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Book Illustration
 
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See More... Boutet, Henri LA GRAVURE À L'EAU-FORTE.
Paris Édition de l'Atelier d'Art / Lefranc & Cie (1904) tall 8vo. stiff paper wrappers with modern paper spine label. (vi), 41, (5) pages.
First edition. A manual of etching. Part of a series entitled "Bibliothèque practique des Arts d'Amateurs." With a color illustration of a young lady etching on the front cover. All eight plates are present and loosely inserted in pocket in the back. With the bookplate of Gavin Bridson.
Price: $ 175.00 other currencies Order nr. 98559

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See More... Canby, Henry Seidel THE BRANDYWINE.
Illustrated by Andrew Wyeth. New York Farrar & Rinehart (1941) 8vo. cloth. (ii), xiv, 285 pages.
First edition, one of 650 numbered copies signed by Canby and Wyeth and printed for the Greenwood Book Shop. Part of the Rivers of America Series. Has a special limitation page bound-in at the beginning which is signed by Canby and Wyeth. Spine shows some rubbing.
Price: $ 350.00 other currencies Order nr. 28503

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  Casilear, George W. SCRAP BOOKS.
7 Volumes. N.P. n.p. n.d. 4to. variously bound unpaginated
Seven volumes of engravings collected by George W. Casilear. Casilear was an engraver and landscape artist in New York from 1847 to 1852, working with his brother John W. Casilear from 1847 to 1848. In 1851, he produced, with Henry Bainbridge, A View of San Francisco, published by Sarony and Major in 1851. About the same time, he produced a view of Sacramento, also published by Sarony. He also produced the sketch used by G.V. Cooper for the frontispiece in Lett's Pictoral View of California. See George C. Groce and David H. Wallace, The New-York Historical Society's Dictionary of Artists in America 1564-1860 (New Haven: Yale Univerity Press, 1957), 114.

Casilear then worked as an editor, secretary and solicitor of patents from 1852 to 1857. In 1862, he became Chief of the Engraving Division of the Bureau of Printing and Engraving. Casilear was instrumental in the redesign of United States currency in 1864. One contemporary news account called his engraving of the landing of Columbus "superior to that of the original." (The Farmer's Cabinet, Amherst, New Hampshire, January 21, 1864). But in May 1878, Casilear was accused of "gross misconduct" and a congressional committee chair urged President Rutherford B. Hayes to remove him from office (Herald Tribune, New York, May 2, 1878). Casilear remained in office, and he would lead an investigation of counterfeiting of United States bonds based on evidence found by the Secret Service in Chicago (Herald Tribune, New York, October 1, 1880). See also Ben. Perley Poore, Congressional Directory (Washington: Government Printing Office, 1872 and 1881).

Casilear was finally removed from office in 1885, being replaced by John A. O'Neill of Hoboken, New Jersey. News accounts stated that no charges of wrongdoing had emerged, and Casilear was "considered one of the best engravers in the country" (New York Times, April 17, 1885). But a subsequent news account stated that Casilear's replacement would "bring new life to a division that has been charged with a lack of ingenuity and freshness." The same account averred that Casilear had "never touched a graver or a plate in the production of a government note," noting his focus on designing silver certificates and bonds" (New York Times, April 18, 1885). Possibly, politics was a factor, the Democratic Cleveland administration having recently replaced the Republican Arthur administration.

The seven volumes include well over 500 engravings mostly from England, continental Europe, with some from the United States. There is no apparent format of organization, but some points are worthy of note. One volume, labeled "Miscellaneous Engravings" includes a number of English engravings attributed to James Virtue, the National Gallery and the Royal Collection. Another, labeled "Engravings," also has a number of items attributed to Virtue. A third volume, labeled "Scrap Book-Engravings and Etchings by the Old and New School," includes mainly English, French and German items, with translations into English of some of the French captions. A fourth volume, labeled "Scrap Book," includes annotations with handwritten biographical information about many of the engravers and descriptive information about the engravings. A fifth volume includes an engraving of President Chester Arthur with a facsimile signature and date, along with French, English, German and American engravings.

