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Center for Book Arts
 
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Center for Book Arts
 
   
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    (Center for Book Arts) Addonizio, Kim ANOTHER DAY ON EARTH
    New York Center for Book Arts 2009 20.25 x 13.5 inches masa paper, waxed ururyu cover, vellum wrapper 2 large sheets
    Designed and printed by Delphi Basilicato as the judge's book from the 2009 chapbook competition. The edition is 100 signed and numbered copies. It is printed on masa paper with a waxed Ururyu cover a vellum wrapper, set in Franklin Book and Centaur.

    A series of four poems, "Storm Catechism," "Half-Blind Elegy," "November 11: 2004," and "Another Day on Earth: Tsunami, December 26, 2004," which reference the horrors of natural disasters.

    Price: $ 100.00 other currencies Order nr. 105207

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    See More... (Center for Book Arts) THE ALTERED PAGE, SELECTIONS FROM THE RUTH AND MARVIN SACKNER ARCHIVE OF CONCRETE AND VISUAL POETRY.
    New York Center for Book Arts 1988 small 4to. stiff paper wrappers, flaps on cover open to reveal title, (32) pages.
    An exhibition of selections from the Ruth and Marvin Sackler Archive of Concrete and Visual Poetry was held at the Book Arts Gallery from February 6 to March 26, 1988. The artwork represented in this show breaks the barrier of traditional books, artists books and even the two dimensional page. The works of these artists and poets were grouped into the following seven categories of visual/verbal alterations: Hidden Meanings; Canceled; Cut, Torn, Crumpled, Perforated; Fragmented; Layered; Sculpted; Sewn and Woven. Illustrations are in black and white and in color. The introduction by Marvin Sackler describes the collection from which the works were selected and provides the background of several of the projects.
    Price: $ 20.00 other currencies Order nr. 103185

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    See More... (Center for Book Arts) Amir, Yaelle S. REQUIRED READING: PRINTED MATERIAL AS AN AGENT OF INTERVENTION.
    New York Center for Book Arts 2012 8.5 x 5.5 inches paperback 45 pages
    Catalogue of an exhibition that ran from October 3-December 15, 2012. The fifteen projects in the show present the ability of printed materials to act as symbols of ideologies and beliefs. The catalogue provides brief descriptions of each project, along with color illustrations for each of the fifteen entries. Includes an essay by Howard Zinn, "Pamphleteering in America."
    Price: $ 20.00 other currencies Order nr. 117974

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    See More... (Center for Book Arts) ARTIST AS PUBLISHER
    (New York Center for Book Arts 2008) large 8vo. stiff paper wrappers 32 pages
    Organized by Omar Lopez-Chahoud, Independent Curator, and held in New York from July 9 to September 13, 2008, this exhibition examines art publications produced by artists and collaboratives. The publications selected for the exhibitions each embody a spirit of collaboration and experimentation and a DIY ethos. Independent publication allows artists to bypass the gallery system, and to make art cheaply and distribute it on their own terms. The curator invited several groups to set up reading rooms throughout the Center where viewers could engage directly with their work. Digitally printed with color illustrations.
    Price: $ 20.00 other currencies Order nr. 103172

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    See More... (Center for Book Arts) Blocker, Mare ISTORIATO.
    (New York Center for Book Arts 2001) 11" x 11" Round shaped, case bound concertina, with printed navy Iris cloth on both the book covers and lidded clamshell box n.p.
    Limited to an edition of 50 signed and numbered copies. Istoriato is an Italian narrative style of pottery decoration which uses the pottery body solely as support for a purely pictorial effect. Originating about 1500 in Faenza, Italy, paintings comparable in seriousness to Italian Renaissance easel paintings were applied to Maiolica ware. The subjects, biblical, historical, and mythological scenes, are executed with a realism (including the use of perspective) quite unlike any previous pottery decoration. Although violating aesthetic rules in their subordination of shape to decoration, such wares remain works of great skill, as well as beauty.

    During her Sally R. Bishop residency at the Center, Mare Blocker explored how the design of this pottery changed with the invention of the printing press. Multiple color linoeleum blocks and type were printed on Magnani Pescia. Produced at the Center for Book Arts, each boxed set also includes a unique plate decorated in the style of Maiolica pottery.

