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Fine Press Books

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(Center for Book Arts) CENTER BROADSIDES 2007 READING SERIES.
(New York Center for Book Arts 2007) 13" x 15" paper letterpress pressure-printed with wood type, front flaps open to form a box shape made from navy book cloth faced with white paper, title printed in red on front and back, gray grosgrain ribbon loop closure 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Kevin Prufer, Scott Hightower, Amy Lemmon, Jennifer Kwon Dobbs, David Lehman, Colette Inez, Rigoberto Gonzalez, Nicole Walker, Brenda Connor-Bey, D.A. Powell, Nicole Cooley and Emily Fragos. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The design of the 2007 portfolio, which was created last year, features a center opening that fastens with grey grosgrain ribbon. The boards are covered in paper printed with a design of letters in shades of blue over grey rectangles. The title in red is repeated in various fonts and sizes on the front while on the back, the single line is framed top and bottom with two lines of printers' ornaments. The front cover flaps open to reveal a pop-up box that contains the individual broadsides.
Price: $ 500.00 other currencies Order nr. 103157

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(Center for Book Arts) CENTER BROADSIDES 2008 READING SERIES.
(New York Center for Book Arts 2008) 13" x 15" paper letterpress pressure-printed with a design of random rectangles in shades of lime green, front flaps open to form a box shape made from hunter green book cloth faced with white paper, lime green grosgrain ribbon loop closure 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Aracelis Girmay, Erica Hunt, Ada Limon, Evie Shockley, Christina Davis, Edward Hirsch, Jason Labbe, Nick Flynn, Kathy Fagan, Charles Bernstein, Stacy Szymaszek and Elena Georgiou. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2008 portfolio features a center opening that fastens with lime green grosgrain ribbon. The boards are covered in paper printed with a design of random rectangles in shades of lime green with the title in red on the right front. The front cover flaps open to reveal a pop-up box that contains the individual broadsides.
Price: $ 500.00 other currencies Order nr. 103158

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(Center for Book Arts) CENTER BROADSIDES 2009 READING SERIES.
New York Center for Book Arts 2010 15.5 x 13 inches top opening portfolio 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Included are works by Chase Twichell, Rachel Hadas, Matthew Hittinger, Patricia Smith, Matthea Harvey, Elizabeth Willis, DéLana R. A. Dameron, Leslie Harrison, Mónica de la Torre, Alex Dimitrov, Alex Lemon, and Anna Moschovakis. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2009 portfolio features a top opening that closes with a flap displaying the title in a shade of blue. It is light blue with a dark blue stripe down the left and right sides and contains an orange center with various text symbols in a darker shade.
Price: $ 500.00 other currencies Order nr. 105209

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(Center for Book Arts) CENTER BROADSIDES 2010 READING SERIES
New York Center for Book Arts 2011 13 x 16 inches side opening portfolio 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Included are works by Sarah Gambito, Tricia Taaca, Alex Cuff, Boni Joi, Michele Madigan Somerville, Timothy Donnelly, Katie Degentesh, Kathleen Ossip, Khadijah Queen, Willie Perdamo, Albert Mobilio, and David Henderson. The broadsides are reserved for the yearly portfolios. The 2010 portfolio features a side opening that closes with a flap displaying the title in orange and green.
Price: $ 500.00 other currencies Order nr. 108487

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(Center for Book Arts) CENTER BROADSIDES 2011 READING SERIES.
New York Center for Book Arts 2012 15.25 x 13 inches top opening portfolio 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at The Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, a letterpress printer (sometimes the poet who gave the reading) creates a broadside of one of the author's poems that captures the essence of the verse and the story they told. Included are works by printers Susan Howe, Kimberly McClure, Barbara Henry, Alisa Ochoa, Roni Gross, Delphi Basilicato, Richard O'Russa, James Walsh, Nancy Loeber, Meg Quarton, and Amber McMillan and poets Susan Howe, Mei-mei Berssenbrugge, Elizabeth Zuba, Jessica Elsaesser, Eileen Myles, CA Conrad, Douglas Crase, Dana Ward, John Yau, Paolo Javier, Corina Copp, and Carl Sesar. The broadsides are reserved for the yearly portfolios. The 2011 portfolio features a top opening that closes with a flap displaying the title in orange.
Price: $ 500.00 other currencies Order nr. 112251