Five of the seven volumes are bound in half leather, marbled paper-covered boards. One is bound in leather, gilt decorated, and one half leather, cloth boards. Casilear's bookplate is on the front pastedown of each volume. The volumes are rubbed and scuffed at the edges, and there is some foxing.

Price: $ 4,500.00 other currencies Order nr. 114553

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See More... CA, THE JOURNAL OF THE COMMUNICATION ARTS.
Palo Alto, CA Coyne & Blanchard, Inc. 1968- 4to. stiff paper wrappers. various pagination.
A huge run of this important magazine. 124 issues. Includes the following:
Volume X, No.1-6. (1968)
Volume XI, No.1-6. (1969)
Title changes to Communications Arts Magazine with volume XI, No.2.
Volume XII, No.1-6. (1970)
Volume XIII, No.1-6. (1971)
Volume XIV, No.1-6. (1972)
Volume XVI, No.3,4,5. (1974)
Volume XVII, No.2-6. (1975)
Volume XVIII, No.1-6. (1976)
Volume XIX, No.1-6. (1977)
Now switches to whole number issues. Volume XIX, No.6 (whole issue 129).
130-155, 165, 167-170, 172-175, 177, 179--188, 190-192, 194, 195, 200, 203, 205, 206, 214, 215, 220, 223-226, 228, 236, 256-259, 261, 263-266, 268 (1996).

Price: $ 1,250.00 other currencies Order nr. 105705

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See More... (Children's Books) Rümann, Arthur ALTE DEUTSCHE KINDERBÜCHER, MIT BIBLIOGRAPHIE UND EINHUNDERTFÜNFZIG BILDTAFELN.
Vienna Herbert Reichner 1937 8vo. cloth, cardboard slipcase. 102+(1) pages plus 368 leaves of plates
First edition (Besterman 1306). Numbered (but not limited) edition. Bibliography of German children's literature, especially from the eighteenth and first half of the nineteenth centuries. 368 entries. Color plates interspersed through introductory chapters; black-and-white plates grouped at the back. Plates include story illustrations, full-page facsimiles, title pages and frontispieces. Nice presentation on free endpaper "To Miss Elizabeth Mongan with the publishers* compliments, H. Reichner, June 24, 1940. * and author of the bibliographical part of this book." Spine age darkened.
Price: $ 150.00 other currencies Order nr. 114239

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See More... (Clarke, Harry) Walters, L.D. YEAR'S AT THE SPRING; AN ANTHOLOGY OF RECENT POETRY.
New York Brentano's 1920 4to leather, top edge gilt (4), 127 pages
First edition. Illustrated by Harry Clarke (Steenson, A3.d). Color and black/white images throughout. Text block loose from binding. Stain on rear cover and bottom right of pages starting at page 79. Beautifully illustrated.
Price: $ 200.00 other currencies Order nr. 105563

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See More... Cole, John BIBLIOGRAPHICAL AND DESCRIPTIVE TOUR FROM SCARBOROUGH TO THE LIBRARY OF A PHILOBIBLIST, IN ITS NEIGHBORHOOD.
Scarborough John Cole et al. 1824 8vo. modern quarter calf, five raised bands, maroon calf gilt spine label, marbled paper-covered boards, uncut. (ii), iv, 92+(1) pages.
First edition, a large paper copy. The total edition size was 158 copies, of which 100 were printed on small paper, 50 copies on large paper, and 8 on colored paper (Lowndes p.491). The large paper copies are different from the small paper copies in the following ways: the book block measures 22 cm rather than 20 cm; the title page contains a view of Hunmanby, rather than a quote from Dibdin; the verso of the title page contains the Dibdin quote and is blank in the small paper copy. Illustrated with original wood engravings by Thomas Bewick (Hugo no.4335). A bibliographical guide of the rare English folio and quarto volumes preserved in the library of the book collector and member of the Roxburghe Club, Francis Wrangham. Describes 100 items with lengthy annotations. Light spotting to endpapers; a very few isolated areas of browning to text; a couple of contemporary pencil amendments and remarks in margins; last two leaves mispaginated.
Price: $ 2,950.00 other currencies Order nr. 45049

