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Agricola, Rodolphus DE INVENTIONE DIALECTICA (ET) LUCUBRATIONES. ED. ALARDUS AMSTELREDAMUS.
2 parts bound in 1 Nieuwkoop HES & DE GRAAF 1967 22.5x15.5 cm cloth with gilt vignette and lettering xiv,471; xx,321 pages.
Facsimile of the 1539 (and best) contemporary edition of the Collected Works of Rodolphus Agricola (1443-1485), one of the precursors and founders of Humanism north of the Alps.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 200.00 other currencies Order nr. 103386

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Andreas, Valerius BIBLIOTHECA BELGICA. DE BELGIS VITA SCRIPTISQUE CLARIS. PRAEMISSA TOPOGRAPHICA BELGII TOTIUS SEU GERMANIAE INFERIORIS DESCRIPTIONE. EDITIO RENOVATA & TERTIA PARTE AUCTIOR.
2 parts bound in 1 Nieuwkoop HES & DE GRAAF 1973 22.5x15.5 cm cloth stamped in gilt (xxxvi),110,(2); 900 pages.
Facsimile reprint of the 1643 Louvain second (last), much augmented edition of an important early bio-bibliographical dictionary of Dutch- and Belgian authors. It is a major source book for our bio-bibliographical knowledge of sixteenth century Humanism in the Low Countries.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 260.00 other currencies Order nr. 103254

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Bodoni, Giambattista MANUALE TIPOGRAFICO DEL CAVALIERE GIAMBATTISTA BODONI
2 volumes. London The Holland Press 1960 4to. decorated paper cover boards, paper spine labels, slipcase. lxxii,267; (iv),279 pages.
One of 500 copies. An exact facsimile of the famous Bodoni specimen book - manual originally printed in Parma by the Presso la Vedova in 1818. Slipcase with top and bottom partially detached. Spines of books show some foxing.
Price: $ 650.00 other currencies Order nr. 700

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(Bookbinding) THE ANGLO SAXON REVIEW, A QUARTERLY MISCELLANY.
London Mrs. George Cornwallis-West 1900 4to. original full leather, panel-stamped full cover designs, top edge gilt, four raised bands (x), 239+(1) pages
The original covers of the Anglo-Saxon Review Volume VII are a facsimile of gold-tooled binding by Cyril Davenport, who had taken from a binding that covered a folio edition of Soriano's Masses, which was dedicated to Pope Paul V. It shows the Borghese coat-of-arms, 'azure a dragon, or; in chief, or, an eagle crowned, displayed sable,' in the center of each of the boards surmounted by the papal triple tiara with the crossed keys of St. Peter. The coat-of-arms is enclosed in a framework of a curious assortment of ornamentations. A beautiful example of seventeenth-century Italian work, this work includes notes on the binding and other essays and a frontispiece with six illustrations. Foxing to front fore-edges and last pages is visible and the binding is rubbed at the edges and corners. The spine is darkened with rubbing to head and tail and the pages are uncut.
Price: $ 300.00 other currencies Order nr. 104095

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(Bookbinding) Wolfe, Richard J. GEHEIMEN DER BOEKBINDERIJ, SECRETS OF BOOKBINDING, AN ANONYMOUS 19TH CENTURY DUTCH BOOKBINDING MANUAL, REPRODUCED IN FACSIMILE WITH TRANSLATION, INTRODUCTION AND NOTES.
Boston Richard J. Wolfe 1991 8vo. decorated paper over cloth-backed boards. xix, 15, 23, (7) pages.
Limited to 250 signed copies, 200 for sale. Text is a facsimile of original German text with translation on facing page. Gives information on gilding of leather; paper; silk; velvet and fore edge, marbling on edges of calf and sheepskin, and dyeing of calf and sheepskin. Tipped-in are 8 samples of some of the processes explained in the book. Marbled paper samples and cover paper were made by Mr. Wolfe who also executed the binding.
Price: $ 250.00 other currencies Order nr. 34250

