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Antiquarian (629)

Graphic Design - Font Catalogues/ Typ...

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Graphic Design - Font Catalogues/ Type Specimens

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(Leaf Book) Wallis, Lawrence GEORGE W. JONES : PRINTER LAUREATE
(Nottingham/New York) Plough Press / Mark Batty (2004) 8vo. with 4to. portfolio half-leather, marbled paper boards, stiff paper portfolio, all in slipcase (vi), 128 pages
Limited to 45 copies, hand-bound by The Fine Bindery of Wellingborough and containing original samples of George W. Jones' printing. The samples, loosely contained in the separate portfolio, are four leaves from The Canterbury Tales, two leaves from The Georgics of Vergil, two leaves from Two Centuries of Typefounding, one leaf from Pearl, and one leaf from A Calendar for the Year 1923. Also, two copies of the dust jacket for this book are in the portfolio. This book provides the first extensive study of the life and work of George W. Jones and fills a gap in the literature of printing. (Not in Leaf Book - Chalmers). With a printed label mounted on the front pastedown giving the information about this special edition. This label is hand-numbered and signed by the author.
Price: $ 300.00 other currencies Order nr. 86854

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Ledoux, Louis V. THE ART OF JAPAN.
New York Japan Society 1927 8vo quarter cloth, paper-covered boards, paper spine label. 84, (2) pages
Overview of the fine and performing arts in Japan. Tipped-in frontispiece. Bibliography organized by subject. Front board decorated with Buddhist motif. Pencilled inscriptions on back pastedown. Slight tanning throughout text.
Price: $ 25.00 other currencies Order nr. 108830

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Legros, Lucien Alphonse and John Cameron Grant TYPOGRAPHICAL PRINTING-SURFACES THE TECHNOLOGY AND MECHANISM OF THEIR PRODUCTION.
New York Garland 1980 8vo. cloth. xxiv, 732, (5) pages.
Reprint of the 1916 edition. Berry & Poole in Annals of Printing have described this book as "the most important treatise on type designing, cutting, and casting since Fournier's manual of 1864, with valuable chapters on machine setting." Essential book.
Price: $ 350.00 other currencies Order nr. 2527

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Lieberman, J. Ben TYPE AND TYPEFACES
New Rochelle The Myriade Press (1978) 4to. cloth, dust jacket. 142 pages.
Second edition of his Types of Typefaceswhich was originally published in 1968. Jacket missing a corner of back cover.
Price: $ 25.00 other currencies Order nr. 3069

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Lieberman, J. Ben TYPE AND TYPEFACES
New Rochelle The Myriade Press (1978) 4to. stiff paper wrappers. 142 pages.
Second edition of his TYPES OF TYPEFACES which was originally published in 1968. Covers soiled.
Price: $ 15.00 other currencies Order nr. 23747

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Lieberman, J. Ben TYPE AND TYPEFACES
New Rochelle The Myriade Press (1978) 4to. cloth, dust jacket. 142 pages.
This is the second edition of a good introductory, practical, and comprehensive book for beginners who want to learn about the history of type, typefounding and typefaces. Twenty-five chapters cover subjects such as how and why typefaces are different, fifteen great inventions behind typefaces, classifying type, choosing type, and the practical problems of identifying type plus what to do when you have become familiar with type. This work is a great place to begin when one wants to start studying the printed word and working with printing and type.
Lieberman also includes informative and interesting historical
information covering the more specific aspects of the printed word in "The 15 Great Inventions Behind Our Typefaces," which describe the inventions of the book, small letters, silent reading, printing, typefaces, roman type, true type design, numbers, mechanized type production, the type family, evocative printing, the Typorama, cold type, and the possible reinvention of the alphabet. Distributed by Oak Knoll Press.
Price: $ 30.00 other currencies Order nr. 47017

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Lieberman, J Ben TYPE AND TYPEFACES
New Rochelle The Myriade Press (1978) 4to. stiff paper wrappers. 142 pages.
Paperback edition. Some rubbing to covers.
Price: $ 20.00 other currencies Order nr. 47018

