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Private Press

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(Bird & Bull Press) THE BIRD & BULL COMMONPLACE BOOK.
North Hills Bird & Bull Press 1971 4to. cloth spine, marbled paper over boards, slipcase. 65, (6) pages and with envelope on inside rear cover with brass token inserted.
Taylor A11. One of 255 numbered copies. Designed as a collection of "various short pieces which were almost all connected in some way to papermaking or printing, and generally written in a humorous or informal manner." It contains an article on Schaeffer's wasp nest paper, a leaf made from recycling junk mail, and a reprint of the first poem written on the subject of collecting books on papermaking. It is also the only Bird & Bull book to contain a brass token used for services in a house of ill repute. Prospectus loosely inserted.
Price: $ 225.00 other currencies Order nr. 5504

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(Bird & Bull Press) Bregman, Alvan EMBLEMATA
The Emblem Books of Andrea Alciato. A Leaf Book with Eight New Emblems by Henricus de Nova Villa Newtown, PA Bird & Bull Press 2007 8vo. quarter morocco, Japanese cloth sides, cloth slipcase, leather spine label, paper label bearing emblem on top board (vi), 128, (14) pages plus leaf
One of 124 bound thus, of 140 copies, with an original leaf. The original leaves included are taken from the 1589 Paris edition of the Alciato emblem book. From the prospectus: "During the late Renaissance, the most famous professor of law in all of Europe was Andrea Alciato (1492-1550) of Milan. ...Almost accidentally, he was responsible for creating a whole new genre of publication consisting of text and image, known as the emblem book. Alciato's emblems were built upon the Latin epigrams he liked to write as a learned pastime. ...Surprisingly, however, there are few books in English devoted to Alciato or to his emblems. No separate overview of Alciato's life and writing is known. In addition to the history of the emblem books, the author provides much personal information that illuminates the character and personality of Alciato. Alvan Bergman has written an illustrated text on the subject usually directed to scholarly specialist, but he has done so in a way that is engaging and informative to the non-specialist reader. " The eight contemporary emblems are illustrated by Wesley Bates's wood engravings are included as an Appendix.
Price: $ 450.00 other currencies Order nr. 94029

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(Bird & Bull Press) Campbell, Gregor R. SON OF THE BOOKBINDER, WITH AN APPENDIX SHOWING SAMPLES OF SOME OF THE FINEST BOOKCLOTHS MANUFACTURED TODAY
Newtown, PA Bird & Bull Press 2004 8vo. full cloth imported from Japan, leather spine label with the appendix volume containing the cloth samples bound in a different fine cloth, both enclosed in a cloth-covered slipcase 81,(3); pages; appendix volume has five heavy board leaves on which are mounted the samples.
Limited to only 170 numbered copies printed on Frankfurt Mouldmade paper in Bell types composed by Michael and Winifred Bixler, bound by the Campbell-Logan Bindery and printed by hand by Henry Morris at his Bird & Bull Press. The fascinating story of edition binding in America seen through the eyes of the son and eventual owner of Allan Campbell's bookbinding business. Greg describes how the library binding and edition binding business has changed over the last 50 years through the mechanization of a business that had changed very little since the times of Gutenberg. Also mentioned are aspects of exhibition binding and restoration. There are interesting peeks at some of the noted fine binders, private press owners and other edition binders practicing over the last 50 years including Henry Morris, Harry Duncan, Gerry Lange, George Baer, Bill Anthony and many others. The book ends with a description of the fancy cloth import business that regularly has supplied the cloth for private press printers in America. The appendix volume contains 60 actual samples of these cloths imported from Japan, Holland, Germany and Italy. Sample portfolios of such bookcloths are costly to produce and are usually restricted to binders or publishers. The appendix offers a rare look at a collection of some of the finest book cloths made today. This book is sure to be of interest to anyone who collects press books or is interested in the development of this form of bookbinding.
Price: $ 450.00 other currencies Order nr. 75980

