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Book Illustration
 
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See More... van zur Westen, Walter ENTWICKLUNG DER DEUTSCHEN GEBRAUCHSGRAPHIK
Berlin Otto v.Holten 1927 4to. stiff paper wrappers, uncut edges 12 pages + 5 leaves of plates in color and black and white
Printed in an edition limited to 150 numbered copies. Surveys the history of German engravings made for the service of commercial art. Begins with the fifteenth-century engraver Master ES, arguably the most influential early German print-maker, and works through the nineteenth century with a general history. Tipped in illustrations include a reproduction of an early woodcut from 1544 printed in red and black, a few broadsheets and several ex-libris labels. Printed on luxurious hand-made paper. Cover printed in red. Title page and decorative initial letters printed with red and black. Loose bookplate indicates that this copy was purchased from the collection of H.P. Kraus. Cover irregularly faded and slightly soiled. Edges creased.
Price: $ 150.00 other currencies Order nr. 77808

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See More... (Verdigris) Rouanet, Marie MAGIE BLANCHE
(Octon) Verdigris 2006 folio loose sheets housed in a clamshell box not paginated
Limited to an edition of thirty, of which twenty-five were for sale. Marie Rouanet's text was inspired by ten mezzotints (eleven plates) by Judith Rothchild and the spirit of the restaurant, The Mimosa, created by Bridget and David Pugh. The book is comprised of a suite of prints and text in loose sheets of Hahnemuhle paper. The text was printed letterpress on an Albion press by Mark Lintott. The boxes are covered in Fabriano Ingres screen printed with mimosa leaves. The colophon is signed by the author and artist and the prints are initialed by the artist.
Price: $ 1,750.00 other currencies Order nr. 95958

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See More... Vrba, Jan DRAZINOVSKÁ HORA.
Prague J. Otto 1931 8vo full green pebbled calf, title and author gilt-stamped on spine, front board decorated in gilt and stamped in blind, top edge gilt, other edges uncut 309, (5) pages
Limited to 200 numbered copies. Text in Czech. First published 1926 (Arno Sánka, 2133). Drazinovska Mountain. Illustrations by Frantisek Vrobel. Signed by author and illustrator. Dedication to Arne Nováku. Front board decorated with natural scene. Some fading to spine and edges of boards.
Price: $ 260.00 other currencies Order nr. 108028

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See More... Ward, H. Snowden (editor) THE PROCESS ENGRAVER'S MONTHLY, THE PROCESS PHOTOGRAM. VOLUME XIII.
London Dawbarn & Ward 1906 small 4to. modern cloth. (iv),192; 380 pages.
Complete Volume Vol. 13, No. 145 (Jan 1906) to No. 156 (Dec 1906) of this important periodical which started in 1894. Bound with THE PHOTOGRAPHIC MONTHLY. Color frontispiece, plates, text illustrations. The St Bride Catalogue of Periodicals (p. 28) notes: "A useful set for history and development of process work during the past 50 years. Vols. 1 to 12, 1894 to 1905, were entitled Process Photogram, Monthly Organ of Federation of Master Process Engravers." Ulrich & Kup (p. 90) note: "Practical hints, not to be missed, whether interested in halftone, collotype, or lithography."
(See Bridson & Wakeman F48 for earlier volumes). Bookplate of Lawrence Wallis. Endpapers foxed, signature in ink.

Price: $ 235.00 other currencies Order nr. 98790

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See More... Ward, H. Snowden (editor) THE PROCESS ENGRAVER'S MONTHLY, THE PROCESS PHOTOGRAM. VOLUME XV.
London Dawbarn & Ward 1908 small 4to. cloth. (iv), 284 pages.
No. 169 (Jan 1908) to Vol. XV No. 180 (Dec 1908). Complete Volume. Color frontispiece, plates, text illustrations and tipped-in plates. A complete Vol. 15 of this important periodical which started in 1894. The St Bride Catalogue of Periodicals (p. 28) notes: "A useful set for history and development of process work during the past 50 years. Vols. 1 to 12, 1894 to 1905, were entitled Process Photogram, Monthly Organ of Federation of Master Process Engravers". Ulrich & Kup (p. 90) note: "Practical hints, not to be missed, whether interested in halftone, collotype, or lithography". (See Bridson & Wakeman F48 for earlier volumes). Bookplate of Lawrence Wallis. Endpapers foxed, signature in ink. Original printed cloth rubbed. Shaken. Remnants of small pocket on front pastedown. Bookplate of Lawrence Wallis.
Price: $ 190.00 other currencies Order nr. 98793