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Bravo, Francisco OPERA MEDICINALIA. PRINTED IN MEXICO, 1570. WITH A BIOGRAPHICAL AND BIBLIOGRAPHICAL INTRODUCTION BY FRANCISCO GUERRA.
2 volumes. Folkestone Dawsons 1970 small 8vo. full parchment, slipcase. (vi),77; facsimile of over 300 leaves.
Limited to 250 numbered copies. The first volume contains the text by Guerra in English. The second is a facsimile reprint of the first medical book to be published in the New World taken from the only known complete copy. From the reference library of the Zaehnsdorf Company with a commemorative booklabel loosely inserted. With the bookplate of the Zaehnsdorf Company.
Price: $ 225.00 other currencies Order nr. 36790

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Brydges, Samuel Egerton- CENSURA LITERARIA. CONTAINING TITLES, ABSTRACTS, AND OPINIONS OF OLD ENGLISH BOOKS, WITH ORIGINAL DISQUISITIONS, ARTICLES OF BIOGRAPHY, AND OTHER LITERARY ANTIQUITIES.
10 volumes in 5. New York AMS Press 1966 small 8vo. cloth viii,471,(3),xvi,400; viii,440,(2),xv,(i),430; xv,(i),431+(1),xv,(i),440; viii,439+(1),xvi,431+(1); vii,(i),447+(1), xxii,416 pages
Reprint of the periodical printed by T. Bensley for Longman, Hurst, Rees, and Orme and J. White in London from 1805 to 1809. (NCBEL III, 1270; Lowndes I, 296) Published in installments over the course of several years, this was Brydges first extensive compilation of antiquarian literary material. He based his design on the previous works of Thomas Blount, William Oldys and Horace Walpole. Each yearly volume contains a detailed table of contents and an index, with the last volume also having a cumulative table of contents and index to the obituaries.
Price: $ 240.00 other currencies Order nr. 64627

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Canano, Ioannes Baptista and Girolamo Da Carpi MUSCULORUM HUMANI CORPORIS PICTURATA DISSECTIO.
Florence R. Lier & Co. 1925 8vo. half linen, paper-covered boards 98, (2) pages, pages of facsimile (pp. 49-90 not marked)
Text in English, text of facsimile in Latin. First edition. No. IV in the Monumenta Medica series under the general editorship of Henry E. Sigerist. Facsimile edition of the original, published circa 1541 in Ferrara. Includes an introduction by Harvey Cushing, biographical notices of the original authors by Edward C. Streeter. Epilogue listing of all known extant copies. Facsimile illustrated with muscles described in text. Description of the original in Brunet I, 1530. Boards scuffed and rubbed at corners. Endpapers age darkened.
Price: $ 400.00 other currencies Order nr. 116306

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(Caxton, William) VOCABULARY IN FRENCH AND ENGLISH, A FACSIMILE OF CAXTON'S EDITION C.14 80. WITH INTRODUCTIONS BY J.C.T. OATES AND L.C. HARMER.
Cambridge University Press 1964 tall 4to. quarter red morocco over red cloth, top edge gilt. xxvi, 49 pages.
The library obtained this copy in 1960, one of four known copies of this early Caxton title. Spine rubbed at bottom.
Price: $ 150.00 other currencies Order nr. 33207

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Clegg, Cyndia Susan (editor) THE PEACEABLE AND PROSPEROUS REGIMENT OF BLESSED QUEENE ELISABETH: A FACSIMILE FROM HOLINSHED'S CHRONICLES (1587).
with an introduction by Cyndia Susan Clegg
Textual commentary by Randall McLeod San Marino, California Huntington Library 2005 12.25 x 16.25 inches hardcover 580 pages
Holinshed's Chronicles contains one of the few accounts of Elizabeth's reign written during her lifetime. A contemporary history, it was subjected to censorship by the Privy Council. This facsimile edition, a compilation based on this portion of the Chronicles in copies in the Huntington's collection as well as the British Library and Cambridge University Library, documents the censorship and demonstrates that it occurred in three stages.

The Chronicles, a scrupulously produced monument to Elizabeth, is also a rich source for the study of printing practices. The base text chosen by the editors, an unusual copy in the Huntington Library, contains the largest sample of proofmarkings that survive from the sixteenth century. The proofmarkings are examined in light of contemporary printing-house practices and in relation to other copies of the work in libraries around the world. Distributed for the Huntington Library.

