIDES 2008 READING SERIES.
(New York Center for Book Arts 2008) 13" x 15" paper letterpress pressure-printed with a design of random rectangles in shades of lime green, front flaps open to form a box shape made from hunter green book cloth faced with white paper, lime green grosgrain ribbon loop closure 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Aracelis Girmay, Erica Hunt, Ada Limon, Evie Shockley, Christina Davis, Edward Hirsch, Jason Labbe, Nick Flynn, Kathy Fagan, Charles Bernstein, Stacy Szymaszek and Elena Georgiou. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2008 portfolio features a center opening that fastens with lime green grosgrain ribbon. The boards are covered in paper printed with a design of random rectangles in shades of lime green with the title in red on the right front. The front cover flaps open to reveal a pop-up box that contains the individual broadsides.
Price: $ 500.00 other currencies Order nr. 103158

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