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Antiquarian (325)

Private Press

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(Juniper Press) Harmsen, Tyrus G. JOSEPH ARNOLD FOSTER, PRINTER
Pasadena, CA Juniper Press 1998 12mo. quarter cloth, marbled paper-covered boards, paper spine label vii, 13 pages with 23 pages of type specimens and miscellany, and (2) pages
Limited to 60 copies printed by the author on Barcham Green Georgian paper and 20 on Mohawk, this being one of the 20 on Mohawk. With an introduction and bibliography. Contains 25 type specimens, six pages of different borders, and five pages of miscellany (florets and mignonettes). Laid-in is a sheet by a book shop with a description of this book by the owner.
Price: $ 350.00 other currencies Order nr. 101285

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Jury, David (editor) BOOK ART OBJECT.
with a foreword by Peter Koch Berkeley, California CODEX Foundation 2008 9 x 12 inches hardcover, dust jacket 448 pages
Book art object is a record of the first biennial Codex Book Fair and Symposium: "The Fate of the Art",Berkeley, California, 2007. The event showcased contemporary artist book s and fine press and fine art editions produced by some of the worlds most esteemed printers, designers, book artists, and artisans.

The book includes transcripts of the following lectures: Sarah Bodman, Research Fellow, Centre for Fine Print Research, UWE, Bristol: "The hybrid lexicon: an overview of contemporary artists publishing in the UK"; Robert Bringhurst, poet, translator, and typographer: "Spiritual geometry: the book as a work of art"; and Felipe Ehrenberg, artist, Mexican diplomat, former publisher of the Beau Geste Press, London: "Cutting and pasting: metaphor of life." The volume is superbly illustrated in full color throughout.

David Jury is Head of Graphic Media at the Colchester Institute, School of Art and Design, UK. His numerous books include About Face: Reviving the Rules of Typography; Letterpress: The Allure of the Handmade; What is Typography?; and New Typographic Design. From 1996 to 2006 he was the editor of TypoGraphic (journal of the International Society of Typographic Designers). Jury designs and publishes limited edition letterpress printed books for his own Fox Ash Press.

The Codex Foundation was established in 2005 by Berkeley-based artist/printer/publisher Peter Rutledge Koch and other fine book printers, curators, and aficionados. It was founded to promote knowledge and appreciation of the book arts, and to organize a biennial international book fair and symposium in the San Francisco Bay Area. The non-profit Codex Foundation exists to preserve and promote the art and craft of the book. The mission is educational and, in the broadest possible context, to bring to public recognition the artisanship and the rich history of the civilizations of the book.
Price: $ 150.00 other currencies Order nr. 100395

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Juvenal DECII JUNII JUVENALIS AQUINATIS SATIRAE DECEM ET SEX [ORNAMENT] AULI PERSII FLACCI SATIRA SEX.
London n.p. (printed by C. Whittingham) 1845 small 4to. contemporary full calf, boards ruled with foliat and double fillet roll motifs, rims of boards and turn-ins with gilt roll pattern, all edges gilt, five raised bands, red spine label, gilt-tooled spine panels. (198) pages.
Printed as an Eton prize book for 1845. Sixteen satires of Juvenal, and six by Persius. Printed by Whittingham (whose device follows the text) at Chiswick. This book is a minor footnote in the history of printing, as it was at one time regarded as the first use of Caslon old-face in the 19th century (see Keynes' Pickering bibliography, p.31), though that is no longer the case. Each page is printed within a red border composed of ornaments within a frame of inner and outer single fillets; the title page border differs from that of the other pages. First page is a printed presentation with the name of "Alderson" filled in and the date altered by hand from 1841 to 1850. Bookplate of Livraria de Palha on front pastedown. Front board detatched. Minor foxing confined to first and last leaves.
Price: $ 175.00 other currencies Order nr. 55179

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(Kat Ran Press) Hill, Jennifer. OVERPASS, SIX DRAWINGS BY JENNIFER HILL.
(Florence, Massachusetts) Kat Ran Press 2001 large 4to. stiff paper wrappers 6, (3) leaves
First edition. Limited to 15 lettered and 50 numbered copies, of which this is one of the 50. Intended to be the first in a series of number books. Indeed, each of Hill's six black-and-white illustrations depicts an increasing number of objects from one to five. Hand embellishments done on every copy in pencil by the artist's hand. Printed by the Kat Ran Press on Twinrocker paper with Gill Sans types cast by Michael & Winifred Bixler. Plates of original drawings made at the Wild Carrot Letterpress. Signed by the artist under colophon.
Price: $ 180.00 other currencies Order nr. 77670

