View Your Cart Find something quickly using the site map Oak Knoll on Facebook Oak Knoll on Twitter Oak Knoll on WordPress
Back HomeOur InventoryAbout Oak KnollContact InformationSign In to Your Account


       Bibliography
       Book Collecting
       Book Design
       Book Illustration
       Book Selling
       Bookbinding
       Bookplates
       Cartography
       Children's Books
       Delaware Books
       Fine Press Books
       Forgery
       Graphic Design
       Images & Broadsides
       Libraries
       Literary Criticism
       Miniature Books
       Papermaking
       Printing History
       Publishing
       Typography
       Writing & Calligraphy

Book Illustration
 
Displaying 26-50 of 66

Book Illustration
 
   
Sort By :
 
Jump to page: 1    2    3     First pagePrevious PageNext PageLast Page
Page 2 of 3

See More... Hutner, Martin WHISTLERIANA: WORKS BY AND ABOUT JAMES MCNEILL WHISTLER FROM THE COLLECTION OF MARTIN HUTNER
New York The Grolier Club 2003 6 x 8 inches paperback 39 pages
This exhibition catalogue is a sampling of works from prolific artist James McNeill Whistler found in the collection of Martin Hutner. The works are divided into sections including paintings, watercolors, pastels, etchings, original illustrations, the peacock room, novels, plays, and more. The catalogue was designed by Jerry Kelly and includes a frontispiece portrait of Whistler.
Price: $ 10.00 other currencies Order nr. 106648

READ MORE...
See More... (INSEL-VERLAG) Brinks, John Dieter VOM ORNAMENT ZUR LINIE, DER FRÜHE INSEL-VERLAG 1899 BIS 1924.
2 volumes. Berlin Triton 2000 4to. linen-covered boards, both volumes enclosed in a linen slipcase. 391,(3) pages; 20 inserts in portfolio.
Printed in an edition of 2000 copies. Volume I of a series of three installments, not yet completed. Praised as "a masterpiece of book production" and "a product of enthusiasts" by critic Wilfried F. Schoeller, the book traces the early 20th-century history of the Insel publishing house. Insel earned its renown by turning book production into an art form as it printed the works of classic authors and gave a new generation of writers, such as Rainer Maria Rilke, their start. The editor, Brinks, reveals Insel's high aesthetic standards through sumptuous illustrations of its work. In all, there are 240 illustrations, seven of which are foldouts, many polychrome with three and four colors, and many with stunning gold print. One splendid example of the high-quality illustrations is the foldout of a series of classics, The Thousand and One Nights and the Decameron, the bindings designed by Marcus Behmer. The colors are so rich and the detail so striking that the reader almost feels he can touch and leaf through the deckled pages of the books shown. Another example depicted is that of Henry van de Velde's designs for the covers of Nietzsche's Also Sprach Zarathustra, as well as sample pages from the edition, both finely detailed with gold print. Text edited by Brinks with seventeen essays contributed by him and twelve other specialists such as Juergen Suess, Marcus Haucke, and Suzanne Buchinger. Essays beautifully printed with wide margins and double-spaced on Gardapat paper in cursive Borgis White Antiqua. Outstanding documentation for the essays at the back of the book, as well as detailed indices for artwork and literary sources. Accompanying the book is a slim briefcase volume containing twelve facsimile resolution papers and eight folder reproductions in their original format. Distributed for Triton in North America by Oak Knoll Press. In German.
Price: $ 200.00 other currencies Order nr. 63454

READ MORE...
See More... Ives, Colta LITHOGRAPHY'S FACES: THE FIRST GENERATION
New York The Grolier Club 1996 6 x 9 inches paperback 14 pages
This catalogue was created to accompany the exhibition held at the Grolier Club from March 5 to May 11, 1996. The exhibition celebrated the 200th anniversary of the invention of lithography and was curated by Colta Ives. The items on display were on loan from the Metropolitan Museum of Art, New York. The catalogue, containing one full-page illustration, was designed by Jerry Kelly and printed by Omega Litho.
Price: $ 10.00 other currencies Order nr. 106681