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See More... (Ward, Lynd) Ward, Lynd STORYTELLER WITHOUT WORDS, THE WOOD ENGRAVINGS OF LYND WARD WITH TEXT BY THE ARTIST.
New York Harry N. Abrams (1974) thick 4to. cloth, dust jacket. 24 pages of text followed by 743 illustrations reproducing Ward's woodcut illustrations.
First edition. Also contains a brief bibliography of books written and illustrated by Ward. Well produced book. Signed on half title by Ward. Jacket rubbed with some spotting. Covers rubbed.
Price: $ 200.00 other currencies Order nr. 114826

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See More... Weitenkampf, Frank THE ILLUSTRATED BOOK.
Cambridge Harvard University Press 1938 tall 8vo. cloth, top edge gilt, others uncut, slipcase. xiii, 314 pages.
First edition, one of 210 numbered copies of a special edition. Well-illustrated history from the beginning up through the 20th century. Includes a chapter on color printing and children's books and a list of references. Typography by David Pottinger and binding design by Rudolph Ruzicka. Spine slightly faded.
Price: $ 150.00 other currencies Order nr. 25171

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See More... (Whittington Press) Anderson, Andrew A VISION OF ORDER, 32 LINOCUTS BY ANDREW ANDERSON.
(Lower Marston Farm, Risbury) Whittington Press 2011 22 x 15 inches quarter buckram and paper covered boards, slipcase 64 pages
Andrew Andersons astonishing linocuts are an arresting mix of image, lettering and symbolism. The images show strong influences of his background as an architect with a particular interest in mediaeval architecture; the lettering brings Eric Gill to mind, but with an added fluency and versatility; and much of the symbolism comes from his involvement with cathedral and church architecture. He has written about his work in MATRIX 28, pp. 9.

He combines these three elements with immense skill and with a rare dedication, and yet his images have an astonishing vibrance and magnetism. Little known or seen over the years, hampered perhaps because of their size and the artists preoccupation with his architectural work, they appear here for the first time in a readily accessible form, each with a note by the artist explaining its content and symbolism.

The large format of A VISION OF ORDER allows most of the prints to be tipped in unfolded. Like our Posters published in 1996, it will be a monumental volume in its own right, set in a large size of the Caslon type for which the Press has become renowned. Tom Mayo, who will be doing much of the printing of this large and unusual project, will be posting a blog giving an illustrated report of its progress.

Available Summer 2011

Price: $ 525.00 other currencies Order nr. 107015

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See More... (Whittington Press) Bishop, Hal. LOST & FOUND
Risbury, Herefordshire Whittington Press, The. 2010 8vo. half-bound in buckram and paper 112
Trade edition, one of 225 copies. Lost and Found will show all sixteen of the blocks for The Mill on the Floss for the first time, as well as reconstructing the larger palimpsest images on the reverse of the blocks. As Hal Bishop remarked in Matrix 26, 'Despite the loss of the short central section of each block, Rachel's compositional whole is easily reconstructed by the eye.'

The book will also include eighteen of her wonderfully energetic earlier engravings, showing how her style developed before she began The Mill on the Floss. Lost and Found tells the story of sixteen powerful illustrations that have remained hidden for nearly sixty years, and the highly unusual images that were sacrificed unneccessarily in the process. It brings to light the work of one of the century's most original engravers, whose work is little known partly because her financial independence made her relatively unconcerned about publicising her work.

Limited to 185 trade editions which are bound in buckram and decorated paper sides.

