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Book Illustration - In UK

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Book Illustration - In UK

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(Architecture) Middletown, Robin THE MARK J. MILLARD ARCHITECTURAL COLLECTION, VOL. II, BRITISH BOOKS.
Washington National Gallery of Art / New York: G. Braziller 1998 4to. cloth, dust jacket. xv, 392 pages.
First edition. catalogue of ninety-seven British books, many of them folios, on architecture from the 17th into the 19th centuries, all in the Millard Collection at the National Gallery of Art. Covers seventy-seven architects and one firm (Hepplewhite). Includes important English translations of non-English architects (Palladio et al.), and a few non-architectural items. Each numbered entry is actually an article, providing bibliographic and physical descriptions, references, provenance where applicable, and also a discussion of the architect, the architecture, and the publication of the book, along with short bibliographies. There are many black-and-white reproductions of drawings and engravings, and several color illustrations. Front of dust jack and endpapers are decorated with reproductions of engravings. Indexes.
Price: $ 60.00 other currencies Order nr. 51974

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(Barbarian Press) Clough, Arthur Hugh AMOURS DE VOYAGE
An Epistolary Novella in Verse. (Mission, BC) Barbarian Press 2007 8vo. quarter cloth, illustrated paper-covered boards (viii), 78,(2) pages
Limited to an edition of 125 copies. Edited by Patrick Scott with an afterword by Crispin Elsted. Illustrated with wood engravings by Abigail Rorer, which were printed from the blocks. We hear the written voices of various tourists, who are intertwined socially, as they discover Italy during Garibaldi's bid for Rome. The text is set in 12pt Van Dijck and printed on Zerkall Soft White Wove. Design, typography and cover drawing are by Crispin Elsted. Jan Elsted printed the edition. It won a Judge's Award at the Oxford Book Fair 2007.
Price: $ 395.00 other currencies Order nr. 96580

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(Beardsley, Aubrey) Lasner, Mark Samuels A SELECTIVE CHECKLIST OF THE PUBLISHED WORK OF AUBREY BEARDSLEY.
Boston Thomas G. Boss Fine Books 1995 8vo. cloth, dust jacket. 128 pages.
First edition. Well printed by the Stinehour Press. A new Beardsley reference book which "resolves longstanding ambiguities, corrects oft-repeated errors, and provides a wealth of new information." 224 items described in detail and well indexed. Includes a section on Beardsley forgeries.
Price: $ 75.00 other currencies Order nr. 59788

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(Bewick, Thomas) Tattersfield, Nigel THOMAS BEWICK, THE COMPLETE ILLUSTRATIVE WORK
3 volumes. New Castle, Delaware and London Oak Knoll Press and The British Library 2011 7.5 x 10.75 inches Hardcover, slipcase 1580 pages
Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors.

His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Thomas illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others.

Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons.

Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.

Nigel Tattersfield is the author of Bookplates by Beilby and Bewick, published by Oak Knoll Press and The British Library and John Bewick: Engraver on Wood, published by Oak Knoll Press.

Available outside North and South America from The British Library.
Price: $ 265.00 other currencies Order nr. 102274

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(Blake, William) Bentley, G.E. BLAKE BOOKS, ANNOTATED CATALOGUES OF WILLIAM BLAKE'S WRITINGS IN ILLUMINATED PRINTING, IN CONVENTIONAL TYPOGRAPHY AND IN MANUSCRIPT AND REPRINTS THEREOF, REPRODUCTIONS OF HIS DESIGNS, BOOKS WITH HIS ENGRAVINGS, CATALOGUES, BOOKS HE OWNED AND SCHOLARLY AND CRITICAL WORKS ABOUT HIM.
(Mansfield Centre Martino Publishing 2000) thick small 4to. cloth. xii, 1079 pages.
Reprint of the 1977 revised and expanded second edition published at the Clarendon Press. This huge work is three times the length of the original. Includes the new preface and postscript by Bentley. Published by Arrangement with OUP.
Price: $ 135.00 other currencies Order nr. 60439

