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Printing History

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Myers, Robin, Michael Harris and Giles Mandelbrote (editors) PUBLISHING THE FINE AND APPLIED ARTS 1500-2000
New Castle, Delaware and London Oak Knoll Press and The British Library 2012 6 x 9 inches hardcover, dust jacket 224 pages
Next in the Publishing Pathways series, Publishing the Fine and Applied Arts examines aspects of the relationship between the business of print and the practice of art and design across five centuries. Leading specialists explore the role played by the book trade in the diffusion of artistic and architectural theory, fashion, and practice. Other essays trace the impact of aesthetic trends and advances in the techniques of binding, color printing, and illustration on the appearance of books themselves. Among the topics discussed are the printed sources for decorative motifs in sixteenth-century churches, the publication history of the works of Andrea Palladio, and the evolution of drawing manuals in seventeenth-century England. Other subjects include the library formed by the architect Sir John Soane, developments in nineteenth-century art publishing, and the role of printed catalogues in documenting the acquisitions made by English collectors of paintings, sculpture, and antiquities. Essays are from Mirjam Foot, Malcolm Jones, Charles Hind, Meghan Doherty, Susan Palmer, Abraham Thomas, Rowan Watson, and Charles Sebag-Montefiore. The book is illustrated in color and black-and-white.

Available in the UK from The British Library.
Price: $ 55.00 other currencies Order nr. 104084

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Myers, Robin, Michael Harris and Giles Mandelbrote, eds. MUSIC AND THE BOOK TRADE FROM THE SIXTEENTH TO THE TWENTIETH CENTURY.
New Castle, Delaware and London, England Oak Knoll Press and The British Library 2008 6 x 9 inches hardcover with dust jacket 240 pages
The history of music printing and publishing has generally formed a self-contained area of research within the study of book history. Bibliographers and book historians have tended to overlook the trade in printed music, partly because the means of production (reproducing notation rather than letter forms) and of distribution (often through the specialist sellers of musical instruments and equipment) were themselves distinct. On the other hand, musicologists have until recently paid less attention to the commercial aspects of printed music, concentrating more on the technicalities of composition and performance.

The original contributions contained in this newest addition to the Publishing Pathways series map some of the common ground between music and other forms of print, exploring the ways in which the organization of production and the process of publication of printed music have developed over time. From the production and sale of missals in Renaissance Spain to the complexities of Gustav Mahlers copyrights in late nineteenth-century Vienna, these essays raise issues and demonstrate methods of approach that will be of wider relevance to many areas of book history. How composers and publishers worked out their respective financial interests is just one of the recurring themes which will strike a chord with those who study the business of print. Co-published with The British Library. Available in the UK from The British Library.
Price: $ 49.95 other currencies Order nr. 96678

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Myers, Robin STATIONERS' COMPANY ARCHIVE, AN ACCOUNT OF THE RECORDS 1554-1984.
Winchester St. Paul's Bibliographies (1990) 8vo. cloth, dust jacket. xxxvii, 376 pages.
First edition. Contains an introductory essay on the history of the archives and the use scholars have made of it, plus the first complete listing of the 550 volumes in the muniment room and two registers of supplementary documents. This archive contains the longest unbroken run of booktrade records in existence.
Price: $ 60.00 other currencies Order nr. 31141

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(New Orleans) Jumonville, Florence M. BIBLIOGRAPHY OF NEW ORLEANS IMPRINTS 1764-1864.
With a foreword by Joanne P. Platou. New Orleans The Historic New Orleans Collection (1989) thick 8vo. printed paper over boards. xxxix, 759 pages.
First edition, limited to 1,000 copies. This work contributes to an understanding of Louisiana history. The entries are from the first 100 years of printing in New Orleans and include books, pamphlets, and ephemera. This bibliography provides information that has been previously unavailable in compiled form. The author and Head Librarian of the Historic New Orleans Collection has succeeded in producing a definitive book on New Orleans imprints which indicates the tastes, concerns, and attitudes of the local citizenry. This work lists 3388 items, and entries are arranged by the year of publication. Well-indexed with listings of Printers and Publishers and Authors and Titles.
Price: $ 59.95 other currencies Order nr. 50258