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(Kelmscott Press) Morris, William OF THE FRIENDSHIP OF AMIS AND AMILE.
Hammersmith Kelmscott Press 1894 12mo. original publisher's quarter cloth with blue paper-covered boards. (iv), 67+(1) pages.
Printed in an edition limited to 515 copies of which this is one of 500 copies printed on paper. (Cockerel 23, Peterson A23, Walsdorf 23). A note which appeared in the announcement of this book stated "This tale dates from about the same period as that of KING FLORUS, and its literary & historical value is equally high." With a beautiful woodcut as the spread title page, woodcut initial letters and printing in red and black. Some wear at spine ends. Nicely preserved copy.
Price: $ 1,400.00 other currencies Order nr. 60466

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(Kelmscott Press) Peterson, William S. BIBLIOGRAPHY OF THE KELMSCOTT PRESS
Oxford Clarendon Press 1984 8vo. cloth, dust jacket. xliii, 217 pages.
First edition. Describes the books published at the press, books that were never completed and the advertising ephemera.
Price: $ 175.00 other currencies Order nr. 1941

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Kemble, John. SPECIMEN OF AN ETYMOLOGICAL DICTIONARY ATTRIBUTED TO JOHN MITCHELL KEMBLE
St Paul Rulon-Miller Books 1990 8vo. cloth, paper spine label, slipcase. 61 pages.
Limited to 100 copies. Kemble was the foremost philologist of his day, and this text is taken from the recently discovered eight-page manuscript which was dated 1830, three years before his edition of Beowulf. No trace of the actual dictionary itself is known, but this specimen is a fitting tribute to Kemble's work in etymology. Printed by hand under the direction of Gerald Lange in two colors on handmade Umbria Bianco paper by Emily Mason Strayer of the Kutenai Press. Photographic facsimile of the original text tipped in. An example of fine American book production.
Price: $ 450.00 other currencies Order nr. 34666

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(Koch Press) Brodsky, Joseph WATERMARK
Berkeley Peter Koch, Printer 2008 folio half leather with paper-covered boards, clamshell box (iv), (58), (2) pages.
One of only 35 copies for sale (out of an edition of 50). This beautifully produced edition of Watermark was letterpress printed and designed by Peter Rutledge Koch. The paper is Twinrocker Da Vinci, hand-made especially for this edition, with its own watermark designed by Christopher Stinehour & Susan Filter. Robert Morgan's photographs were digitally re-configured by Donald Farnsworth. The photogravure printing plates were made by Unai San Martin and were printed at Magnolia Editions under Donald Farnsworth's supervision. Once printed, the sheets were shipped to Venice, Italy, where the text was printed at the Scuola Internazionale di Grafica di Venezia from Monotype Dante types cast at the Monotipia Olivieri in Milan. The press used was brought to Venice "on loan" from the Tipoteca Italiana Fondazione printing museum in Cornuda. Following the printing, the paper was shipped to the Berkeley studio where the book was bound in papers specially made for this edition by Cave Papers.

First published as Fondamenta Degli Ingurabili, Iosif Brodskij. Translated into the Italian by Ilberto Forty and published by Consortia Venezia Nova, Venezia 1989. Reprinted by arrangement with Farrar, Straus & Giroux, LLC. Copyright 1992 by Joseph Brodsky. All rights reserved.
Price: $ 6,000.00 other currencies Order nr. 101239

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(Laguna Verde) Ritchie, Ward VARIATIONS AND QUOTATIONS
Laguna Beach Ward Ritchie 1990 8vo. half cloth over sculptured boards, diagonally positioned printed paper label. (iv), (34), (2) pages.
First edition, limited to 50 copies.An interesting production from this great designer and printer. Contains one line quotes from a variety of famous people including Lawrence Clark Powell, Ernest Hemingway, and William Addison Dwiggins. Each is complimented by an abstract illustration of blocks and squares printed in a variety of colors. Signed by Ward Ritchie on the colophon, and by Joe D'Ambrosio at the foot of the rear pastedown. Spot on front cover.
Price: $ 600.00 other currencies Order nr. 30364

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(Lead Graffiti) Nichols, Ray TOUR DE LEAD GRAFFITI
Newark, DE Lead Graffiti 2012 elephant folio loose broadsides, clamshell box 23 broadsides
One of 26 lettered copies.