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See More... Comte Durrieu LES TRÈS BELLES HEURES DE NOTRE-DAME DU DUC JEAN DE BERRY.
Paris Pour les membres de la société française de reproductions de manuscrits à peintures 1922 4to. Black leather spine, marbled paper-covered boards and endpapers, top edge gilt, ribbon marker 127+(5) pages followed by 30 plates
Jean, Duc de Berry, was a notable art patron who commissioned the Très riches heures, one of the most famous illuminated Book of Hours (a liturgical book containing prayers said by the laity at each canonical hour of the day). This beautifully crafted book contains detailed descriptions and histories of his collections of manuscripts and paintings. Text is in French. Includes 30 full-page, black-and-white plates, all printed on recto. Black leather spine, marbled covers and endpapers, gilded top edge, ribbon marker, deckled pages. Some wear on edges and bumping on corners.
Price: $ 450.00 other currencies Order nr. 97212

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See More... Courboin, Francois Et Marcel Roux. LA GRAVURE FRANCAISE, ESSAI DE BIBLIOGRAPHIE.
3 volumes. Avant-Propos de Joseph Guibert. Paris Maurice le Garrec 1927-1928 thick 4to. stiff paper wrappers. 435; 551; (iv),201 pages.
Limited to 525 numbered copies. (Besterman p. 2029). 12,500 illustrated French books are described under different subject headings. With an index to the whole work in the third volume. With the Randeria bookplate. Some chipping and tearing to the heads and tails of spines on all three volumes.
Price: $ 325.00 other currencies Order nr. 21365

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See More... Cronenberg, Wilhelm THE HALF-TONE ON THE AMERICAN BASIS FROM THE PERSONAL EXPERIENCE OF WILHELM CRONENBERG... TRANSLATED BY WILLIAM GAMBLE.
Bradford and London Percy Lund & Co. 1896 small 8vo. original red cloth decorated in black and gilt. 164, (24) pages.
First English edition. (Bridson & Wakeman E188). Chapters on photo-engraving in America and the technical process of making a half-tone. The last part of the book consists of plates containing illustrations produced by this method. Cronenberg was the proprietor and conductor of the Practical Institute for Photography and Mechanical Reproduction at Schloss Gronenbach, Bavarian-Algan and based the first chapter on his visit to the U.S. Library. With the bookplate and pencil signature of Gavin Bridson. Spine slightly faded. Stain along bottom of the pages in the back.
Price: $ 150.00 other currencies Order nr. 38085

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See More... (Cruikshank, George) Gore, Catherine Grace Frances and Harrison Ainsworth (editor) MODERN CHIVALRY
London (Cunningham and Mortimer) 1843 8vo. calf leather with gilt rules on cover, gilt-ruled edges, five raised bands with gilt lettering and floral designs on spine, heavily gilt leather turn-ins, marbled endpapers, gilt edges (iii), 18, 95-114, 189-206, 283-301, 379-500
Contains the George Cruikshank etchings and volume one vignette along with the sections of text immediately related to them. Originally published in "Ainsworth's Magazine." Rebound attractively. Minor scuffing.
Price: $ 200.00 other currencies Order nr. 93777

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One of 20 Copies with Suite of Plates