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(Center for Book Arts) CENTER BROADSIDES 2012 READING SERIES.
New York Center for Book Arts 2013 15 x 13 inches top opening portfolio 12 broadsides of varying sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at The Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, a letterpress printer (sometimes the poet who gave the reading) creates a broadside of one of the author's poems that captures the essence of the verse and the story they told. Included are works by printers James Walsh, Joshua Beckman, Barbara Henry, Roni Gross, Richard O'Russa, Amber McMillan, Anna Paula Cordeiro, Meg Quarton, Sarah Mottaghinejad, and poets Joshua Beckman, Mary Ruefle, Jen Bervin, Joseph Donahue, Caroline Knox, Cecilia Vicuna, Elizabeth Willis, James Walsh, Julie Patton, Simon Pettet, Lewis Warsh, and Michael O'Brien. The broadsides are reserved for the yearly portfolios. The 2012 portfolio features a top opening that closes with a red flap, and brown sides with an orange stripe on each.
Price: $ 500.00 other currencies Order nr. 117970

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(Center for Book Arts) CENTER BROADSIDES READING SERIES: FIFTH ANNIVERSARY
Boxed edition for fifth anniversary (New York Center for Book Arts 2006) 5.75 x 7.5 inches loose sheets contained in red cloth covered matchbox style container with cloth covered flaps on inner sliding tray to protect contents, black title on ivory label n.p.
Limited to an edition of 75. This boxed set was designed, printed letterpress, and created at the Center for Book Arts to commemorate the reading held in New York on Friday, March 3, 2006 to celebrate the fifth anniversary of the Center Broadsides Reading Series. Each of the ten poems presented is represented by an image in the set. Printed by Delphi Basilicato; boxes produced by Sarah McDermott and Nicole Trigg under the supervision of Ana Cordeiro.
Price: $ 350.00 other currencies Order nr. 103156

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Winner of the 2011 Poetry Chapbook Competition at the Center for Book Arts

(Center for Book Arts) deGannes, Nehassaiu UNDRESSING THE RIVER
New York Center for Book Arts 2011 7.5 x 10 inches paperback 28 pages
This book won the 2011 Poetry Chapbook Competition at the Center for Book Arts, judged by Kimiko Hahn and Sharon Dolin.

The book contains the poems "Ocean Voyager," "Undressing the River," "When Last-," "One Fine Philadelphia Morning," "Last Surviving Hymn to Hathor," "Undressing the River II," "Album," "Matins," "Night, A Suburb," "Mutter," "Undressing the River III", "Bessie's Hymn," and "My Brother's Funeral Pallet Is An Explosion Of Flowers."

Letterpress printed and bound by Ed Rayher, Swamp Press in an edition of 100.
Price: $ 75.00 other currencies Order nr. 108489

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(Center for Book Arts) Emmanuel, Lynn LYNN EMMANUEL: SELF PORTRAIT WITH WORDS
New York Center for Book Arts 2002 8vo. tan paper wrappers with simple dark tan body silhouette, hand sewn with ivory string (12) pages.
This collection was printed to commemorate the author's contribution as a judge in the Center's 2002 Poetry Chapbook Competition. Letterpress printed by Fameorshame Press. Limited edition of 100 number and signed copies.
Price: $ 75.00 other currencies Order nr. 103168

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(Center for Book Arts) Estévez, Nicolás Dumit FOR ART'S SAKE.
(New York Center for Book Arts 2006) 8 x 4 inches hardcover portfolio four folded leaves, blue folded Aesthetic Credential
Dumit Estévez's work is a devotional guide taking an artist or "pilgrim" on a journey, undertaken "for art's sake." This witty commentary on the obstacles faced by contemporary artists provides inspirational guidelines and budgetary considerations, as well as suggestions for "blessings," "props," and "penances."