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(Bird & Bull Press) de Nova Villa, Henricus SO LONG, HOT-METAL MEN
The Comprehensive Bird & Bull Type Specimen Book Newtown, PA Bird & Bull Press 2007 small folio quarter morocco, slipcase (x), 117, (3) pages
Limited to an edition of 140 numbered copies. This book represents a full year of daily work creating a type specimen book that not only shows type faces ranging from the very rare to the common but also contains wonderful Henry Morris quotes composed in type. While there are serious entries, many, if not most, exhibit Morris's finely-tuned humor. How often does one get immense reading pleasure, to say nothing of a good laugh, from an exquisitely executed type specimen book? The alphabets shown range from the gargantuan 84-pt. to a miniscule 4-pt. There is ornamental material from the last days of the great German type founders, which is rarely seen in American private presses, much of which was designed by Hermann Zapf and others of equal ability. "I've seen many of the type specimen books of the twentieth century and I believe I have come up with a novel way of doing this. I predict the idea will be copied, but this is the original and no serious collection should be without it." (from the prospectus). Set in numerous types printed on Frankfurt paper.
Price: $ 550.00 other currencies Order nr. 93138

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(Bird & Bull Press) EXHIBITION OF BOOKS ON PAPERMAKING, A SELECTION OF BOOKS FROM THE COLLECTION OF LEONARD B. SCHLOSSER.
Philadelphia The Free Library of Philadelphia 1968 large 8vo. double salmon colored paper wrappers. 24 pages.
Taylor B1. One of 300 copies. This was the first commissioned work done for another institution by Henry Morris at his Bird & Bull Press. The printed cover design is repeated on a second sheet of salmon colored paper as a watermark. The catalogue describes 75 landmark books on papermaking and is an excellent "high spot" bibliography of the field. Signed by Henry Morris and presentation from Leonard Schlosser to Ellen Shaffer, librarian of the Free Library.
Price: $ 250.00 other currencies Order nr. 39894

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(Bird & Bull Press) Feather, John ENGLISH BOOK PROSPECTUSES, AN ILLUSTRATED HISTORY
Newtown Bird & Bull Press and Minneapolis: Daedalus Press 1984 8vo. quarter morocco with tips, Dutch Gilt sides reproduced from an 18th century German decorated paper, plus 14 larger facsimiles in a separate accompanying portfolio. 109 pages.
Limited to 325 copies. The history of this important piece of publishing ephemera from its beginning in 1610 up through the 19th century and accompanied by 24 facsimile prospectuses from 2 to 10 pages in length. As the exact size was maintained, it was necessary to place 4 of the facsimiles in a separate portfolio. All but one of the prospectuses done in facsimile come from the Bodleian Library. This book is the kind of private press book that Oak Knoll likes to handle; an important new text presented in a superb format. Prospectus loosely inserted.
Price: $ 165.00 other currencies Order nr. 2685

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A Papermaking First

(Bird & Bull Press) Heaney, Howell, Lotte Hellinga, and Richard Hills. THREE LIONS AND THE CROSS OF LORRAINE, BARTHOLOMAEUS ANGLICUS, JOHN OF TREVISA, JOHN TATE, WYNKYN DE WORDE, AND DE PROPRIETATIBUS RERUM.
Newtown, PA Bird & Bull Press 1992 tall 4to. quarter leather, paper over boards. 40, (22) pages.
Limited to 138 numbered copies, this work was printed at the Bird & Bull Press by Henry Morris using Van Dijck types by M&H Type on Frankfurt mouldmade paper. Three Lions and the Cross of Lorraine, Bartholomaeus Anglicus, John of Trevisa, John Tate, Wynkyn De Worde, and De Proprietatibus Rerum contains four essays written for this volume, 19 facsimiles of the woodcuts from DE PROPRIETATIBUS RERUM, and an actual leaf, inserted in a mylar folder, taken from a defective copy of DE PRORIETATIBUS RERUM (circa 1495 and printed by Wynkyn de Worde). This book was the first English book printed on paper made in England and the use of Tate's paper is proudly cited in the epiloque of the actual book. After Tate's death in 1507, three failed attempts to make paper in England happened during the 16th century but English papermaking was not established until John Spilman's successful mill in 1585. Hills has written about John Tate and his papermill. Such a leaf is rare, for it is highly unlikely another incomplete copy of Bartholomaeus will be on the market again. Henry Morris in his foreword says about this book, "I knew it would probably be the most important work I could ever hope to produce in the field of papermaking history." Loosely inserted is a printed note from the publisher commenting on the small limitation.
Price: $ 2,000.00 other currencies Order nr. 36463