(Daedalus Press) Melville, Herman A STORY FROM 'THE PIAZZA TALES' CALLED THE LIGHTNING-ROD MAN.
(Minneapolis, MN) Daedalus Press 1982 tall 8vo. paper collage over boards. (x), 24, (6) pages.
Limited to 85 numbered copies signed by the illustrator, Michael McCurdy. This is "10" of the specially issued 20 copies which contained an extra suite of three plates, signed and numbered by the artist. Designed by D. Peigenbaum with foreword by Martin Roth. Printed on Dewint and Whitby paper from J. Barcham Green, with the paper covered boards done as a paper collage by Eileen Custer-Toren. The text comes from the first printed version of this story which appeared in the August 1854 issue of Putnam's Monthly. From the personal library of the illustrator.
Price: $ 500.00 other currencies Order nr. 114452

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See More... (Dante) Dante THE DIVINE COMEDY.
Volume 1: Inferno. Volume 2: Purgatorio. Volume 3: Paradiso. Translated by Robert and Jean Hollander, Illustrated by Monika Beisner. Verona, Italy Edizioni Valdonega 2007 8.5 x 12.25 inches cloth, slipcase 700 pages
Dante Alighieri (1265-1321) is one of the leading figures of world literature. His Commedia, probably written during the last 15 years of his life is - by common consent - the greatest literary work in the Italian language; it is also one of the towering achievements in any field of human endeavor. Often translated (and into many languages), the Comedy (the adjective "Divine" was added by an editor to the author's title in 1555) attracts new readers every year. This translation--a labor of love and the first ever by two poets--was begun in Florence in 1997 and completed in Hopewell in 2006.
This new edition of Dante's great work brings together for the first time the three volumes of the Hollander translation with the art of internationally recognized illustrator Monika Beisner. Beisner has created 100 detailed paintings for this publication, making her the first woman credited with illustrating the entire work. The set begins with an introduction by Carlo Carena and a foreword by Academy Award winning actor Roberto Benigni, known for his lectures and dramatic recitations of Dante's poem. The third volume ends with an appreciation by writer and cultural historian Marina Warner entitled "Monika Beisner: Illuminating Stories." Warner writes, "The hundred miniatures took her seven years to complete and the achievement is dazzling. The present volume reproduces her work full-size, with no strokes or drawing visible, but a pure glow of dense color, applied with brushes so small they consist of a half-dozen sable hairs. Monika Beisner has been scrupulously loyal to Dante's text, rendering gesture and position as described in the poem as well as its unsurpassed precision of spatial, geographical and temporal coordinates."
Monika Beisner was born in Germany, where she studied painting in Braunschweig and Berlin. Fellowships allowed her to continue her studies in New York and London, where she now lives. Her illustrations for children's books have earned her an international reputation and she has exhibited worldwide. Her illustrations of Dante's Commedia have been published in Germany and Italy. She has completed illustrations for Ovid's Metamorphoses. Her next step will be into the world of Gilgamesh.
Jean Hollander has taught literature and writing at various colleges and universities. Her third book of poems will be published later this year. In addition to this translation, she has published translations of works by Hugo von Hofmannsthal and Charlotte von Mahlsdorf. Robert Hollander, Professor in European Literature, Emeritus, at Princeton University, has published a dozen books and some eighty articles on Dante and/or Boccaccio. He is founder and director of two Internet sites, the Dartmouth Dante Project and the Princeton Dante Project.
The three volumes-Inferno, Purgatorio and Paradiso-are bound in full cloth with a dust jacket and are in a cloth-covered slipcase. The work has been set in Centaur and printed in a limited edition of 500 numbered copies. The first seventy-five are available as a deluxe issue, accompanied by an extra suite of illustrations, on Gardapat Kassica paper by Cartiere del Garda, numbered with roman numerals, signed by the artist, and boxed in a portfolio. The complete production has been carried out in Verona by Stamperia Valdonega Group. Distributed for Edizioni Valdonega, Verona.