Cyndia Susan Clegg is a Distinguished Professor of English at Pepperdine University. She specializes in early modern print culture, censorship, Shakespeare, and English Renaissance Poetry. Her works include Press Censorship in Elizabethan England (Cambridge University Press, 1997), Press Censorship in Jacobean England (Cambridge University Press, 2001), and Press Censorship in Caroline England (Cambridge University Press, 2008).

Randall McLeod is a Professor of English at the University of Toronto and is the editor of Crisis in Editing: Texts of the English Renaissance , and he has published on the subjects of typography and printing.

Distributed for the Huntington Library.
Price: $ 325.00 other currencies Order nr. 103769

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Davids, Arthur Lumley GRAMMAIRE TURKE: PRÉCÉDÉE D'UN DISCOURS PRÉLIMINAIRE SUR LA LANGUE ET LA LITTÉRATURE DES NATIONS ORIENTALES
Londres W.H. Allen 1836 4to. publisher's blind stamped cloth x, (6), lxxx, 214 pages, 5 lithographs, (2) with errata
First edition of the French translation done by Sarah Davids. A grammar of the Turkish language with a preliminary discourse and Ottoman Turkish excerpts with translations. In the discourse, Davids (1811-1832) argues that the Turks are a separate, honorable, and intelligent race with a beautiful and complex language. Davids' writings were translated into Turkish in 1851, and the historian Bernard Lewis writes that this book, "made the Turks imagine themselves as having a distinct nationality and independence." Also contains five lithographs illustrating excerpts from ancient and modern Turkish texts by the early English lithographer Joseph Netherclift. (see Twyman, Early Lithographed Bookspages 236-239). Netherclift had been producing lithographic work in London since around 1820, and as Twyman states became "the leading producer of lithographed facsimiles in Britain," until he was succeeded by his son in 1855. Multiple tables with French, phonetic Turkish pronunciation, and Turkish script. Wear to head and tail of spine with some small holes to rear hinge. Minor discoloration to boards.
Price: $ 650.00 other currencies Order nr. 75647

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Deventer, Hendrik van MANUELE OPERATIEN, ZYNDE EEN NIEUW LIGT VOOR VROED-MEESTERS EN VROED-VROUWEN. FACSIMILE EN COMMENTAAR, ONDER REDACTIE VAN R.W. BAKKER, M.A.C. LUBSEN-BRANDSMA EN A.TH.M. VERHOEVEN.
2 volumes in luxury box `t Goy-Houten HES & DE GRAAF 2001 16.5x21.5 cm Imitation vellum boards 120 pages (introduction), 568 pages (facsimile)
Towards the end of the 17th century, Hendrik van Deventer was breaking new ground with his work for the obstetrician and the midwife. This became the first work on obstetrics to be written in the Dutch language and was to have a considerable influence on the practice of obstetrics in the 18th century. Van Deventer (1651-1724), a famous physician, had already published a scientific paper in which - thoroughly in the spirit of the Enlightenment He had firmly coupled the theoretical and the practical. His theories are based upon years of practical experience. Until recently, there has been no facsimile edition of his work. To mark the ten years since the inauguration of the Study Group for the History of the Netherlands Association of Obstetrics and Gynaecology, attention is once again focussed on Hendrik van Deventer and his Manuele Operatien, zynde een Nieuw Ligt. The facsimile is based upon the 1746 publication. Van Deventers work is at its most complete in this edition. Included are, additionally, what the author has left behind: Nader vertoog van de swaare baringen and his Nieuwe Aanmerkingen, and in translation from the French Aanmerkingen by Jacques Jean Bruier d'Ablaincourt.The facsimile is published together with a separate commentary, in Dutch, prefaced with three articles covering Van Deventers life and work. In the following eight pieces, the Topics of Manuele Operatien, zynde een Nieuw Ligt are reviewed under the periods in which they were set down and commentaries added. A glossary, together with an extended historical bibliography is included, thus ensuring this work as an essential source of the history of gynaecology and obstetrics in the Netherlands. With 40 plates and 30 illustrations.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 230.00 other currencies Order nr. 103623