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(Bird & Bull Press) Hopkins, Richard L. (editor) PRIVATE TYPECASTERS, PRESERVING THE CRAFT OF HOT-METAL TYPE INTO THE TWENTY-FIRST CENTURY.
Newtown, PA Bird & Bull Press 2008 small 4to. quarter morocco with Japanese cloth sides, leather spine label. 194 pages.
First edition, limited to 150 numbered copies. The private press has been with us in one form or another for 200 years or more. The equipment for a small private press was inexpensive, required little space and almost anyone could learn to do basic printing in a short time. Private typecasting is entirely different. A single machine weighs almost a ton and a lot of practice and experience is required in order to decently produce the most basic work. This once-costly equipment came into the hands of printing enthusiasts when hot-metal typesetting was forced into decline by the computer. The members of this hot-metal fraternity comprise a network of small shops using the machines and matrices which once supported the hot-metal letterpress era. They are, in effect, a group of small, working museums. The work of fifteen of these typecasters has been gathered into the pages of this book. Here you will see unknown, newly-created types, ancient types cast from 200-year-old matrices, proprietary types and a beautiful Civilité face designed by Hermann Zapf, which was never released to the commercial market. There are five fold-out pages, two of which open together to make a 32-inch spread. One of the fold-outs is a recreated page from the 36-line Gutenberg Bible with rubrication. It took six months to turn the printed images on the original page into a complete font of hand-fitted metal types. Printed on dampened handmade paper, this leaf required a week's work, and handling it is as close as most of us will get to experiencing the genuine page.
A biographical sketch of each contributor precedes his alphabets and the specimen pages which show the alphabets in use. Produced over a 14-month period, the labor and expense lavished on this work exceeds any previous book from Bird & Bull Press.
The Private Typecasters, a 194-page small folio printed on Zerkall mould-made paper, is beautifully bound in quarter morocco with Japanese cloth sides and leather spine label. The same cloth and spine label are used on the clamshell case which houses the book.
Price: $ 900.00 other currencies Order nr. 100094

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(Bird & Bull Press) Hunter II, Dard DARD HUNTER & SON
N.P. (but Newtown, PA) Bird & Bull Press 1998 4to. quarter black morocco, leather spine label, Japanese cloth-covered boards, cloth-covered clamshell box with leather spine label. 152, (6) pages, with 30 additional pages and 6 additional leaves of paper & printing samples, and reproductions.
This fine letterpress work is an edition limited to only 225 numbered copies, of which 180 are pre-subscribed (Leaf Book - Chalmers 215). Henry Morris' Bird & Bull Press has now published a new Dard Hunter book, which aims to "provide a reasonable taste of the original [The Life Work], sufficient perhaps to appreciate the unstinting quality of the artistry and uncommon skill that was lavished on this work," and to provide additional material, including some on Dard Hunter II. The introduction by Mr. Morris is followed by Dard Hunter II's account of the writing of his father's biography, followed in turn by Dard Hunter III's short account of the life of Dard II, with color plates. Dard Hunter & Son documents Hunter's early Roycroft days, studies in Vienna, stained-glass windows, first paper mill in Marlborough NY, early watermarks, typefounding experiments, the move to "Mountain House," brief venture into large-scale hand papermaking, later moulds and watermarks, and his publications. Each topic is complemented by appropriate illustrations. There are three tipped-in-plates with 55 color reproductions of swatches of marbled and paste papers done by Hunter in his Vienna days, three samples (reprintings by Bird & Bull) of 2-color page or cover designs done for the Roycrofters, photos of the Marlborough Mill and a reduced-size reprint of a Dard Hunter poster drawing of the mill, original leaves from various publications, a bound-in sample of paper made by Dard Hunter and two by his son, tipped-in photos of Dard Hunter demonstrating papermaking at MIT in 1946, and a tipped-in facsimile of a page of notes made by Dard Hunter while visiting an English paper mill. The book concludes with a ten-page facsimile of the journal kept by Dard Hunter II while writing the Life Work. In all, there are about seventy individual text illustrations or facsimiles, twenty or so tipped-in plates, and sixteen printings or reprintings by the Hunters and print reproductions by Bird & Bull. This work is set in Ehrhardt type and printed on Frankfurt mould made paper at Bird & Bull. The multi-talented Dard Hunter (1883-1966), who eventually settled upon papermaking and the history of paper as his life's work, is a person of considerable interest in the recent history of the book arts. Relatively little, however, of a biographical nature has been published about him: chiefly his own autobiography of 1958, and the Life Work of Dard Hunter by his son, Dard Hunter II (1917-1989), itself an impressive work printed in Dard Hunter II's own type, and produced in a very limited edition in the early 1980s. Also includes a prospectus.
Price: $ 1,750.00 other currencies Order nr. 53318

