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Antiquarian (242)

Book Illustration - Engraving

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Book Illustration - Engraving

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Auchincloss, Kenneth NEW YORK REVISITED
Illustrations by Gaylord Schanilec. New York The Grolier Club 2002 7.5 x 11.5 inches hardcover, slipcase 44 pages
In 1915, The Grolier Club published New York with color wood engravings by Rudolph Ruzicka. That book evoked the city in a period of rapid, remarkable change. In New York Revisited, Ken Auchincloss traces the evolution of New York in the twentieth century. Along with the city's enormous physical and social transformations, up to and including the events of September 11, 2001, Ken conveys the continuity of spirit and character of the "New York accent."

Two-and-a half years in the making, New York Revisited is illustrated by Gaylord Schanilec, the foremost contemporary artist in color wood engraving. The engravings include the Empire State building, Chrysler Building from Lexington Avenue, 230 Park Avenue, Grand Central subway station, White Horse Tavern, Times Square, the World Trade Center (vignette), and Strawberry Fields.

One of 250 signed and numbered copies, designed and printed by the artist at his press, Midnight Paper Sales.
Price: $ 500.00 other currencies Order nr. 106646

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(Bewick, Thomas) Tattersfield, Nigel THOMAS BEWICK, THE COMPLETE ILLUSTRATIVE WORK
3 volumes. New Castle, Delaware and London Oak Knoll Press and The British Library 2011 7.5 x 10.75 inches Hardcover, slipcase 1580 pages
Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors.

His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Thomas illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others.

Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons.

Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.

Nigel Tattersfield is the author of Bookplates by Beilby and Bewick, published by Oak Knoll Press and The British Library and John Bewick: Engraver on Wood, published by Oak Knoll Press.

Available outside North and South America from The British Library.
Price: $ 265.00 other currencies Order nr. 102274

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(Bird & Bull Press) Bates, Wesley W. IN BLACK & WHITE
A wood engraver's odyssey Newtown, PA Bird & Bull Press 2005 8vo. Japanese cloth, cloth-covered slipcase (iv),74, (4)
Limited to an edition on 140 copies, the book is printed on Zerkall moldmade paper. It records in words and art Bates' journey from neophyte to master wood engraver. In addition to wood, Bates' work includes the medium of scraperboards, which produces an image that can appear to be a wood engraving. The process is explained and a comparative example is included. Also included is a fold-out 4-color woodcut print which was made for a book Bird & Bull published in 2001.
The wood engravings of Wesley Bates have reached an international audience. His works are held in collections in his native Canada, the US, Great Britan, Ireland, Australia, Spain and Japan. In 1999, nine of his works were presented to China by the province of Ontario. Beyond his numerous solo and group exhibitions, his pieces have illustrated books for several major publishing houses and fine press publishers.
Price: $ 275.00 other currencies Order nr. 79830

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(Bird & Bull Press) Bregman, Alvan EMBLEMATA
The Emblem Books of Andrea Alciato. A Leaf Book with Eight New Emblems by Henricus de Nova Villa Newtown, PA Bird & Bull Press 2007 8vo. quarter morocco, Japanese cloth sides, cloth slipcase, leather spine label, paper label bearing emblem on top board (vi), 128, (14) pages plus leaf
One of 124 bound thus, of 140 copies, with an original leaf. The original leaves included are taken from the 1589 Paris edition of the Alciato emblem book. From the prospectus: "During the late Renaissance, the most famous professor of law in all of Europe was Andrea Alciato (1492-1550) of Milan. ...Almost accidentally, he was responsible for creating a whole new genre of publication consisting of text and image, known as the emblem book. Alciato's emblems were built upon the Latin epigrams he liked to write as a learned pastime. ...Surprisingly, however, there are few books in English devoted to Alciato or to his emblems. No separate overview of Alciato's life and writing is known. In addition to the history of the emblem books, the author provides much personal information that illuminates the character and personality of Alciato. Alvan Bergman has written an illustrated text on the subject usually directed to scholarly specialist, but he has done so in a way that is engaging and informative to the non-specialist reader. " The eight contemporary emblems are illustrated by Wesley Bates's wood engravings are included as an Appendix.
Price: $ 450.00 other currencies Order nr. 94029