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(Folio Society) Brown, Michelle P. THE HOLKHAM BIBLE.
2 volumes. London The Folio Society 2007 4to. Facsimile volume half leather, decorated cloth, gilt decoration with raised bands on spine; companion volume quarter cloth, paper-covered boards, label on front board, in decorated clamshell box 42, (4) pages; 162 pages
Limited, numbered edition of 1750, with 25 lettered copies not for sale also printed. Facsimile of the "Holkham Bible Picture Book," Additional MS 47682, British Library. Acquired by the British Library in 1952, the manuscript was held previously at Holkham Hall, Norfolk (Holkham MS 666). Consists of 231 images mainly of episodes in the books of Genesis and Revelation. Original manuscript believed to have been produced in London, ca. 1327-40. Facsimile is accompanied by a companion volume that includes historical context, commentary and a bibliography. Companion volume includes 8 pages of color plates. Instructions for care of laid in the facsimile volume.
Price: $ 460.00 other currencies Order nr. 109509

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(Fournier, Pierre Simon) Mosley, James MODELES DES CARACTERES DE L'IMPRIMERIE ET DES AUTRES CHOSES NECESSAIRES AUDIT ART. NOUVELLEMENT GRAVES. With An Introduction to Pierre Simon Fournier's MODELES ... by James Mosely.
Two volumes. London Eugrammia Press 1965 oblong 4to. cloth, paper wrappers, both volumes enclosed in a slipcase. Facsimile of the 1742 manual accompanied by the 20 page introduction.
Printed in an edition limited to 600 copies. Reproduced from the copy in the Printing Library of the St. Bride Institute. Thirty-three plates depict samples of the types cut by Fournier c. 1742 and which then appeared in his Manuel Typographique. A consummate artist and craftsman, Fournier (1712 - 1768) was one of the 18th century's finest engravers and typefounders, and his type, with its light, clean look on the printed page and great economy in text, greatly influenced Giambattista Bodoni ( 1740 - 1813), who later in the century popularized the more severe "modern" look. Introduction by Mosley, renowned typography professor and then librarian at the St. Bride Printing Library. Printed in collotype by Louis van Leer & Co. of Amsterdam on rag cream paper. Loosely inserted in this copy is the 12 page publisher's catalogue describing this book and others they published.
Price: $ 575.00 other currencies Order nr. 4119

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Gottschalk, Paul THE EARLIEST DIPLOMATIC DOCUMENTS ON AMERICA, THE PAPAL BULLS OF 1493 AND THE TREATY OF TORDESILLAS REPRODUCED AND TRANSLATED.
With Historical Introduction and Explanatory Notes by Paul Gottschalk. Berlin Paul Gottschalk 1927 folio quarter vellum, cloth 91 pages, 130 plates
172 copies printed of which 150 are for sale. This volume is an examination and translation of the Bulls of Pope Alexander VI issued in the fifteenth and sixteenth centuries. They are the earliest documents relating to the diplomatic history of America. With a preface, an historical introduction, an examination of the papal bulls, and a discussion of international and maritime law and colonization. Latin text with English translations. 130 black-and-white plates of documents and registers and maps dispersed throughout. With a bibliographical list and a selected list of maps. Soiling to vellum. Cloth curled away from vellum slightly on front cover, corners bumped with minor wear to extremities.
Price: $ 1,750.00 other currencies Order nr. 104027

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(Gutenberg Bible) BIBLIA SACRA.
2 volumes. Patterson Pageant Books 1961 folio red cloth as issued. not paginated.
Facsimile edition. Printed in an edition limited to 1000 numbered copies of which 996 were for sale. This edition is the first ever printed in the United States. It reproduces a copy considered by authorities to be one of the most beautifully illuminated of the forty-seven copies known to exist. It derives from the Insel Verlag edition which was based on the copy in the Koniglichen Bibliothek in Berlin, and the copy in the Standischen Landesbibliothek in Fulda. The text pages have been printed by lithography in red, blue and black. There are also about 100 illuminated pages finely printed by sheet-fed gravure. The paper used is 100 percent rag content made especially for this edition.
Price: $ 5,000.00 other currencies Order nr. 107040