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(Bird & Bull Press) JOHN DEPOL: A PORTFOLIO OF HIS WOOD ENGRAVINGS.
Newtown, PA Bird & Bull Press 2012 4to. stiff paper wrappers in clamshell box 15+(1) pages with 22 engravings loosely laid in.
Limited to only 99 numbered copies. A collection of John DePol's (1913-2004) woodcut engravings. Prefatory note by Henry Morris with a note by DePol on his pattern papers. Listing of individuals and corporations for whom engravings in this portfolio were made. Engravings tipped in introductory volume with 22 tipped-in engravings loosely laid in portfolio. This collection of engravings comes from Oak Knoll Press of New Castle, Delaware, and includes many engravings printed by DePol with some signed and dated by him. Also includes a group of prints of Lynd Ward's wood engravings, made for an exhibition at the Barbizon-Plaza Art Gallery in New York. A wood engraving of DePol by Wesley Bates also included.
Price: $ 400.00 other currencies Order nr. 112211

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(Bird & Bull Press) JOHN DEPOL: A PORTFOLIO OF HIS WOOD ENGRAVINGS.
Newtown, PA Bird & Bull Press 2012 4to. stiff paper wrappers in clamshell box 15+(1) pages with 22 engravings loosely laid in.
Limited to only 99 numbered copies. A collection of John DePol's (1913-2004) woodcut engravings. Prefatory note by Henry Morris with a note by DePol on his pattern papers. Listing of individuals and corporations for whom engravings in this portfolio were made. Engravings tipped in introductory volume with 22 tipped-in engravings loosely laid in portfolio. This collection of engravings comes from Oak Knoll Press of New Castle, Delaware, and includes many engravings printed by DePol with some signed and dated by him. Also includes a group of prints of Lynd Ward's wood engravings, made for an exhibition at the Barbizon-Plaza Art Gallery in New York. A wood engraving of DePol by Wesley Bates also included. Corners of clamshell box are bumped.
Price: $ 380.00 other currencies Order nr. 117135

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(Bird & Bull Press) Kamph, Jamie A COLLECTOR'S GUIDE TO BOOKBINDING.
New Castle Oak Knoll Books 1982 8vo. cloth-backed boards. 40, (4) pages.
S-K 1622. Limited to 250 numbered copies printed by Henry Morris at his Bird & Bull Press. A binder's comments on what to look for in quality binding; written for the collector.
Price: $ 250.00 other currencies Order nr. 5882