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Lieberman, J. Ben TYPE AND TYPEFACES
New Rochelle The Myriade Press (1978) 4to. cloth, dust jacket. 142 pages.
Second edition of his Types of Typefaces which was originally published in 1968. Well Preserved copy.
Price: $ 30.00 other currencies Order nr. 73491

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Lieberman, J. Ben TYPES OF TYPEFACES AND HOW TO RECOGNIZE THEM
New York Sterling Publishing Co. (1968) 4to. cloth. 132 pages.
Reprint of the 1967 first edition.
Price: $ 20.00 other currencies Order nr. 21978

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Lindegren, Erik VARA BOKSTAVER, TECKNADE OCH TEXTADE ALFABET, BOKTRYCKTYPER, REKLAM-OCCIDENSTRYCKTYPER.
Goteborg Slojdforeningens skola Skolan for bokindustri 1959-60 oblong 8vo. cloth. xv,318, (6) pages.
First edition. Filled with examples of typography, type specimens, illustrations in different colors, etc. Loosely inserted is an English translation of the introduction. Spine faded.
Price: $ 65.00 other currencies Order nr. 26917

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LINOTYPE-POST.
Berlin Linotype GmbH 1959 4to. self paper wrappers 21, (3) pages
Issue 44 of the Linotype-Post, September 1959. Features the Optima-Antiqua type face, developed for Stempel and Linotype in 1958 by Hermann Zapf. Black and white illustrations.
Price: $ 30.00 other currencies Order nr. 109832

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Louda, Zdenek O PÍSMU ÚVOD K POZNÁNÍ, VYTVARNÉ KRASY PÍSMA.
Prague Naseho Smeru 1924 8vo stiff paper wrappers 33, (11) pages
Text in Czech. Introduction to the Artistic Beauty of Font. Illustrations of print fonts. Louda was editor of Ceskoslovensky Kreslir in the 1930s. Illustrated, with five color plates. Two samples tipped in. Wrappers lightly tanned. Slight tear to back wrapper at top edge.
Price: $ 30.00 other currencies Order nr. 107598

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Loy, William E. (edited by Alastair M. Johnston and Stephen O. Saxe) NINETEENTH-CENTURY AMERICAN DESIGNERS AND ENGRAVERS OF TYPE.
New Castle, Delaware Oak Knoll Press 2009 9 x 12 inches hardcover, dust jacket 164 pages
New technology, such as electrotyping, the pantograph and router, introduced in the middle of the nineteenth century, combined with the expansion of commerce as America moved westward, created a great outpouring of exuberantly ornamented typefaces. Though these "Victorian" faces have moved in and out of favor, many of them have great charm and usefulness. They were produced in conditions of a commercial free-for-all, even outright piracy, not unlike the "desktop font" boom of the 1990s. While many Victorian types have been revived by digital foundries, their sheer number has intimidated historians unable to establish their true origins.

In 1896 William E. Loy, a San Francisco printing equipment salesman and scholar, had the idea of writing a series of profiles of type designers. Loy took a long view of history, and realized that it was important to document the men in the background who created the nineteenth century's fanciful types, even as the furiously competing type foundries got the credit for introducing them to the printing trade. His work was serialized in The Inland Printer over the next three years and included biographies, photographs of the artists, and lists of the type they had designed or cut, which Loy had painstakingly compiled through correspondence with the type founders and other craftsmen. Unfortunately, due to the technical limitations of a monthly periodical, it was not possible to show the typefaces mentioned. Finally here is the work as Loy envisioned it, with over 800 illustrations of typefaces designed by the craftsmen he discusses.

Here, written by a man who knew many of the designers and engravers, is the behind-the-scenes story: biographies of men - artists, sportsmen, blacksmiths, soldiers, even a game warden - who were the creators of these innovative types. Loy traces their personal stories adding much incidental detail about the politics & business practices of the time and the innovations of each of these thirty men. Now, a century later, typographical historians Alastair Johnston and Stephen Saxe have realized Loy's vision, fully illustrated and annotated. This is one of the first reference books on nineteenth-century American type design, and as such is an important addition to typographical history.