Price: $ 700.00 other currencies Order nr. 95860

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See More... (Dante) Dante THE DIVINE COMEDY.
Volume 1: Inferno. Volume 2: Purgatorio. Volume 3: Paradiso. Translated by Robert and Jean Hollander, Illustrated by Monika Beisner. Verona, Italy Edizioni Valdonega 2007 8.5 x 12.25 inches cloth, slipcase 700 pages
Deluxe edition, accompanied by an extra suite of illustrations, on Gardapat Kassica paper by Cartiere del Garda, numbered with roman numerals, signed by the artist, and boxed in a portfolio.
Dante Alighieri (1265-1321) is one of the leading figures of world literature. His Commedia, probably written during the last 15 years of his life is - by common consent - the greatest literary work in the Italian language; it is also one of the towering achievements in any field of human endeavor. Often translated (and into many languages), the Comedy (the adjective "Divine" was added by an editor to the author's title in 1555) attracts new readers every year. This translation--a labor of love and the first ever by two poets--was begun in Florence in 1997 and completed in Hopewell in 2006.
This new edition of Dante's great work brings together for the first time the three volumes of the Hollander translation with the art of internationally recognized illustrator Monika Beisner. Beisner has created 100 detailed paintings for this publication, making her the first woman credited with illustrating the entire work. The set begins with an introduction by Carlo Carena and a foreword by Academy Award winning actor Roberto Benigni, known for his lectures and dramatic recitations of Dante's poem. The third volume ends with an appreciation by writer and cultural historian Marina Warner entitled "Monika Beisner: Illuminating Stories." Warner writes, "The hundred miniatures took her seven years to complete and the achievement is dazzling. The present volume reproduces her work full-size, … with no strokes or drawing visible, but a pure glow of dense color, applied with brushes so small they consist of a half-dozen sable hairs.… Monika Beisner has been scrupulously loyal to Dante's text, rendering gesture and position as described in the poem as well as its unsurpassed precision of spatial, geographical and temporal coordinates."
Monika Beisner was born in Germany, where she studied painting in Braunschweig and Berlin. Fellowships allowed her to continue her studies in New York and London, where she now lives. Her illustrations for children's books have earned her an international reputation and she has exhibited worldwide. Her illustrations of Dante's Commedia have been published in Germany and Italy. She has completed illustrations for Ovid's Metamorphoses. Her next step will be into the world of Gilgamesh.
Jean Hollander has taught literature and writing at various colleges and universities. Her third book of poems will be published later this year. In addition to this translation, she has published translations of works by Hugo von Hofmannsthal and Charlotte von Mahlsdorf. Robert Hollander, Professor in European Literature, Emeritus, at Princeton University, has published a dozen books and some eighty articles on Dante and/or Boccaccio. He is founder and director of two Internet sites, the Dartmouth Dante Project and the Princeton Dante Project.
The three volumes-Inferno, Purgatorio and Paradiso-are bound in full cloth with a dust jacket and are in a cloth-covered slipcase. The work has been set in Centaur and printed in a limited edition of 500 numbered copies. The first seventy-five are available as a deluxe issue, accompanied by an extra suite of illustrations, on Gardapat Kassica paper by Cartiere del Garda, numbered with roman numerals, signed by the artist, and boxed in a portfolio. The complete production has been carried out in Verona by Stamperia Valdonega Group. Distributed for Edizioni Valdonega, Verona.

Price: $ 1,500.00 other currencies Order nr. 95872

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One of 6 Copies

Daudet, Alphonse LETTRES DE MON MOULIN.
Brussels Éditions du Rond-Point (1942) 8vo. stiff paper wrappers with text loosely inserted as issued. 194, (3) pages
Text in French. This is one of the six numbered sets printed on Madagascar paper with color illustrations designed by André Collot and containing an extra set of plates demonstrating the color progression of an illustration. Colophon page notes that illustrations were engraved by Collot and drawn by G. Duval in Paris. Collot (1897-1976) was a French artist and illustrator. A collection of short stories by Daudet (1840-1897), a French novelist. Frontispiece, foreword and table of contents. Table of contents follows text. Unopened. Wrappers slightly bent at edges and lightly soiled.
Price: $ 550.00 other currencies Order nr. 109645