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(Bird & Bull Press) Macfarlane, Nigel PAPER JOURNEY, TRAVELS AMONG THE VILLAGE PAPERMAKERS OF INDIA AND NEPAL.
New Castle, DE Oak Knoll Books 1993 8vo. quarter cloth, paper over boards, leather spine label. 103, (i) pages.
First edition, limited to 210 numbered copies. This book is a fascinating and entertaining account of contemporary hand papermaking in India and Nepal. The reader is led on a journey from Rajasthan in the northwest of India to Pondicherry in the south, from the cotton growing country of Gujarat to the boulder-strewn plateau of the Deccan, from the Katmandu valley in Nepal to the foothills of the Himalayas. Hand papermaking in India and Nepal is steeped in history and interwoven with village life. Along this journey we learn many interesting details, not only of the techniques and methods of making paper, but also of everyday life in India and Nepal. We experience a ride in the second class carriage of an Indian train; an eight-hour car journey through the night in an Indian version of a 1950s Morris Oxford, with a retired army driver at the wheel; and a treacherous walk up the Nepalese mountains while being overtaken by barefoot porters carrying seventy-kilo loads! There are also, of course, detailed descriptions of the techniques used to make paper. In Sanganer, we learn the papermakers use a "mould" made of hollow grass stems called a chapri, and we experience the making of a chapri while sitting on a charpoy (a string bed) sipping tea. At the Kalam Kush paper mill, we watch rags being sorted, hollander beaters disintegrating fibre, and paper being made on European style moulds by papermakers who work from a standing position and pour the pulp onto the mould. It is an enjoyable way to learn about the different techniques used and the reasons why they were developed. Before commencing this journey, we are informed that a sheet of paper made by hand contains in the pattern of its fibers, in the texture of its surface, in its imperfections, the story of its own origin. The surface of a sheet of Nepalese handmade paper is full of tiny specks, which reflect and glitter in the sunlight, because it is made at three thousand meters in the mountains where the fast-flowing mountain stream contains mica, worn away from the rocks. A paper's origin is an underlying theme of this book, and it is a feature which is visually represented by twenty full-page, tipped-in samples of actual handmade papers from India and Nepal gathered by the author during his visits. These colorful papers provide the reader with a real appreciation of how a sheet of paper contains a message and reveals its own journey on the paper road. A fine book on paper history would not be complete unless it were produced by Henry Morris of the Bird & Bull Press. He has designed this book and printed it by letterpress on imported Arches mouldmade paper. Along with the twenty paper samples, this book contains thirty-one black-and-white illustrations, a chronology of papermaking in India and Nepal, and a select bibliography.
Price: $ 240.00 other currencies Order nr. 37908

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(Bird & Bull Press) McClure, Floyd Alonzo CHINESE HANDMADE PAPER
With a Preface by Elaine Koretsky. Newtown, PA Bird & Bull Press 1986 4to. quarter morocco and tips with leather spine label. 124, (4) pages.
First edition, limited to 325 numbered copies. McClure spent most of the period 1919 to 1941 in China as a botanist with a strong interest in bamboo. He became fascinated with the use of bamboo in papermaking and wrote his Master's thesis on Chinese Handmade Paper. This thesis has not been printed in book form previous to now though he had hoped to see it published and had brought back many samples of paper from China to use in its publication. Fortunately, Elaine Koretsky found this thesis and the trunks of handmade paper specimens and convinced Henry Morris at the Bird & Bull Press that the work was important. The resulting book contains an introduction by Koretsky, comments by Morris, the thesis, reproductions of photographs made by McClure showing Chinese papermaking and 40 actual tipped-in specimens of paper rescued from the trunks. A beautifully produced book with an important text. With prospectus loosely inserted. The prospectus has handwritten notes by the former owner along with a carbon of a letter he had written Henry Morris praising the book. With original invoice issued by the Bird & Bull Press.
Price: $ 475.00 other currencies Order nr. 15595

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(Bird & Bull Press) Middleton, Bernard C. RECOLLECTIONS, MY LIFE IN BOOKBINDING.
Newtown, PA Bird & Bull Press 1995 8vo. quarter leather, printed paper sides, leather spine label, slipcase. 105, (2) pages.
First edition, limited to 200 numbered copies. Printed by hand on Arches mouldmade paper in Dante types composed by Golgonozza Letter Foundry. Bound by Campbell-Logan Bindery. With a foreword by Marianne Tidcombe. Autobiographical notes by one of the most famous bookbinders of our day. Includes numerous illustrations showing Middleton at different stages of his life and also includes a number of full color reproductions of Middleton bindings. Contains a bibliography of his writings in the back. Prospectus loosely inserted.
Price: $ 350.00 other currencies Order nr. 43726

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(Bird & Bull Press) Morris, Henry THE ART OF INTAGLIO. PRODUCED ON A LETTERPRESS WITH A COLLECTION OF TWELVE PRINTS OF 18TH CENTURY LONDON TRADESMEN'S CARDS with SCHLOCKER & THE FISHES.
Newtown, PA Bird & Bull Press 2010 8vo. quarter Morocco and Japanese cloth, slipcase 33, 12 plates, 12 pages
Limited to 115 numbered copies. Engravings and etchings (intaglios) are printed on special presses which exert the far greater pressure needed for this kind of printing.