    Price: $ 1,250.00 other currencies Order nr. 103051

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    See More... (Center for Book Arts) BOOKWORKS BY TOM PHILLIPS, AN EXHIBITION AT THE CENTER FOR BOOK ARTS.
    New York Center for Book Arts 1986 8vo. stiff paper wrappers. (52) pages.
    An exhibition, curated by Richard Minsky, was held in New York from April 3 to May 16, 1986. This show of Phillips original manuscripts and small editions helped bridge the boundary between book art and artists' books. It included 37 works by the London artist from 1970-1986. Filled with illustrations including many in color.
    Price: $ 15.00 other currencies Order nr. 103173

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    See More... (Center for Book Arts) Bright, Betty FINE & DIRTY: CONTEMPORARY LETTERPRESS ART.
    New York Center for Book Arts 2012 5.5 x 8.5 inches paperback 100 pages
    This book explores letterpress printing in the twenty-first century. By looking at recent developments in letterpress and exploring art made by several influential international artists, this catalogue shows many facets of fine press printing such as typography, book design, binding, and papermaking.

    It examines the cause of the radical change in the letterpress medium and investigates the rebirth of letterpress printing as an art. By examining some key practitioners, the book brings to light the background behind the rebirth of the letterpress medium. Richly illustrated in color, the catalogue illustrates the work of Didier Mutel, Russell Maret, the Ladies of Letterpress, Peter Rutledge Koch, and many others.

    Produced in conjunction with the exhibition of the same title that was organized by Betty Bright and Jeffrey Rathermel, Executive Director, Minnesota Center for Book Arts.

    Price: $ 25.00 other currencies Order nr. 108981

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    See More... (Center for Book Arts) Bringhurst, Robert NEW WORLD SUITE NUMBER THREE
    (New York Center for Book Arts 2005) 17" x 17", four 8.5 x 11 books black cloth with paper label three 28 pages, one at 20 pages
    Edition limited to 75 signed and numbered copies, including five artist proofs, with only 25 copies for sale. This innovative interdisciplinary work intersects at the pinnacle of creative writing, graphic design, book art, and performance. This is a poem for three voices, meant to be read by three people at once. In addition to the poem, the author has written an afterword articulating the evolution of his polyphonic poetry, documenting for the reader a history of this definitive edition. The work is made to be performed, and his essay concludes, "The printed text should be as fine as it can be, but it should never be the final incarnation. A book must be a place where things begin."

    The display type was set by hand, and the text was printed by the Center's Master Printer, Barbara Henry at their Jane Mead Timken Printshop in three separate colors in Monotype Dante by, with composition by the Bixler Foundry in Skaneateles, NY.The text was then hand word and line spaced at the Center by Ms. Henry to Robert Bringhurst's exacting specifications. Mr. Bringhurst created the typographic design for the book, as well as the text. Hedi Kyle designed the innovative binding structure specifically for New World Suite Number Three. When opened, each volume within the book forms its own lectern. The poetry for each voice has been bound in heavy blue cardstock, while the afterword was done in burnt orange. When closed, the book has a stunning three dimensional architectural presence. It was produced at the Center for Book Arts under the supervision of Master Binder, Mirah von Wicht, who studied traditional bookbinding in Germany, book conservation in the USA, and worked at the Metropolitan Museum of Art in New York, and by artists Jennifer Bantz Biddle, Ana Cordeiro, Nancy Loeber and Linda Trimbath.

    Price: $ 3,500.00 other currencies Order nr. 103052

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    See More... (Center for Book Arts) BROTHER, CAN YOU SPARE A STACK?
    New York Center for Book Arts 2013 8.5 x 5.5 inches paperback 28 pages
    Catalogue of an exhibition of the same name, which ran from from January 18-March 30, 2013. The exhibition presents 13 artists' works that challenge typical conceptions of the library's place in contemporary society, presenting it as an agent of social change. The catalogue provides a brief but infomative description of each work in the exhibition. Illustrated in color throughout.
    Price: $ 20.00 other currencies Order nr. 117975