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See More... Davenport, Cyril. MEZZOTINTS.
London Methuen and Co. 1904 small 4to. full vellum with top edge gilt. xlv, 208 pages.
First edition, one of 50 bound thus and printed on Japanese paper. Davenport provides notes on techniques for creating mezzotints, as well as a wealth of information on the engravers who are noted for this art form. Illustrated with plates, many of which are portraits of well known figures of the eighteenth and nineteenth centuries, that are examples of the work of the artists mentioned. With the bookplate and pencil signature of Gavin Bridson. Some cover soiling.
Price: $ 350.00 other currencies Order nr. 75555

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See More... David, Fernand MINISTRE DU COMMERCE, DE L'INDUSTRIE, DES POSTES ET DES TÉLÉGRAPHES
Paris Librarie Larousse 1925 4to. stiff paper wrappers. 86, 106 pages and 96 plates.
First edition. This Catalogue from the 1925 World's Fair features the latest innovations in the book arts. Fernand David supplies an introduction in which he outlines the most recent developments in the book arts in various countries. The international highlights are represented in 96 full color plates. Top and bottom edges of spine chipped. Rubbed. Inscription in ink on spine. Unopened copy.
Price: $ 150.00 other currencies Order nr. 59721

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See More... Delteil, Loys LE PEINTRE-GRAVEUR ILLUSTRÉ, THE GRAPHIC WORKS OF NINETEENTH AND TWENTIETH CENTURY ARTISTS, AN ILLUSTRATED CATALOG. PISSARRO, SISLEY, RENOIR.
Volume XVII. New York Collectors Editions Ltd, Da Capo Press 1969 thick 4to. cloth. Not paginated.
Reprint of the 1923 first edition of volume XVI of Delteil's massive work. Well illustrated throughout. Minor rubbing. Pocket in back.
Price: $ 225.00 other currencies Order nr. 105549

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See More... (DePol, John) illustrations by John DePol
(Park Ridge, NJ various sizes Enclosed in cardboard mailer with John DePol's hand-printed address label on front made out to Carl Schlesinger.
A collection of illustrations by John DePol (1913-2004). Letter from DePol, dated March 15, 1989, describing the contents laid in. Letter expresses thanks for Carl Schlesinger's Mergenthaler book, referring to The Biography of Ottmar Merganthaler Inventor of the Linotype (New Castle: Oak Knoll Press, 1988). Contains a number of DePol works with pencilled inscriptions describing the publications for which they were produced. Advertisement for the Fifth Annual Book Arts Seminar, July 1985, at the Fairleigh Dickinson University Library laid in.
Price: $ 150.00 other currencies Order nr. 109635

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See More... Desnos, Robert MINES DE RIEN
(Paris) Louis Broder (1957) square small 8vo. loose signatures in paper-covered boards, slip case 29, (9) pages
Text in French. Limited to an edition of 115 printed on vélin de Rives. This book contains seven poems by French poet Robert Desnos. Desnos was part of the surrealist movement in the 1920s, but later denounced surrealism's ties to communism. He produced poetry even after his capture and imprisonment by the Gestapo in 1944 for being a member of the French Resistance. He died in 1945 from typhoid contracted during his time in the concentration camps. This book is illustrated by four original color prints and signed on the colophon by French artist André Masson. Influential in the surrealist movement, Masson produced paintings, book illustrations, and stage settings from the 1920s until his death in 1987. He was interested in "the destiny of mankind" and his work often reflected the violent or erotic images he saw during his experiences in World War I and the Spanish Civil War. He was awarded France's Grand Prix National des Arts in 1955. Newspaper article announcing Masson's death, photocopy of book entry for Masson, and Zabriskie Gallery schedule of exhibitions including one of work by Masson laid-in. Minor wear to boards, slip case scuffed, soiled in places, worn around edges.
Price: $ 2,500.00 other currencies Order nr. 95112

