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Book Illustration - All

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(Anderson, Alexander) Pomeroy, Jane R. ALEXANDER ANDERSON, 1775-1870, WOOD ENGRAVER AND ILLUSTRATOR, AN ANNOTATED BIBLIOGRAPHY.
3 Volumes New Castle, DE and Worcester, MA Oak Knoll Press and the American Antiquarian Society 2005 8.5 x 11 inches hardcover w/ slip case 2600 pages
First Edition. This three volume, comprehensive bibliography focuses on the important American wood engraver, Alexander Anderson (1775-1870). The author has selected over 1,000 of Anderson's engravings to illustrate this major bibliography. This work begins with a well written and researched biography of Anderson. There are over 2,322 entries. By the early nineteenth century, Alexander Anderson was recognized as this country's preeminent illustrator. Called the father of wood engraving in America, and one of its masters, his prodigious work filled publications of every kind: separate prints, almanacs, fiction, travel, children's books, poetry, Bibles, religious tracts, medical texts, and broadsides. He is noted for his warm and often slyly humorous depictions of children in the large number of juvenile publications that he illustrated. The growing number of wood engravers and illustrators who followed Anderson owed a debt to his skill and universally acclaimed artistic sense. He set a standard for successors who worked in the medium he had introduced.

This study names and analyzes the publications where Anderson's work can be found. There are three indices provided, one of authors and titles, a second of printers, publishers and booksellers, and a third of artists and engravers. Libraries, museums, book collectors and dealers, and all those interested in graphic arts will be able to identify Anderson's work and add to the history of American nineteenth-century book illustration. No understanding of American illustration is complete without an examination of Anderson's appealing and masterly engravings.

Co-published with The American Antiquarian Society.
Price: $ 350.00 other currencies Order nr. 88121

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(Architecture) Mallgrave, Harry F. MARK J. MILLARD ARCHITECTURAL COLLECTION, NORTHERN EUROPEAN, VOL. III.
Washington National Gallery of Art / New York: G. Braziller 1998 4to. cloth, dust jacket. xii, 415 pages.
First edition. catalogue of 144 Northern European books on architecture, antiquities, and decoration, from the 16th into the 19th centuries, all in the Millard Collection at the National Gallery of Art. Introductory essay by Harry Francis Mallgrave. Bibliographic descriptions by Gerald Beasley, Claire Baines, Henry Raine. Illustrated books containing scenes of architectural interest, views of interiors, etc. Each numbered entry provides bibliographic and physical descriptions, references, provenance where applicable, and contains a brief discussion of relevant points (the architect, the architecture, and so on).There are many black-and-white reproductions of drawings and engravings. Indexed.
Price: $ 90.00 other currencies Order nr. 54901

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(Architecture) Middletown, Robin THE MARK J. MILLARD ARCHITECTURAL COLLECTION, VOL. II, BRITISH BOOKS.
Washington National Gallery of Art / New York: G. Braziller 1998 4to. cloth, dust jacket. xv, 392 pages.
First edition. catalogue of ninety-seven British books, many of them folios, on architecture from the 17th into the 19th centuries, all in the Millard Collection at the National Gallery of Art. Covers seventy-seven architects and one firm (Hepplewhite). Includes important English translations of non-English architects (Palladio et al.), and a few non-architectural items. Each numbered entry is actually an article, providing bibliographic and physical descriptions, references, provenance where applicable, and also a discussion of the architect, the architecture, and the publication of the book, along with short bibliographies. There are many black-and-white reproductions of drawings and engravings, and several color illustrations. Front of dust jack and endpapers are decorated with reproductions of engravings. Indexes.
Price: $ 60.00 other currencies Order nr. 51974