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(New York) Huttner, Sidney F. & Elizabeth Stege Huttner A REGISTER OF ARTISTS, ENGRAVERS, BOOKSELLERS, BOOKBINDERS, PRINTERS & PUBLISHERS IN NEW YORK CITY, 1821-42.
New York The Bibliographical Society of America 1993 small 4to. cloth. 299 pages.
This register collects, from annual city directories, about 5,000 names and 50,000 addresses of individuals and firms working in New York in the book trades and graphic arts areas during the period 1821-1842. It continues George L. McKay's similar work, published by the New York Public Library in 1942, which collected the names of craftsmen and artisans to 1820. The recorded occupations, addresses, firm names and other dated information provide help in dating undated books, papers and pictures, and in identifying anonymous printers, publishers artists and the like. The Register also provides a record of those who were engaged in more than 125 interconnected trades and professions, including calligraphers, compositors, editors, literary agents, map colorers, paper rulers, stereotypers, tract agents, wood engravers and many others. Though the bulk of the Register lists those active in printing, publishing and the distribution of books, the scope extends to all the graphic arts. The Register's listings linked to specific occupations are also brought together in one or more of 100 entries in an Index of Occupations. Institutions - libraries, museums, societies, book depositories, etc. - and periodicals are separately listed as well.
Price: $ 50.00 other currencies Order nr. 40525

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Nissenbaum, Stephen W. CHRISTMAS IN EARLY NEW ENGLAND 1620-1820: PURITANISM, POPULAR CULTURE, AND THE PRINTED WORD.
Worcester American Antiquarian Society 1997 8vo. stiff paper wrappers pp. 79-164.
Reprinted from the Proceedings of the American Antiquarian Society, Volume 106, Part I. Nissenbaum's essay traces how Puritans tried to keep Christmas out of New England and how the holiday still managed to return. Christmas entered first into the margins of New England culture, and then, by the latter half of the eighteenth-century, into its very mainstream. The struggle over this holiday was waged with the weapon of the printing press, and most especially in the region's almanacs, its hymnals, and its children's literature. These may have been the three most widely-read genres of all in New England - the very places where official and unofficial culture were mostly intertwined. The reappearance of older popular traditions of wassailing and begging in printed form suggests both a continuity with older rituals and a transformation of those rituals by respectable, even "official" culture.
Price: $ 15.00 other currencies Order nr. 47111

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Nyburg, Anna FROM LEIPZIG TO LONDON: THE LIFE AND WORK OF THE ÉMIGRÉ ARTIST HELLMUTH WEISSENBORN.
New Castle, Delaware Oak Knoll Press 2012 6 x 9 inches hardcover, dust jacket 192 pages
German-born artist Hellmuth Weissenborn (1898-1982) spent the first half of his life in his native Leipzig and the second in London. He was forced to flee his homeland in early 1939 in the face of Nazi terror and found refuge in Britain. Unlike many of his fellow refugees, he never lost his sense of German heritage. In this biography, the cultural baggage that he brought with him is explored: life in Weimar Germany, especially in the book arts, is the cultural context of his early life.

After his conscription into service in World War I he returned home with diaries and sketchbooks and enrolled at the world-famous Leipzig Academy of Graphic and Book Arts, studying art, typography, and printmaking. Artistic success came early, and soon he moved up into the staff, becoming one of the Academy's youngest professors. When the Nazis took power, he lost his post for marrying a Jewish woman and was forced to leave Germany.

In Britain, the 40-year-old Weissenborn struggled to find work, and was interned for six months on the Isle of Man in 1940. This resulted in an intensively productive artistic output but also led to the end of his first marriage. On release he embarked on a new phase in his career as printmaker, teacher, and publisher. His second marriage proved to be a creative partnership: he and his wife ran the Acorn Press together.

