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Book Design - Rogers, Bruce

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Book Design - Rogers, Bruce


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Auchincloss, Kenneth MAGNIFICENT OBSESSION, THE PRINTING OF THE BOSWELL PAPERS.
New York The Typophiles 1995 tall 8vo. stiff red paper wrappers, cord-tied. 23+(1) pages.
Typophiles Monograph - New Series Number 13. The story of the printing of the Boswell papers owned by Lt. Colonel Ralph Heyward Isham by Bruce Rogers. Limited to 800 copies printed at The Stinehour Press with design by Abraham Brewster at the Oliphant Press. Distributed for the Typophiles by Oak Knoll Press.
Price: $ 25.00 other currencies Order nr. 61930

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Currie, Kit, et al. ABE LERNER 1908-2002
New York The Typophiles 2003 8vo. stiff paper wrappers, cord-tied. 31+(1) pages.
Typophiles Monograph New Series #20. Known throughout the world of typography, Abe Lerner was a highly respected and talented typographer/book designer with links to the likes of the great Bruce Rogers. With a meticulous eye for detail and clean design, he was constantly working on new projects. With a career that landed him as the Director of Design and Production at Macmillan, President of the Typophiles, and lecturer at the Grolier Club in New York, Abe Lerner was certainly one of our finest typographic designers of the 20th century. Published as a tribute to this great typographer/book designer, this monograph is made up of nine short, nostalgic stories written about the man by friends and colleagues alike. They include Kit Currie, Ronald Gordon, Howard Gralla, Jonathan Hill, Eric Holzenberg, Roland Hoover, Martin Hunter, Herbert Johnson and Jerry Kelly. Also included is a poem written by Kenneth Auchincloss for a dinner honoring Abe Lerner at the Grolier Club, September 16, 1993. Distributed for the Typophiles.
Price: $ 30.00 other currencies Order nr. 75326

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(DePol, John) Brody, Catherine Tyler JOHN DE POL AND THE TYPOPHILES, A MEMOIR AND RECORD OF FRIENDSHIPS.
New York The Typophiles 1998 8vo. quarter blue cloth, patterned paper-covered boards. 101, (3) pages.
Typophile Chap Book - New Series Number Two. Limited to 500 copies designed by Dan Carr and printed in the original metal Monotype Dante on vintage Mohawk Letterpress Text by J. Ferrari & D. Carr at Golgonooza Letter Foundry & Press. Well-illustrated with reproductions of John DePol's wood engravings. Distributed for the Typophiles by Oak Knoll Press.
Price: $ 65.00 other currencies Order nr. 61927

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Kelly, Jerry. THE FIRST FLOWERING: BRUCE ROGERS AT THE RIVERSIDE PRESS, 1896-1912, WITH A CHECKLIST OF THE RIVERSIDE PRESS EDITIONS.
Boston Thomas G. Boss Fine Books 2008 5.75 x 8.75 inches cloth-backed paper covered boards, stamped in gilt with the Riverside Press logo. 95 pages
As Daniel Berkley Updike's successor, from 1896-1912, Bruce Rogers worked at Houghton Mifflin's Riverside Press. This history of Bruce Rogers' work while at the Riverside Press was taken directly from the archives of his letters. Included in this book is how Rogers came to produce the series called Riverside Press Editions, as well as other special and limited editions. These books were made with handmade paper and the finest ink available. This work includes a checklist of 102 books and broadsides Rogers designed for Houghton Mifflin and other publishers, including publication date and publication price, typeface, and edition size. Thirty-six color plates are printed in the final part of the book. Beautifully designed by Kelly and printed in a digital version of the Brimmer typeface. Edition of 500 of which 323 copies with this imprint were produced.
Price: $ 75.00 other currencies Order nr. 100315