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(Architecture) Pollak, Martha D. MARK J. MILLARD ARCHITECTURAL COLLECTION, VOL. IV ITALIAN AND SPANISH BOOKS FIFTEENTH THROUGH NINETEENTH CENTURIES.
Washington and New York National Gallery of Art and George Braziller (2000) 4to. cloth, dust jacket xxiii, 545+(1) pages
First edition. Scholarly catalogue of Italian and Spanish books on architecture, antiquities, and decoration, from the 15th into the 19th centuries, all in the Millard Collection at the National Gallery of Art in Washington, DC. Italy produced illustrated architectural books that surpass those from any other publishing center in the originality of their content and in the elegance of their illustrations. Arranged by author-architect, each numbered entry provides bibliographic and physical descriptions, references, provenance where applicable, and contains a discussion of relevant points.Numerous black-and-white reproductions of drawings and engravings throughout. Indexed.
Price: $ 90.00 other currencies Order nr. 62639

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(Architecture) Wiebenson, Dora. THE, VOL. 1 MARK J. MILLARD ARCHITECTURAL COLLECTION, FRENCH BOOKS.
Washington National Gallery of Art / New York: G. Braziller 1993 4to. cloth, dust jacket. xxv, 512 pages.
First edition. catalogue of 172 French books on architecture, antiquities, and decoration, from the 16th into the 19th centuries, all in the Millard Collection at the National Gallery of Art. Includes important French translations of non-French works, and a few engineering books, along with some illustrated books containing scenes of architectural interest, views of interiors, etc. Each numbered entry provides bibliographic and physical descriptions, references, provenance where applicable, and contains a brief discussion of relevant points (the architect, the architecture, and so on).There are many black-and-white reproductions of drawings and engravings. Front of dust jack and endpapers are decorated with reproductions of engravings. Indexed.
Price: $ 75.00 other currencies Order nr. 51975

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(Ardizzone, Edward) Alderson, Brian EDWARD ARDIZZONE, A BIBLIOGRAPHIC COMMENTARY.
New Castle, DE Oak Knoll Press 2003 large 8vo. cloth, dust jacket. Color frontispiece; 309+(1) pages.
First edition. When Edward Ardizzone passed away in 1979, he was one of the best-loved artists (and authors) in the English-speaking world. He illustrated more than 200 books and pamphlets, a good number of which he also wrote, as well as designed dust jackets and ephemera for a range of patrons. Brian Alderson first published a checklist of this work in The Private Library in 1972. Since then, with the co-operation of the artist and his family, he has extended and expanded the coverage of the original list, describing for the first time in a full-scale bibliography Ardizzone's books, dust jackets, commercial work and ephemera, with notes on his periodical contributions, war art, prints, posters and bookplates. Appendices reprint articles by Ardizzone himself and detail the history of two favorite titles - Peacock Pie and Peter Pan - and reproduce Gabriel White's memorial tribute to the artist. Includes a four page color section. SALES RIGHTS: Available in North & South America from Oak Knoll Books. Available outside North & South America from The British Library.
Price: $ 75.00 other currencies Order nr. 73475

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(Beardsley, Aubrey) Lasner, Mark Samuels A SELECTIVE CHECKLIST OF THE PUBLISHED WORK OF AUBREY BEARDSLEY.
Boston Thomas G. Boss Fine Books 1995 8vo. cloth, dust jacket. 128 pages.
First edition. Well printed by the Stinehour Press. A new Beardsley reference book which "resolves longstanding ambiguities, corrects oft-repeated errors, and provides a wealth of new information." 224 items described in detail and well indexed. Includes a section on Beardsley forgeries.
Price: $ 75.00 other currencies Order nr. 59788

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(Berlin Catalogue) KATALOG DER ORNAMENTSTICHSAMMLUNG DER STAATLICHEN KUNSTBIBLIOTHEK BERLIN.
2 volumes Nieuwkoop HES & DE GRAAF 1986 8vo cloth xv,398; viii,399-782,(3) pages.
Reprint of the 1936 - 1939 first edition. Descriptions of 5435 books containing illustrations, ornamentation, calligraphy, etc. With c. 75 illustrations.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 130.00 other currencies Order nr. 103298

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(Bewick, Thomas) Tattersfield, Nigel THOMAS BEWICK, THE COMPLETE ILLUSTRATIVE WORK
3 volumes. New Castle, Delaware and London Oak Knoll Press and The British Library 2011 7.5 x 10.75 inches Hardcover, slipcase 1580 pages
Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors.