New unpublished material in the form of Weissenborn's World War I diary, letters from his first wife, and interviews with his former students and colleagues help to give an impression of the man and his life in this first full biography of the artist. Family photographs that survived his exile underpin the narrative of his life, while his versatile artistic output is reflected in the many illustrations.

Anna Nyburg is a lecturer in German at Imperial College London. She completed an MA in 1974 at the University of East Anglia in European Literature, and in 2009 she was awarded a PhD in Exile Studies at the University of London, the subject of which was the German-speaking refugees from Nazism to Britain who either created art publishing companies, or who made contributions as book artists, typographers, or designers.
Price: $ 29.95 other currencies Order nr. 109140

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Offenberg, A.K. CATALOGUE OF BOOKS PRINTED IN THE XVTH CENTURY NOW IN THE BRITISH LIBRARY BMC PART XIII HEBRAICA
`t Goy-Houten HES & DE GRAAF 2004 11.25 x 15.25 inches hardcover 360 pages
The Catalogue of Books Printed in the XVth Century Now in the British Museum (British Library), generally referred to as BMC, is a monument in the history of the book. BMC followed on from the rearrangement of the Museum's incunabula begun by Robert Proctor on the basis of the comprehensive survey of printing types and presses of the fifteenth century that he had published in 1898 as an "Index" of the incunabula in the Museum and the Bodleian Library.
The Index represented a working-out of the system he had developed for the identification of printers of the incunabula period on the basis of typographical material. The volumes of BMC extend Proctor's principles by providing full descriptions of the incunabula in the collections of the British Museum and making revisions where necessary. The first part appeared in 1908, prepared by A.W. Pollard after Proctor's death in 1903. The most recent part was published in 1985. 50 leaves with facsimiles and other illustrations.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 1,995.00 other currencies Order nr. 103673

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Offenberg, A.K. A CHOICE OF CORALS. FACETS OF FIFTEENTH-CENTURY HEBREW PRINTING.
Nieuwkoop HES & DE GRAAF 1992 6.25 x 10 inches cloth 264 pages
Eight studies, including: Literature on Hebrew incunabula since the Second World War - Notes on Hebrew printing at Naples about 1490 - A list of copies of Hebrew incunabula, disappeared since the outbreak of the Second World War. (Bibliotheca Humanistica & Reformatorica, Vol. LII). With 12 illustrations.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 100.00 other currencies Order nr. 103249

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Offenberg, A.K. HEBREW INCUNABULA IN PUBLIC COLLECTIONS. A FIRST INTERNATIONAL CENSUS. IN COLLABORATION WITH C. MOED-VAN WALRAVEN.
Nieuwkoop HES & DE GRAAF 1990 6.5 x 10 inches cloth 290 pages
Describes 139 incunabula from c. 40 presses of which some 2,000 copies are recorded in 153 collections. Preceded by an extensive Introduction. Fully indexed; concordances. (Bibliotheca Humanistica & Reformatorica, Vol. XLVII)

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 100.00 other currencies Order nr. 103250

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Pearson, David BOOKS AS HISTORY: THE IMPORTANCE OF BOOKS BEYOND THEIR TEXTS.
New Castle, Delaware and London, England Oak Knoll Press and The British Library 2012 7.25 x 10 inches paperback 208 pages
This revised third edition of David Pearson's Books as History includes a new foreword, an updated list of further reading, and various other additions and updates. Updated in light of the recent development of the e-book, this version will offer new pictures, new ideas on the life of the book, and further thoughts on how the book will survive.

Books have been hugely important in human civilization as instruments for communicating information and ideas. The digital age has caused the landscape of books to change, with more and more of the traditional functions of books being performed electronically. People usually think of books in terms of their contents or their texts, but in fact, books may possess all kinds of potentially interesting qualities beyond their texts, as designed or artistic objects, or because they have unique properties deriving from the ways they have been printed, bound, annotated, beautified or defaced.