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Pankow, David (Editor) AMERICAN PROPRIETARY TYPEFACES
New York American Printing History Association 1998 8vo. cloth 176, (4) pages followed by 38 plates.
This book is a fascinating survey of typefaces developed in America after 1892 and intended for composition in metal for the use of an individual or press. It includes essays by the following: Susan Otis Thompson on American Arts & Crafts typefaces, Martin Hutner on the Merrymount Press, Herbert Johnson on Bruce Rogers's Centaur type, Cathleen Baker on Dard Hunter's typefaces, Mark Argetsinger on Frederic Warde, Stanley Morison, and the Arrighi type, Jerry Kelly on Joseph Blumenthal's Spiral (Emerson) type, Dwight Anger on Frederic Goudy's Kaatskill type, W. Gay Reading on Victor Hammer's Uncial Types, John Kristensen on experimental types of W.A. Dwiggins, and Paul Hayden Duensing on contemporary private types. Limited to 600 regular edition copies set in Monotype Centaur and Bembo with text printed letterpress and the illustrations printed by offset lithography at The Stinehour Press. Designed by Jerry Kelly. Includes 66 illustrations at the end of the book.
Price: $ 50.00 other currencies Order nr. 97457

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(Pforzheimer, Carl H.) Unger, Emma V. and William A. Jackson CARL H. PFORZHEIMER LIBRARY, ENGLISH LITERATURE, 1475-1700.
3 volumes. New Castle, Delaware and Los Angeles Oak Knoll Press & Heritage Book Shop Inc. 1997 small 4to. cloth 1350 pages
Limited to 700 copies. Originally printed and limited to only 150 copies, this legendary three-volume work describes over 1,300 English literary rare books and manuscripts in the Carl H. Pforzheimer Library, one of the foremost American collections of early English literature, now housed at the Harry Ransom Humanities Research Center. The original catalogue, extremely difficult and expensive to find on the antiquarian market (normally priced around the $8,000 mark), fully describes all the books and manuscripts in Pforzheimer's collection of English literature, making it a most valuable reference for the scholar, researcher, librarian, book collector and bookseller. This work puts each description into various contexts: authorship, textual authority, sequence of editions and publishing history, reference concordance and rarity. The collection also gathers together the best books by the best authors in this period of English literature. Begun by Emma V. Unger and completed by William A. Jackson, the catalogue is primarily arranged in alphabetical order by author. Translations and anonymous books in most cases have been placed under the name of the translator or the attributed author. These can be readily found through full cross references and in the Index of Anonymous Books. In addition, a new addendum consisting of thirteen pages of books added later to the Library are included. Originally designed by Frederic Warde, Bruce Rogers completed the work with additional design and title pages after Warde's untimely death. After the acquisition of the Library by the University of Texas at Austin in 1986, many scholars, librarians and booksellers have urged the University to republish this catalogue. Now reproduced with great care and attention to quality, this new printing preserves Jackson's matchless style and Rogers's design. This edition is published jointly by Oak Knoll Press and Heritage Book Shop Inc. in a press run of 700 copies. The text is printed on quality 60 lb. Natural Smooth paper. The volumes are strongly bound in cloth with gold-stamped titles on the spines and the Pforzheimer monogram on the front boards.
Price: $ 350.00 other currencies Order nr. 46580

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(Rogers, Bruce) Mansbridge, Georgia. BRUCE ROGERS: AMERICAN TYPOGRAPHER.
New York The Typophiles 1997 small 8vo. cloth. xiii, 95, (3) pages.
Limited to 500 copies. Chap Book, New Series, Number One. Short biography of Bruce Rogers (1870-1957), a reprint of the 1965 Master's Thesis by Mansbridge, who was acquainted with Mr. Rogers during the last decade or so of his life. (Facing the title page is a photo of the author and Mr. Rogers.) There is no discussion of books designed by Mr. Rogers, but a concluding chapter quotes various comments, positive and negative, by others on the work of Rogers. Concludes with notes, primary and secondary bibliographies (not updated since the original publication). Printed at the Stinehour Press. Bruce Rogers' colophon device is gilt-stamped on the front cover. Distributed for the Typophiles by Oak Knoll Press.
Price: $ 85.00 other currencies Order nr. 61160

