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Antiquarian (324)

Private Press

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(Press of Robert LoMascolo) Bierce, Ambrose THE OCEAN WAVE.
N.P. Press of Robert LoMascolo 2011 4to. quarter cloth, decorated paper-covered boards unpaginated
Limited edition of 60, signed by LoMascolo. Bierce (1842-1913) was an American journalist, short story writer and satirist. Hundreds of handset ornaments printed using gold thermography, and many hand-modified and carved ornaments and decorative capitals. Set in 16pt Lucretia Italic, and utilizes many swash characters available only in metal. Open caps are hand-carved Caslon, modified with a graver. Dolphins are a new cutting based loosely on an ornament designed by Bruce Rogers. Account of 19th century nautical adventures.
Price: $ 500.00 other currencies Order nr. 114258

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(Private Press) OAK KNOLL FEST 1995.
New Castle, Delaware Oak Knoll Press 1995 cloth portfolio with paper cover label containing 17 10" x 15" letterpress printed posters issued in celebration of Oak Knoll Fest 1995 held in New Castle on October 7th.
Issued in only 65 sets of which 46 are for sale. Each private press printer was given the same text to incorporate in a poster celebrating this private press book fair. They added their own design concepts and illustrations and chose their own type and paper. Posters were included by the following participants: Alembic Press, Ascensius Press, Bird & Bull Press, Bowne & Co., Caliban Press, Endgrain Press, The Hill Press, Larkspur Press, Midnight Paper Sales, The Old Stile Press, Out of the Woods Press, Pentagram Press, Perpetua Press, Previous Parrot Press, Stephen Heaver, Stone House Press, and Whittington Press. With some stunning uses of color. Posters show wood engravings by Gaylord Schanilec, John de Pol, and Peter Foster; an engraving by Gwenda Morgan; a woodcut by Stan Dobbin; and a linoleum cut by Gregor Campbell. Also features a quote from Merce Dostale.
Price: $ 225.00 other currencies Order nr. 42561

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(Private Press) OAK KNOLL FEST X 2003
New Castle, DE Oak Knoll Books 2003 cloth portfolio with paper cover label containing 33 10" x 15" letterpress printed posters issued in celebration of Oak Knoll Fest 2003 held in New Castle on October 3-5.
Issued in only 125 sets of which 94 are for sale. The thirty-three broadsides display a broad range of design and printing methods. Organized by Graham Moss, each private press printer chose their own text and design scheme. The presses include: Aardvark, Alembic, Barbarian, Bird and Bull, Bombshelter, Celtic Cross, Editions du Silence, Fleece, Gwasg Gregynog, Harsimus, Incline, Inky Parrot, Kat Ran, Lark Sparrow, Lone Oak, Midnight Paper Sales, Ninja, Old School, Michael Peich, Perpetua Press, Pre Nian, Robin Price, Rampant Lions, Shanty Bay, Sherwin Beach, Tern, Walking Bird, Warwick, Whittington, Woodside, and Yellow Barn. The portfolio was designed by Campbell-Logan Bindery, and the title page and colophon were printed with type cast by Theo Rehak. Included are "The Apple Orchard" by Dana Gioia, excerpts from Daniel Berekley Updike's "The Practice of Printing," C.P. Cavaky's "Awaiting the Barbarians," Hansard'sTypographia, W.S. Merwin's "To the Book," "Ten Rules for Tea," "How to Dun a Deadbeat Book Customer," and quotes from James Carr and Oliver Goldsmith. Also features the Jane Lydbury engraving "Dr Donne's Devotions Disturb'd."
Price: $ 200.00 other currencies Order nr. 75147

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(Russell Maret) THE BOOK OF JONAH.
(New York Russell Maret 2012) oblong 4to. quarter cloth, decorated paper-covered boards unpaginated
Limited to 80 numbered copies, signed by Maret. The Old Testament Book of Jonah, King James translation, set in the 24pt Nicolas typeface, designed by Maret, in "migrating shades of blue ink," printed on Twinrocker hand-made paper. Bound by Nancy Loeber. A four page prospectus laid in offers a summary of the book of Jonah with Maret's opinion of its meaning. The prospectus also includes a tipped-in sample of the text.
Price: $ 400.00 other currencies Order nr. 114373