READ MORE...
See More... JOHN PIPER IN THE WATKINSON: AN ILLUSTRATED CHECKLIST
Hartford, Connecticut Watkinson Library, Trinity College 2011 10 x 8 inches paperback pamphlet 24 pages
To honor a gift given to the Watkinson Library by M. William McGill, this catalogue is an illustrated checklist of the works of British architectural and topographical artist John Piper. In the late 1920s, Piper attended both the Richmond School of Art and the Royal College of Art, and by the 1930s he was working steadily as an artist hardly earning a living. While his mother wrote articles for The Architectural Review to publicize his work, Piper developed a friendship with poet John Betjeman. This friendship significantly helped both of their professional careers. Piper's reputation continued to develop, and he eventually moved away from abstract art to a more representational style. Through his work, Piper learned how colors and textures reacted with one another, a concept continually displayed throughout his art.

This catalogue contains works by Piper, works about Piper, exhibitions and catalogues, miscellaneous Piper-ana, and works illustrated by Piper. It also includes an opening essay on Piper by William McGill. With both black-and-white and color images and a letterpress-printed cover, John Piper in the Watkinson is beautifully produced in a striking and appealing format.

Price: $ 15.00 other currencies Order nr. 107347

READ MORE...
See More... Keane, Marguerite A. FINISHED BY HAND, DECORATION IN FIFTEENTH-CENTURY PRINTED BOOKS.
N.P. Chapin Library 1995 8vo. stiff paper wrappers. 45, (3) pages.
Limited to 500 copies. Foreword by Robert L. Volz. Illustrated, including two in color.
Price: $ 10.00 other currencies Order nr. 58055

READ MORE...
See More... Keane, Marguerite A. FINISHED BY HAND, DECORATION IN FIFTEENTH-CENTURY PRINTED BOOKS.
N.P. Chapin Library 1995 8vo. quarter cloth with marbled paper covered boards and with original stiff paper wrappers bound-in. 45, (3) pages.
Limited to 500 copies. Foreword by Robert L. Volz. Illustrated, including two in color. In later binding.
Price: $ 35.00 other currencies Order nr. 118098

READ MORE...
See More... (King, Jessie M.) White, Colin A GUIDE TO THE PRINTED WORK OF JESSIE M. KING.
With the CD "Illustrations: Supplement to the Book" New Castle and London Oak Knoll Press and the British Library 2007 7 x 10 inches cloth, dust jacket. 230 pages plus 8 pages of plates
Jessie M. King (1875-1949) was the foremost Scottish book designer and illustrator of the 20th century. Her work reflected the mixture of Symbolism and Arts & Crafts practiced by Charles Rennie Mackintosh and the others of "The Four" in Glasgow where she was trained. During the 50 years of her career she designed and illustrated some 250 books, over 100 greeting cards, bookplates and assorted items of ephemera.

A Guide to the Printed Work of Jessie M. King attempts to bring order to this enormous output. Every known item has been annotated, classified and catalogued, and a further section lists over 100 publications containing reproductions of other works by the artist. An appendix by Dr. A.D. Portno discusses her work for the German publishers, Globus. A second appendix investigates her designs for Routledge's series of children's classics.

In order to do justice to Jessie M. King's talent, besides the selection of items illustrated in the book, a substantial part of her work is illustrated in color on an accompanying CD-Rom. On the CD, every significant item is present, with each illustration numbered according to the corresponding entry in the text.

Colin White is an art historian specializing in the early 20th century. His published works include biographies of Edmund Dulac and Jessie M. King and a history of objects of artistic interest found in nurseries. He is at work on a biography of Kay Nielsen. He has written books on Sentimentality in Art, Decorative Headpieces and Tailpieces, and one on the influence of the Japanese No on the plays of W.B. Yeats. He has published articles on the bookplates of Jessie M. King and of Edward Ardizzone, as well as a survey for the Wolfson Foundation of the art of Thomas Mackenzie.