The idea: The seed for Tour de Lead Graffiti was planted with Ray Nichols and Jill Cypher the day they stood in Liége, Belgium, watching the opening day Prologue of the 2004 Tour de France. The goal for Tour de Lead Graffiti was to translate memorable incidents in each stage of the 2011 Tour de France into wood and metal type to produce a coherent series of letterpress posters, as a creative design and typography challenge, using only wood & metal type, as well to parallel the physical endurance required of the cyclists in our own world of letterpress. The core staff of Lead Graffiti, including Ray Nichols, Jill Cypher, & Tray Nichols, were involved in each stage of production of the posters. Additionally, there were nineteen guest contributors who worked on various stages. The youngest was aged 10 and for one day we had two contributors from Indianapolis and Dallas in our Delaware studio. We had several typefaces made into wood type specifically for the project, most notably 12 line Clarendon Heavy Condensed in both a solid and outlined version, along with a variety of graphic shapes we thought might be useful to the stories. The posters are 14.75" x 22.5", printed on Somerset Textured White 300 gsm using only wood & metal type except for the signature block. The design & layout was produced spontaneously without the use of sketches, with each poster completed on the day of the Tour's stage.

The schedule: Work started at 6:00 each morning by scanning the previous day's poster, compositing the six scans into one digital image, saving in 7 differently-sized formats for various online applications (Lead Graffiti's website, blog, store, Facebook, etc.), writing the daily online description of the stage events and how they were used in wood & metal type for the poster design, and uploading of all of the appropriate files. At 6:30 each morning, we would tune into the Tour de France website to keep up with text-based newsfeeds of stage events from the start of the race, most notably who was in the early breakouts. The online work was typically finished by 8:15 am. We would watch the Tour de France live TV feed on Versus (NBC Sports) with opening commentary at 8:00 and the Tour live at 8:30. Guest contributors were asked to meet at our house at 8:30, where we would watch through the end of the stage around Noon, talking about things we saw and heard that would become seeds for the poster's content and typography. We would go to lunch to start visualizing the day's events. Around 1:00 we would head to the studio to see how we could make those connections real. The first order of business was to hang a poster from the previous day and everyone signing the preprinted signature block for the new day's poster, mimicking the Tour's daily sign in for those who were still in the race.

The printing: All of the posters were produced spontaneously, without any form of sketch, with the composition created on the bed of our 1969 Vandercook Universal III. We started the project believing we would print 3-run posters, including the preprinted signature block defining the day/stage/destination/distance. On Stage One we printed a 5-run poster which set the bar for future posters. The least number of runs was 5 and the most was 8. At the end of the final run of each poster we would note the time as the end of our day. For the 23 posters produced on consecutive days covering the 21 stages and 2 rest days of the Tour, we printed a total of 103 runs with a total time of 345 hours 8 minutes and 12 seconds, averaging just over 15 hours a day. As well as printing the edition of posters, we included 12 sheets which we overprinted with every run of every poster which are available as a separate purchase while they last and are not included in the standard clamshell. There were 29 poster sets set aside for portfolios lettered A-Z and three Artist Proofs. The remaining clean copies of each poster were set aside and available for sale as unnumbered individual posters. Additionally, postcards were cut from the makeready sheets. The title page, descriptive page and colophon, printing on the Lead Graffiti pastepaper used to wrap the clamshell that houses the portfolio, and the backs of the postcards cut from makeready sheets adds 12 more runs to the total for the Tour de Lead Graffiti project. Bill Roberts, a co-creative partner who often prints with Lead Graffiti and is the owner of Bottle of Smoke Press in Dover, Delaware, contributed to the design and production of the clamshells that house Tour de Lead Graffiti.