"I had been told that intaglio could not be printed satisfactorily on a letterpress, which is generally true. But in 2009 I tried my hand, printing two intaglio plates successfully by letterpress, albeit not very large ones. In this new book I have printed by letterpress, twelve intaglio plates, some as large as 5" x 6.5".

These images were made from Ambrose Heal's privately published 1925 London Tradesmen's Cards of the Eighteenth Century, which showed 101 collotype prints of old engravings advertising the wares, goods and services offered about 250 years ago. I have been attracted to these "cards"-they are really papers of differing sizes-ever since I got Heal's book fifteen years ago. Thanks to my recent introduction to intaglio, I have returned twelve of these prints to their original 18th century state: you can run your finger over the print and feel the image. Students and collectors of ephemera are acquainted with these cards, but for those who are not, some of Heal's comments may enlighten:

...To anyone with a liking for old things the Trade Card must make an irresistible appeal. It is so convincingly of its own time.
...The old signs that hung over the ship doors and are reproduced on the Traders' Cards are of great antiquity and interest. The names of the old streets, many of which have long since been swept away, such as 'Knaves' Acre,' 'Rosemary Lane,' 'Wendegaynlane,' take one's imagination quite apart from their historical or topographical connections.
...The lettering is invariably well drawn and well spaced and the designing of the devices, if sometimes crude, is always direct and interesting.
They reflect the art of the engraver through two centuries.

A foeword and texts on the Origin of Intaglio, The Process, and background information on Heal and his book, precede the twelve engravings.

But wait-There's More!
On an entirely unrelated subject, a 16-page addition relates an unforgettable event in the early life of Henry Morris, entitled Schlocker & The Fishes, thus making this book my first dos-a-dos binding. This brief account is illustraded with two full-page wood engravings by Wesley Bates. Such accounts generally become booklets but I dislike the impermanence of the booklet, and have long wanted to see this in print."
Price: $ 500.00 other currencies Order nr. 105233

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(Bird & Bull Press) Morris, Henry BIRD & BULL PEPPER POT: INGREDIENTS, CHOICE BITS OF UNCOMMON PAPERMAKING PUBLISHING AND PRINTING HISTORY SIMMERED IN A TASTY BROTH OF POETRY, CURRENT EVENTS AND AMUSING ANECDOTES. LIGHTLY SEASONED WITH A DASH OF OBSCENITY, AND WITH SELECTED PORTIONS OF TRIPE ADDED AS IN THE OLD ORIGINAL RECIPE.
North Hills Bird & Bull Press 1977 4to. leather spine, paste paper-covered boards. 86, (4) pages.
Limited to "approximately 250 copies." Being the second commonplace book issued by the press. (Taylor A19) Printed by hand by Morris on Green's handmade Bird & Bull paper. Seven articles including an autobiographical sketch and the first English translation of sections of Jacob Christian Schaeffer's famous 18th-century text on papermaking. The latter contains four tinted plates showing raw material for papers. With prospectus.
Price: $ 225.00 other currencies Order nr. 5503

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(Bird & Bull Press) Morris, Henry CONSERVATORY FOR MY PROSPECTUSES AND SPECIMEN LEAVES
Newtown, PA Bird & Bull Press 2008 small folio cloth, leather spine label, clamshell case with leather spine label 90, (8) pages
Limited to only 100 numbered copies and out of print upon publication. This book combines Henry's brief descriptions of the books that he has published over 50 years complemented by bound-in examples of original prospectuses and leaves in Henry Morris's possession. Included are many scarce early prospectuses, of which he had kept a small hoard. There are 36 pages of brief commentaries on the books, facsimiles of relevant letters plus leaves from books which will be unknown to Morris's subscribers. The 46 inserts are bound-in and not removable, thus providing a permanent record of the progression and variety of works produced over a fifty-year period. As the inserts are so varied and quantities limited, no two copies are alike. This book is a perfect example of the value of doing leaf books as it demonstrates the progression of the Bird & Bull Press through actual examples of its work through 50 years. The prospectus for the present volume is loosely laid-in. We are offering this book at its publication price for a period of time even though it is now out of print.
Price: $ 500.00 other currencies Order nr. 98953