Available worldwide from Oak Knoll Press.

Price: $ 90.00 other currencies Order nr. 93073

READ MORE...
See More... (Larsson, Carl) Topjon, Ann J. CARL LARSSON: AN ANNOTATED BIBLIOGRAPHY
New Castle Oak Knoll Press 2008 4to. cloth, dust jacket. 454 pages
First edition. Carl Larsson (1853-1919) is perhaps the most renowned Swedish artist, in his own country and beyond. He rose from an impoverished childhood and youth to find the perfect expression for his artistic talent in watercolors, winning medals in France at the Salons. His works in this medium became widely known through eight "albums" of his home and family, which he not only illustrated but also narrated and which were successfully marketed in Germany as well as in Sweden. These books were published in several editions during his lifetime and reissued, some in revised format, starting in the latter twentieth century. Along with being an exquisite watercolorist, Larsson also was a talented illustrator, a superb portrait painter, a fine graphic artist and an imaginative muralist, who was influenced by pre-Raphaelitism, Art Nouveau, arts of the Gustavian period and Japonisme. Possibly the most providential factor in his life was his marriage to Karin Bergöö. Together, in the small cottage in Sundborn given to them by her father, they created a home with unique and personal interiors, which influenced generations of interior designers through the twentieth and into the twenty-first century. This is the first comprehensive bibliography on Larsson and, with approximately 5900 entries, encompasses all known works by him, including albums, book illustrations and any articles he wrote and/or illustrated in all languages and countries. The bibliography also documents and annotates the plethora of materials about him in all languages, including monographs, incidental books, encyclopedia articles and exhibition catalogs, as well as the numerous journal and newspaper articles written about him during his lifetime and up to the present. The book includes a section of 16 color plates highlighting Larsson's work. Ann J. Topjon is Associate Professor/Librarian Emeritus from Whittier College, California, and has spent over 20 years compiling this record of Carl Larsson, which will be an invaluable tool for all those researching his life and works. She has contributed bibliographies for the catalogs of two important Larsson exhibitions: the retrospective "Carl Larsson" in Stockholm, Sweden, in 1992, and "Carl and Karin Larsson: Creators of the Swedish Style" in London, England, in 1997.
Price: $ 135.00 other currencies Order nr. 94200

READ MORE...
See More... Lathem, Edward Connery and Elizabeth French Lathem (Editors) D.B.U. AND R.R.: SELECTED EXTRACTS FROM CORRESPONDENCE BETWEEN DANIEL BERKELEY UPDIKE AND RUDOLPH RUZICKA, 1908-1941
New York American Printing History Association 1997 tall 8vo. cloth, dust jacket. vi, 181+(1) pages.
D.B.U and R.R. prints for the first time extracts from the important correspondence between these major figures of American graphic arts, revealing a little-known closeness between the Merrymount Press fine printer Updike and the artist Ruzicka. The two men collaborated on a number of important books, including Newark and the Grolier Club's Irving, as well the exquisite series of Merrymount annual keepsakes. Ruzicka also played a substantial advisory role in the writing of Updike's monumental Printing Types. This touching and candid thirty-three year correspondence is put in context by the Lathems' elucidating commentary. This work includes an index and two tipped-in facsimiles, as well as illustrations reproduced in the original colors. Printed by the Stinehour Press, in an edition of 500 copies.
Price: $ 50.00 other currencies Order nr. 97458

READ MORE...
See More... Lathem, Edward Connery (editor) SPEAKING REMINISCENTLY
New York The Grolier Club 1986 5.5 x 8.5 inches hardcover 180 pages
This book provides a chronology of the life of Rudloph Ruzicka including various reproductions of his illustrations. It contains an index of his friendships with various graphic artists such as Dwiggins and his many relations with the Grolier Club. It was printed at the Meriden-Stinehour Press and designed by Roderick Stinehour.
Price: $ 55.00 other currencies Order nr. 106589