His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Thomas illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others.

Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons.

Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.

Nigel Tattersfield is the author of Bookplates by Beilby and Bewick, published by Oak Knoll Press and The British Library and John Bewick: Engraver on Wood, published by Oak Knoll Press.

Available outside North and South America from The British Library.
Price: $ 265.00 other currencies Order nr. 102274

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BIBLIO, EXPLORING THE WORLD OF BOOKS
Eugene, OR Aster Publishing Corporation 1998 4to. paper wrappers. 72 pages.
VOLUME 3, NO.11, NOV., 1998. IN THIS ISSUE: A. Tufel on George Eliot, R. Armstrong on Alan Paton, and J. Waters on "Invasion of the E-Books" (yes, a certain software company has expressed interest). N. Basbanes tours that institution, The Strand; R. Brown and Tasha Tucker discuss Tasha Tudor (with notice of the new Tasha Tudor bibliography by John & Jill Hare, published by Oak Knoll!); P. Szatmary reports on the Houston Museum of Printing History, and...MUCH MORE.
Price: $ 4.95 other currencies Order nr. 53574

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BIBLIO, EXPLORING THE WORLD OF BOOKS
Eugene, OR Aster Publishing Corporation 1999 4to. paper wrappers. 72 pages.
Volume 4, Number 2, Feb., 1999. IN THIS ISSUE: S. Stipes on the slave narratives of Frederick Douglass and Harriet Jacobs with a bibliography of other such narratives by C.L. Blockson, N.A. Basbanes on Tom Wolfe, I. Ungar and J.P. Ansell on the illuminator and anti-Nazi caricaturist Arthur Szyk, R. Meador on the Wine and Food Library in Ann Arbor, and MORE.
Price: $ 4.95 other currencies Order nr. 54933

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(Bird & Bull Press) Bregman, Alvan EMBLEMATA
The Emblem Books of Andrea Alciato. A Leaf Book with Eight New Emblems by Henricus de Nova Villa Newtown, PA Bird & Bull Press 2007 8vo. quarter morocco, Japanese cloth sides, cloth slipcase, leather spine label, paper label bearing emblem on top board (vi), 128, (14) pages plus leaf
One of 124 bound thus, of 140 copies, with an original leaf. The original leaves included are taken from the 1589 Paris edition of the Alciato emblem book. From the prospectus: "During the late Renaissance, the most famous professor of law in all of Europe was Andrea Alciato (1492-1550) of Milan. ...Almost accidentally, he was responsible for creating a whole new genre of publication consisting of text and image, known as the emblem book. Alciato's emblems were built upon the Latin epigrams he liked to write as a learned pastime. ...Surprisingly, however, there are few books in English devoted to Alciato or to his emblems. No separate overview of Alciato's life and writing is known. In addition to the history of the emblem books, the author provides much personal information that illuminates the character and personality of Alciato. Alvan Bergman has written an illustrated text on the subject usually directed to scholarly specialist, but he has done so in a way that is engaging and informative to the non-specialist reader. " The eight contemporary emblems are illustrated by Wesley Bates's wood engravings are included as an Appendix.
Price: $ 450.00 other currencies Order nr. 94029

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(Bird & Bull Press) Morris, Henry THE ART OF INTAGLIO. PRODUCED ON A LETTERPRESS WITH A COLLECTION OF TWELVE PRINTS OF 18TH CENTURY LONDON TRADESMEN'S CARDS with SCHLOCKER & THE FISHES.
Newtown, PA Bird & Bull Press 2010 8vo. quarter Morocco and Japanese cloth, slipcase 33, 12 plates, 12 pages
Limited to 115 numbered copies. Engravings and etchings (intaglios) are printed on special presses which exert the far greater pressure needed for this kind of printing.