This book was printed and bound at the Center in an edition of 100 copies. Concept, text, and illustrations by Nicolás Dumit Estévez, and page layout and letterpress printing by Amber McMillan. Text (handset Scotch Roman type) and illustrations (polymer plates) printed on Arches paper with hand-painted design by Ana Cordeiro. Aesthetic Credential letterpress printed and designed by McMillan and Dumit Estévez (handset Scotch Roman type and polymer plates on hand-cut Fabriano Elle Erre paper). Covered in red cotton velvet with red velvet button and yellow string for closure; binding tied with yellow string and finished with a red tassel.
Price: $ 1,500.00 other currencies Order nr. 103050

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(Center for Book Arts) EXHIBITION CATALOGUES FROM THE CENTER FOR BOOK ARTS
New York Center for Book Arts various various variety of pamphlets and braodsides various
Over the years, the Center for Book Arts has hosted a wide variety of exhibitions. This collection presents twenty-six examples of exhibition catalogues from 1979 to 2005. Included are "An Exhibition of Work by Benjamin D. Rinehart" May 15 - July 2, 1999; "Book Makers: Center for Book Arts First Five Years" October 24 - November 9, 1979; "Celebrating Artist Members: 30th Anniversary Members Exhibition" July 8 - September 10, 2005; "The Effects of Time" September 18 - October 17, 1987; "Inky Fingers: Works by Small and Fine Presses" April 8 - June 17, 1994; "Soviet and Subversive" October 28 - December 15, 1994; and "The Works of Edition Balance: Contemporary Book Arts from the new Germany" September 16 - October 15, 1994.
Price: $ 200.00 other currencies Order nr. 103188

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(Center for Book Arts) AN EXHIBITION OF BOOKBINDINGS BY JEAN DE GONET.
New York Center for Book Arts 1987 12mo. stiff paper wrappers 28 pages
An exhibition of 45 works by innovative French bookbinder de Gonet was held in New York from May 16 to June 16, 1987. According to Jan van der Marck in the introduction, innovation is a radical attack on the continuity of thought and action that distinguishes culture and informs tradition. There are two ways in which to detect it: by deduction and induction. The former requires that we search for a break in an evolving stylistic configuration much as we would for a stoppage of leak in a pipeline. The latter proceeds by the intuitive recognition of a sea change, and the ability to pinpoint evidence from clues. At first blush, de Gonet's ingeniously crafted or industrially produced covers resemble the lid of a roll top box or the dash of a racing car. These unsubtle clues that somebody is playing hard and fast with the bookbinders tradition are the unchallengeable evidence of innovation. Black and white illustrations.
Price: $ 10.00 other currencies Order nr. 103926

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(Center for Book Arts) \FLO\: ART, TEXT, NEW MEDIA
New York Center for Book Arts 2009 square 8vo. stiff paper wrappers 32 pages
Text and image are two forms of communication that have enormous potential to combine, intermingle, blend, and flow - thus creating new modes of expression. This exhibition, held in New York from April 15 to June 27, 2009, features over thirty artists, whose backgrounds are in different media, including painting, sculpture, video and performance art, printing, and the book arts. These artists are exhibiting new work that exemplifies the creative dynamism of melding the written word with visual arts. Exhibition Curator Rocío Aranda-Alvarado says: "Through the imaginative prism of these artists, it's no longer necessary to regard text and image as separate substances, like oil and water. Instead, they have profound potential to blend and create a synthesis of expressive forms, something beyond the realm of traditional media." Digitally printed with color illustrations.
Price: $ 25.00 other currencies Order nr. 103175

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(Center for Book Arts) Friedman, B. H. HEART OF A BOY
New York Center for Book Arts 1994 8vo. red cloth, gilt author and title on cover (2), 75, (3) pages
This play, set in New York City, is a thoughtful look at the last few months of the life of a man whose late wife sends him an angel to help prepare him for his next journey. This volume includes the complete text and a black-and-white reproduction of the Jim Dine frontispiece. Substantially reduced in size, it is a facsimile of a signed and numbered fine art folio edition which was distributed as a benefit of upper level membership in the Center for Book Arts.
Price: $ 75.00 other currencies Order nr. 103060