READ MORE...
See More... (Lear, Edward) Schiller, Justin G. NONSENSUS: CROSS-REFERENCING EDWARD LEAR'S ORIGINAL 116 LIMERICKS WITH EIGHT HOLOGRAPH MANUSCRIPTS AND COMPARING THEM TO PRINTED TEXTS FROM THE 1846,1855 AND 1861 VERSIONS; TOGETHER WITH A CENSUS OF KNOWN COPIES OF THE GENUINE FIRST EDITION.
With introductory remarks by Vivien Noakes. Stroud Catalpa Press 1988 oblong 8vo. stiff paper wrappers. xii, 119 pages.
A fascinating census of the limericks in Edward Lear's Book of Nonsense,which was first published in 1846 as two separate volumes with seventy-three limericks. A "new" (i.e. second) edition came out in 1855, and a third edition with forty-three additional verses was published in 1861. This third edition provides the first full text and also identifies Lear as the author for the first time. It is often considered the first "trade" version, as it was published by Routledge, Warne & Routledge and consequently received broader distribution and readership. Justin Schiller has cross-referenced the 116 limericks in the third edition with eight manuscripts for this book (which are now preserved in various rare book collections) and compared them to the printed texts of the 1846, 1855 and 1861 editions. This volume also contains a census of known copies of the genuine first edition.
Price: $ 35.00 other currencies Order nr. 25739

READ MORE...
See More... (Logos) THE LITERATURE OF THE BOOK.
UK LOGOS 2005 6" x 9" stiff paper wrappers 120 pages
First edition. This 120-page book was created and published by Logos: The Journal of the World Book Community. Fifteen corresponding contributors helped to cast a useful descriptive bibliography, which would inform the book professions about the best books written by, about and for them. This book becomes the overall critical guide for the world of Books About Books. This guide is an overall collection which covers all book professions. The bibliography would be useful both to institutions seeking to form overall collections and to individuals building personal libraries in their own fields.
Price: $ 15.00 other currencies Order nr. 86935

READ MORE...
See More... McGee, Julie L. CORNELIS CORNELISZOON VAN HAARLEM (1562-1638). PATRONS, FRIENDS AND DUTCH HUMANISTS.
Nieuwkoop HES & DE GRAAF 1991 8vo cloth 502 pages.
The book presents the first discussion of all the known prints executed after Cornelis' designs and considers the following topics in relationship to the prints: the engravers and publishers, the print market, the Latinists who provided the text for the prints and the Latin verses themselves. (Bibliotheca Humanistica & Reformatorica, Vol. XLVIII). With 105 plates.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 155.00 other currencies Order nr. 103384

READ MORE...
See More... Merlo, Johann Jacob KÖLNISCHE KÜNSTLER IN ALTER UND NEUER ZEIT. JOHANN JACOB MERLOS NEU BEARBEITETE UND ERWEITERTE NACHRICHTEN VON DEM LEBEN UND DEN WERKEN KÖLNISCHER KÜNSTLER. HERAUSGEGEBEN VON EDUARD FIRMENICH-RICHARTZ UNTER MITWIRKUNG VON HERMANN KEUSSEN.
Nieuwkoop HES & DE GRAAF 1966 4to cloth xviii pages, 1206 columns
Reprint of the 1895 edition published in Düsseldorf. Valuable biographical dictionary of Cologne artists, incorporating oeuvre-catalogues, references, bibliographies, etc. Contains inter alia (col. 971-1099) the best oeuvre-catalogue of Anton Woensam von Worms. With 2 large folding facsimiles, 51 plates, 24 illustrations and numerous monograms in the text.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 340.00 other currencies Order nr. 103301