Price: $ 216.00 other currencies Order nr. 105220

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See More... (Whittington Press) Gant, Roland STEPS TO THE RIVER.
With Eight Wood-Engravings by Howard Phipps. Leominster The Whittington Press (1995) small 4to. cloth-backed decorated paper-covered boards, paper spine label accompanied by a matching portfolio containing proofs of the woodcuts with both inserted in a slipcase. Full color frontispiece woodcut; (38) pages; accompanied by the nine proofs.
Limited to 200 numbered copies signed by the author and the illustrator; this is one of the 40 copies to be issued thus with the proofs of the woodcuts. Five page introduction by John Randle of the Whittington Press recalling how he met Roland Gant. Two page preface by Gant. In addition to the full color woodcut as frontispiece there are seven other woodcuts in black and white.
Price: $ 400.00 other currencies Order nr. 41481

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See More... (Whittington Press) HELLMUTH WEISSENBORN, PAINTER & GRAPHIC ARTIST. WITH AN INTRODUCTION BY RICHARD WALKER.
London Bachman & Turner. Printed at Whittington Press. 1976 tall 4to. stamped cloth, slipcase (viii), 18, (2) pages followed by 65 unnumbered leaves of illustrations, 85-88, (4) pages.
First edition, limited to 200 numbered copies, signed by the artist. A handsome production from the Whittington Press (Butcher 17). Printed on Wookey Hole mouldmade paper. The illustrations are shown in color and also include 8 tipped-in color plates.
Price: $ 425.00 other currencies Order nr. 80838

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See More... (Whittington Press) Macgregor, Miriam MIDWINTER
Lower Marston Farm, Risbury Whittington Press 2012 large 8vo decorated paper covered boards, slipcase 32 pages
One of 185 numbered trade copies. In February 2009 the north Cotswolds were covered by a brief but deep fall of snow. A fairytale landscape of changing shapes and patterns appeared overnight. Beside the predictable snowman on the village green, there was even a habitable igloo. Miriam Macgregor at once ventured out into this unfamiliar snowscape with sketchbook and camera, and these engravings, mostly full-page, are the ideal medium for their subject. This is the third book of Miriam's engravings in which all the subjects are within walking distance of her cottage.

Hand-set in 16 point Centaur and printed on Zerkall mould-made paper, with 24 wood-engravings, in an edition of 255 copies.

Price: $ 216.00 other currencies Order nr. 115190

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See More... (Whittington Press) THE WOOD-ENGRAVINGS OF GWENDA MORGAN.
With an Introduction by John Randle Manor Farm, Andoeversford The Whittington Press (1985) small 4to. cloth, paper cover and spine labels. xvi pages (53)
First edition, limited to 335 numbered copies signed by Morgan. Contains fity-two wood-engravings and a line-block reproduction of an engraving by Gwenda Morgan.
Price: $ 400.00 other currencies Order nr. 22075

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See More... Wilkinson, W.T. PHOTO-ENGRAVING AND PHOTO-LITHOGRAPHY IN LINE AND IN HALF-TONE, ALSO COLLOTYPE AND HELIOTYPE.
London England Bros. 1887 8vo. original cloth. (vi), 193, (11) pages.
Second edition, revised and enlarged. (Bridson & Wakeman E48; St. Bride p.973). With the bookplate and pencil signature of Gavin Bridson. Illustrated. Minor cover rubbing.
Price: $ 185.00 other currencies Order nr. 97803

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See More... Wilkinson, W.T. PHOTO-ENGRAVING, PHOTO-ETCHING, AND PHOTO-LITHOGRAPHY IN LINE AND HALF-TONE; ALSO, COLLOTYPE AND HELIOTYPE.
New York Edward L. Wilson 1888 tall 8vo. original cloth stamped in gilt and black xvi, 9-184, (16) pages.
Third American edition, revised and enlarged by Edward L. Wilson. (Bridson & Wakeman E54 - they state that no English third edition was issued). Numerous illustrations. Thorough discussion of these "new" methods of reproducing the illustration. With the bookplate and pencil signature of Gavin Bridson. Minor wear at spine ends and spots along top edge of front cover.
Price: $ 165.00 other currencies Order nr. 30508