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(Bird & Bull Press) Morris, Henry GUILFORD & GREEN
North Hills Bird & Bull Press 1970 8vo. quarter morocco over patterned paper-covered boards. (ii), 88, (4) pages.
Limited to 210 numbered copies. (Taylor A9). The first part of the book describes a visit made by Henry Morris to J. Barcham Green, the famous hand papermaking firm in England. Gives a history of the firm and reproduces correspondence between William Morris and Joseph Batchelor regarding production of paper. The second section of the book reprints a number of letters written by Nathan Guilford during a trip to Kentucky in the early part of the 19th century. The interesting series of letters provides real insight into life in the States. Loosely inserted is a dust jacket made up of paper that was not used for the cover with a piece of the paper folded and inserted in a pocket in the back of this jacket .
Price: $ 400.00 other currencies Order nr. 12587

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(Bird & Bull Press) Morris, Henry MY LOG & DIARY, 1994-2005.
Interspersed with anecdotes and observations on book collecting, printing, private presses and other bookish matters. Newtown, PA Bird & Bull Press 2005 4to. quarter leather with blue cloth stamped in gilt with the Bird & Bull logo, blue leather spine label, slipcase. 105, (5) pages.
Limited to 160 numbered copies printed by hand on Arches Mouldmade paper by Henry Morris at his Bird & Bull Press in Dante types composed by Michael and Winifred Bixler and bound by the Campbell-Logan Bindery. The sometimes hilarious, sometimes sad but always amusing log kept by Henry Morris while printing and writing his private press books. Filled with tipped-in color photographs and other ephemera. Learn about Waterlow & Sons and their specimen books, Gaylord Schanilec, Bernard Middleton, Dard Hunter (I, II, and III), the mythical kingdom of San Serriffe and Karli Frigge's marbling with samples (and yes, even a mention or two of Bob Fleck). With prospectus.
Price: $ 450.00 other currencies Order nr. 90233

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(Bird & Bull Press) Morris, Henry NICOLAS LOUIS ROBERT AND HIS ENDLESS WIRE PAPERMAKING MACHINE
Newtown, PA Bird & Bull Press 2000 folio cloth-covered portfolio with paper cover label and accompanied by small 4to. cloth-covered book with a paper cover label. Both inserted in a folio clamshell box with a leather spine label. 41, (3) pages and additional plates.
Printed in an edition limited to 150 numbered copies. The actual inventor of the paper machine was a thirty-three year old former artilleryman named Nicolas Louis Robert (1761-1828). The existence of five of his own ink and watercolor patent drawings was not previously known until Leonard Schlosser bought the set at auction and reproduced them. His reproductions have now been lost except for a very few copies, one of which was given to Schlosser's friend Henry Morris. These drawings are of historical significance because they describe in detail the very beginning of the paper machine, an invention that had almost as much impact as Gutenberg's printing press. The cheap production of paper and the resultant dissemination of knowledge and information would not have taken place without this invention. The five drawings are reproduced full size on 12" x 16-3/4" card stock and held in a separate board portfolio. The accompanying book provides background material on the inventor and his machine and a chapter on the paper collector and historian Leonard Schlosser.
Price: $ 400.00 other currencies Order nr. 58400