David Pearson explores these themes and uses many examples of books from the Middle Ages to the present day to show why books may be interesting beyond their texts. As the format of the book becomes history - as texts are increasingly communicated electronically - we can recognize that books are also history in another significant way. Books can develop their own individual histories, which provide important evidence about the way they were used and regarded in the past, which make them an indispensable part of the fabric of our cultural heritage. This book will raise awareness of an important aspect of the life of books in the context of the ongoing debate about their future. Extensively illustrated with a wide range of images, it will not only be approachable but also thought-provoking.

David Pearson has extensive experience in managing and working in major research collections. He is also a respected scholar in the field of book history, whose articles and books, including Provenance Research in Book History (Oak Knoll Press and The British Library, 1994) and English Bookbinding Styles, 1450-1800: a Handbook (Oak Knoll Press and The British Library 2005), have focused on various aspects of the ownership and binding of books.

Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 29.95 other currencies Order nr. 109790

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Pettas, William A. THE GIUNTI OF FLORENCE: A RENAISSANCE PRINTING AND PUBLISHING FAMILY.
A History of the Florentine Firm and a Catalogue of the Editions New Castle, Delaware Oak Knoll Press 2012 8.5 x 11 inches hardcover 1096 pages
This ambitious project explores in detail the history and output of the Giunti Press in Florence, covering the firm from its beginnings in 1497 to its end in 1625, and providing descriptions of each Giunti book published with extensive indication of the libraries holding copies of each edition. In doing so, it addresses issues of censorship, the development of the Italian language from Florentine dialect, and the larger literature and history of Florence in the late Renaissance.

Printer and publisher Aldus Manutius, founder of Aldine Press, is well known among students of Renaissance Italian literature and history. Less has been published on the Guinti, however, a family whose members established operations over much larger territory than the Aldine press, collectively achieving much greater financial resources and surviving for a longer period of time. Their role in the history of Italian literature was significant and deserves an extensive review. The aim, then, of the present history is to tell the story of this late Renaissance Florentine printer-publisher.

Part I of the book covers all aspects of the Giunti family and the press, the nature of its output, its relationship to the governments of Florence and Tuscany, to social conditions, to the economy, to members of their own family, to their editors, and to the strictures of censorship. Names of Greek authors and editors in the fifteenth and sixteenth centuries have been cited in a transliteration of the Greek rather than the usual Western form, and libraries holding Florentine Giunti editions have been listed by country. The catalogue in Part II provides a basic description of all known editions, as well as some unsigned editions that others have attributed to the Giunti, seeking to identify as many surviving exemplars as possible. In addition, the book provides Giunti images, genealogical tables, a chronological list of editions by language, and a list of works cited.

Dr. William Pettas is a native of Buffalo, NY, and has had a long career in public and academic library administration. His research has focused on the Giunti family of Florence, and he has published extensively on their firms in Florence, Rome, Venice, Lyon, Burgos, Salamanca, and Madrid. In researching this book, he has traveled extensively to libraries with rare book collections in the US, England, Ireland, Spain, France, Italy, and Greece.
Price: $ 195.00 other currencies Order nr. 105520

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Pettas, William A HISTORY & BIBLIOGRAPHY OF THE GIUNTI (JUNTA) PRINTING FAMILY IN SPAIN 1526 - 1628, COVERING THE JUNTA (GIUNTI) PRESS AND THE IMPRENTA REAL IN BURGOS, SALAMANCA & MADRID WITH A BRIEF HISTORY OF THE SEVERAL GIUNTI PRESSES IN VENICE, FLORENCE AND LYON AND A BIBLIOGRAPHY OF THE PRESS OF JUAN BAUTISTA VARESIO IN BURGOS, VALLADOLID & LERMA
New Castle, DE Oak Knoll Press 2004 8.5" x 11" cloth, hardcover. 1086 pages.
The first edition of this monumental work opens with a 170 page history of the Giunti publishing family that covers their achievements in Italy, Spain and France from 1489 to 1628. As the great rivals of the Aldine Press, the Giunti aggressively captured large portions of the lucrative governmental and Church's printing business. From their base in Florence and Venice, family members set up printing presses in Burgos, Salamanca, Madrid, Valladolid, Lerma and Lyons. In Spain they became printers to the most powerful King in the world and established "The Imprenta Real," changing their name to "Junta." The comprehensive, 700 page bibliography of the books they published while in Spain is annotated with more than 148 wood cuts of their ornate title page art, imprints, and other identifying ornaments. The text also features the genealogical charts of the family, library holdings, and a documentary chronology.