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See More... Wilkinson, W.T. PHOTO-MECHANICAL PROCESSES. A PRACTICAL GUIDE TO PHOTO-ZINCOGRAPHY, PHOTO-LITHOGRAPHY, AND COLLOTYPE.
London Hampton, Judd & Co. 1892 8vo. original green cloth stamped in black and gilt. (iv), 148, (2) pages.
First edition (Bridson & Wakeman E64). With the bookplate and pencil signature of Gavin Bridson. Covers rubbed with some fading.
Price: $ 225.00 other currencies Order nr. 86681

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See More... Wilkinson, W.T. PHOTO-MECHANICAL PROCESSES. A PRACTICAL GUIDE TO PHOTO-ZINCOGRAPHY, PHOTO-LITHOGRAPHY, AND COLLOTYPE.
London England Bros. 1897 small 8vo. original cloth. (ii), vi, 174, (6) pages.
Second edition, revised and enlarged. (Bridson & Wakeman E68). Illustrated and includes the bookplate and pencil signature of Gavin Bridson. Well-preserved copy.
Price: $ 185.00 other currencies Order nr. 97804

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See More... Wilson, Edward L. THE AMERICAN CARBON MANUAL.
New York Arno Press 1973 8vo. silver cloth. (vi), 100, (28), (4) pages.
Facsimile reprint of the 1868 New York edition published by Scovill Manufacturing Company (See Roosens & Luc Salu 1607). Part of the Literature of Photography series. With the bookplate and pencil signature of Gavin Bridson.
Price: $ 150.00 other currencies Order nr. 98710

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See More... (Woensam, Anton) Merlo, J.J. ANTON WOENSAM VON WORMS, MALER UND XYLOGRAPH ZU KÖLN
Leipzig Rudolph Weigel 1864 8vo. half calf with cloth-covered boards (ii), 146, 56, 16 pages plus 1 plate
Two volumes bound in one. First volume is an art historical monograph of the work of the German painter and woodcutter Anton Woensam von Worms (circa 1500--1541). A brief section on his paintings is followed by a lengthy bibliography of his woodcut illustrations listed by type of publication: from Biblical to mythological illustrations, portraits to title pages, crests to alphabets. The second supplemental volume, printed in 1884, expands the bibliography of von Worms' woodcuts. A final section bound in is a bibliography of monographs, in which Merlo's work on von Worms is listed. Both hinges split but holding firm. Corners and spine chipped and rubbed. Paper covered boards irregularly faded. Memorial bookplate on front pastedown indicates that this copy came from the H.P. Kraus reference library and stock.
Price: $ 150.00 other currencies Order nr. 77062

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Available now

Wolfe, Heather (editor) THE TREVELYON MISCELLANY OF 1608: A FACSIMILE OF FOLGER SHAKESPEARE LIBRARY MS V.B.232
Washington, DC Folger Shakespeare Library 2007 10.75 x 17 inches hardcover, dust jacket 594 pages
The Trevelyon Miscellany of 1608 is one of the Folger Shakespeare Library's greatest treasures. Aside from Shakespeare's First Folio, it is the only book in the Folger collection to have an entire exhibition devoted to it, in 2004. Its 594 oversized pages depict life in Shakespeare's England in all of its brilliant complexities-from the mythical to the mundane, poetical to practical, religious to secular.

Thomas Trevelyon, the compiler, was a skilled scribe and pattern-maker who had access to a stunning variety of English and Continental woodcuts, engravings, broadsides, almanacs, chronicles, and emblem books, which he transformed from small monochrome images into large and colorful feasts for the eyes. Ostensibly created for the entertainment, education, and edification of his friends and family, Trevelyon's miscellany is a lifetime achievement that continues to delight and mystify modern audiences, with its familiar scenes of domesticity and husbandry intertwined with epic Protestant and political epitomes: accounts of the rulers of England and the Gunpowder Plot, descriptions of local fairs, the colleges of Oxford and Cambridge and astronomy according to Ptolemy, illustrations of the nine muses and the seven deadly sins, of Old Testament history and household proverbs, and whimsical flowers, alphabets, and embroidery patterns.

