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Book Illustration - Etching

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Book Illustration - Etching


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Hutner, Martin WHISTLERIANA: WORKS BY AND ABOUT JAMES MCNEILL WHISTLER FROM THE COLLECTION OF MARTIN HUTNER
New York The Grolier Club 2003 6 x 8 inches paperback 39 pages
This exhibition catalogue is a sampling of works from prolific artist James McNeill Whistler found in the collection of Martin Hutner. The works are divided into sections including paintings, watercolors, pastels, etchings, original illustrations, the peacock room, novels, plays, and more. The catalogue was designed by Jerry Kelly and includes a frontispiece portrait of Whistler.
Price: $ 10.00 other currencies Order nr. 106648

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Laurentius, F. CLEMENT DE JONGHE (CA. 1624-1677): KUNSTVERKOPER IN DE GOUDEN EEUW
Houten HES & DE GRAAF 2010 6 x 9.5 inches Hardcover 190 pages
Frans Laurentius describes Dutch prints and the life and business of art vendor and publisher, Clement de Jonghe . It is known that Jonghe was in possession of a group of Rembrandt etched copper plates. Despite his relative fame in this area, Clement de Jonghe has never fully explained in literature. Contains 44 illustrations. Written in Dutch with English summary.

Volume XL in the series of Bibliotheca Neerlandica.
Price: $ 140.00 other currencies Order nr. 105568

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(Pré Nian) Ferlinghetti, Lawrence AT LA PUERTA ESCONDIDA
(Retaud) Pré Nian (2005) 14"x 15" loose sheets in stiff paper wrapper in hand-made box not paginated
Limited to an edition of 35 copies bound thus, signed by both Ferlinghetti and Bracaval. The poem appears in English and in French (translated by Ève Lerner) on separate pages. Each of the five full-page etchings are numbered and signed by Bertrand Bracaval. All are contained in a heavy paper wrapper inside a hand-made box by Jeanne Frère. Prospectus laid-in. Bracaval has been awarded many prizes through nearly four decades beginning with the Prix Lafont in 1967 and most recently the Prix Robert Beltz in 2002. His works are continually exhibited and are held in such public collections as the Centre George Pompidou, British Library, and the Boston Athenaeum.
Price: $ 1,750.00 other currencies Order nr. 89135

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(Pré Nian) Lambersy, Werner LES PAUPIERES DE LA PENSEÉ.
(Rétaud) Pré Nian Press (1999) narrow 4to. stiff paper wrappers, blindstamped title and cover illlustration, signatures loosely laid in, clear protective cover over wrappers, box not paginated
Limited to an edition of 45 copies. Poem by Walter Lambersy, illustrated with five etchings by Bracaval. Signed by both on the colophon. Interesting presentation with heavy handmade paper wrapper containing the three signatures of rich, thick paper which is folded, but unsewn. The edges of both the wrapper and interior papers are untrimmed. Lambersy was born in 1941in Antwerp. He has lived in Paris since 1982. Bracaval has been awarded many prizes through nearly four decades beginning with the Prix Lafont in 1967 and most recently the Prix Robert Beltz in 2002. His works are continually exhibited and are held in such public collections as the Centre George Pompidou, British Library, and the Boston Athenaeum.
Price: $ 820.00 other currencies Order nr. 93019

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(Rembrandt) Middleton, Charles Henry A DESCRIPTIVE CATALOGUE OF THE ETCHED WORK OF REMBRANDT VAN RHYN.
Mansfield Centre Martino Publising 2005 tall 8vo. cloth lx, 341 pages and 12 plates.
Reprint of the London 1878 first edition published by John Murray. The rarest and certainly one of the most important early catalogue raisonnes of Rembrandt's etchings. Middleton describes 329 works he considers authentic and 30 which he rejects, all in great detail, with particular attention to states. He also provides detailed, complex, and scholarly arguments justifying his acceptance or rejection of each questionable piece. Includes 12 plates with illustrations of details distinguishing states and copies.
Price: $ 85.00 other currencies Order nr. 89087

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Schneider, Rona AMERICAN PAINTER ETCHINGS: 1853-1908
New York The Grolier Club 1989 8.5 x 11 inches paperback 48 pages
This book focuses on the importance of American artists of the late nineteenth century, specifically etchers. Traveling long distances to find new material, they often overcame obstacles to find new images for their followers. Because of this, the book is organized by location rather than by artist or chronology. It includes sections on etching, European sources of inspirations, views from the etchers themselves, working methods, and an exhibition of art of the American Etching Revival. Scenes from the South, the West, Canada, New England, the Eastern seaboard, and urban landscapes are all portrayed. Richly illustrated, the book contains 79 black-and-white illustrations.

The book accompanies the exhibition held at the Grolier Club from February 21 to April 1, 1989. The exhibition examined the rise and fall of American Painter Etchings in the years between 1853 and 1908.
Price: $ 18.00 other currencies Order nr. 106592

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Stijnman, Ad ENGRAVING AND ETCHING 1400-2000: A HISTORY OF THE DEVELPOMENT OF MANUAL INTAGLIO PRINTMAKING PROCESSES.
Houten HES & DE GRAAF 2012 8.25 x 11.5 inches hardcover 672 pages
This book surveys the history of the techniques of engraving, etching, and plate printing, i.e. that of manual intaglio printmaking processes from their beginnings in the 1430s until today. These developments are observed in the light of the coherence between the technique of the intaglio print (such as its materials and methods of production); the style or outward appearance of the print; the creator of the print; and the fashion typical of a particular social group, place and time. Economic, educational and social aspects are discussed, as well as the worldwide dissemination of the trade of intaglio printmaking.

The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonization. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanized graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today.

This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources, it will be an essential resource for collectors, curators, conservators, printmakers, and students of technical art history.

Available outside North America from HES & DE GRAAF Publishers.
Price: $ 195.00 other currencies Order nr. 114782

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