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(Blake, William) Keynes, Geoffrey A BIBLIOGRAPHY OF WILLIAM BLAKE.
(Mansfield Centre Martino Publishing n.d. but 2001) large 8vo. cloth xvi, 516, (2) pages
Reprint of the 1921 first edition which was printed by the Grolier Club of New York and limited to 250 copies. (Besterman 876). In the first substantial work on Blake, Keynes described in meticulous detail 775 works created by the English poet, painter and engraver who is now considered one of the greatest figures of Romanticism.
Price: $ 85.00 other currencies Order nr. 63471

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(Children's books) Alderson, Brian & Felix de Marez Oyens BE MERRY AND WISE: ORIGINS OF CHILDREN'S BOOK PUBLISHING IN ENGLAND, 1650-1850
New Castle, Delaware Oak Knoll Press & The British Library 2006 9 x 12 inches hardcover, dust jacket 320 pages
When was it that someone decided that books might be written and published for child readers? It's fair to say that some kinds of text-alphabets, fables, the Lord's Prayer, may have been seen as fundamental to the process of learning to read from the beginning of book making, but when did children come to be seen as a readership for whom special provision should be made? The child as the audience for books in the English language is the subject of this bibliographical study, which had its origins in an exhibition held at the Pierpont Morgan Library in New York. From this beginning, Felix de Marez Oyens and Brian Alderson have compiled Be Merry and Wise and shown how certain creative talents, driven by a sense of purpose, or a wish to make some money, attempted to appeal directly to children, and how the publishing industry came to realize that this audience might prove to constitute a profitable market.
In conducting their survey, which is centered upon the books themselves, mostly drawn from the holdings of the Morgan Library, the authors not only plot the chronological development of children's book publishing from almost random beginnings to the diversity of the early Victorian period, they also show how publishers adapted their trade methods to exploit this new market. Sweetness and light did not prevail everywhere, but, even in some of the most forbidding examples presented here, there was a commercial optimism that both merriment and wisdom might be happily combined, within the pages of children's literature. Co-published with the Pierpont Morgan Library, The Bibliographical Society of America, and The British Library.

Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 115.00 other currencies Order nr. 90644

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(Crane, Walter) Masse, Gertrude C.E. BIBLIOGRAPHY OF FIRST EDITIONS OF BOOKS ILLUSTRATED BY WALTER CRANE
With a Preface by Heywood Sumner and a Frontispiece after G.F. Watts. (Mansfield Centre Martino Fine Books n.d. but 1999) 8vo. cloth. 60, (2) pages.
Reprint of the first edition published in London by The Chelsea Publishing Co in 1923 (Besterman 1516). An exceedingly scarce bibliography. 125 books are meticulously described, including cloth, states and other relevant information.
Price: $ 45.00 other currencies Order nr. 55630

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(Cruikshank, George) Cohn, Albert M. GEORGE CRUIKSHANK, A CATALOGUE RAISONNE OF THE WORK EXECUTED DURING THE YEARS 1806-1877 WITH COLLATIONS, NOTES, APPROXIMATE VALUES, FACSIMILES AND ILLUSTRATIONS.
Staten Island Maurizio Martino n.d. (but 1996) 8vo. cloth. xvi, 375 pages.
Reprint of the scarce 1924 first edition. Still the definitive work and guide on Cruikshank; with illustrations from books, separately produced prints, and a caricature of Cruikshank himself.
Price: $ 75.00 other currencies Order nr. 52677