READ MORE...
See More... Myers, Robin, Michael Harris and Giles Mandelbrote (editors) PUBLISHING THE FINE AND APPLIED ARTS 1500-2000
New Castle, Delaware and London Oak Knoll Press and The British Library 2012 6 x 9 inches hardcover, dust jacket 224 pages
Next in the Publishing Pathways series, Publishing the Fine and Applied Arts examines aspects of the relationship between the business of print and the practice of art and design across five centuries. Leading specialists explore the role played by the book trade in the diffusion of artistic and architectural theory, fashion, and practice. Other essays trace the impact of aesthetic trends and advances in the techniques of binding, color printing, and illustration on the appearance of books themselves. Among the topics discussed are the printed sources for decorative motifs in sixteenth-century churches, the publication history of the works of Andrea Palladio, and the evolution of drawing manuals in seventeenth-century England. Other subjects include the library formed by the architect Sir John Soane, developments in nineteenth-century art publishing, and the role of printed catalogues in documenting the acquisitions made by English collectors of paintings, sculpture, and antiquities. Essays are from Mirjam Foot, Malcolm Jones, Charles Hind, Meghan Doherty, Susan Palmer, Abraham Thomas, Rowan Watson, and Charles Sebag-Montefiore. The book is illustrated in color and black-and-white.

Available in the UK from The British Library.

Price: $ 55.00 other currencies Order nr. 104084

READ MORE...
See More... Myers, Robin SPREADING THE WORD, THE DISTRIBUTION NETWORKS OF PRINT 1550-1850.
Winchester St Paul's Bibliographies and Oak Knoll Press 1998 8vo. printed paper over boards. (xiii), 241 pages.
Reprint of the 1990 first edition. Part of the Publishing Pathways Series. How did printed material in Britain get from producer to reader? What were the mechanics of supply by which individuals from varied social backgrounds came into contact with print culture? These are hard questions lying at the heart of what is sometimes called the new bibliography. Distribution is a complex line of book trade history because it leads out of the self-contained and familiar area of the printing office and bookshop into the often baffling regions of redistribution and consumption, where the evidence is often fragmentary.
London, with its ever-increasing output in this period of books, pamphlets, newspapers, ballads and ephemera, was always the dominant influence on the market. In this volume, however, the contributors are almost all concerned with aspects of the local trade in different parts of the British Isles and, in one essay, the trade between London and America via Scotland. They provide a series of detailed investigations into the distribution networks which supplemented those based in the capital, and in doing so they give a fresh view of the developing relationship between print and society over three centuries.

Price: $ 30.00 other currencies Order nr. 32777

READ MORE...
See More... Nagler, Georg K. DIE MONOGRAMMISTEN. FORTGESETZT VON A. ANDRESEN UND C. CLAUSS.
5 volumes (the index bound at the end of the fifth volume) Nieuwkoop HES & DE GRAAF 1991 8vo cloth xxviii,1088; 1121; iv,1143; 1155; 436; (Index) iv,109 pages.
Reprint of the 1858 edition published in München. An unsurpassed reference work of permanent value, to identify artists who sign themselves only by their monogram or similar device. Literally thousands of them were book illustrators, hence the work's importance for books. Nagler begins by giving an exact facsimile of the monogram(s); this is followed by the artist's name, his biography, and then a list of his works, frequently including a complete bibliography of books illustrated by him. Arrangement is alphabetical. The total number of main entries is 14,961; the number of monogram facsimiles must be well over 30,000.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 995.00 other currencies Order nr. 103302

READ MORE...
See More... Nyburg, Anna FROM LEIPZIG TO LONDON: THE LIFE AND WORK OF THE ÉMIGRÉ ARTIST HELLMUTH WEISSENBORN.
New Castle, Delaware Oak Knoll Press 2012 6 x 9 inches hardcover, dust jacket 192 pages
German-born artist Hellmuth Weissenborn (1898-1982) spent the first half of his life in his native Leipzig and the second in London. He was forced to flee his homeland in early 1939 in the face of Nazi terror and found refuge in Britain. Unlike many of his fellow refugees, he never lost his sense of German heritage. In this biography, the cultural baggage that he brought with him is explored: life in Weimar Germany, especially in the book arts, is the cultural context of his early life.