Plans are underway to produce a second-edition during the 2012 Tour de France held from July 1 - 22.
Price: $ 1,500.00 other currencies Order nr. 109027

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(Leaf Book) Adams, John W. and George Kolbe, Henry Morris and Pete Smith THE MAGNUM OPUS OF JOSEPH FLORIMOND LOUBAT.
A Leaf Book Newtown, PA Bird & Bull Press 2007 small 4to. quarter morocco leather, Japanese silk boards, leather spine label 59 , (13) pages
Limited to an edition of 150 numbered copies. The book contains a foreword by Henry Morris, and essay about Joseph Florimond Loubat by Pete Smith, a bibliographical addendum by George Kolbe, a book review of Loubat's master work, Medallic History of the United States of America, by John W. Adams (the author of Comitia Americana which was printed in limited edition of 60 by Henry Morris in 2007) that provides a wealth of information and two original leaves from Medallic History. Loubat's 1878 Medallic History has provided the foundation for all later writings on this subject. The leaves are from the substantial number of Jacquemart etchings that were originally produced for Medallic History. In addition to the two full-size original leaves, there are two leaves from the letterpress limited edition of Adams' Comitia Americana which had some selected Jacquemart etchings. Each of the Jacquemart leaves show the front and back of a medal issued by Congress to commemorate significant victories during the American Revolutionary War and the officers who achieved them. Jules Jacquemart is described by Arthur M. Hind in his History of Engraving and Etchings as " a virtuoso of the most delicate etching, he has remained almost unrivalled, and few etchers have trodden the same road..." The present volume was printed on Zerkall Mouldmade Paper using Garamond type. Prospectus laid-in.
Price: $ 200.00 other currencies Order nr. 97135

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(Leaf Book) Allen, Lewis and Dorothy THE ALLEN PRESS BIBLIOGRAPHY, A FACSIMILE WITH ORIGINAL LEAVES AND ADDITIONS TO DATE INCLUDING A CHECKLIST OF EPHEMERA.
San Francisco The Book Club of California 1985 4to. cloth. 114, (10) pages.
Limited to 750 copies (Leaf Book - Chalmers 182). The 180th publication of the Club. Printed in black and red with tipped-in specimens of the press thus making this a leaf book. This printing contains additional bibliographical material not in the first edition.
Price: $ 150.00 other currencies Order nr. 14648

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(Leaf Book) Causley, Monroe S. ARTHUR W. RUSHMORE & THE GOLDEN HIND PRESS.
New Castle Oak Knoll Press 2005 8 x 11.5 inches quarter leather, slipcase 120 pages.
First edition, limited to only 160 numbered copies, each one numbered and signed by author. The work is a short biography of Arthur Rushmore and a comprehensive bibliography of his works set by hand for Harper & Brothers and his own Golden Hind Press. This edition was hand set in Monotype and printed on an old Heidelberg press. Tipped in are examples of the unique paste papers produced by the Golden Hind Press along with actual pages from the press' numerous works. This important edition is quarter-leather bound and gold stamped for the discriminating collector. The bibliography covers all known works designed and/or printed by Rushmore from his early days at Harper & Brothers (1927) to his death in 1955 and a few titles printed by his wife shortly thereafter. This special edition on Rushmore and his place in the American fine press tradition will be appreciated by all enthusiasts of this important genre. Printed in Athens, Greece by Kotinos in association with The Madison Public Library in Madison, New Jersey. SALES RIGHTS: Worldwide.
Price: $ 150.00 other currencies Order nr. 79692

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(Leaf Book) Harris, Elizabeth M. THE ART OF MEDAL ENGRAVING.
Newtown, PA Bird & Bull Press 1991 4to. Japanese cloth with leather spine label. 56 pages.
First edition, limited to 230 numbered copies.Henry Morris printed only 160 copies of this book (Leaf Book - Chalmers 198). With introduction by Henry Morris. Discusses the history and invention of one the lesser-known graphic processes. Includes an original complete folio leaf from Achille Collas' Tresor de Numismatiquewhich demonstrates the process, and reproductions of medal-engraved American works. Printed on Johannot mouldmade paper.
Price: $ 160.00 other currencies Order nr. 33382

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Last Bird & Bull book on Henry Morris's handmade paper