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(Center for Book Arts) GEOMETRY & NEW MATH (BOOKS ABOUT SEX)
(New York Center for Book Arts 1996) 8vo. stiff paper wrappers in a plain brown wrapper with the primary title printed in black 16 pages
Coordinated by Ilse de Graaf and Lara Frankena, this exhibition was held in New York from January 20 through March 30, 1996. Recognizing the potential influence of books in defining a person's gender identity and sexual expression, this exhibition of artists' books examined the relationship between the book and sexual practices. It also explored the diversity of contemporary sexual experience and the current attitudes towards human physicality, male/female relations, homosexuality, AIDS, and desire. These works assert the innumerable ways a book can express ideas concerning the most intimate aspects of an individual, as well as the larger political concerns related to sexual orientation and gender issues. Illustrated in black and white.
Price: $ 10.00 other currencies Order nr. 103176

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(Center for Book Arts) Gogol, Nicolai THE DIARY OF A MADMAN.
Summer Garden Editions New York Center for Book Arts 1998 7.25 x 11 inches hardcover with clamshell box 56 pages
Limited to an edition of 100 signed and numbered copies, of which 50 were reserved for the Center's members and associates.

Diary of a Madman is considered to be one of Gogol's greatest short stories. The tale centers on the life of a minor civil servant during the repressive era of Nicholas I.

Translated from Russian by Constance Garnett and illustrated by Mikhail Magaril; nine drypoint plates were printed by Kathy Caraccio and Sana Fadel at Kathy Caraccio Studio. The typography was planned by Misha Beletsky; with hand-lettered headings and illustrations throughout. Bound by the artist in tan linen boards fastened to the signatures with jute fibers whose ends come through the front and back in short tufts. The title was hand-lettered on the spine of the accompanying box.
Price: $ 2,000.00 other currencies Order nr. 103057

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(Center for Book Arts) Goldbarth, Albert. THE BOOK,
New York Center for Book Arts 2006 8vo. Rives BFK paper wrappers, St. Armand Canal Denim slipcase with thumb cutouts, hand sewn (22) pages
Limited edition of 100 signed and numbered copies in a paper slipcase. This collection was printed to commemorate the author's contribution as a judge in the Center's 2006 Poetry Chapbook Competition. Poems include "Into Blossom" and "Genesis." Designed, illustrated and letterpress printed from polymer plates on Zerkall Book paper by Amber McMillan.
Price: $ 75.00 other currencies Order nr. 103169

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(Center for Book Arts) Haug, James FOX LUCK
New York Center for Book Arts 1998 8vo. light tan speckled cover stock wrappers, title and author printed in black on tan paper label, hand sewn (10), 23, (5) pages
Limited to an edition of 100 signed and numbered copies. This collection was the winner of the Center's 1998 Poetry Chapbook Competition judged by Sharon Dolin and Gerald Stern. Selections include "In the Missing Town," "August" and "On the Rail." Letterpress printed on Mohawk paper by Carol Sturm.
Price: $ 75.00 other currencies Order nr. 103163

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(Center for Book Arts) Hayes, Terrance BETWEEN GHOSTS
New York Center for Book Arts 2010 9 x 6.5 inches loose sheets held together with twine 11 pages
Between Ghosts is a collection of eight poems referencing death and the Bible. Poems include Funeral Dance, To a Hymn Book, Ode to Big Trend, Stick Elegy, The Blue Sylvia, Like Mercy, Prayer, and A. Machine. The poems were printed and designed for the Center for Book Arts 2010 Chapbook Competition. The text is letterpress printed and set in Akkurat, with illustrations from Amber McMillan.
Price: $ 75.00 other currencies Order nr. 105205

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(Center for Book Arts) HEDI KYLE & HER INFLUENCE: 1977 - 1993.
New York Center for Book Arts 1993 4to. stiff paper wrappers with paper structure in center 8 pages
An exhibition was held in New York from October 1 to November 27, 1993 featuring works by Kyle and twenty contemporary book artists that have been inspired by Ms. Kyle's unique and creative bindings. The essay by Brian Hannon maintains that "All the works in the exhibition in some way challenge established notions about this cultural icon, (the book), that has played such a significant role in intellectual history." Illustrated in black and white, with paper structure in the center of the booklet.
Price: $ 10.00 other currencies Order nr. 103927

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(Center for Book Arts) Hirshfield, Jane THE PRESENT: TWELVE POEMS,
(New York Center for Book Arts 2007) large 12mo. light brown cloth, brown paper covered spine, red and black thread decoration on front cover (32) pages
Limited to an edition of 100 numbered and signed copies. This collection was printed to commemorate the author's contribution as a judge in the Center's 2007 Poetry Chapbook Competition. Poems include "The Present," "The Familiar Stairs" and "Stone and Knife." Designed and letterpress printed on Rives paper by Shanna Yarbrough.
Price: $ 100.00 other currencies Order nr. 103170