After his conscription into service in World War I he returned home with diaries and sketchbooks and enrolled at the world-famous Leipzig Academy of Graphic and Book Arts, studying art, typography, and printmaking. Artistic success came early, and soon he moved up into the staff, becoming one of the Academy's youngest professors. When the Nazis took power, he lost his post for marrying a Jewish woman and was forced to leave Germany.

In Britain, the 40-year-old Weissenborn struggled to find work, and was interned for six months on the Isle of Man in 1940. This resulted in an intensively productive artistic output but also led to the end of his first marriage. On release he embarked on a new phase in his career as printmaker, teacher, and publisher. His second marriage proved to be a creative partnership: he and his wife ran the Acorn Press together.

New unpublished material in the form of Weissenborn's World War I diary, letters from his first wife, and interviews with his former students and colleagues help to give an impression of the man and his life in this first full biography of the artist. Family photographs that survived his exile underpin the narrative of his life, while his versatile artistic output is reflected in the many illustrations.

Anna Nyburg is a lecturer in German at Imperial College London. She completed an MA in 1974 at the University of East Anglia in European Literature, and in 2009 she was awarded a PhD in Exile Studies at the University of London, the subject of which was the German-speaking refugees from Nazism to Britain who either created art publishing companies, or who made contributions as book artists, typographers, or designers.

Price: $ 29.95 other currencies Order nr. 109140

READ MORE...
See More... Pianzola, Maurice BAUERN UND KÜNSTLER. DIE KÜNSTLER DER RENAISSANCE UND DER BAUERNKRIEG VON 1525. ÜBERSETZT AUS DEM FRANZÖSISCHEN VON TILLY BERGNER.
Nieuwkoop HES & DE GRAAF 1961 4to cloth 139 pages.
With numerous plates in color and in black-and-white, and facsimiles.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 50.00 other currencies Order nr. 103303

READ MORE...
See More... (Plantin, Christopher) Bowen, Karen Lee CHRISTOPHER PLANTIN`S BOOKS OF HOURS: ILLUSTRATION AND PRODUCTION.
Nieuwkoop HES & DE GRAAF 1997 6.5 x 9.75 inches cloth xxxi, 460 pages
An in-depth examination of Plantin`s large-scale production of books of hours, comprising a survey of their illustration as well as accounts of the general process by which they were printed. A pioneer study of great interest both from the art-historical and from the bibliographical point of view. Contains many additions and corrections to Voet`s The Plantin Press. With 156 plates.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 225.00 other currencies Order nr. 103286

READ MORE...
See More... (Pyle, Howard) Davis, Paul Preston HOWARD PYLE: HIS LIFE -- HIS WORK
2 volumes. New Castle and Wilmington Oak Knoll Press and The Delaware Art Museum 2004 9 x 12 inches. hardcover, dust jacket. 906 pages.
At the dawn of the 20th century, Howard Pyle was America's most famous and influential illustrator. Through the illustrated pages of Harper's, Scribner's and Century magazines, the American public first became acquainted with the illustrator that they would come to love. Both by example and through his teaching, Pyle molded and influenced generations of young artists who have continued his unique vision of illustration far beyond his own lifetime. Published 93 years after the death of Howard Pyle, this book celebrates the enduring and far-reaching achievements of America's foremost illustrator. Illustrated with over 3300 images, this important research tool represents the complete record of all known Howard Pyle illustrations, hundreds of which have not been reproduced since their original publication over 100 years ago.
Paul Preston Davis, with exhaustive research and dogged perseverance, has produced a much-needed resource for the study of Howard Pyle and American illustration. His work greatly expands upon the data originally collected by Willard S. Morse and Gertrude Brincklé in 1921. For the first time, full-color images (approx. 1.25 x 2.25 inches) of each of Pyle's published and unpublished works are provided in a single source. Most importantly for the researcher, Davis has indexed and re-indexed the information, creating a tool that is as easy to use as it is valuable. This remarkable and comprehensive set of books embodies years of research and will be valued and treasured by researchers, scholars, librarians, and collectors alike. Co-published with The Delaware Art Museum.