(Leaf Book) Heaney, Howell J. THIRTY YEARS OF BIRD & BULL A BIBLIOGRAPHY, 1958-1988.
With a foreword and commentary by Henry Morris. Newtown Bird & Bull Press 1988 8vo. three-quarter morocco, Bird & Bull Press paste-paper over boards, morocco spine label. Accompanied by a cloth folder containing various text pages and ephemera; both inserted in a cloth-covered and lined clamshell box with a morocco spine label. 104 pages.
Limited to only 300 copies; special copies purchased from Henry Morris and numbered 3 to 10 in the colophon (Leaf Book - Chalmers 190). These copies came from Henry Morris's private stock and contain "the most choice stuff". This is the last copy purchased and is numbered "8". The book contains a complete bibliographical description of all books and selected ephemera printed by and for the press plus books printed by the press for others, since 1980. There is also a short-title list of all the entries from the 1979 bibliography, making this the definitive work on this fine private press. Each entry lists the collation, reprints the colophon and in most cases has a fascinating and enlightening commentary written by Henry Morris. All the humor is there, along with thoughts and beliefs that can probably only really be appreciated by a fellow letterpress printer who feels the anxiety, frustration and total commitment that goes into a private press production! Mention must be made of the type specimen list, contained within the folder of ephemera, which must be one of the most innovative and unique type specimens ever produced. Amazingly the book itself also has tipped-in samples and facsimile pages. Henry Morris took over two years to produce this book making all his own paper, writing, hand typesetting, printing in two colors, folding, pasting, etc. It certainly is a fitting tribute to the press's 30th anniversary. It was the last book produced by the press on paper made by hand by Henry Morris. Priced separately.
Price: $ 600.00 other currencies Order nr. 88867

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(Leaf Book) Johnson, Foster M. THOMAS SHORT AND THE FIRST BOOK PRINTED IN CONNECTICUT.
Meriden, CT Bayberry Hill Press 1958 12mo. full leather, dust jacket. (viii), 28, (3) pages.
Limited to 50 numbered copies, being a Keepsake for the Columbiad Club (Not in Leaf Book - Chalmers). The booklet provides a biography of the printer, Thomas Short, information on the printing history of this 1708 imprint, and a six-page facsimile. Loosely inserted in a pocket is an actual leaf from the "Saybrook Platform" of 1710 taken from Harold Hugo's defective and broken-up copy. Hugo printed the collotype reproductions in this book. Not in the recently published bibliography of leaf books (Disbound and Dispersed, distributed by Oak Knoll Press for the Caxton Club). An extremely scarce book.
Price: $ 950.00 other currencies Order nr. 92009

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(Leaf Book) Johnson, John. POETICA TYPOGRAPHIA JOHNSONIANA, WITH AN ORIGINAL LEAF.
Piedmont Golden Key Press 1959 large 12mo. stiff paper wrapper, fore edge deckled. 19 pages, with 3 additional leaves.
Edition limited to 75 copies (Leaf Book - Chalmers 122). Contains a leaf from the original edition of the year 1824. Completed at The Press of The Golden Key by Kathi and Don Fleming. "Poetica Typographia" by John Johnson is one of the most delightful as well as useful classics ever written on the art of printing. "These little verses are a climax to the flowery language used by John Johnson in his effort to impress on all, the fact that Printing was now established as a mature Art."Printed on old Reliance.
Price: $ 150.00 other currencies Order nr. 55656

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(Leaf Book) Wakeman, Geoffrey THE ART OF ANASTATIC PRINTING, THREE MID 19TH CENTURY ACCOUNTS.
Oxford The Plough Press 1986 small 4to. quarter cloth folder with pockets holding three reprints of early books on anastatic printing and an actual anastatic print.
Limited to 150 numbered copies. Reprints of three scarce accounts of anastatic printing including de la Motte's On The Various Applications of Anastatic Printing and Papyrography(1849), Cowell's A Brief Description of the Art of Anastatic Printing(1852), and Jordan's A Treatise on Anastatic Printing(1853). The originals of these booklets had examples of anastatic prints in them; these have been reproduced by offset lithography (some in two colors). (Not in Leaf Book - Chalmers). Prospectus loosely inserted.
Price: $ 300.00 other currencies Order nr. 15780

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(Leaf Book) THE WORK & PLAY OF ADRIAN WILSON, A BIBLIOGRAPHY WITH COMMENTARY.
Edited by Joyce Lancaster Wilson. Austin, TX W. Thomas Taylor 1983 folio quarter bound in oasis morocco dyed to match the Tuscany Red ink used in the text, Dutch linen sides stamped with Wilson's type-juggler device. 158, (2) pages.
Limited to 325 numbered copies (though the bibliography states 350 copies). Adrian Wilson (1923-1988) was internationally known as a designer and printer of fine books. This beautifully produced bibliography contains a biographical introduction and illustrates 196 items produced by Wilson, each accompanied by lengthy comments by Wilson himself concerning the printing of each book and other pertinent facts. Printed by hand on handmade paper by Adrian Wilson, it contains many tipped-in specimens of his work, some of which are actual pages, often in color, from his books. A beautifully produced book. Slightly bumped.
Price: $ 550.00 other currencies Order nr. 73404