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(Doyle, Richard) Engen, Rodney K. RICHARD DOYLE.
Stroud Catalpa Press 1983 tall 8vo. cloth. 206 pages.
First edition. Volume 2 in The Artist and the Critic Series. The book illustrations and paintings of Richard Doyle (1824-1883) are populated by sprightly visions of fairy nymphs, elves and knights in search of their fair damsels. As `Dickey Doyle' and later `Dick Kitcat,' he produced a series of impressive boyhood triumphs from the now famous DICK DOYLE'S JOURNAL of 1840 to his first published work, THE EGLINTON TOURNAMENT. Doyle's talent for fantasy with pen and ink attracted Mr. Punch who offered him a place on his staff at age 19. There, alongside John Leech, he produced a seven year output of inimitable grotesques, borders, a new PUNCH cover, parodies of social events and the American Gold Rush, and his one overwhelming popular success, `The Foreign Tour of Brown, Jones and Robinson.'
All seemed set for a lifetime of success at PUNCH until the paper attacked the Pope and the Catholic Church, deeply upsetting Doyle's Catholic upbringing. He resigned in 1850 and turned his back on a comfortable future for the uncertain life of the freelance illustrator and painter. This he pursued with half-hearted dedication for the remaining 33 years of his life. This important reference book has been compiled from much unpublished material, including delightful boyhood letters Doyle wrote to his father and letters to famous friends like Dickens, Thackeray and Rossetti. It contains the first complete list of Doyle's illustrations for books and magazines and a list of his paintings.
Price: $ 35.00 other currencies Order nr. 25737

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Dunthorne, Gordon CATALOGUE RAISONNE OF THE WORKS OF THE 18TH AND EARLY 19TH CENTURIES IN WHICH FLOWER AND FRUIT PRINTS ARE TO BE FOUND
London O.S.C. Publications 1988 small 4to. stiff paper wrappers. not paginated.
Reprint of the first edition. The bibliographical descriptions in the back of this book are quite thorough. No color plates in this reprint.
Price: $ 35.00 other currencies Order nr. 59339

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(Fleece Press) Rogerson, Ian (intro) TONE, TEXTURE, LIGHT & SHADE: A BARNETT FREEDMAN PICTURE ALBUM
Upper Denby, Huddersfield, England Fleece Press 2011 4to quarter cloth, decorated paper covered boards, paper spine label 160 pages
First edition. The Fleece Press has just released their new title: Tone, Texture, Light & Shade - a tribute to Barnett Freedman, one of the great graphic designers of the twentieth century. A designer of many ephemeral items and posters, Freedman was also a painter who, after his third enrollment attempt, attended Royal College of Art in the 1920s. This new publication presents samples of his work and an introduction by Ian Roberson. Printed in an edition of 330 copies, with an original tipped-in lithographic illustration from one of Barnett's books and ten folding tipped-in illustrations, some letterpress, on the final stock of high-quality Parilux paper by J. W. Northend, Sheffield. All copies are quarter bound in cloth and a truly stunning Freedman patterned paper.
Price: $ 310.00 other currencies Order nr. 106231

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(Frolov, Vadim) Michell, A.R. (editor) IN NEWER VEINS, AN ANTHOLOGY OF POETRY WRITTEN BY VETERINARY SURGEONS.
London Primrose Hill Press 1998 large 8vo. stiff paper wrappers. (xviii), 124 pages.
First edition. A collection of poetic works wonderfully decorated with the wood engravings of Vadim Frolov, renowned Russian artist. Poems are arranged by categories entitled Poetry, Scenes And Seasons, Of Science, Of The Heart, Of The Soul, In Lighter Vein, Vets, ...And Other Folk, and All Creatures.
Price: $ 20.00 other currencies Order nr. 56102

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(Gill, Eric) Gill, Evan R. BIBLIOGRAPHY OF ERIC GILL
Totawa, NJ and London Rowman and Littlefield & Dawsons 1973 small 4to. cloth. xv, 224 pages.
Reprint of the 1953 edition. Illustrated. An important reference work on this English book illustrator. With a foreword by Walter Shewring.
Price: $ 15.00 other currencies Order nr. 6407