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(Bookplates) Lee, Brian North THE BOOKPLATES OF ROBERT HANCOCK, JAMES ROSS AND WILLIAM BACHE.
Frederikshavn Exlibristen 1986 8vo. stiff paper wrappers. 58 pages.
Limited to 350 numbered copies; this copy out of series. This essay describes the bookplates designed by these three eighteenth century English engravers including detailed information on specific bookplates. Well-illustrated throughout.
Price: $ 25.00 other currencies Order nr. 33638

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(Bookplates) Lee, Brian North THE EX-LIBRIS OF PHILIP HAGREEN.
London The Bookplate Society/Forlaget Exlibristen 1987 4to. stiff paper wrappers. 28 pages.
Trade edition. Limited to 650 numbered copies. This work contains a biographical essay and one-hundred sixty-eight descriptions of Hagreen's bookplates. Well-illustrated with reproductions of the bookplates in different colors.
Price: $ 22.00 other currencies Order nr. 33694

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(Bookplates) Tattersfield, Nigel BOOKPLATES BY BEILBY & BEWICK, A BIOGRAPHICAL DICTIONARY
London and New Castle The British Library and Oak Knoll Press 1999 large 8vo. cloth, dust jacket. 384 pages.
Forty years before the turn of the 18th century, a small, prestigious bookplate workshop was established, the likes of which were never to be seen again after its employment of one man: Thomas Bewick. To this day, the works of the bookplate shop of Beilby & Bewick are highly collectible and valued in the antiques world. This account offers several hundred bookplates engraved on copper and wood, executed and printed in the workshop over a period of 89 years. It is quite the most extensive and thorough study of this subject in its use of primary sources. The author's lively enthusiasm and careful scholarship have combined to produce a valuable and truly pioneering work on a subject clouded by speculation and optimistic attribution until now. Nigel Tattersfield has taken full advantage of the recently-opened archives of Beilby & Bewick to reveal a vast range of work, from banknotes and inscriptions in silver, to the making of type punches and bottle moulds. The workshop's surviving records are unique in their diversity and quantity. In recent years, the records have been used in the study of engraved silver, pottery transfers, and the preparatory studies for Bewick's wood engravings. Bookplates is fully illustrated, with over 300 examples, and its wealth of biographical information on the owners of the bookplates represents an important contribution to the social history of the north of England.
Price: $ 95.00 other currencies Order nr. 54988

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Bourcard, Gustave A TRAVERS CINQ SIÈCLES DE GRAVURES, 1350-1903.
Mansfield Centre, CT Martino Publishing 2009 thick 4to. half leather with five raised bands and marbled paper-covered boards, top edge gilt. l, 638, (2) pages.
Reprint of the 1903 edition published in Paris which was printed by the Nantes printer A. Dugas, with his pressmark on the last leaf, in an edition limited to 200 numbered copies. Organized by country and artist, this volume includes biographical information, names of famous works, descriptions, and sale prices. Well indexed. Includes bibliography.
Price: $ 95.00 other currencies Order nr. 103995

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Brandt, William H. INTERPRETIVE WOOD-ENGRAVING: THE STORY OF THE SOCIETY OF AMERICAN WOOD-ENGRAVERS
New Castle, Delaware Oak Knoll Press 2009 11.75 x 12.75 inches Hardcover, dust jacket 204 pages
In the late nineteenth century, wood-engraving was the principle medium of illustration employed by publishers. From this beginning, print collector Bill Brandt goes on to recount the story of the Society of American Wood-Engravers. He reveals the medium's intricacies, the controversies sparked between traditional wood-engravers and America's New School, and the international acclaim rightly bestowed on these innovative American artists.

The lost art of interpretive wood-engraving comes to life in Brandt's detailed account. Using tools the size of dental instruments, the movement's talented and resourceful men and women engraved award-winning works of art - both interpretations of famous masterpieces and striking original works. The fifty prints reproduced on these pages, scanned from Brandt's extensive collection with most produced at full size, highlight the astonishing skill and painstaking craftsmanship required of a wood-engraving artist of the golden age.