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Hermkens, H.M. CONSTANTIJN HUYGENS` `TRIJNTJE CORNELIS`. NAAR DE AUTOGRAAF UITGEGEVEN, MET INLEIDING, MANUSCRIPTOLOGISCHE AANTEKENINGEN EN VARIANTEN-APPARAAT.
2 volumes being Part 1 Utrecht HES & DE GRAAF 1987 folio cloth 124, 184, (126) pages.
Huygens (1596-1687) was a Dutch author whose best known work, Trijntje Cornelis, was published in 1653. This is a facsimile of the special copy that has notes in manuscript. ISBN 90 6194 068 0 (Part 1 + Part 2). Illustrated.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 155.00 other currencies Order nr. 103241

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Hermkens, H.M. CONSTANTIJN HUYGENS` `TRIJNTJE CORNELIS`. NAAR DE AUTOGRAAF UITGEGEVEN, MET INLEIDING, MANUSCRIPTOLOGISCHE AANTEKENINGEN EN VARIANTEN-APPARAAT.
2 volumes being Part 2 Utrecht HES & DE GRAAF 1992 folio cloth 288, (148), 139 pages.
Huygens (1596-1687) was a Dutch author whose best known work, Trijntje Cornelis, was published in 1653. This is a facsimile of the special copy that has notes in manuscript. ISBN 90 6194 068 0 (Part 1 + Part 2). Illustrated.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 155.00 other currencies Order nr. 103653

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(Illuminated Manuscripts) Alexander, Jonathan J. G. THE FARNESE LECTIONARY.
Facsimile with accompanying hardcover commentary Modena Franco Cosimo Panini 2008 folio red velvet binding (silver ferrules, clasp strips and coat of arms), clamshell case 64 pages, 6 plates
One of 550 copies. The majestic liturgical book known as the Lezionario Farnese, produced in Rome shortly after the mid-sixteenth century for Cardinal Alessandro Farnese, represents a high point for the art of illumination. Given its size the work is of monumental proportions and the wealth of embellishments, we may consider the Lectionary a codex of exceptional merit. Splendid embellishments By commissioning this truly sumptuous work, Alessandro Farnese brought into being a codex which, for hundreds of years, served as one of the Missals used by the Popes and princes of the Church during the solemnities held at the Sistine Chapel. In its splendid full-page illuminations and wonderful gilded frames adorned with putti, masks and floral motifs we note the influences of the grand art of the Renaissance and, in particular, the work of Michelangelo and Raphael. A widely acclaimed illuminator With its impressive embellishments, the Lezionario Farnese represents one of the masterpieces of Giulio Clovio (1498-1578), the most widely acclaimed illuminator of the late sixteenth century. Clovio was praised by the Florentine historian, Giorgio Vasari, in the second edition of his Lives of the Artists, as the Michelangelo in little. Vasari cites the Farnese Book of Hours and the Lectionary as the most important of the works of Clovio, who, after leaving his native Croatia in 1516, achieved great renown as an illuminator. The Neo-Gothic binding The original binding went missing with the arrival of Napoleons troops. The codex was then re-bound in 1809-1810 in a red velvet Neo-Gothic cover of considerable beauty and refinement (the work of the London binders, Benjamin II and James Smith). We may note the wrought and gilded silver ferrules and clasps and, on the front cover, the polychrome porcelain coats of arms of the Towneley family, the last owners of this work. Patronage The Lectionary was a commission from Alessandro Farnese (1520-1589), the grandson of Pope Paul III Farnese (who ordained Alessandro as cardinal at the age of fourteen). In the early 1540s, Clovio entered the service of Cardinal Alessandro Farnese, considered by historians the most important patron and connoisseur of the arts of mid-sixteenth century Rome. Clovio served the cardinal for the rest of his life, and bequeathed his fine collection of codices and artworks to his patron.

The Commentary: The work is accompanied by a book with commentary, edited by Jonathan J. Alexander, with writings by Jonathan J. Alexander, Nicholas Barker, Elena Calvillo and Clive Wainwright.