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(Center for Book Arts) Hoff, James and Alan Licht EAR TO THE PAGE
New York Center for Book Arts 2010 12.5 x 12.5 inches LP Record Jacket one sheet folded, printed on both sides
This exhibition brings multi-media, mixed media, and performance art to the forefront in book arts through albums as a biography, a book, an exhibition catalogue, and many other varieties by exploring and intertwining the aspects of recordings and books, and the idea that any document can exist through sound.

The invention of the album made way for the recording of sound just as the printing press made way for the mass production of books. Many artists today explore the connection between sound and the written word, and the way these two can be interchanged. This is demonstrated through examples of albums as biographies, books with sound components, and books as musical scores.
Price: $ 25.00 other currencies Order nr. 105199

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(Center for Book Arts) Holmberg, Ryan GARO MANGA: THE FIRST DECADE, 1964-1973
New York Center for Book Arts 2010 6 x 9 inches paperback 50 pages
Garo is synonymous for many with alternative Japanese comics. With the first issue appearing in 1964, Garo was a monthly magazine published for 38 years, and the foundation for many artists on the verge of manga practice. The visual imagery of this exhibition is a reaction to traditional Japanese aesthetics. It provides a commentary on political and social norms of Japanese society in the 1960s and 1970s. It also compliments the Center for Book Arts' educational offerings of Japanese woodblock, reductive woodcut, and Japanese bookbinding.
Price: $ 25.00 other currencies Order nr. 105201

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(Center for Book Arts) ILLUSTRATED FINE PRINTING: WHITTINGTON & MATRIX IN AMERICA
(New York Center for Book Arts 2008) small 8vo. stiff paper wrappers, dust jacket 32 pages
Limited to an edition of 300. Held at The Center for Book Arts, New York from September 26 to December 6, 2008 and at The Museum of Printing History, Houston, TX, from January 8 to April 25, 2009, this exhibition focused on the Whittington Press and its influential annual, Matrix, which provides an important platform for typographical dialog on both sides of the Atlantic Ocean. Ten American artists who have contributed articles and illustrations to Matrix are featured, as well as English and European artists who have written and illustrated books for the Whittington Press. With essays by John Randle, co-proprietor of Whittington Press, Miriam Macgregor and Barbara Henry, guest curator of the exhibit. Digitally printed with color illustrations. The cover was letterpresses by Barbara Henry and interns at the Center.
Price: $ 25.00 other currencies Order nr. 103177

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(Center for Book Arts) "Jaldaboath" STREET LIFE IN LONDON REDEEMED.
created by Andrew Atkinson (New York Center for Book Arts 2003) small 8vo. black cloth with title illustration in gray on cover 24 pages
Published in a limited edition of 50 copies, each signed and numbered by "Jaldaboath." An early example of social and documentary photography, Street Life in London, by Adolph Smith and John Thomson, is the basis of this volume. Originally published in 1878, it was a project to photograph the street life of the London poor using the Woodburytype photomechanical process.

The Nag Hammadi Library is the source of information about the worldview of the Gnostics and their blend of Platonic knowledge and Christo-Judaic understanding of the world. Characters from the Nag Hammadi texts are used as quasi historical people, involved in seeking redemption. Jaldaboath is a fallen character within gnosis, and as creator of the mundane world, is seeking to redeem himself through mundane means, namely through a neurotic and modern attachment to the safety signs that articulate our bureaucratic environments. Jaldaboath's work is the principle object of study within the findings of the recently re-opened Nag Hammadi site and an endless source of interest and pity to Pistis Sophia, who edits, compiles, and interprets the photographs, writings, objects, and miscellany of the absent Jaldaboath in an effort to unveil the modern world.

Andrew Atkinson re-conceptualized the original source material to create a conceptual work of art. He printed this work during his 2003 Sally R. Bishop Residency. Includes three black-and-white photographs individually mounted on separate pages.
Price: $ 250.00 other currencies Order nr. 103056

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