William E. Loy (1847-1906) grew up in the Midwest and moved to California in 1874. He worked as a newspaperman, printer and printing equipment salesman. He was associated with Nelson Crocker Hawks at the Pacific Type Foundry in San Francisco, before branching out on his own. His vast typographical library formed the core of the Kemble Collection now at the California Historical Society.

Stephen O. Saxe is the author of American Iron Hand Presses (Oak Knoll & The British Library, 1995); he annotated the revised edition of Annenberg's Typefoundries of America and their Catalogs (Oak Knoll & The British Library, 2000). A graduate of Harvard and Yale, he was a stage and television scenic designer before he became interested in printing history. Alastair Johnston is the author of Alphabets to Order: the Literature of Nineteenth-Century Typefounders' Specimens (Oak Knoll & The British Library, 2000). A co-founder of Poltroon Press, he has taught at the University of California since 1979. He also teaches book arts in public elementary schools. He is currently writing a biography of Richard Austin, the English type cutter, and his son the wood-engraver.
Price: $ 59.95 other currencies Order nr. 96679

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Maslen, K.I.D. VICTORIAN TYPEFACES IN DUNEDIN, NEW ZEALAND.
Melbourne The Bibliographical Society of Australia and New Zealand 1981 8vo. stiff paper wrappers (ii), 25+(1), and 32 pages of printing materials
The Bibliographical Society of Australia and New Zealand Occasional Publication No.2. The list of printing materials reproduced in these pages shows the range of typefaces held by the printer Matthews, Baxter & Co. of Dowling Street, Dunedin, sometime in the mid-1880s. This study characterizes that stock and traces the process of its formation. Illustrated with typefaces, ornaments, and borders.
Price: $ 30.00 other currencies Order nr. 64848

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(Massachusetts Historical Society) Riley, Stephen T. THE MASSACHUSETTS HISTORICAL SOCIETY.
Boston Massachusetts Historical Society 1959 8vo. stiff paper wrappers 62 pages
An illustrated history of the society, featuring some of its more noteworthy collections. Black and white illustrations throughout. Matrices once in the possession of Benjamin Franklin illustrated on the wrappers.
Price: $ 10.00 other currencies Order nr. 114549

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Masson, Irvine A VIEW OF EARLY TYPOGRAPHY.
N.P. n.p. 1938 8vo. stiff paper wrappers pp. 343-347
An offprint from The Durham University JournalMarch, 1938.
Price: $ 15.00 other currencies Order nr. 70979

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(Matisse, Henri) MATISSE: EN RETROSPEKTIV UDSTILLING.
København Ministeriet for Kulterelle Anliggender 1970 8vo. stiff paper wrappers unpaginated
Text in Danish with forewords translated into French. Catalogue of an exhibition at the Royal Museum of Fine Arts in Copenhagen. Forewords by K. Helveg Petersen, Minister of Cultural Affairs and Hanne Finsen of the Museum. Essays by Denys Sutton and Pierre Soulages. Chronology of Matisse's life. 120 plates, mostly black and white. Descriptive text of paintings sculptures and drawings. Wrappers lightly foxed. Signed complimentary card laid in.
Price: $ 15.00 other currencies Order nr. 115104

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McGrew, Mac AMERICAN METAL TYPEFACES OF THE TWENTIETH CENTURY.
New Castle, Delaware Oak Knoll Press 1993 9 x 12 inches paperback 398 pages
Reprint of the second, revised edition. Discover 1,600 classical as well as bizarre typefaces in one of the most massive tributes to the history of printing and metal types. This edition of American Metal Typefaces of the Twentieth Century contains 300 more typefaces in a clean, attractive format. This well-organized work captures the rapidly disappearing traditions and legacy that metal-type printing has left behind. Much of this information has been lost by the passage of time, and its preservation in this book is essential for anyone studying typefaces, typography, and its history.