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    See More... (Center for Book Arts) Campbell, Bonnie Jo LOVE LETTERS TO SONS OF BITCHES
    New York Center for Book Arts 2010 7.5 x 10 inches paperback 28 pages
    22 poems.The manuscript for this book won the 2009 Poetry Chapbook Competition at The Center for Book Arts. Set in French Round Face with titling in Flash by Ed Rayher at Swamp Press. Designed and printed on a Vandercook Proof Press by Barbara Henry. The edition is 100 signed and numbered copies.
    Price: $ 75.00 other currencies Order nr. 105208

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    See More... (Center for Book Arts) Campos, Alexander and Jen Larson MULTIPLE, LIMITED, UNIQUE: SELECTIONS FROM THE PERMANENT COLLECTION OF THE CENTER FOR BOOK ARTS.
    New York Center for Book Arts 2011 8.5 x 11 inches paperback 144 pages
    Multiple, Limited, Unique is the culmination of the three-year effort by the Center for Book Arts Collections Initiative. It offers an overview of the history and development of book arts over the past 40 years, and examines the role of the Center in both nurturing and promoting innovative artists and preserving traditional artistic practices.

    This exhibition is accompanied by an extensive catalogue with essays by noted curators and collectors, including by Johanna Drucker, author, book artist, visual theorist, and cultural critic; Erin Riley-Lopez, Independent Curator and former Associate Curator at the Bronx Museum of the Arts; Nina M. Schneider, William Andrews Clark Memorial Library, UCLA; Amanda Stevenson, Curator, Museum of Printing History; and Tony White, Director, Fine Arts Library, Indiana University in Bloomington. In addition, the catalogue includes an essay by Executive Director Alexander Campos and an introduction by Jen Larson.

    Price: $ 40.00 other currencies Order nr. 108980

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    See More... (Center for Book Arts) Campos, Alexander and Lois Morrison THREADS: INTERWEAVING TEXTU(R)AL MEANING
    New York Center for Book Arts 2009 5.75 x 8.25 inches boards 28 pages
    This exhibition explores the use of thread in 35 works, many multi-part presenting anywhere from 3 to 13 pieces of the entire series, by 38 different artists. It examines how thread is used as a design element to convey content and form. Featured artworks include books, sculptures, mixed-media installation, and videos. Samplers, Stitches, and Swatches are the three general themes of the exhibition work focused on throughout. An artist talk at the Museum of Art and Design in February 2008 was the catalyst for this exhibition.
    Price: $ 25.00 other currencies Order nr. 105204

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    See More... (Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
    (New York Center for Book Arts 2005) rectangular 4to. lavender Fabriano Tiziano paper covered storage box with deep rose cloth spine, cream color paper title label with rose colored lettering, Velcro closure not paginated.
    This special limited edition portfolio features the work of the artist members of The Center for Book Arts. Each participating artist submitted a broadside in an edition of 100. The theme of the project was the celebration of the contributions of the artist members, past and present, to the growth of the Center and the field of book arts over the past 30 years. Includes the catalogue, which opens to a poster where each of the 58 broadsides is illustrated. It also includes an essay by Nina Schneider and a curatorial statement by Roni Gross, Artist Member, who organized the project. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Benjamin D. Rinehart.
    Price: $ 1,500.00 other currencies Order nr. 103041

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    See More... (Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
    (New York Center for Book Arts 2005) rectangular 4to. binders board storage box covered with black cloth and blue Zerkall paper with black ribbon tie closure, tag with black and red lettering not paginated.
    This special limited edition portfolio features the work of the artist members of The Center for Book Arts. Each participating artist submitted a broadside in an edition of 100. The theme of the project was the celebration of the contributions of the artist members, past and present, to the growth of the Center and the field of book arts over the past 30 years. Includes the catalogue, which opens to a poster where each of the 58 broadsides is illustrated. It also includes an essay by Nina Schneider and a curatorial statement by Roni Gross, Artist Member, who organized the project. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Benjamin D. Rinehart.
    Price: $ 1,500.00 other currencies Order nr. 103042

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    See More... (Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
    (New York Center for Book Arts 2005) rectangular 4to. museum board storage box covered with Moriki paper in a variety of colors, button and tag on flap not paginated.
    This limited edition portfolio features the work of the artist members of the Center for Book Arts. Each artist submitted a broadside in an edition of 100, the theme of which is a celebration of the contributions of artist members to the growth of the CBA and the field of book arts over the past 30 years. Each portfolio also includes the catalogue of broadsides, an essay by Nina Schneider, and a curatorial statement by Roni Gross, artist member and project organizer. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Barbara Mauriello.
    Price: $ 1,500.00 other currencies Order nr. 103043