Price: $ 149.95 other currencies Order nr. 75317

READ MORE...
See More...
One of only 60 copies of the Museum Edition

(Pyle, Howard) Davis, Paul Preston HOWARD PYLE: HIS LIFE -- HIS WORK
2 volumes. New Castle and Wilmington Oak Knoll Press and The Delaware Art Museum 2004 9 x 12 inches. quarter Morocco with Japanese cloth, a special binding by Campbell-Logan Bindery (viii),xiv,(ii),400; (viii),401-872 pages.
First edition, one of only 60 numbered and signed sets bound thus (Museum Edition). Contains an extra eight-page signature at the beginning which has a tipped-in wood-engraving of Pyle's well-known painting "The Landing of the Pilgrims" pulled from the original block engraved by Robert Hoskin of Harper & Brothers. The engraving was published in the April 1883 edition of Harper's New Monthly magazine. In addition, this special section discusses the print and includes the colophon. The section was printed on Mohawk Superfine by Leonard Seastone at his Tideline Press. At the dawn of the 20th century, Howard Pyle was America's most famous and influential illustrator. Through the illustrated pages of Harper's, Scribner's, and Century magazines, the American public first became acquainted with the illustrator that they would come to love. Both by example and through his teaching, Pyle molded and influenced generations of young artists who have continued his unique vision of illustration far beyond his own lifetime. Published 93 years after the death of Howard Pyle, this book celebrates the enduring and far-reaching achievements of America's foremost illustrator. Illustrated with over 3300 images, this important research tool represents the complete record of all known Howard Pyle illustrations, hundreds of which have not been reproduced since their original publication over 100 years ago.
Paul Preston Davis, with exhaustive research and dogged perseverance, has produced a much-needed resource for the study of Howard Pyle and American illustration. His work greatly expands upon the data originally collected by Willard S. Morse and Gertrude Brincklé in 1921. For the first time, full-color images (approx. 1.25 x 2.25 inches) of each of Pyle's published and unpublished works are provided in a single source. Most importantly for the researcher, Davis has indexed and re-indexed the information, creating a tool that is as easy to use as it is valuable. This remarkable and comprehensive set of books embodies years of research and will be valued and treasured by researchers, scholars, librarians, and collectors alike. Co-published with The Delaware Art Museum.

Price: $ 425.00 other currencies Order nr. 87133

READ MORE...
See More... (Raverat, Gwen) Selborne, Joanna and Lindsay Newman. GWEN RAVERAT, WOOD ENGRAVER
New Castle DE Oak Knoll Press 2003 small 4to. cloth, dust jacket 152 pages
First trade edition. From the late nineteenth century, wood engraving became a medium for creative expression. One of the most prolific engravers was Gwen Raverat (1885-1957). She trained as a painter, and developed an impressionistic approach - her skill at conveying atmosphere and different qualities of light was unrivaled. She also had a strong sense of character, as is shown by her numerous illustrations to children's books. This book contains the first in-depth assessment of Gwen Raverat as a wood engraver, exploring her technique and her experiments with color prints. In addition it contains a full catalogue of all her engravings, and a descriptive bibliography of the books and ephemera which she illustrated. 1 color and 87 black-and-white illustrations. SALES RIGHTS: Available in North & South America from Oak Knoll Books. Available outside North & South America from The British Library.
Price: $ 55.00 other currencies Order nr. 73333