Structured by alphabetically-listed type families, these typefaces and their variant forms are shown in full alphabets - upper and lower case with numerals and punctuation. The specimens themselves are cleanly reproduced from metal types for maximum clarity. The text is detailed and informative, not only identifying the designer, foundry, and date of issue but also the range of sizes and closely similar designs by other founders. The history, aims, and purpose behind many of these typefaces are also described, along with production problems encountered and individual characteristics. Additional information includes extensive appendices listing common pseudonyms, popular imports, and antique faces, plus American Typefounders, Monotype, and Ludlow series numbers. The indexes provide easy access to typeface names as well as names of designers, punch cutters, matrix engravers, and other tradesman.

The history of metal types and printing, now forever preserved, has long affected the spread of human civilization. Oak Knoll Press is proud to offer this work to generations of graphic designers, typographers, printing and graphic arts enthusiasts all over the world.
Price: $ 65.00 other currencies Order nr. 34980

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McGrew, Mac AMERICAN METAL TYPEFACES OF THE TWENTIETH CENTURY.
New Castle, Delaware Oak Knoll Press 1993 4to. cloth, dust jacket. 398 pages
Second, revised edition. Discover 1,600 classical as well as bizarre typefaces in one of the most massive tributes to the history of printing and metal types. This edition of American Metal Typefaces of the Twentieth Century contains 300 more typefaces in a clean, attractive format. This well-organized work captures the rapidly disappearing traditions and legacy that metal-type printing has left behind. Much of this information has been lost by the passage of time, and its preservation in this book is essential for anyone studying typefaces, typography, and its history.

Structured by alphabetically-listed type families, these typefaces and their variant forms are shown in full alphabets - upper and lower case with numerals and punctuation. The specimens themselves are cleanly reproduced from metal types for maximum clarity. The text is detailed and informative, not only identifying the designer, foundry, and date of issue but also the range of sizes and closely similar designs by other founders. The history, aims, and purpose behind many of these typefaces are also described, along with production problems encountered and individual characteristics. Additional information includes extensive appendices listing common pseudonyms, popular imports, and antique faces, plus American Typefounders, Monotype, and Ludlow series numbers. The indexes provide easy access to typeface names as well as names of designers, punch cutters, matrix engravers, and other tradesman.

The history of metal types and printing, now forever preserved, has long affected the spread of human civilization. Oak Knoll Press is proud to offer this work to generations of graphic designers, typographers, printing and graphic arts enthusiasts all over the world.
Price: $ 125.00 other currencies Order nr. 108358

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McGuinne, Dermot. IRISH TYPE DESIGN: A HISTORY OF PRINTING TYPES IN THE IRISH CHARACTER.
with a foreword by Hendrik D.L. Vervliet Dublin National Print Museum 2010 7.5 x 9.5 inches hardcover, dust jacket 236 pages
Second edition. The designing of special type for printing Irish language texts began in the late sixteenth century and lasted into our own day, attracting the attention of many leading political and religious figures -Elizabeth I; Irish Franciscans in exile on the Continent; and at one point even Napoleon I - as well as scholars such as John O'Donovan, Eugene Curry, George Petri and John Henry Newman. More recently, internationally renowned designers Stanley Morison, Victor Hammer, and Eric Gill have made significant contributions to Irish type design.

Irish typography came after the demise of the late Graceo-Roman uncials and semi-uncials, preceded by late Gothic, Roman, Italic, and Greek types. It was considered a 'sacred' script for the purpose of studying Scripture.

Dermot McGuinne's book is the most comprehensive published on this subject and has become a standard work of reference. It contains more than 150 illustrations of Irish types spanning over four centuries. McGuinne covers Irish types including Queen Elizabeth's Irish type, the Rome Irish type, the Paris and Parker types, and others. Throughout eleven chapters, McGuinne provides a comprehensive account of every Irish font in its cultural, religious, and political context. This expanded second edition also includes a new foreword by Hendrik D.L. Vervliet and a new chapter on Louvain Irish type.