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    See More... (Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
    (New York Center for Book Arts 2005) oblong 4to. Canford cardstock folding portfolio in multiple colors with overlapping closure, separate pocket for exhibition catalogue not paginated.
    This limited edition portfolio features the work of the artist members of the Center for Book Arts. Each artist submitted a broadside in an edition of 100, the theme of which is a celebration of the contributions of artist members to the growth of the CBA and the field of book arts over the past 30 years. Each portfolio also includes the catalogue of broadsides, an essay by Nina Schneider, and a curatorial statement by Roni Gross, artist member and project organizer. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Peter Schell.
    Price: $ 1,500.00 other currencies Order nr. 103044

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    See More... (Center for Book Arts) CENTER BROADSIDES 2002 READING SERIES.
    (New York Center for Book Arts 2002) 11 ¼" x 16" handmade paste paper covered boards with a blue cloth spine, blue grosgrain ribbon ties, title label on front cover 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Thomas Glave, Rodney Terich Leonard, Marie Ponsot, Lila Zemborain, Bill Luoma, Martha Rhodes, Patricia Spears Jones, Kristin Prevallet, Brenda Coultas, L.B. Thompson, Linda Gregg and Peter Covino. Produced in a signed limited edition of 150, the broadsides are reserved for the yearly portfolios. The 2002 portfolio is covered in paper printed with a combed texture with a quarter blue cloth spine and blue grosgrain ribbon ties.
    Price: $ 500.00 other currencies Order nr. 103152

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    See More... (Center for Book Arts) CENTER BROADSIDES 2004 READING SERIES.
    (New York Center for Book Arts 2004) 11 ¼" x 16" handmade paste paper covered boards with an ivory cloth spine, brown cotton ties, title label on front cover 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Tony Hoagland, Trapeta B. Mayson, Renee Gladman, Kenneth Hart, Eugene Ostashevsky, Mary DiLucia, Linda Susan Jackson, Tsitsi Jaji, Rachel Levitsky, Phillis Levin, Joe Elliot and Jeanne Marie Beaumont. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2004 portfolio is covered in paper printed with a dotted swirled texture with a quarter ivory cloth spine and brown cotton ties.
    Price: $ 500.00 other currencies Order nr. 103153

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    See More... (Center for Book Arts) CENTER BROADSIDES 2005 READING SERIES.
    (New York Center for Book Arts 2005) 11 ¼" x 16" hand-dyed paper printed with a gold cloth spine and gold grosgrain ribbon ties, title label on front cover 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Joan Larkin, Elizabeth Alexander, Elaine Equi, Laure-Anne Bosselaar, Tony Towle, Douglas Goetsch, Angelo Verga, Mark Nickels, M.J. Bender, Garrett Kalleberg, Jeff Friedman and Daniel Nester. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2005 portfolio is covered in paper printed with a rectangular pattern with a quarter gold cloth spine and gold grosgrain ribbon ties.
    Price: $ 500.00 other currencies Order nr. 103154

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    See More... (Center for Book Arts) CENTER BROADSIDES 2006 READING SERIES.
    (New York Center for Book Arts 2006) 13" x 15" paper letterpress pressure-printed with a freeform design, front flaps open to form a box shape made from lavender book cloth faced with blue paper, title printed on tan cardstock attached to the sky blue grosgrain ribbon loop that is part of the tie 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Sheila Maldonado, Sharon Mesmer, Jan Heller Levi, Karen Garthe, Rachel Wetzsteon, David Trinidad, Elizabeth Frost, Erica Ehrenberg, Patricia Carlin, Lynn Wagner, Baron Wormser and Grace Paley. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The design of the 2006 portfolio, which varies significantly from those of past years, features a center opening that fastens with sky blue grosgrain ribbon. Covered in paper printed with a freeform design in shades of blue, green and pale orange, the front cover flaps open to reveal a pop-up box that contains the individual broadsides.
    Price: $ 500.00 other currencies Order nr. 103155