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(Russell Maret) Gehl, Paul F. A MEDITATION IN ROME.
New York Russell Maret 2012 folio quarter cloth, decorated paper-covered boards 27, (5) pages
Limited to 110 numbered copies of which ten are proofs. Comprises the script from which the author read his address "How Can Type History Be Good History?" to the plenary session of ATypI Roma on September 20, 2002. An exploration of historical honesty in typographic revivalism. Frontispiece foldout color photograph of the Pantheon in Rome. Color illustrations tipped in throughout text. Printed on Hahnemühle Biblio paper by Maret and Nancy Loeber in the digital versions of Rusell's Gremolata and Cancellaresca Milanese typefaces. Covers feature a paper printed from a new metal type ornament designed by Maret, engraved and cast for this book by Micah Currier. Listing of the author's references and credits. Prospectus and card from the publisher laid in.
Price: $ 250.00 other currencies Order nr. 114370

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Limited Edition Fine Press Book with Tipped-in Specimens

(Seymour, Edward) Berger, Sidney E. EDWARD SEYMOUR AND THE FANCY PAPER COMPANY: THE STORY OF A BRITISH MARBLED PAPER MANUFACTURER
New Castle, Delaware Oak Knoll Press 2006 6 x 9 inches hardcover, quarter leather binding w/ slipcase 104 pages
This book, limited to an edition of 300 copies, tells the story of Edward Seymour and his firm, The Fancy Paper Company. This British company manufactured marbled and other decorated (fancy) papers for the bookbinding and related industries from about 1919 to 1971. With eighteen illustrations showing their methods and copies of correspondence, and twenty tipped-in, original examples of their many fancy papers, this work is a well-researched text about one of the last English marbled paper manufacturing firms.

Dr. Berger shares with his readers the vicissitudes of the company's fortunes, the personal lives of its owners, and the often touching correspondence he found among its business records. The author also informs us of the salaries, costs of doing business, and the unique demands of bookbinders for the company's products. The work ends with Edward Seymour's valiant efforts to keep the company afloat in the early 1970s.

This edition is published in the best tradition of the fine press book. It was typeset in hot metal, hand printed on 120 gpm, archival paper, and bound in quarter leather with slipcase by Manoutios Press of Athens, Greece.
Price: $ 150.00 other currencies Order nr. 90944

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(Sore Dove Press) Ferlinghetti, Lawrence BASEBALL CANTO.
San Francisco Sore Dove Press 2013 broadside, 7 1/2 by 17 inches leather clamshell box
Limited lettered edition signed by the author. Published by Soheyl Dahi, editor and publisher of the Sore Dove Press. A poem first written in 1973, mentioning Giants stars Willie Mays, Tito Fuentes, and Juan Marichal, reflecting the ethnic diversity and tensions of baseball in San Francisco. Sore Dove Press is noted for publishing poetry chapbooks and broadsides, mostly in small editions. Broadside and an official major league baseball signed by the poet laid in.
Price: $ 250.00 other currencies Order nr. 116114

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(Sore Dove Press) Hirschman, Jack TALKING LEAVES, 1979.
San Francisco Sore Dove Press 2013 4to. leaves laid in cloth clamshell box unpaginated
Limited to 30 numbered copies, signed by the author. Designed and published by Soheyl Dahi, Sore Dove's editor and publisher. Sore Dove is noted for publishing poetry chapbooks and broadsides. In December 1978, the author and others formed the Union of Street Poets. This work is a collection of Hirschman's poetry, illustrated with artwork by Kristen Wetterhahn. Hirschman wrote a poem weekly, commencing in January through the first week of June 1979. This work was published by Sore Dove in memory of the Union of Street Poets, designed to "evoke the excitement of North Beach in those years."
Price: $ 200.00 other currencies Order nr. 116113