Dermot McGuinne gained his primary degree and early experience as a graphic designer in the United States where he later held the position of Art Director at the University of Iowa Press before returning to Ireland. He was awarded his doctorate from Trinity College Dublin for work completed on the subject of the "Irish Character in Print" and is the author of various articles on the topic. He has been the head of the departments of Visual Communication and of Fine Arts at the Dublin Institute of Technology.

Available outside North and South America from the National Print Museum, Dublin.
Price: $ 55.00 other currencies Order nr. 104562

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McGuinne, Dermot. IRISH TYPE DESIGN: A HISTORY OF PRINTING TYPES IN THE IRISH CHARACTER.
with a foreword by Hendrik D.L. Vervliet Dublin National Print Museum 2010 7.5 x 9.5 inches paperback 236 pages
Second edition. The designing of special type for printing Irish language texts began in the late sixteenth century and lasted into our own day, attracting the attention of many leading political and religious figures -Elizabeth I; Irish Franciscans in exile on the Continent; and at one point even Napoleon I - as well as scholars such as John O'Donovan, Eugene Curry, George Petri and John Henry Newman. More recently, internationally renowned designers Stanley Morison, Victor Hammer, and Eric Gill have made significant contributions to Irish type design.

Irish typography came after the demise of the late Graceo-Roman uncials and semi-uncials, preceded by late Gothic, Roman, Italic, and Greek types. It was considered a 'sacred' script for the purpose of studying Scripture.

Dermot McGuinne's book is the most comprehensive published on this subject and has become a standard work of reference. It contains more than 150 illustrations of Irish types spanning over four centuries. McGuinne covers Irish types including Queen Elizabeth's Irish type, the Rome Irish type, the Paris and Parker types, and others. Throughout eleven chapters, McGuinne provides a comprehensive account of every Irish font in its cultural, religious, and political context. This expanded second edition also includes a new foreword by Hendrik D.L. Vervliet and a new chapter on Louvain Irish type.

Dermot McGuinne gained his primary degree and early experience as a graphic designer in the United States where he later held the position of Art Director at the University of Iowa Press before returning to Ireland. He was awarded his doctorate from Trinity College Dublin for work completed on the subject of the "Irish Character in Print" and is the author of various articles on the topic. He has been the head of the departments of Visual Communication and of Fine Arts at the Dublin Institute of Technology.

Available outside North and South America from the National Print Museum, Dublin.
Price: $ 35.00 other currencies Order nr. 104563

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McMurtie, Douglas C. MODERN DESIGN FOR MODERN NEWSPAPERS.
Washington n.p. 1940 4to. stapled stiff paper wrappers. 10 pages.
First separate edition, reprinted from the Proceedings of the Eighteenth Annual Convention, American Society of Newspaper Editors. Reproduced from typescript.
Price: $ 20.00 other currencies Order nr. 96095

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McMurtie, Douglas C. PRESENT AND FUTURE, TRENDS IN TYPEFACES AND LAYOUTS.
Chicago Privately printed 1939 4to. self paper wrappers. (8) pages.
First separate edition, reprinted from the 1939 Year Book of the Chicago Typographical Union.
Price: $ 20.00 other currencies Order nr. 96093

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McMurtrie, Douglas TYPE DESIGN, AN ESSAY ON AMERICAN TYPE DESIGN WITH SPECIMENS OF THE OUTSTANDING TYPES.
Pelham, NY Bridgeman Pub. (1927) 8vo. paper covered boards. 64 pages.
First edition. Introduction by Frederic Goudy. Paper covering is soiled and chipped away at spine ends. Small book stamp of Elizabeth & Ben Lieberman on front pastedown.
Price: $ 15.00 other currencies Order nr. 12367

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(Menhart, Oldrich) MENHARTOVA ROMANA VE VYDANI LANSTON MONOTYPE CO. LONDON.
Prague Soukromy Tisk 1934 12mo stiff paper wrappers 18, (4) pages
Limited to 350 copies. Text in Czech. (Arno Sanka IV, 4133). Discusses typeface designed by Czech type designer Oldrich Menhart (1897-1962). Preface by Menhart.
Price: $ 45.00 other currencies Order nr. 107560

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