The author, William Pettas, has researched this early printing family for over twenty years, and this is his second work on this important clan. A very readable and valuable contribution to the history of the book and an important bibliography and reference work.
Price: $ 195.00 other currencies Order nr. 77561

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Piel, Albert GESCHICHTE DES ÄLTESTEN BONNER BUCHDRUCKS. ZUGLEICH EIN BEITRAG ZUR RHEINISCHEN REFORMATIONS-GESCHICHTE UND - BIBLIOGRAPHIE.
Nieuwkoop HES & DE GRAAF 1965 8vo stiff paper wrappers. xi, 111 pages.
Reprint of the 1924 first edition printed in Bonn-Leipzig. Essentially a bio-bibliography of the Bonn prototypographer Laurenz van der Mülen. With bibliography 1541-1553. With 15 facsimiles on plates.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 55.00 other currencies Order nr. 103561

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(Plantin, Christophe) Plantin, Christopher AN UNKNOWN HOLOGRAPH LETTER BY CHRISTOPHE PLANTIN, RECENTLY DISCOVERED. FACSIMILE WITH INTRODUCTION, TRANSCRIPTION AND TRANSLATION BY R. BREUGELMANS.
`t Goy-Houten HES & DE GRAAF 1996 8vo. paper wrappers. 6 pages.
With portrait.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 10.00 other currencies Order nr. 103515

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Plomer, Henry R. A DICTIONARY OF THE BOOKSELLERS AND PRINTERS WHO WERE AT WORK IN ENGLAND, SCOTLAND AND IRELAND FROM 1641 TO 1667.
Mansfield Centre Martino Publishing 2006 8vo. cloth. xxiv, 199 pages.
A reprint of the 1907 edition. The object of this work is to bring together the information available respecting the men and women who printed and sold books during this period in England, Scotland and Ireland. The information consists of imprints showing the various places in which booksellers and printers carried on their trade. The arrangement of the material is alphabetical by name. Distributed for Martino Publishing.
Price: $ 65.00 other currencies Order nr. 93079

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Plomer, Henry R. ENGLISH PRINTERS' ORNAMENTS
Mansfield Centre Martino Publishing 2008 8vo. cloth. xii, 292 pages.
Reprint of the 1924 first edition. On the origin of the printers' ornament, Borders, Head and Tail pieces, Miscellaneous ornaments, etc. Illustrated.
Price: $ 65.00 other currencies Order nr. 100353

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Plomer, H.R., G.H. Bushness, E.R. McC. Dix A DICTIONARY OF THE PRINTERS AND BOOKSELLERS WHO WERE AT WORK IN ENGLAND, SCOTLAND AND IRELAND FROM 1726 TO 1775.
Mansfield Centre Martino Publishing 2008 8vo. cloth. xxi, 432 pages.
Reprint of the 1932 first edition. Among the most significant undertakings of the Bibliographical Society in the U.K. were the dictionaries of early English printers and booksellers, which with this edition extends the account through 1775. This is the fourth in a series of dictionaries covering the period from 1557; (1) A dictionary of printers and booksellers in England, Scotland and Ireland ... 1557-1640, edited by R.B. McKerrow. 1910. (2) 1641-1667, by H.R. Plomer. 1907. (3) 1608-1725, by H.R. Plomer. 1922. The organization of the dictionary is alphabetical by subject. Dates for publishing activity are provided, as are associations with other printers and publishers, such as employment history and apprenticeship. The Dictionary also provides short biographical sketches based on available information. Contains circa 3000 individuals active in the trade during the period.
Price: $ 75.00 other currencies Order nr. 100084