"I had been told that intaglio could not be printed satisfactorily on a letterpress, which is generally true. But in 2009 I tried my hand, printing two intaglio plates successfully by letterpress, albeit not very large ones. In this new book I have printed by letterpress, twelve intaglio plates, some as large as 5" x 6.5".

These images were made from Ambrose Heal's privately published 1925 London Tradesmen's Cards of the Eighteenth Century, which showed 101 collotype prints of old engravings advertising the wares, goods and services offered about 250 years ago. I have been attracted to these "cards"-they are really papers of differing sizes-ever since I got Heal's book fifteen years ago. Thanks to my recent introduction to intaglio, I have returned twelve of these prints to their original 18th century state: you can run your finger over the print and feel the image. Students and collectors of ephemera are acquainted with these cards, but for those who are not, some of Heal's comments may enlighten:

...To anyone with a liking for old things the Trade Card must make an irresistible appeal. It is so convincingly of its own time.
...The old signs that hung over the ship doors and are reproduced on the Traders' Cards are of great antiquity and interest. The names of the old streets, many of which have long since been swept away, such as 'Knaves' Acre,' 'Rosemary Lane,' 'Wendegaynlane,' take one's imagination quite apart from their historical or topographical connections.
...The lettering is invariably well drawn and well spaced and the designing of the devices, if sometimes crude, is always direct and interesting.
They reflect the art of the engraver through two centuries.

A foeword and texts on the Origin of Intaglio, The Process, and background information on Heal and his book, precede the twelve engravings.

But wait-There's More!
On an entirely unrelated subject, a 16-page addition relates an unforgettable event in the early life of Henry Morris, entitled Schlocker & The Fishes, thus making this book my first dos-a-dos binding. This brief account is illustraded with two full-page wood engravings by Wesley Bates. Such accounts generally become booklets but I dislike the impermanence of the booklet, and have long wanted to see this in print."
Price: $ 500.00 other currencies Order nr. 105233

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(Blake, William) Bentley, G.E. BLAKE BOOKS, ANNOTATED CATALOGUES OF WILLIAM BLAKE'S WRITINGS IN ILLUMINATED PRINTING, IN CONVENTIONAL TYPOGRAPHY AND IN MANUSCRIPT AND REPRINTS THEREOF, REPRODUCTIONS OF HIS DESIGNS, BOOKS WITH HIS ENGRAVINGS, CATALOGUES, BOOKS HE OWNED AND SCHOLARLY AND CRITICAL WORKS ABOUT HIM.
(Mansfield Centre Martino Publishing 2000) thick small 4to. cloth. xii, 1079 pages.
Reprint of the 1977 revised and expanded second edition published at the Clarendon Press. This huge work is three times the length of the original. Includes the new preface and postscript by Bentley. Published by Arrangement with OUP.
Price: $ 82.00 other currencies Order nr. 60439

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BOOKS AND PRINTS, PAST AND FUTURE
New York The Grolier Club 1984 7 x 10 inches hardcover 146 pages
Books and Prints, Past and Future is a collection of papers delivered at the Grolier Club's centennial celebration in 1984. These speeches were given during the course of three seminars and the final dinner of the convocation. The first seminar, devoted to retrospective essays, kicked off with an essay by Mary Hyde, the first woman elected to membership at the Grolier Club. G. Thomas Tanselle was next to present an essay, and Robert C. Darnton was the third speaker. The second set of presentations was based off the understanding that the Grolier Club took its origin after a period of neglect. The last seminar contained speeches on the future prospects of the book, given by Robert Giroux, James Thorpe, and Benjamin Compaine. In all the speeches, there was a consistent effort to see present-day collecting in the frame provided by collections of the past. These sets of speeches were delivered by Andrew Robison, Walter Bareiss, Eberhard Kornfield, and Frank Stella. The final and closing essay was delivered by Daniel Bell who provided a schematic framework for the "information revolution."
Price: $ 30.00 other currencies Order nr. 107134