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    See More... (Center for Book Arts) CENTER BROADSIDES 2007 READING SERIES.
    (New York Center for Book Arts 2007) 13" x 15" paper letterpress pressure-printed with wood type, front flaps open to form a box shape made from navy book cloth faced with white paper, title printed in red on front and back, gray grosgrain ribbon loop closure 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Kevin Prufer, Scott Hightower, Amy Lemmon, Jennifer Kwon Dobbs, David Lehman, Colette Inez, Rigoberto Gonzalez, Nicole Walker, Brenda Connor-Bey, D.A. Powell, Nicole Cooley and Emily Fragos. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The design of the 2007 portfolio, which was created last year, features a center opening that fastens with grey grosgrain ribbon. The boards are covered in paper printed with a design of letters in shades of blue over grey rectangles. The title in red is repeated in various fonts and sizes on the front while on the back, the single line is framed top and bottom with two lines of printers' ornaments. The front cover flaps open to reveal a pop-up box that contains the individual broadsides.
    Price: $ 500.00 other currencies Order nr. 103157

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    See More... (Center for Book Arts) CENTER BROADSIDES 2008 READING SERIES.
    (New York Center for Book Arts 2008) 13" x 15" paper letterpress pressure-printed with a design of random rectangles in shades of lime green, front flaps open to form a box shape made from hunter green book cloth faced with white paper, lime green grosgrain ribbon loop closure 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Aracelis Girmay, Erica Hunt, Ada Limon, Evie Shockley, Christina Davis, Edward Hirsch, Jason Labbe, Nick Flynn, Kathy Fagan, Charles Bernstein, Stacy Szymaszek and Elena Georgiou. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2008 portfolio features a center opening that fastens with lime green grosgrain ribbon. The boards are covered in paper printed with a design of random rectangles in shades of lime green with the title in red on the right front. The front cover flaps open to reveal a pop-up box that contains the individual broadsides.
    Price: $ 500.00 other currencies Order nr. 103158

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    See More... (Center for Book Arts) CENTER BROADSIDES 2009 READING SERIES.
    New York Center for Book Arts 2010 15.5 x 13 inches top opening portfolio 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Included are works by Chase Twichell, Rachel Hadas, Matthew Hittinger, Patricia Smith, Matthea Harvey, Elizabeth Willis, DéLana R. A. Dameron, Leslie Harrison, Mónica de la Torre, Alex Dimitrov, Alex Lemon, and Anna Moschovakis. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2009 portfolio features a top opening that closes with a flap displaying the title in a shade of blue. It is light blue with a dark blue stripe down the left and right sides and contains an orange center with various text symbols in a darker shade.
    Price: $ 500.00 other currencies Order nr. 105209

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    See More... (Center for Book Arts) CENTER BROADSIDES 2010 READING SERIES
    New York Center for Book Arts 2011 13 x 16 inches side opening portfolio 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Included are works by Sarah Gambito, Tricia Taaca, Alex Cuff, Boni Joi, Michele Madigan Somerville, Timothy Donnelly, Katie Degentesh, Kathleen Ossip, Khadijah Queen, Willie Perdamo, Albert Mobilio, and David Henderson. The broadsides are reserved for the yearly portfolios. The 2010 portfolio features a side opening that closes with a flap displaying the title in orange and green.
    Price: $ 500.00 other currencies Order nr. 108487

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    See More... (Center for Book Arts) CENTER BROADSIDES 2011 READING SERIES.
    New York Center for Book Arts 2012 15.25 x 13 inches top opening portfolio 12 broadsides of various sizes
    Twelve broadsides, each representing the work of an individual poet who gave a reading at The Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, a letterpress printer (sometimes the poet who gave the reading) creates a broadside of one of the author's poems that captures the essence of the verse and the story they told. Included are works by printers Susan Howe, Kimberly McClure, Barbara Henry, Alisa Ochoa, Roni Gross, Delphi Basilicato, Richard O'Russa, James Walsh, Nancy Loeber, Meg Quarton, and Amber McMillan and poets Susan Howe, Mei-mei Berssenbrugge, Elizabeth Zuba, Jessica Elsaesser, Eileen Myles, CA Conrad, Douglas Crase, Dana Ward, John Yau, Paolo Javier, Corina Copp, and Carl Sesar. The broadsides are reserved for the yearly portfolios. The 2011 portfolio features a top opening that closes with a flap displaying the title in orange.
    Price: $ 500.00 other currencies Order nr. 112251

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