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(Gill, Eric) Gill, Evan R. ERIC GILL, A BIBLIOGRAPHY.
Revised by D. Steven Corey and Julia Mackenzie. Winchester St Paul's Bibliographies 1991 8vo. cloth, dust jacket. xv, 368 pages.
Decades have passed since the death of Eric Gill (1882-1940) and yet the reputation of this remarkable artist and thinker continues to grow. Famous for his stone carving, wood engraving, type designs and writing, he has also found a wide appeal amongst a younger generation who are sympathetic to his outlook on life - to "make a cell of good living in the chaos of our world." Since the original bibliography by Gill's brother, Evan, was published in 1953, a great deal of new material has come to light in the fine collections built up in the USA and elsewhere in recent years, and this new edition is a complete revision of the original bibliography. It includes not only all the new discoveries but also the material published on Gill in the last thirty-eight years. The number of bibliographical entries has increased by over one third in this greatly expanded work. The book has been redesigned with advice from Gill's nephew, Christopher Skelton, placing greater emphasis on the illustrations, which have been either retaken from the original editions or introduced as completely new ones of bibliographical interest.
Price: $ 60.00 other currencies Order nr. 32780

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Goulden, Richard J. THE ORNAMENT STOCK OF HENRY WOODFALL, 1719-1747. A PRELIMINARY INVENTORY ILLUSTRATED.
London The Bibliographical Society 1988 small 4to. stiff paper wrappers. xi, 85 pages.
Number 3 of the Occasional Papers of the Bibliographical Society. Over 390 illustrations reproduced. Distributed for the Bibliographical Society.
Price: $ 15.00 other currencies Order nr. 60386

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(Greenaway, Kate) Engen, Rodney KATE GREENAWAY, A BIOGRAPHY.
London MacDonald Future Publishers (1981) small 4to. cloth, dust jacket. 240 pages.
First edition. The author worked for over five years on researching this biography, using much unpublished correspondence and interviews with surviving friends and relations. He has also uncovered many unpublished illustrations. Includes an annotated list of Greenaway books. With 121 illustrations in black-and-white and 15 in color. SALES RIGHTS: Available in North & South America from Oak Knoll Books.
Price: $ 45.00 other currencies Order nr. 27171

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(Greyweathers Press) Thompson, L. F. (foreword) GRAVEN IMAGES: A PORTFOLIO OF NINETEENTH CENTURY WOOD ENGRAVINGS PRINTED FROM THE ORIGINAL BLOCKS
With a Foreword by L.F. Thompson. Merrickville Greyweathers Press 2010 4to cloth-backed paper covered boards, paper cover and spine labels. 6, 13 wood cuts, (2) pages
First edition. One of 100 numbered copies. Wood engravers toiling away at their trade during the last quarter of the nineteenth century could be forgiven for feeling a touch of despair. Since the early 1800s, they had practiced a viable trade, with graver in hand over an endgrain block, cutting illustrations for a healthy proportion of books, newspapers and periodicals. In the 1880s, they witnessed the advent of photomechanical printing plates and, in direct competition, felt the ominous rising tide of obsolescence. As this new technology became more efficient, less expensive and generally accepted over the next twenty years, commercial wood engravers would begin to pack up their blocks, wrap up their tools and seek other employment. It could well be this very occurrence that lay behind the discovery, 130 years on, of a collection of nineteenth century engraved boxwood blocks and, ultimately, the creation of this portfolio.
Beautiful privately printed book featuring thirteen wood engravings from Samuel Smith Kilburn, Boston, George Matthews, Boston & Montreal F. Archibald.
Price: $ 160.00 other currencies Order nr. 105925

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(Hesterberg Press) THOMAS BEWICK: THE BLOCKS REVISITED & REDISCOVERED
Evanston, IL Hesterberg Press 2008 large 8vo cloth (i), 69 pages, ii, (iii)
The Blocks Revisited & Rediscovered documents the fascinating story of Thomas Bewick's personal blocks and their historic journey to Chicago in 1942. Many of these blocks found new homes quickly in the Midwest and across America, while others became well-travelled, eventually making their way back to England. The whereabouts of these blocks and their movements over the years have raised questions and a desire to document them for their safe keeping. It is hoped this five-year investigation will begin to provide answers, as over 700 of the 1,350 blocks that came to Chicago are documented here in 35 collections.