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Pon, Lisa and Craig Kallendorf (editors) THE BOOKS OF VENICE (IL LIBRO VENEZIANO).
New Castle, Delaware, and Venice, Italy Oak Knoll Press, Biblioteca Nazionale Marciana, and La Musa Talìa 2009 6.75 x 9.5 inches paperback, dust jacket 632 pages
The Books of Venice (Il libro veneziano) contains a series of essays (in English and Italian) exploring Venetian book history from the Quattrocento through current production, books printed "in the shadow of Aldus Manutius." Venice's books, like her art and architecture, have long been considered one of her greatest glories. Some of the earliest printers in Italy were Venetian, and Venice remained one of the world's premier book producers through the sixteenth century. Great printers like the Remondini and Ongania continued to work there in later centuries, and as this volume shows, Venice continues to support an active printing tradition, both commercially and privately.

The volume takes its title from the name of an international conference that was held in Venice on this subject in March 2007. Most of the papers from this conference are included here, in suitably expanded form, providing a survey of the high points of Venetian printing from the fifteenth century through the twenty-first. Case studies focus on outstanding individuals like Aldus Manutius, Erhard Ratdolt, Peter Ugelheimer, Antonio Moretto, Francesco Sansovino, Claudio Merulo, and Apostolo Zeno. Other essays discuss the role of anonymous buyers, readers, and performers, and analyses of archival documents and marks in the books themselves are complemented by studies of how Venetian books arrived in collections throughout Europe. An essay on Venetian libraries by Marino Zorzi serves as an introduction to the volume, and a consideration of the shadowy lacunae in Venetian publishing by Neil Harris concludes the main section.

In the fall of 2006, Venice was host to the American master printer Peter Koch, who set to work on a deluxe edition of Joseph Brodsky's poetic ruminations on Venice, "Watermark." At the conclusion of the conference, Koch's book was formally presented at Venice's Ateneo Veneto di Scienze, Lettere ed Arti, where Brodsky's book had first been presented eighteen years before. The Books of Venice contains an essay on "Watermark" by Koch from this presentation, along with other essays that set Koch's book into the tradition of fine press printing in Italy.

Lisa Pon is Assistant Professor of Art History at Southern Methodist University and exhibition reviews editor of SHARP News. She has published essays in Word & Image, Papers of the Bibliographical Society of America, Print Quarterly, and Art History, and is author of Raphael, Dürer and Marcantonio Raimondi: Copying and the Italian Renaissance Print (Yale University Press, 2004). Her next book concerns an early-fifteenth-century woodcut that becomes a miraculous icon in the Northern Italian city of Forlì.

Craig Kallendorf is Professor of English and Classics and Cornerstone Faculty Fellow at Texas A&M University. He is the author of several books in book history, including two with a specifically Venetian focus: A Bibliography of Venetian Editions of Virgil, 1470-1599 (Olschki, 1991) and Virgil and the Myth of Venice: Books and Readers in the Italian Renaissance (Oxford, 1999). His catalogue of the Junius Spencer Morgan Virgil collection at Princeton University will be published later this year by Oak Knoll Press

Co-published with Biblioteca Nazionale Marciana and La Musa Talia; available in Italy from La Musa Talia (www.lamusatalia.it).
Price: $ 85.00 other currencies Order nr. 100392

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(Printing) Clair, Colin (editor) THE SPREAD OF PRINTING: A HISTORY OF PRINTING OUTSIDE EUROPE IN MONOGRAPHS.
11 volumes Amsterdam HES & DE GRAAF 1969 4to stiff paper wrappers. Different paginations.
After printing with movable type was invented in Central Europe about the middle of the Fifteenth century, the craft began to spread over the world almost at once, though it arrived in some areas much earlier than in others. This series of eleven booklets aims to give a concise history of early printing in all parts of the world outside Continental Europe and Great Britain. Each monograph is written by a specialist on the subject, covers one specific area, and is fully illustrated.