Facsimile with accompanying commentary with clamshell box.
Price: $ 17,500.00 other currencies Order nr. 105362

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(Illuminated Manuscripts) De Marchi, Andrea THE DURAZZO BOOK OF HOURS.
Facsimile with accompanying hardcover commentary Modena Franco Cosimo Panini 2008 8vo velvet binding with precious stones and gilded silver, clamshell case 201 pages, 6 plates
One of 980 copies. The Libro d'Ore Durazzo, which takes its name from its last owner, is a small masterpiece by the painter and illuminator, Francesco Marmitta. This remarkable work is in two ways quite different from all other devotional codices for private use. One is the use of purple parchment. The other is chrysography, or writing in letters of gold the work of the master calligrapher, Pietro Antonio Sallando, who taught at the University of Bologna.

The illumination work of a goldsmith and jeweller: The illumination work is by the painter from Parma, Francesco Marmitta (circa 1462/1466-1505) also a renowned jeweller and inlayer, and the creator of other splendid works such as the stunning Missal of Domenico della Rovere, belonging to the museum of the municipality of Turin (Museo Civico di Torino). The leafs of these masterpieces reflect the artists sensitivity and delicacy, his marked interest in landscapes, and his taste for jewellery, medals and cameos, illustrated with extraordinary skill.

Embellishment of the highest order: Marmittas references to the revived classic tradition indicate a meditative approach. This aspect comes to the fore in his use of purple and of gold lettering, and is also underscored by his use of motifs such as trophies, medallions, cameos and bucrania. However, as a painter, the approach adopted for the Calendar and Offices of the Virgin reveals his awareness of the latest tendencies reflected in the culture of the figurative arts in Bologna, and a special interest in the work of Amico Aspertini.

The refinement of the binding: The works lavishly elegant binding dates back to the time of the codex itself, and the love of embellishments is as evident here as in the illuminations. The binding features wrought and embossed silver, in part gilded, on crimson velvet. It also features a splendid profusion of classical motifs (acanthus and palmette motifs, ears of wheat, grapes, vases, masks, scarabs and bucrania). The silver clasps are adorned with two small rubies.

Patronage: A number of stylistic clues seem to indicate that the Libro dOre Durazzo was commissioned by a patron from Parma. We may also note Parmigianinos well-known Portrait of a Collector (London, National Gallery), in which the collector holds in his hand precisely this codex. It is believed that the codex accompanied Francesco Marmittas second son, Jacopo, to Portugal. However, in the nineteenth century it was in Genoa. Firstly, it was in the hands of the merchant, Antonio Bacigalupo, who inherited it from his father, Francesco, and then in the hands of the Marquis Marcello Luigi Durazzo a collector, who, having purchased it from Bacigalupos widow, then bequeathed it to the Biblioteca Berio.

The Commentary: The work is accompanied by a book with commentary, edited by Andrea De Marchi, with writings by Beatrice Bentivoglio-Ravasio, Andrea De Marchi, Davide Gasparotto, Laura Malfatto, Laura Nuvoloni and Federica Toniolo.

Facsimile is present with the accompanying commentary and a clamshell case.
Price: $ 9,000.00 other currencies Order nr. 105363

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(Illuminated Manuscripts) Medica, Massimo THE BOOK OF HOURS OF BONAPARTE GHISLIERI.
Facsimile with accompanying hardcover commentary Modena Franco Cosimo Panini 2008 8vo morocco binding adorned with silver and enamel work and semi-preciuos stones, clamshell case 274 pages
One of 980 copies. This extremely refined masterwork of the Italian Renaissance (1503) was commissioned by Bonaparte Ghislieri, who belonged to a leading family of Bologna. Also Bolognese was the calligrapher, Pietro Antonio Sallando (a grammarian at the citys university and a renowned calligraphy master).

A treasury of masterpieces: Ghislieris intention was to produce a small anthology of the finest illuminations in central and northern Italy. To this end he called upon a number of the leading artists of this period, each of whom was to produce a full-page illumination. Thus, we find works by Amico Aspertini (Adoration of the Shepherds), Perugino (San Sebastiano), Lorenzo Costa (David with lyre), Francesco Francia (San Gerolamo), and, in all likelihood, Matteo da Milano (Annunciation).