The Blocks Revisited & Rediscovered measures 6.5 x 10 inches and contains eighty pages which include fourteen original blocks printed on dampened Rives Heavy-weight paper using a Washington Hand Press. The remaining thirty-five Bewick illustrations were printed using a Vandercook Press from metal engravings reproduced from the Memorial Edition. The text, set in a digital version of Bulmer, was also printed from metal engravings. Color photographs of Bewick's portrait and his toolbox are included as tip-ins, along with a photograph of a group of blocks at the Hesterberg Press.

A numbered edition of ninety copies was bound by Campbell-Logan Bindery, Minneapolis, in a dark green cloth with contrasting green end papers. The spine is gold stamped and the front cover features an inset of a vignette printed from one of Bewick's blocks at the press.
Price: $ 300.00 other currencies Order nr. 101433

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(Housman, Laurence) Engen, Rodney K. LAURENCE HOUSMAN.
Stroud Catalpa Press 1983 4to. cloth. 157, (6) pages.
First edition. Volume 1 in The Artist and the Critic Series. The spirited, prolific career of Laurence Housman (1865-1959) was that of one of the most enigmatic, talented, skillful polymaths of the late-Victorian period. His drawings of fairies and elegant, Pre-Raphaelite women were admired for their evocative, atmospheric qualities, while his critics dismissed them as borrowed from William Blake, William Morris and the more devilish aspects of Beardsley. He was a draughtsman and book designer, who turned to writing verse, fantasy stories, novels, essays and scandalous plays on the royals. The pioneer feminist, pacifist and socialist, Housman was as outspoken as he was enchanting. His life and work is an invaluable reflection of the taste and popular opinions of an early twentieth century anxious to shrug off the mantle of the Victorians. Yet Housman himself remained a true Victorian to the end. He was the prophet of fantasy: the pure, simple guide through a rapidly confused and complicated world. This important reference work contains a biography, a complete annotated bibliography and reprints of critical essays on Housman.
Price: $ 35.00 other currencies Order nr. 25738

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Hutner, Martin WHISTLERIANA: WORKS BY AND ABOUT JAMES MCNEILL WHISTLER FROM THE COLLECTION OF MARTIN HUTNER
New York The Grolier Club 2003 6 x 8 inches paperback 39 pages
This exhibition catalogue is a sampling of works from prolific artist James McNeill Whistler found in the collection of Martin Hutner. The works are divided into sections including paintings, watercolors, pastels, etchings, original illustrations, the peacock room, novels, plays, and more. The catalogue was designed by Jerry Kelly and includes a frontispiece portrait of Whistler.
Price: $ 10.00 other currencies Order nr. 106648

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(Lear, Edward) Schiller, Justin G. NONSENSUS: CROSS-REFERENCING EDWARD LEAR'S ORIGINAL 116 LIMERICKS WITH EIGHT HOLOGRAPH MANUSCRIPTS AND COMPARING THEM TO PRINTED TEXTS FROM THE 1846,1855 AND 1861 VERSIONS; TOGETHER WITH A CENSUS OF KNOWN COPIES OF THE GENUINE FIRST EDITION.
With introductory remarks by Vivien Noakes. Stroud Catalpa Press 1988 oblong 8vo. stiff paper wrappers. xii, 119 pages.
A fascinating census of the limericks in Edward Lear's Book of Nonsense,which was first published in 1846 as two separate volumes with seventy-three limericks. A "new" (i.e. second) edition came out in 1855, and a third edition with forty-three additional verses was published in 1861. This third edition provides the first full text and also identifies Lear as the author for the first time. It is often considered the first "trade" version, as it was published by Routledge, Warne & Routledge and consequently received broader distribution and readership. Justin Schiller has cross-referenced the 116 limericks in the third edition with eight manuscripts for this book (which are now preserved in various rare book collections) and compared them to the printed texts of the 1846, 1855 and 1861 editions. This volume also contains a census of known copies of the genuine first edition.
Price: $ 35.00 other currencies Order nr. 25739