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(Bird & Bull Press) Morris, Henry OMNIBUS, INSTRUCTIONS FOR AMATEUR PAPERMAKERS WITH NOTES AND OBSERVATIONS OF PRIVATE PRESSES, BOOK PRINTING AND SOME PEOPLE WHO ARE INVOLVED IN THESE ACTIVITIES.
(North Hills, PA) Bird & Bull Press 1967 large 8vo. quarter leather over decorated paper-covered boards. 121 pages.
Limited to 500 numbered copies. Chapters on The Mould, The Beater, Other Necessary Equipment and Beating Pulp, Some Observations on Private Presses, Making, Drying and Sizing Paper, Notes on Printing and Binding. Includes six samples of paper used by Morris for his books. Loosely inserted is a printed paper specimen with text referring to page 120 of the book. Also present is the four page prospectus. The boards are spotted. Small security plate on back pastedown.
Price: $ 175.00 other currencies Order nr. 16205

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(Bird & Bull Press) Morris, Henry THE PRIVATE PRESS-MAN'S TALE.
With illustrations by Lili Wronker. Newtown, PA Bird & Bull Press 1990 4to. paste paper over cloth-backed boards, leather spine label. 61, (2) pages.
First edition, limited to 230 numbered copies. Letterpress printed with Van Dijck types on Arches mouldmade paper and bound by Barbara Blumenthal. A humorous collection of satire and prose, inspired by Chaucer's Canterbury Tales. All the text is related to the book arts - book-collecting, bookselling, printing, papermaking, etc. It includes an imaginary interview with William Morris, a great poem about the attitude of FINE PRINT magazine, Henry's explanation of the Handmade Paper Today incident and a review of the antics in Fine Print's book reviews. There are also two excellent articles by Sidney Berger on Book Fairs and Book Scouts. The illustrations have been very well executed and express all the humour of the text. An essential for anybody who is known in the books about books field, because they are bound to have been mentioned! Prospectus loosely inserted.
Price: $ 240.00 other currencies Order nr. 89153

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(Bird & Bull Press) Morris, Henry TWO BIRDS WITH ONE STONE, MY LOG AND DIARY 1980-1993.
Newtown Bird & Bull Press 1994 4to. cloth, leather spine label. Not paginated.
No limitation given but only enough copies to satisfy standing order customers. Luckily Oak Knoll has a standing order for multiple copies so that we have some copies available for sale. Beautifully printed on fine paper and bound by Barbara Blumenthal. This book is an example of Henry Morris at his best, both as printer and author. The log relates the day to day of a private press printer - the boring times, the exciting times, the sad times and, especially with Morris, the humorous times. The excerpts sometimes are angry and sometimes are nasty but always they are interesting. The book is also a type specimen book and an example of Morris's ideas on design. As he states in the foreword "Over the years, I, like many others, have purchased families of type fonts, which at the time I was sure would be useful. Some of them were, but there are lots of cases of unused expensive type, slowly oxidizing and going to waste. Surely, this is an undeserved fate for these vanishing artifacts of the letterpress era. Most are unused because they are of the larger sizes, which aren't much called for in book work. But it's the larger sizes which best show the true character of a type, and I am pleased to set as much of this log as I can, using these virgin types. The mixtures of sizes, weights and faces may create some strange-looking pages. But if you think of this as a type specimen book, which in part it is, perhaps these typographic outbursts will be seen with a more indulgent eye."
Price: $ 250.00 other currencies Order nr. 40677

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(Bird & Bull Press) Morris, Henry VIGNETTES, AN ECLECTIC ASSEMBLAGE OF ANECDOTES ABOUT PAPERMAKING.
Newtown, PA Bird & Bull Press 1999 large 4to. cloth with leather spine label, in special cloth solander case with leather spine. 72, (5) pages, with additional pages of color illustrations.
Limited to 150 numbered copies printed at the Bird & Bull Press. Includes chapters on Bird & Bull Incunabula, 19th-Century Security Papers, Lessing J. Rosenwald, Numismata Typographica, Farewell to Papermaking, A History of Die Cutting, The Wurzburg Lithography and more. Includes a tipped-in sample of the first Bird & Bull handmade paper (1958). The portfolio case includes two removable cylinder seal impressions. These clay impressions, attributions to the article "Better Late Than Never," bear images of people and inscriptions from ancient cylinder seals in Babylonia. Full of illustrations in both black and white and color, many tipped-in. Text in Ehrhardt types on Arches Mouldmade paper. Several pages printed in two colors. Prospectus inserted.
Price: $ 400.00 other currencies Order nr. 56850

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