Authors and topics are as follows: B.S. BENEDIKZ, Iceland; A. TOUSSAINT, Early Printing in Mauritius, Réunion, Madagascar and the Seychelles; F. MACMILLAN, New Zealand; D.E. RHODES, India, Burma and Ceylon; K. OLDENDOW, Greenland; D.H. BORCHARDT, Australia; C. CLAIR, Malta; H.J. de GRAAF, Indonesia; B.F. SWAN, The Caribbean Area; A.H. SMITH, South Africa; and H. PEARSON GUNDY, Canada.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 450.00 other currencies Order nr. 103704

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(Printing) Petty, R.A. SAINT BRIDE FOUNDATION CATALOGUE OF THE TECHNICAL REFERENCE LIBRARY OF WORKS ON PRINTING AND THE ALLIED ARTS.
(Mansfield Centre Martino Publishing Co. n.d. but 1999) thick 8vo. cloth. (vi), xvi, 999 pages.
Reprint of the first and only edition of this excellent printing reference tool which was published in London in 1919 by Saint Bride Library. Prefatory essays by John Southward and F.W.T. Lange. A welcome reprint of a very scarce and important reference work.
Price: $ 110.00 other currencies Order nr. 55444

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Proctor, Robert THE PRINTING OF GREEK IN THE FIFTEENTH CENTURY.
Mansfield Centre Martino Publishing 2007 8vo. cloth. (viii), 217 pages.
Reprint of the 1900 first edition. (Appleton p.57). Illustrated Monograph VIII. Seven chapters describing the progress of Greek types. Includes a list of books in which Greek types are found and of Greek printers outside Italy.
Price: $ 75.00 other currencies Order nr. 99188

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Renouard, Ph. LES MARQUES TYPOGRAPHIQUES PARISIENNES DES XVe ET XVIe SIÈCLES.
Mansfield Centre Martino Publishing 2003 large 8vo. cloth viii+(i), 64, (2), 65-144, 1 leaf, 145-381 pages.
From series Revue des Bibliothèques; issued in 5 parts, from 1926 - 1928 in Paris by Librairie Ancienne Honoré Champion. Bound in one volume. A comprehensive study of French typographic marks by one of the acknowledged authorities in the field. Illustrated with reproductions.
Price: $ 65.00 other currencies Order nr. 75144

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Reuss, Eduard BIBLIOTHECA NOVI TESTAMENTI GRAECI
Mansfield Centre, CT Martino Publishing 2007 6 x 9.25 inches cloth. vii, 314 pages.
Reprint of the first edition published in Brunsvigae, apud C. A. Scwetschke et filium, in 1872 (See Besterman 779). This is a standard bibliography on the printing of the New Testament in Greek written by Eduard Reuss (1804-1891). This work offers an investigation of more than 580 printed texts of the New Testament from the Complutensian Polyglot [1514] to the Edition of A. Hahn [1861]. In Latin.
Price: $ 75.00 other currencies Order nr. 96163

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Ritchie, Ward OF BOOKMEN & PRINTERS, A GATHERING OF MEMORIES. With a foreword by Lawrence Clark Powell.
Los Angeles Dawson's Book Shop (1989) 8vo. cloth backed boards. 189 pages.
Limited to 500 copies. Designed and written by the great printer, Ward Ritchie, this work contains many reminiscences of book collectors, book artists, bookmen and printers many of which are notable and recognizable figures in the world of fine books.
These stories include the Los Angeles booksellers of the Great
Depression and the formation of the Zamorano Club, bookseller Jake Zeitlin, artist and wood engraver Paul Landacre, eccentric book designer Merle Armitage, poet Robinson Jeffers, Jane Grabhorn's irreverent wit and whimsical creations which colored her days at the Grabhorn Press; Ward's apprenticeship with Francois-Louis Schmied, the preeminent Parisian book printer and artist of the 1920s and 30's; music composer John Cage, C.H. St. John Hornby of the Ashendene Press, Ritchie's boyhood friend and former librarian and dean of the Library School at UCLA, Lawrence Clark Powell; and last of all, but not least, the indviduals and colorful history of once wealthy and sophisticated Virginia City. Distributed for Dawson's Book Shop by Oak Knoll Press.
Price: $ 50.00 other currencies Order nr. 47016

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