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Available now

Myers, Robin, Michael Harris and Giles Mandelbrote (editors) PUBLISHING THE FINE AND APPLIED ARTS 1500-2000
New Castle, Delaware and London Oak Knoll Press and The British Library 2012 6 x 9 inches hardcover, dust jacket 224 pages
Next in the Publishing Pathways series, Publishing the Fine and Applied Arts examines aspects of the relationship between the business of print and the practice of art and design across five centuries. Leading specialists explore the role played by the book trade in the diffusion of artistic and architectural theory, fashion, and practice. Other essays trace the impact of aesthetic trends and advances in the techniques of binding, color printing, and illustration on the appearance of books themselves. Among the topics discussed are the printed sources for decorative motifs in sixteenth-century churches, the publication history of the works of Andrea Palladio, and the evolution of drawing manuals in seventeenth-century England. Other subjects include the library formed by the architect Sir John Soane, developments in nineteenth-century art publishing, and the role of printed catalogues in documenting the acquisitions made by English collectors of paintings, sculpture, and antiquities. Essays are from Mirjam Foot, Malcolm Jones, Charles Hind, Meghan Doherty, Susan Palmer, Abraham Thomas, Rowan Watson, and Charles Sebag-Montefiore. The book is illustrated in color and black-and-white.

Available in the UK from The British Library.
Price: $ 55.00 other currencies Order nr. 104084

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Myers, Robin SPREADING THE WORD, THE DISTRIBUTION NETWORKS OF PRINT 1550-1850.
Winchester St Paul's Bibliographies and Oak Knoll Press 1998 8vo. printed paper over boards. (xiii), 241 pages.
Reprint of the 1990 first edition. Part of the Publishing Pathways Series. How did printed material in Britain get from producer to reader? What were the mechanics of supply by which individuals from varied social backgrounds came into contact with print culture? These are hard questions lying at the heart of what is sometimes called the new bibliography. Distribution is a complex line of book trade history because it leads out of the self-contained and familiar area of the printing office and bookshop into the often baffling regions of redistribution and consumption, where the evidence is often fragmentary.
London, with its ever-increasing output in this period of books, pamphlets, newspapers, ballads and ephemera, was always the dominant influence on the market. In this volume, however, the contributors are almost all concerned with aspects of the local trade in different parts of the British Isles and, in one essay, the trade between London and America via Scotland. They provide a series of detailed investigations into the distribution networks which supplemented those based in the capital, and in doing so they give a fresh view of the developing relationship between print and society over three centuries.
Price: $ 30.00 other currencies Order nr. 32777

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(Old Stile Press) Barnfield, Richard RICHARD BARNFIELD'S SONNETS.
(Llandogo, Monmouthshire, UK The Old Stile Press 2001) oblong 8vo. decorated paper-covered boards in cloth slipcase (46) pages
Printed in an edition limited to 200 numbered copies by Nicolas McDowall at The Old Stile Press. The Perpetua types were generated by computer and polymer blocks were used throughout to print the book by letterpress on 300gsm Somerset Printmaking paper, and bound at The Fine Bindery. All the images in this book and those used in its binding are by Clive Hicks-Jenkins, and signed by him on the last page. These Sonnets by Richard Barnfield (1574-1627) were originally published in 1595--one year later than The Affectionate Shepheard--in a volume entitled Cynthia.
Price: $ 285.00 other currencies Order nr. 64817

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