The author profiles many leading personalities on the American wood-engraving scene, including Alexander Anderson, a New York doctor who became the father of American wood-engraving; William J. Linton, a talented English wood-engraver who led the Old School's relentless but unsuccessful charge against New School engraving techniques; Anna Botsford Comstock, who created hundreds of original wood-engraved book illustrations from nature; General Rush C. Hawkins, a Civil War figure who, as U.S. Commissioner on Art, secured the prominent display of American wood-engravings at the 1889 Exposition Universelle in Paris; Timothy Cole, who traveled through Europe creating wood-engraved interpretations of paintings by the old masters; and Elbridge Kingsley, whose revolutionary direct-from-nature wood-engravings were created in rural New England from his horse-drawn sketching car. Includes over eighty illustrations, and printed in an edition of 600 numbered books.

Brandt tells how the Society of American Wood-Engravers burned brightly for almost twenty years, and then faded away in the early days of photoreproductions. Readers, glimpsing the warm glow of a remarkable era, will take pride in this little-known period of American art history.

Bill Brandt has served on the boards of directors of the American Historical Print Collectors Society, the Northwest Print Council, and the Friends of the Vivian and Gordon Gilkey Center for Graphic Arts at the Portland Art Museum.
Price: $ 85.00 other currencies Order nr. 102011

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De Simone, Daniel (editor) SEVEN PERSPECTIVES OF THE WOODCUT: PRESENTATIONS FROM A HEAVENLY CRAFT SYMPOSIUM AND EXHIBITION
Washington Library of Congress 2008 7 x 10 inches paper wrappers 108 pages
Seven Perspectives on the Woodcut covers a wide range of issues related to bookmaking in the fifteenth and sixteenth centuries. The analyses of the art of the woodcut presented here have their beginnings in the exhibition "A Heavenly Craft: The Woodcut in Early Printed Books," which opened at the Library of Congress in April 2005. The exhibition and its catalogue celebrated the large gift of illustrated books by Lessing J. Rosenwald, retired chairman of Sears, Roebuck & Company, to the library and examined the early history of printed books through some of the collection's rarest items. The Library of Congress also hosted a symposium in honor of the exhibition and Rosenwald's gift and invited scholars of art history and bibliography to contribute to a discussion of the woodcut in early printed books. Each chapter analyzes unique perspectives on the artistic development of the woodcut. Topics include the work of Albrecht Dürer, distinguished miniaturist Benedetto Bordon, early illustrated versions of Genesis, the illustrations for Bernhard von Breydenbach's Travels in the Holy Land, one of the earliest travelogues, and the history of early illustrated prayer books and devotional texts. Corresponding images of woodcuts as well as photographs of original woodblocks appear throughout the volume. Distributed for the Library of Congress.
Price: $ 15.95 other currencies Order nr. 100570

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(Doolittle, Amos) O'Brien, Donald C. AMOS DOOLITTLE: ENGRAVER OF THE NEW REPUBLIC
New Castle Oak Knoll Press and the American Historical Print Collectors Society 2008 8.5 x 11 inches cloth with dustjacket 192 pages
As a copperplate engraver, Amos Doolittle (1754-1832) played an important role during the American colonies' war for independence and the early years of the new nation. He completed his apprenticeship in New Haven, Connecticut, around 1770 and continued to work actively in that city for over sixty years. His first known attempts are the views of the battles of Lexington and Concord--four plates that he engraved, printed and published in 1775. Even today, Doolittle's first attempt, although crude in workmanship, continues to be often reproduced.
Doolittle did general engraving and printing throughout his career. Maps for atlases and illustrations for books became his specialty, but he also engraved maps and broadsides that were published separately. Scholars have identified more than 600 Doolittle engravings, both signed and unsigned. During the course of his career, one of Doolittle's major accounts was with Philadelphia publisher Mathew Carey (1760-1839). This book contains excerpts from correspondence between the two, never published before, which reveal much about business practices of the time.

This book was written to complement similar works on Doolittle's contemporaries, including Paul Revere. There are chapters on various types of his work, including his tune-books, maps, illustrations, bank notes and more. The book also includes two useful appendices, cataloguing books containing his engravings and references to him and his work. Co-published with the American Historical Print Collectors Society, Amos Doolittle is a valuable contribution to the study of American engravings.
Price: $ 65.00 other currencies Order nr. 93957