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THE BOOKS OF PIERRE LECUIRE: FROM THE COLLECTIONS OF THE LIBRARY OF CONGRESS.
New York The Grolier Club 1994 7.5 x 9.5 inches paperback 86 pages
This catalogue describes the career of poet and publisher Pierre Lecuire. As one of France's most important contemporary publishers, Lecuire published nearly all of his own work. Deriving from elaborate philosophical and poetical reflections, his work often focused on the relationship between the book and the poem. Books of Pierre Lecuire examines Lecuire's work and contains a frontispiece and thirteen illustrations. Produced to accompany the exhibition that occurred at the Grolier Club in the summer of 1994, it is the first English language catalogue of this illustrious artist, poet, and publisher.
Price: $ 30.00 other currencies Order nr. 106604

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Brandt, William H. INTERPRETIVE WOOD-ENGRAVING: THE STORY OF THE SOCIETY OF AMERICAN WOOD-ENGRAVERS
New Castle, Delaware Oak Knoll Press 2009 11.75 x 12.75 inches Hardcover, dust jacket 204 pages
In the late nineteenth century, wood-engraving was the principle medium of illustration employed by publishers. From this beginning, print collector Bill Brandt goes on to recount the story of the Society of American Wood-Engravers. He reveals the medium's intricacies, the controversies sparked between traditional wood-engravers and America's New School, and the international acclaim rightly bestowed on these innovative American artists.

The lost art of interpretive wood-engraving comes to life in Brandt's detailed account. Using tools the size of dental instruments, the movement's talented and resourceful men and women engraved award-winning works of art - both interpretations of famous masterpieces and striking original works. The fifty prints reproduced on these pages, scanned from Brandt's extensive collection with most produced at full size, highlight the astonishing skill and painstaking craftsmanship required of a wood-engraving artist of the golden age.

The author profiles many leading personalities on the American wood-engraving scene, including Alexander Anderson, a New York doctor who became the father of American wood-engraving; William J. Linton, a talented English wood-engraver who led the Old School's relentless but unsuccessful charge against New School engraving techniques; Anna Botsford Comstock, who created hundreds of original wood-engraved book illustrations from nature; General Rush C. Hawkins, a Civil War figure who, as U.S. Commissioner on Art, secured the prominent display of American wood-engravings at the 1889 Exposition Universelle in Paris; Timothy Cole, who traveled through Europe creating wood-engraved interpretations of paintings by the old masters; and Elbridge Kingsley, whose revolutionary direct-from-nature wood-engravings were created in rural New England from his horse-drawn sketching car. Includes over eighty illustrations, and printed in an edition of 600 numbered books.

Brandt tells how the Society of American Wood-Engravers burned brightly for almost twenty years, and then faded away in the early days of photoreproductions. Readers, glimpsing the warm glow of a remarkable era, will take pride in this little-known period of American art history.

Bill Brandt has served on the boards of directors of the American Historical Print Collectors Society, the Northwest Print Council, and the Friends of the Vivian and Gordon Gilkey Center for Graphic Arts at the Portland Art Museum.
Price: $ 85.00 other currencies Order nr. 102011

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Brun, Robert LE LIVRE ILLUSTRÉ EN FRANCE AU XVIe SIECLE.
Mansfield Centre, CT Martino Publishing 2005 large 8vo. cloth (iv), 336 pages followed by 32 plates.
Reprint of the 1930 first edition (Besterman 3010). Brun provides ten chapters followed by an annotated bibliographical catalogue of the principal books illustrated in France during the sixteenth century. Illustrated and indexed. In all, 1250 books are described. Never reprinted, this remains a difficult title to find. Includes 32 illustrations, mostly of title pages.
Price: $ 75.00 other currencies Order nr. 87551