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See More... DEUTSCHE KUNST UND DEKORATION.
4 volumes being 1, 2, 3, 6. Darmstadt Verlagsanstalt Alexander Koch 1897-1900 4to. orginal publisher's binding of decorated cloth. (xvi),204; (viii),205-468; (xvi),292; (viii),305-596 pages.
Early volumes in this periodical which eventually merged into Die Kunst after volume 72. With much on art nouveau. Some of the separate plates are in full color. Spines faded with wear. Front hinge of volume 2 broken.
Price: $ 750.00 other currencies Order nr. 105552

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See More... Dickens, Charles WORKS OF CHARLES DICKENS.
32 Volumes. London Merrill and Baker n.d., circa 1900 8vo. leather, raised bands, gilt-decorated spine and boards; top edge gilt, other edges uncut variously paginated
Limited edition of 25 numbered and registered sets. Editor's Autograph Edition. Edited by Richard Garnett, Keeper of Printed Books at the British Museum. Each volume with introduction by the editor. 32 octavo volumes. Illustrated with color frontispieces and black and white plates with descriptive tissue guards. Illustrations included photogravures, etchings, photo-etchings from original illustrations by Frederick Barnard, Hablot K. Browne (Phiz), George Cattermole, George Cruikshank, Dalziel, F.O.C. Darley, Luke Fildes, John Gilbert, Edwin Landseer, John Leech, Danile Maclise, J. Mahoney. F.W. Pailthorpe, Robert Seymour, Stanfield. F. Stone, Marcus Stone and others. Volume I of Pickwick Papers includes facsimile of Dickens's writing in a copy of that work presented to his aunt Mrs. Edward Barrow. The same volume also has an undated letter tipped in from Dickens to John Kenyon. Boards and spines beautifully, decoratively tooled in a floral design, with raised bands on spines. Title and place of publication gilt-stamped on spines.
Price: $ 35,000.00 other currencies Order nr. 110016

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See More... Dillaye, F. LES NOUVEAUTÉS PHOTOGRAPHIQUES ANNÉE 1908. LA PHOTOGRAPHIE DES COULEURS PAR LES PLAQUES AUTOCHROMES.
Bound with, F. Dillaye. Les nouveautés photographiques Année 1909. Le procédé à l'huile. Complément annuel a la théorie, la pratique et l'art en photographie. Paris Jules Tallandier 1908 8vo. modern cloth, leather spine label. 162 pages; [iv],ii,140 pages
Color frontispiece for the first book. The second book has a black-and-white frontispiece. Text in French. With the bookplate and pencil signature of Gavin Bridson.
Price: $ 150.00 other currencies Order nr. 98129

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See More... (Dulac, Edmund) Quiller-Couch, Sir Arthur THE SLEEPING BEAUTY AND OTHER FAIRY TALES.
From the Old French New York Hodder and Stoughton n.d. (but 1910) 4to. red pebbled cloth in facsimile of leather, gilt decorations. (xviii), 129, (3) pages
With a preface by the author, describing his intentions in creating this book, as well as a short biography of Perrault. Contains 30 illustrations by Edmund Dulac throughout (Hughey, 23f, but missing the box), all tipped-in with descriptive titles printed underneath. Rubbed around edges and covers slightly bowed.
Price: $ 365.00 other currencies Order nr. 100397

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See More... Dumas, Alexandre THE THREE MUSKETEERS.
2 volumes New York D. Appleton and Company 1894 4to original two-toned cloth; front boards and spine gilt stamped, top edge gilt xxix,472; xi,462 pages
Limited edition of 750 numbered copies. With 250 illustrations by Maurice Leloir engraved on wood by J. Huyot. Translated from the French by William Robson. Includes letter from Alexandre Dumas fils. List of illustrations. Boards scuffed and faded at edges and corners. Inside hinges of first volume partially cracked. Owner's name stamped on front endpaper.
Price: $ 200.00 other currencies Order nr. 107230

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