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(Engraving) De Vesma, Alessandro LE PEINTRE-GRAVEUR; OUVRAGE FAISANT SUITE AU PEINTRE-GRAVEUR DE BARTSCH.
(Mansfield Centre Martino Publishing 2001) thick 8vo. cloth. (iv), 542 pages.
Reprint of the first edition that was printed in Milano by Hoepli in 1906 (Arntzen & Rainwater N113). The basic work on late 16th-century through 18th-century Italian engravers and engraving. Includes 61 painter-engravers with a biographical sketch of each and a list of engravings executed. Supplements Bartsch.
Price: $ 85.00 other currencies Order nr. 63984

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(Esslemont, David) THE WOOD ENGRAVINGS OF DAVID GENTLEMAN.
Montgomery, Powys, Wales David Esslemont 2000 4to. full black cloth, red paper spine label, cloth slipcase. xviii, (ii), 131, (2) pages.
Printed in an edition limited to 350 numbered copies. The first published collection of David Gentleman's engravings, this book contains over 300 wood engravings. Includes work ranging from book illustrations done while still a student at the Royal College of Art to the well-known engravings for Clare's "The Shepherd's Calendar" to designs for postage stamps, press advertisements, and book covers. The small engravings which were enlarged twenty times for the Charing Cross Underground mural are also featured. With only a few exceptions the engravings are printed directly from the artist's original wood blocks. Fiona MacCarthy's introduction describes Gentleman's upbringing and training and reveals the influences on his work. Acknowledging his unique creative skills and sensitivity, she reviews his work not only as a wood engraver but also as an artist and designer. The foreword by Gentleman describes the evolution of his responses to the medium and his clients. His insightful commentary which details how each was commissioned, conceived and carried out, accompanies each group of engravings. Simon Brett, writing in Multiples Jan. 2001, recognizes Gentleman as "the engraver of light" and praises this volume which allows this aspect of the engravings to leap from the page. In the London Times Jan. 31, 2001, Jim McCue also finds great pleasure in the pages of this homage to a talented and gentle man.
Price: $ 375.00 other currencies Order nr. 60932

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Fielding, Mantle DICTIONARY OF AMERICAN PAINTERS, SCULPTORS & ENGRAVERS FROM COLONIAL TIMES THROUGH 1926.
New York Apollo (1986) 4to. thick 4to., cloth, dust jacket. xv, 1081 pages.
First printing of enlarged and updated second edition. Contains 2,500 names not included in the last revision of 1983 and virtually 60% of the existing entries have been expanded or updated. An essential refernce work to American Art, which now totals over 12,000 names. Minor wear to jacket.
Price: $ 40.00 other currencies Order nr. 105431

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(Frolov, Vadim) Michell, A.R. (editor) IN NEWER VEINS, AN ANTHOLOGY OF POETRY WRITTEN BY VETERINARY SURGEONS.
London Primrose Hill Press 1998 large 8vo. stiff paper wrappers. (xviii), 124 pages.
First edition. A collection of poetic works wonderfully decorated with the wood engravings of Vadim Frolov, renowned Russian artist. Poems are arranged by categories entitled Poetry, Scenes And Seasons, Of Science, Of The Heart, Of The Soul, In Lighter Vein, Vets, ...And Other Folk, and All Creatures.
Price: $ 20.00 other currencies Order nr. 56102

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Gardner-Medwin, David (editor) BEWICK STUDIES, ESSAYS IN CELEBRATION OF THE 250TH ANNIVERSARY OF THE BIRTH OF THOMAS BEWICK 1753-1828
New Castle and London Oak Knoll Press and The British Library 2003 large 8vo. cloth, dust jacket. 160 pages.
First edition. This well-researched book was published in celebration of the 250th anniversary of the birth of Thomas Bewick, one of the foremost wood engravers in Britain. Eight revealing essays by leading Bewick scholars capture a wealth of untapped archival sources on Bewick and his world. The first three essays provide a new synopsis of his life and the growth of his reputation. Other essays shed new light on his character, library, colleagues, family and other hitherto neglected dimensions of his life. Another essay covers Bewick's relationship with the Beilbys, his American admirer Alexander Anderson, and the fate of his woodblocks. For those interested in this unique art form, this work will be most interesting. Co-published with The Bewick Society and The British Library.
Price: $ 45.00 other currencies Order nr. 75718