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Buchanan-Brown, John EARLY VICTORIAN ILLUSTRATED BOOKS: BRITAIN, FRANCE AND GERMANY 1820-1860.
New Castle and London Oak Knoll Press and the British Library 2005 small 4to. cloth, dust jacket 320 pages.
First edition. Writing over fifty years ago, the bibliographer Percy Muir noted that the 'immediate post-Bewick period' had been 'unduly neglected,' and this is still true today. In this major new study, John Buchanan-Brown remedies this neglect and demonstrates the importance of the period from 1820 to 1860 in the history of the illustrated book. These years saw the establishment of the technique of end-grain wood-engraving as the dominant medium of graphic reproduction. Its great advantage was that, as a relief process, it could reproduce both the image and the text simultaneously, and this allowed the publishing industry to feed what had become an insatiable appetite for illustrated books and journals.
Although end-grain engraving was an English phenomenon, it was the French who first applied the process to book design. In turn, German illustrators were to influence the style of British illustrators. Thus, wood-engraving naturally plays a leading role in this study, but it does not overshadow the other means of graphic reproduction employed during this period: lithography, chromolithography, and steel-engraving and etching.
The study illustrates the work of French and German artists and their influence upon their British counterparts. The pioneering study also includes appendices on aspects of wood- and steel-engraving in England, notes on French and German illustrators, and a glossary of technical terms. It is illustrated by some 250 reproductions in black-and-white, and eight pages in color.
Price: $ 98.00 other currencies Order nr. 88728

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(Children's books) Alderson, Brian & Felix de Marez Oyens BE MERRY AND WISE: ORIGINS OF CHILDREN'S BOOK PUBLISHING IN ENGLAND, 1650-1850
New Castle, Delaware Oak Knoll Press & The British Library 2006 9 x 12 inches hardcover, dust jacket 320 pages
When was it that someone decided that books might be written and published for child readers? It's fair to say that some kinds of text-alphabets, fables, the Lord's Prayer, may have been seen as fundamental to the process of learning to read from the beginning of book making, but when did children come to be seen as a readership for whom special provision should be made? The child as the audience for books in the English language is the subject of this bibliographical study, which had its origins in an exhibition held at the Pierpont Morgan Library in New York. From this beginning, Felix de Marez Oyens and Brian Alderson have compiled Be Merry and Wise and shown how certain creative talents, driven by a sense of purpose, or a wish to make some money, attempted to appeal directly to children, and how the publishing industry came to realize that this audience might prove to constitute a profitable market.
In conducting their survey, which is centered upon the books themselves, mostly drawn from the holdings of the Morgan Library, the authors not only plot the chronological development of children's book publishing from almost random beginnings to the diversity of the early Victorian period, they also show how publishers adapted their trade methods to exploit this new market. Sweetness and light did not prevail everywhere, but, even in some of the most forbidding examples presented here, there was a commercial optimism that both merriment and wisdom might be happily combined, within the pages of children's literature. Co-published with the Pierpont Morgan Library, The Bibliographical Society of America, and The British Library.

Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 115.00 other currencies Order nr. 90644

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Cohen, Henri GUIDE DE L'AMATEUR DE LIVRES A GRAVURES DU XVIII SIECLE
(Mansfield Centre Maurizio Martino n.d. but circa 1997) thick 8vo. cloth. xxvi, 1247 pages.
Reprint of the sixth and best edition of this bibliography of French eighteenth-century illustrated books which was revised and enlarged by Seymour Dericci. Originally published in Paris by Librairie A. Rouquette in 1912.
Price: $ 90.00 other currencies Order nr. 53435

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Cooke, Simon ILLUSTRATED PERIODICALS OF THE 1860S: CONTEXTS & COLLABORATIONS.
New Castle, Delaware, Pinner and London, England Oak Knoll Press, The Private Libraries Association, The British Library 2010 7.25 x 10.75 inches Hardcover, dust jacket 224 pages
The 1860s are considered the "Golden Age" of illustrated periodicals, a time when the "knockabout" humor of the 1840s, which was dominated by illustrators such as Cruikshank, Doyle, and Phiz, gave way to a more considered style grounded in serious artistic principles, allowing for deeper expression and emotion in artistic output. The first book of its kind, Illustrated Periodicals of the 1860s, focuses extensively on the illustrated magazine as a distinct form.