READ MORE...
See More... Ray, Gordon N THE ART DECO BOOK IN FRANCE.
Edited by Tanselle, G. Thomas. Printed by Heritage Letterpress of Charlotte, North Carolina. Charlottesville, VA Bibliographical Society of the University of Virginia 2005 6" x 9" cloth 159 pages
When Gordon Ray delivered the Lyell Lectures at Oxford in 1985, he chose as his subject the Art Deco book illustrations and bindings produced in France in the 1920s. This topic was not a surprising choice, for he had previously written magisterial annotated catalogues, largely based on his own collection, of British illustrated books from 1790 to 1914 and of French illustrated books from 1700 to 1914. His Lyell Lectures formed a natural continuation of the latter and gave him the opportunity to express his views on still another area in which, through his collecting and research, he had become expert. He accompanied his lectures with 183 slides, the majority of them in color, and those illustrations are in fact the reason that the lectures have not been published until now: the expense of producing so many illustrations was too daunting for the publishers that Ray approached.
Today a happy solution to this problem is available in the form of digital presentation on the internet, and Ray's work is now being offered in a combination of printed and electronic forms. The verbal text of his lectures is letterpress printed in this present volume (supplemented by eight plates, showing striking examples of the work of the major figures discussed), and all of the available illustrations are being published on the website of the Bibliographical Society of the University of Virginia.

Price: $ 50.00 other currencies Order nr. 89578

READ MORE...
See More... (Reed, Ethel) Peterson, William S. THE BEAUTIFUL POSTER LADY: A LIFE OF ETHEL REED.
New Castle, Delaware Oak Knoll Press 2013 6 x 9 inches hardcover, dust jacket 160 pages
Ethel Reed (1874-1912) is one of the most elusive figures in the history of American graphic design. Born in Newburyport, Massachusetts, she moved in the 1890s to Boston, where, while still in her early twenties, she achieved international recognition for her posters - and for her personal glamour. "The beautiful poster lady" is how newspapers of the day described her, and they often went on to claim that she was the most famous woman artist in America. Ethel Reed was an extraordinarily vivid personality of the fin de siècle and a striking early example of a media celebrity.

But in 1896, following a broken engagement, she sailed to Europe, contributed to the two final issues of the Yellow Book in London, and then, after the turn of the century, vanished in the fog (to use her own phrase). Now William S. Peterson, through meticulous archival research, has at last been able to reconstruct the story of her life in England. Though unsuccessful in renewing her artistic career, she found lovers there, bore two children, and eventually married Arthur Warwick, an English army officer. Yet the marriage fell apart immediately, and her final years were darkened by poverty, drug addiction, and alcoholism.

This is the only book-length treatment of her work as a designer - and the first successful attempt to recover Ethel Reed's enigmatic, hidden life. It includes 16 color plates of her posters and 47 black-and-white illustrations.

William S. Peterson (Professor Emeritus of English, University of Maryland), a bibliographer and book historian, has edited three scholarly journals and has written or edited sixteen books, the most recent of which is (in collaboration with Sylvia Holton Peterson) The Kelmscott Chaucer: A Census (Oak Knoll Press, 2011). One of his books was nominated for a National Book Award, and another was the winner of the 1993 Felice Feliciano Award. He has been a Guggenheim Fellow and a Visiting Fellow at Exeter College, Oxford.

Price: $ 39.95 other currencies Order nr. 110254

READ MORE...

E-mail/Export ?
Jump to page: 1    2    3     First pagePrevious PageNext PageLast Page
Page 2 of 3

Refine Result
Within This List:
Include   Exclude
Author
Author
Title
Title
Keyword
Keyword
   
Clear all entries and click "Go" button to return to original search result.

Association of American Publishers Antiquarian Booksellers' Association of America International League of Antiquarian Booksellers
Copyright © 2009 Oak Knoll. All rights reserved.
Back to Oak Knoll Home Back to Oak Knoll Home Back to Oak Knoll Home