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(Greyweathers Press) Thompson, L. F. (foreword) GRAVEN IMAGES: A PORTFOLIO OF NINETEENTH CENTURY WOOD ENGRAVINGS PRINTED FROM THE ORIGINAL BLOCKS
With a Foreword by L.F. Thompson. Merrickville Greyweathers Press 2010 4to cloth-backed paper covered boards, paper cover and spine labels. 6, 13 wood cuts, (2) pages
First edition. One of 100 numbered copies. Wood engravers toiling away at their trade during the last quarter of the nineteenth century could be forgiven for feeling a touch of despair. Since the early 1800s, they had practiced a viable trade, with graver in hand over an endgrain block, cutting illustrations for a healthy proportion of books, newspapers and periodicals. In the 1880s, they witnessed the advent of photomechanical printing plates and, in direct competition, felt the ominous rising tide of obsolescence. As this new technology became more efficient, less expensive and generally accepted over the next twenty years, commercial wood engravers would begin to pack up their blocks, wrap up their tools and seek other employment. It could well be this very occurrence that lay behind the discovery, 130 years on, of a collection of nineteenth century engraved boxwood blocks and, ultimately, the creation of this portfolio.
Beautiful privately printed book featuring thirteen wood engravings from Samuel Smith Kilburn, Boston, George Matthews, Boston & Montreal F. Archibald.
Price: $ 160.00 other currencies Order nr. 105925

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THE GROLIER CLUB CREATES: BOOK ARTS BY CLUB MEMBERS.
New York The Grolier Club 2009 6 x 9 inches paperback 44 pages
The Grolier Club membership consists of private and institutional collectors; the antiquarian book trade; book scholars; and practitioners in the book arts, both amateurs and professional. No matter the reason for their interest, all Grolier Club members appreciate good design, fine bindings, letterforms, quality paper, and all the other facets of books. This book celebrates the 125th anniversary of the Club by displaying the work of twenty-nine members who are active in the fields of printing, book design, bookbinding, printmaking, illustration, calligraphy, and the production of artists books. The Grolier Club Creates showcases the work of each member, provides a brief description of the work, and a small essay written by the member. It is beautifully illustrated with a photograph or illustration for each entry.
Price: $ 12.00 other currencies Order nr. 107103

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(Hesterberg Press) THOMAS BEWICK: THE BLOCKS REVISITED & REDISCOVERED
Evanston, IL Hesterberg Press 2008 large 8vo cloth (i), 69 pages, ii, (iii)
The Blocks Revisited & Rediscovered documents the fascinating story of Thomas Bewick's personal blocks and their historic journey to Chicago in 1942. Many of these blocks found new homes quickly in the Midwest and across America, while others became well-travelled, eventually making their way back to England. The whereabouts of these blocks and their movements over the years have raised questions and a desire to document them for their safe keeping. It is hoped this five-year investigation will begin to provide answers, as over 700 of the 1,350 blocks that came to Chicago are documented here in 35 collections.

The Blocks Revisited & Rediscovered measures 6.5 x 10 inches and contains eighty pages which include fourteen original blocks printed on dampened Rives Heavy-weight paper using a Washington Hand Press. The remaining thirty-five Bewick illustrations were printed using a Vandercook Press from metal engravings reproduced from the Memorial Edition. The text, set in a digital version of Bulmer, was also printed from metal engravings. Color photographs of Bewick's portrait and his toolbox are included as tip-ins, along with a photograph of a group of blocks at the Hesterberg Press.

A numbered edition of ninety copies was bound by Campbell-Logan Bindery, Minneapolis, in a dark green cloth with contrasting green end papers. The spine is gold stamped and the front cover features an inset of a vignette printed from one of Bewick's blocks at the press.
Price: $ 300.00 other currencies Order nr. 101433

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(Leaf Book) Harris, Elizabeth M. THE ART OF MEDAL ENGRAVING.
Newtown, PA Bird & Bull Press 1991 4to. Japanese cloth with leather spine label. 56 pages.
First edition, limited to 230 numbered copies.Henry Morris printed only 160 copies of this book (Leaf Book - Chalmers 198). With introduction by Henry Morris. Discusses the history and invention of one the lesser-known graphic processes. Includes an original complete folio leaf from Achille Collas' Tresor de Numismatiquewhich demonstrates the process, and reproductions of medal-engraved American works. Printed on Johannot mouldmade paper.
Price: $ 160.00 other currencies Order nr. 33382