Illustrated Periodicals provides a new and informative approach to the study of "sixties" periodicals, revealing the previously unstudied area of the complex interrelationships between the various parties involved in the production of these magazines: publishers, editors, artists, engravers, and authors. The book considers the effects of these relationships on creative output, both artistic and literary, and in so doing provides a detailed, historical reconstruction of the essential character of the periodicals of that era. The book includes over 120 reproductions of engravings and preparatory drawings, almost all of them original size.

Additionally, the text contains two appendices; the first includes a reflection of the work that goes into collecting and researching these periodicals. The second lists the key illustrators, engravers, publishers, editors, as well as magazines mentioned throughout the text, each including a brief description. This work is an informative and colorful choice for those interested in the history of periodicals, the production of magazines, and art.

Simon Cooke has written widely on the subject of Victorian art and literature. He received his doctorate from Exeter and his teaching qualifications from the Open University and the University of Leicester. Cooke is currently a teacher of English language and literature.

Available outside North and South America from The British Library.
Price: $ 75.00 other currencies Order nr. 103919

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(Crane, Walter) Masse, Gertrude C.E. BIBLIOGRAPHY OF FIRST EDITIONS OF BOOKS ILLUSTRATED BY WALTER CRANE
With a Preface by Heywood Sumner and a Frontispiece after G.F. Watts. (Mansfield Centre Martino Fine Books n.d. but 1999) 8vo. cloth. 60, (2) pages.
Reprint of the first edition published in London by The Chelsea Publishing Co in 1923 (Besterman 1516). An exceedingly scarce bibliography. 125 books are meticulously described, including cloth, states and other relevant information.
Price: $ 45.00 other currencies Order nr. 55630

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(Cruikshank, George) Cohn, Albert M. GEORGE CRUIKSHANK, A CATALOGUE RAISONNE OF THE WORK EXECUTED DURING THE YEARS 1806-1877 WITH COLLATIONS, NOTES, APPROXIMATE VALUES, FACSIMILES AND ILLUSTRATIONS.
Staten Island Maurizio Martino n.d. (but 1996) 8vo. cloth. xvi, 375 pages.
Reprint of the scarce 1924 first edition. Still the definitive work and guide on Cruikshank; with illustrations from books, separately produced prints, and a caricature of Cruikshank himself.
Price: $ 75.00 other currencies Order nr. 52677

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(Czech Design) THE CZECH AVANT-GARDE AND CZECH BOOK DESIGN: THE 1920S AND 1930.
AN EXHIBITION DRAWN FROM THE EMMA LINEN DANA CZECH AVANT-GARDE BOOK COLLECTION Madison, NJ Fairleigh Dickinson University n.d. (1996) 8.5 x 11.75 inches stiff paper wrappers. 50 pages, with a 5-page typescript index laid in the back.
The exhibition that formed the basis for this catalogue was commissioned by the Ginza Graphic Gallery in Tokyo in 1996 and drawn from the Fairleigh Dickinson University Library's Emma Dana Collection, as well as private collections. The exhibition and resulting catalogue examine one stream in Czech publishing between the wars - the work of the avant-garde. The examples on display demonstrate the links between Czech artists and the European avant-garde, which largely inspired them, and also make clear the Czechs' own special contributions to the international avant-garde movement. In addition, the exhibition places the work of the Czech avant-garde in context by the inclusion of a number of works by artists working in more traditional styles.

Includes a preface by James Howard Fraser and an introductory comment by Blanka Stehlikova, who also wrote an essay on "The Czech Avant-garde and Book Design: An Overview," and the catalogue of the exhibition. Includes full color reproductions of 89 items.
Price: $ 45.00 other currencies Order nr. 104056

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