Marvellous embellishments: Notable, too, are the embellishments framing the illustrations, produced with an abundance of floral motifs and references to the classic tradition. Indeed, a number of pages include fragile, fantastic, grotesque figures inspired by the decor of the Grotte (caves) of the Esquiline Hill in Rome (the site of the buried remains of Neros Domus Aurea, or Golden House, which, when uncovered in 1480, immediately attracted the attention of the artists of that period).

The elaborate binding: The morocco binding, with its finely executed floral motifs on polychrome silk satin, is quite remarkable. The covers are adorned with two bezels or settings for semi-precious stones and two centrally positioned roundels for the figures of the Annunciation.

Patronage: The works original owner (as indicated by the coat of arms) was Bonaparte Ghislieri, who was elected a senator in Bologna following the assassination of his father, Virgilio, in 1523. When the codex was produced, Bonaparte Ghislieri was still rather young and it may be that this Libro dOre had been commissioned by Bonapartes father for his sons use. The codex passed from the house of Ghislieri into the hands of the Albani family of Urbino, where, according to record, it was to be found in the eighteenth century. In the nineteenth century, the work reached Britain, where it was purchased by Henry Yates Thompson in 1897. It has been at the British Library since 1941.

The Commentary: The work is accompanied by a book with commentary, edited by Massimo Medica, with writings by Giancarlo Benevolo, Peter Kidd and Massimo Medica.

Facsimile is present with the accompanying commentary and a clamshell case.
Price: $ 11,250.00 other currencies Order nr. 105364

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(Illuminated Manuscripts) Mulas, Pier Luigi THE TORRIANI BOOK OF HOURS.
Facsimile with accompanying hardcover commentary Modena Franco Cosimo Panini 2009 Large Miniature Bound by hand (gilded silver binding covers and spine), clamshell case 30 pages, 333 pages
One of 980 copies. With its extraordinary binding and highly elaborate illumination work, while very small, this precious Book of Hours must be considered an absolute masterpiece.

The splendid binding The Torriani Book of Hours is just one of a small handful of manuscripts of this period which still have their original bindings. It is therefore an exceedingly rare item. The two binding covers, with their gilded silver filigree work, are adorned with cameos representing Saint Catherine and Saint Lucy. Inside the binding covers, we also find 14 enamel inserts representing the Kiss of Judas, the Way to Calvary and twelve busts of saints. The wealth, luxury and refinement of the times is clearly illustrated by the Torriani Book of Hours, alongside other devotional works of this kind produced by the jewellers workshops of Milan under the House of Sforza.

The refinement of the embellishments Thirty illuminations adorn this small devotional codex for private use. Twelve are Calendar illustrations. For the eighteen Offices of the Virgin we find six full-page illuminations and twelve pages with illuminated initials featuring architectural and floral motifs, putti, birds and rabbits.

A masters workshop The illustrations for the Torriani Hours may be ascribed to the Milanese bottega (workshop) of the master, Giovanni Ambrogio de Predis. This leading workshop operated in full awareness of the latest developments in the field of painting in Lombardy at the close of the fifteenth century, and, in particular, of the art of Leonardo da Vinci (with whom de Predis worked in 1483, on the Virgin of the Rocks). The embellishments of the borders, with their markedly naturalistic representations of animals, jewels and floral sprays, are the work of the young Matteo da Milano one of the leading illuminators of Milan who received commissions from the most important Houses of Renaissance Italy.

Patronage The codex was commissioned by the Milanese Della Torre or Torriani house, an illustrious family of Lombardy which, for some time, ruled over Milan. Further confirmation of the Milanese origin of the work is to be found in the inclusion of certain features such as local saints, in the Calendar, and the church of Santa Maria Maggiore, Milans old cathedral, surmounted by a statue of Saint Ambrose (the Patron Saint of Milan). However, the identity of the lady for whom the codex was made, perhaps a lady of the court of Ludovico Sforza, is unknown.

The Commentary: The work is accompanied by a book with commentary, edited by Pier Luigi Mulas, with writings by Marco Collareta, Jean-Baptiste Lebigue and Monica Visioli.