This massive volume, full of beautiful illustrations, provides an exciting and unparalleled snapshot of the passions, concerns, and everyday interests of a highly talented London commoner and for this reason is of significant scholarly and general interest. It is a monumental work that was intended to be both studied and enjoyed, its pages turned and savored. For the first time since its arrival at the Folger in 1945, a generous gift from Lessing Rosenwald, this is possible thanks to state-of-the-art conservation and high resolution digitization by Luna Imaging. The Trevelyon Miscellany of 1608 was published in celebration of the 75th anniversary of the Folger Shakespeare Library.

Home to the world's largest Shakespeare collection and a primary repository for research material from the early modern period (1500-1750), the Folger Shakespeare Library is an internationally recognized research library offering advanced scholarly programs in the humanities; a national leader in how Shakespeare is taught in grades K-12; and an award-winning producer of cultural and arts programs-theater, music, poetry, exhibits, lectures, and family programs.

Price: $ 295.00 other currencies Order nr. 108908

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See More... (Wood Lea Press) Greenwood, Jeremy RAVILIOUS ENGRAVINGS
(Woodbridge, Suffolk) The Wood Lea Press 2008 folio cloth, slipcase 287+(1) pages
Limited to 800 copies bound thus as the standard edition. Introduction by John Craig. Contains well over 400 engravings, many letters, preparatory drawings and associated illustrations. Some of the engravings and illustrations are in color. Also has a list of prints exhibited by Ravilious at the Society of Wood Engravers. As far as is known, these are the only exhibitions at which Ravilious's engravings were shown during his lifetime. The chronology has, among other things, the titles of books which include wood-engravings. Much additional material. Bibliography. Index.
Price: $ 620.00 other currencies Order nr. 99692

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See More... (Workshop Press) Arman, Mark A DIARY OF ENGRAVINGS & LINOCUTS.
Dunmow The Workshop Press 1986 small 4to. half cloth over marbled paper-covered boards, paper cover and spine labels. xii, 60 pages.
Limited to 160 signed and numbered copies. Printed by hand and including many illustrations with 12 in color. Arman describes 40 years of making blocks for illustrations in this book.
Price: $ 200.00 other currencies Order nr. 17364

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See More... (Workshop Press) Arman, Mark SEVENTEEN 18TH & 19TH CENTURY BOXWOOD BLOCKS
An Account...with Notes on their Origin and History Thaxted Essex Workshop Press 1982-1983 8vo. quarter cloth, marbled paper-covered boards, paper label on top board, stiff paper portfolio with paper spine label, marbled paper-covered slipcase with paper label vi, 30 pages
Limited to an edition of 80 copies signed by the author. All the illustrations were printed from the original blocks. There are twelve prints, which appear in the book, on heavy paper housed in the portfolio. The portfolio is a little sunned at the edge, the label is starting to come loose. The slipcase is quite worn with chips and tears at the edges, as well as a split at the heel. Scarce book.
Price: $ 275.00 other currencies Order nr. 95078

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See More... Wyatt, Leo ENGRAVINGS BY LEO WYATT.
N.P. n.p. n.d. folio portfolio, label on front with four engravings loosely inserted.
Limited to 75 numbered, signed copies. Four engraved alphabets by Wyatt (1909-81), South African born wood engraver. Each is 10 by 13 inches, with uncut edges. Portfolio faded at edges.
Price: $ 500.00 other currencies Order nr. 114819

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See More... (Yellow Barn Press) DePol, John PATTERNS: DRAWN AND ENGRAVED ON WOOD.
Introduction by Renee I. Weber. Appreciation by Don Wesely. Council Bluffs The Yellow Barn Press 1986 8vo. cloth-backed patterned paper-covered boards. xv, 39 pages followed by 4 pages each containing a tipped-in example of patterned paper.
Limited to only 150 numbered copies and hand-printed by Neil Shaver at his Yellow Barn Press. With 39 pages containing numerous examples of designs printed in color.
Price: $ 275.00 other currencies Order nr. 13756

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