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(Leaf Book) THE WORK & PLAY OF ADRIAN WILSON, A BIBLIOGRAPHY WITH COMMENTARY.
Edited by Joyce Lancaster Wilson. Austin, TX W. Thomas Taylor 1983 folio quarter bound in oasis morocco dyed to match the Tuscany Red ink used in the text, Dutch linen sides stamped with Wilson's type-juggler device. 158, (2) pages.
Limited to 325 numbered copies (though the bibliography states 350 copies). Adrian Wilson (1923-1988) was internationally known as a designer and printer of fine books. This beautifully produced bibliography contains a biographical introduction and illustrates 196 items produced by Wilson, each accompanied by lengthy comments by Wilson himself concerning the printing of each book and other pertinent facts. Printed by hand on handmade paper by Adrian Wilson and containing many tipped-in specimens of his work, some of the specimens are actual pages, often in color, from these books. A beautifully produced book. Small gouge in back cover.
Price: $ 500.00 other currencies Order nr. 72364

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(Libanus Press) Boccaccio. THEODORE AND HONORIA, A TRANSLATION...BY JOHN DRYDEN, WITH ILLUSTRATIO
Marlborough Libanus Press 1985 tall 4to. quarter leather, paper-covered boards. (24) pages.
Printed in an edition limited to 300 copies, of which this copy is one of 50 bound in quarter leather. A Dryden translation or paraphrase of Boccaccio, probably from Dryden's Fables (1700). Five woodcuts by Carol Walklin accompany the text, four printed in black and one in green and red. One of these is also printed in green as a title page decoration. Green leather with patterned paper on boards.
Price: $ 175.00 other currencies Order nr. 50394

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(Limited Editions Club) Dürrenmat, Friedrich OEDIPUS.
(Zurich) The Limited Editions Club (1989) folio. quarter leather, cloth boards, title gilt-stamped on spine, slip case xvi. 41, (3) pages
Limited to 650 numbereed copies signed by signed by the author and the illustrator. First English edition. Foreword by the author. Translated from the German by Leila Vennewitz. Photogravure illustrations by Marie Cosindas. Illustrations tissue-guarded and printed on Arches paper. Prospectus laid in.
Price: $ 200.00 other currencies Order nr. 114830

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(Limited Editions Club) Epicurus EPICURUS, THE EXTANT REMAINS OF THE GREEK TEXT.
Translated by Cyril Bailey with an Introduction by Irwin Edman. New York The Limited Editions Club 1947 8vo. full leather, top edge gilt, slipcase. xvii, 195, (3) pages.
Limited to 1500 numbered copies signed by the designer of the book, Bruce Rogers. With headlines printed in red and medallion of Epicurus printed in gilt. Gilt designs on the first page. Some wear to slipcase. Bookplate.
Price: $ 200.00 other currencies Order nr. 23505

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(Limited Editions Club) Grimm GRIMM'S FAIRY TALES. Edited by Louis and Bryna Untermeyer with a Foreword by Louis Untermeyer and an Essay by Andrew Lang. Illustrated by Lucille Corcos.
4 volumes. New York The Limited Editions Club 1962 tall 8vo. patterned cloth. xxi,212; viii,213-484; vii,485-722; viii,723-934,(2) pages.
Limited to 1500 numbered copies signed by Corcos. Printed by Case, Lockwood & Brainard under the typographic design of Andor Braun. Well-preserved set including original glassine wrappers.
Price: $ 225.00 other currencies Order nr. 25095

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(Limited Editions Club) Kafka, Franz IN THE PENAL COLONY
Translated from the German by Willa and Edwin Muir. With Lithographs by Michael Hafftka. N.P. The Limited Editions Club (1987) small 4to. limp paper wrappers, cord-tied, folding box lined in velvet, paper spine label. (ii), 53, (5) pages.
Limited to 800 numbered copies signed by the illustrator. Text set in Monotype Walbaum at the Out of Sort Letter Foundery and printed on mould-made Magnani paper at the Shagbark Press in South Portland, Maine. The lithographs were printed on hand-made Japanese paper at Trestle Edtions with design by Benjamin Shiff and bound by Carol Joyce.
Price: $ 250.00 other currencies Order nr. 95587

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