Facsimile is present with the accompanying commentary and a clamshell case.
Price: $ 8,750.00 other currencies Order nr. 105361

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(Illuminated Manuscripts) LE ORE MEDICI ROTHSCHILD. Complete reproduction of the James A. de Rothschild Collection, Waddesdon Manor, England.
Facsimile with accompanying hardcover commentary Modena Franco Cosimo Panini 2011 small 8vo full velvet, all edges gilt, metal book casing, enamel designs, leather slipcase 235 pages, 223 pages
Towards 1485, Lorenzo de 'Medici commissioned the most successful miniature painters of Florence for which they were to create three luxurious Books of Hours to be allocated to his daughters as wedding presents. Of these little books, the first, now housed in Monaco, was given to Lucretia, who married Jacopo Salviati. The second, currently at the Laurentian Library, was designed for Luisa, betrothed to Giovanni di Pierfrancesco de 'Medici and died before the wedding. The third was a wedding present for Mary Magdalene, married to Count Franceschetto Cibo, natural son of Pope Innocent VIII. The story of his gift to his three daughters, commonly referred to as The Three Moons, is the touching testimony of the loving gesture of a great Renaissance master. Magdalene de 'Medici in Florence, born July 25, 1473, was the favorite daughter of Lorenzo the Magnificent . Her marriage to Franceschetto Cibo, the son of Pope Innocent VIII, was of fundamental importance for the Florentine family. The significance of the marriage was to gain more prestige and have closer relations with the pope. With this wedding, the second son of Lorenzo, John, would later become Pope under the name of Leo X. On the occasion of the wedding, Lorenzo gave Mary Magdalene a small, refined prayer book which is now preserved in the Rothschild collection of Waddesdon Manor, located in England. The book was designed with more beauty in mind than the other two books, but unfortunately it is now devoid of the original binding which was lost centuries. The Franco Cosimo Panini Editore has miraculously restored the appearance of this book in every detail, thus bringing to light this extraordinary jewel dedicated to Mary Magdalene de 'Medici.

In the usual iconography of the annunciation, the book is accompanied by the figures of Mary Magdalene and St. John the Baptist, patron saint of Florence, depicted on the front and back plates in polychrome enamels. The clasps are redesigned in the form of twisted ropes and five raised bands adore the spine of the binding.

The illustrations are the work of several artists, among them being the great Florentine miniaturist Mariano del Buono.

The Rothschild Hours Doctors are the twelfth in the series entitled "The Library Can Not," the most authoritative and valuable collection of facsimiles dedicated to the Renaissance. Like all facsimile editions, the Rothschild Hours Doctors has been fully reproduced to all of the features of the original manuscript. Maximum attention was given to the color details of the illustrations. The binding of the book was entrusted to expert workshops, which used the same techniques used in the late fifteenth century. Skilled workers such as binders, silversmiths, goldsmiths, and engravers have brought to light one of the most valuable books of the Florentine period. It was reproduced in a limited edition of only 550 numbered copies.

This lovely facsimile is accompanied by an additional volume with lovely illustrations and a detailed history of the family, marriage, and 15th century techniques used to produce this book.
Price: $ 11,500.00 other currencies Order nr. 108859

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(Jansz, Broer) THE CATALOGUS UNIVERSALIS OF BROER JANSZ (1640-1652). WITH AN INTRODUCTION BY H.W. DE KOOKER.
Utrecht HES & DE GRAAF 1986 22x15 cm stiff paper wrappers. (66), 362 pages.
Facsimile of this series of publications by Jansz. Jansz (1579 or 1580-1647) was a Dutch publisher and bookseller. He issued this series of listings of all books published (continued by his son) which were essentially a publisher's weekly of his time. Catalogi Redivivi V.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 190.00 other currencies Order nr. 103273

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(Johnson, Samuel) Newton, A. Edward SALE CATALOGUE OF DR. JOHNSON'S LIBRARY WITH AN ESSAY BY A. EDWARD NEWTON.
New York Edmond Byrne Hackett (1925) 8vo. boards, paper spine and cover labels. 11 pages followed by the 28 page facsimile of the catalogue.
Limited to 250 numbered copies (Fleck A.10). Signed by Newton. The facsimile was made from Ralph Isham's copy and not Newton's as Isham's copy had both the prices realized and the names of the buyers. Excellent introduction. Some foxing of paper covering on boards. Lacks mailing box.
Price: $ 200.00 other currencies Order nr. 36258

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