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(Society of Printers) Kosofsky, Scott-Martin (editor) THE SP CENTURY: BOSTON'S SOCIETY OF PRINTERS THROUGH ONE HUNDRED YEARS OF CHANGE.
Charlestown and Boston, MA and New Castle,DE Society of Printers, Boston Public Library, Oak Knoll Press 2006 6 x 9 inches cloth, leather inset label with SP logo 268 pages
This beautifully produced volume celebrates the centennial of Boston's Society of Printers, the oldest honorary society of its kind in America. Founded in 1905 by such luminaries as Daniel Berkeley Updike, Bruce Rogers, Henry Lewis Johnson, Carl Purington Rollins, and William Dana Orcutt, the Society's dedicated membership over the years has included the likes of William A. Dwiggins (who in 1922 actually coined the term "graphic design"), Rudolph Ruzicka, John Howard Benson, Ray Nash, Roderick Stinehour, Dorothy Abbe, Hermann Zapf, Philip Hofer, Leonard Baskin, and Matthew Carter.
The book's ten original essays cover unusually broad ground for such a publication, not only delving into the Society's history and Boston's, but also into more philosophical terrain, examining questions such as the definition of printing itself, the political and sociological worlds of some prominent members, and the grand-scale game of "musical chairs" played by those who have called themselves "printers" over the past hundred years. An essay on type and lettering design among the SP membership and its circle is especially rich, comprising interviews with leading practitioners and including information on these crafts that cannot be found elsewhere. A review of a century of meeting announcements is a microcosmic history of American graphic design and printing techniques in the 20th century. Also examined are the habits of the great book collectors among the Society's members, and the distinguished group who have continued in the realm of handmade books and fine letterpress printing.
The authors are all noted scholars and practitioners: Lance Hidy, Jean Evans, Eleanor M. Garvey, James E. Mooney, Barry Moser, Katherine McCanless Ruffin, Darrell Hyder, Al Gowan, Victor Curran, and Scott-Martin Kosofsky. The designer of the book is the renowned Roderick Stinehour, who contributed a colophon that is a fine essay in its own right. Scott-Martin Kosofsky, well-known designer and author of Judaic works, edited the volume. As one might expect from a book produced by and for The Society of Printers, the Design and Execution are exceptional. The illustrations have been rendered in stunning four-color tone, making everything from the black-and-white images to the full color illustrations crisp and eye-catching. Co-published with The Society of Printers and The Boston Public Library.
Price: $ 45.00 other currencies Order nr. 92255

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(Typophiles) Rogers, Bruce. A BR QUARTET, LETTERS FROM BRUCE ROGERS TO THOMAS BIRD MOSHER AT THE HOUGHTON LIBRARY.
New York The Typophiles 2001 8vo. stiff paper wrappers. (vi), 19, (3) pages.
Limited to 500 copies. Typophile Monograph, New Series, Number 17. Set in Linotype Caslon Old Face and printed by the Ascensius Press in Portland, Maine. Historical introduction by Philip R. Bishop, followed by transcripts of the letters.
Price: $ 35.00 other currencies Order nr. 64743

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Updike, Daniel Berkeley PRINTING TYPES, THEIR HISTORY, FORMS AND USE
2 volumes in one. New Castle, Delaware Oak Knoll Press 2001 6.5 x 9 inches hardcover, dust jacket 1,088 pages
Third edition, reprinted with new introduction by Martin Hutner. This extraordinary work explores the art of typography from the dawn of printing to the twentieth century. By tracing the development of type design, Updike discusses the importance of each historic period and the lessons they contain for today's designers. The original two-volume set has been combined into one book containing the original 367 typographical illustrations selected from rare and beautiful books. Updike's well-written text constitutes a running commentary on the historical and artistic significance of these illustrations, which exemplify the best work of printers and type founders from Gutenberg to Bruce Rogers. In Volume I, Mr. Updike discusses the Latin alphabet, the invention of printing, the cutting and casting of types, fifteenth-century types in Germany, Italy, France, Spain, and England, as well as German, Italian and French types of the sixteenth, seventeenth, and eighteenth centuries. Volume II continues the discussion of types to the beginning of the nineteenth century and then describes American types and nineteenth-century types in general. The closing chapters on choice of type and the industrial conditions of the past and their relationship to problems printers face are very informative. Co-published with The British Library.
Price: $ 85.00 other currencies Order nr. 63429

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