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Levis, Howard C. DESCRIPTIVE BIBLIOGRAPHY OF THE MOST IMPORTANT BOOKS IN THE ENGLISH LANGUAGE RELATING TO THE ART & HISTORY OF ENGRAVING AND THE COLLECTING OF PRINTS with SUPPLEMENT AND INDEX.
Mansfield Centre Martino Fine Books n.d. but 1999 thick 8vo. cloth. xix, 571, 141 pages.
Reprint of the 1912 and 1913 volumes bound in one as issued. Besterman p.2028; Arntzen & Rainwater N6; Bridson & Wakeman A6. An excellent bibliography with full descriptions and some annotations. Illustrated. With about 3,000 books described. Reduced in size from the original.
Price: $ 80.00 other currencies Order nr. 54365

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One of Fourteen in the Deluxe Edition

(Lone Oak Press) Thoreau, Henry David OF WOODLAND POOLS, SPRING-HOLES & DITCHES
Excerpts from the journal of Henry David Thoreau wherein he observes and reflects upon the nature of life and vernal pools Petersham MA The Lone Oak Press 2005 oblong large 8vo. quarter leather with leather tipped foredge, marbled paper-covered boards ; cloth portfolio with marbled paper backstrip containing suite of prints ; similar cloth and marbled paper portfolio housing the original engraving block; all are contained in (vi), 89, (3) pages
Limited to an edition of 14, produced thus with an extra suite of engravings and an original engraving block by Abigail Rorer who is the proprietor of The Lone Oak Press. The Tree Frog engraving is the one included in the boxed set. The introduction is by Bradley P. Dean. There are further notes about New England vernal pools by Leo P Kennedy and Matthew R. Burne, as well as by Ms. Rorer. The exquisitely detailed engravings, primarily in black-and-white with some finely tuned touches of color, illuminate Thoreau's words. The extra suite of engravings repeat the illustrations, but are not bound. The engraving block is housed in the specially built box, inside its portfolio with velvet facing the engraving. The book is numbered and signed by the artist on the colophon. Taken together, it is an amazing production.
Price: $ 3,000.00 other currencies Order nr. 89338

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McGee, Julie L. CORNELIS CORNELISZOON VAN HAARLEM (1562-1638). PATRONS, FRIENDS AND DUTCH HUMANISTS.
Nieuwkoop HES & DE GRAAF 1991 8vo cloth 502 pages.
The book presents the first discussion of all the known prints executed after Cornelis' designs and considers the following topics in relationship to the prints: the engravers and publishers, the print market, the Latinists who provided the text for the prints and the Latin verses themselves. (Bibliotheca Humanistica & Reformatorica, Vol. XLVIII). With 105 plates.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 155.00 other currencies Order nr. 103384

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(Midnight Paper Sales) Goodman, Richard THE BICYCLE DIARIES; ONE NEW YORKER'S JOURNEY THROUGH SEPTEMBER 11TH.
Stockholm, WI Midnight Paper Sales 2011 8vo. cloth covered boards, paper cover illustration in color by Schanilec, paper label on spine 107 pages
Limited to 250 numbered copies signed by the author and the illustrator/printer. "Shortly after September 11th, 2001, I began riding my bicycle down from my apartment on Upper West Side of New York city to the World Trade Center disaster site - or as near as I could get to it. I rode down almost every day, in all weather, for about four months. When I came home, I wrote about what I saw." -Richard Goodman

The book contains five full-page colored wood engravings by Gaylord Schanilec based on a bike ride with the author down toward the disaster site some ten years later. the text is printed letterpress from metal type, and the images from hand-cut end-grain maple blocks.
Price: $ 300.00 other currencies Order nr. 108200

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(Midnight Paper Sales) Heynen, Jim OLD SWAYBACK
N.P. (but Stockholm, WI) Midnight Paper Sales (2006) large 12mo. stiff paper wrappers, slipcase, paper spine label (viii), 15, (5) pages
Limited to an edition of "a possible 150 copies" per the colophon. Hand numbered on the colophon as an edition of 128. Signed by Gaylord Schanilec. Signed on the title page by Jim Heynen. This is the seventh in the Little Book Series. Per the Midnight Paper Sales website: "The engraving is of Patti & Lowell Moline's old barn, off of county road N. It has been carved from finished maple half-rounds, and printed on Japanese Paper." The wrappers remind one of standing in an old barn, looking out between the boards.
Price: $ 130.00 other currencies Order nr. 92965

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