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(Tern Press) Carr, J.L. DICTIONARY OF ENGLISH QUEENS, KING'S WIVES, CELEBRATED PARAMOURS, HANDFAST SPOUSES & ROYAL CHANGELINGS.
(Market Drayton) Tern Press 2003 8vo. cloth, paper spine label, cloth slipcase (40) pages
Printed in an edition of 25 copies in Delphil types and illustrated with original lithographs by Nicholas Parry. The text was first published in 1977.
Price: $ 250.00 other currencies Order nr. 75315

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one of 30 copies

(Tern Press) Griffiths, Bill HISTORIES
N.P. Tern Press 2004 small 4to. quarter cloth with patterned paper-covered boards and paper title label on spine (30) pages
Printed in an edition limited to 30 numbered copies. The poem by Griffiths explores timeless ideas of what the world was like through time, before art and before difference. His poem is lyric, expressive and dense. Fairly abstract color illustrations punctuate the sparce text. Front board with multicolored patterned paper and the title printed in red. Half title page printed in red. Signed by Nicholas and Mary Parry. Some uncut edges.
Price: $ 175.00 other currencies Order nr. 78653

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(Tern Press) Griffiths, Bill. THE PHOENIX.
Market Drayton, Shropshire Tern Press 1998 4to. quarter cloth, decorated paper-covered boards, paper spine and front cover label. (74) pages.
In a limited edition of 95 numbered copies, signed on colophon by the illustrators. The anonymous Anglo-Saxon author of the Old English poem "Phoenix," possibly a monk acquainted with a 4th-century Christian Latin poem on this ancient myth, emphasized the themes of death and resurrection. This modern translation by Bill Griffiths employs "a loose alliterative chaining...to give some idea of the sound structure that unites the Old English poetic form." Well-illustrated with 20 lithographic plates by Mary and Nicholas Parry of the Tern Press. Some two-color text printing.
Price: $ 275.00 other currencies Order nr. 53499

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(Thomas, Peter & Donna) WHERE THE CROSSING HAPPENS.
Santa Cruz, CA Peter & Donna Thomas 2008 8vo decorated cloth folder unpaginated
Limited to 38 numbered copies. Where the Crossing Happens. Compiled and edited by Peter and Donna Thomas. A portfolio of 13 broadsides with words or poems from poets in residence at the fourth session of Naropa Universitys Summer Writers Workshop in 2008, printed by Peter and Donna Thomas and their students at the Universitys Press during the Thomass class The Word Made Flesh (well actually paper).

The dowel spine portfolio binding (developed by the Thomases and described in their book More Making Books by Hand) is decorated with a unique acrylic print (made indirectly from metal type) measures 6.75 tall by 5.25 wide. The binding has two pockets holding 15 letterpress printed broadsides (13 signed by poets, one title page, one colophon signed by all printers). 32 letterpress printed in different type faces on a differently colored sheets of Canson Mi Tientes Paper. Six copies on Peter Thomas's handmade paper.

Poets included in collection: Sawako Nakayasu, Ilya Kaminsky, Rikki Ducornet, Forrest Gander, Anna Moschovakis, Bob Holman, Anne Tardos, Dodie Belllamy, Steven Taylor, Brian Evenson, Kevin Killian, Raymond Federman, Pierre Joris.
Price: $ 250.00 other currencies Order nr. 107370

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Thomas, Peter BIKUPAN, THE STORY OF A TRIP TO VISIT A HAND PAPER MILL IN SWEDEN, WITH A BIT OF HISTORY ADDED IN FOR GOOD MEASURE.
Santa Cruz Peter & Donna Thomas 1992 small 4to. quarter blue leather over marbled paper-covered boards, slipcase. (viii), 13, (3) pages.
Limited to 119 numbered copies printed by hand by Peter and Donna Thomas on paper handmade by Peter using white and black rags with blue pigment. Thomas visited the Lessebo mill in Sweden, a mill which had first started manufacturing paper in 1693. In addition to describing what he found there, Thomas gives a history of papermaking in Sweden. Tipped-in are six samples of paper from Lessebo, one made in 1990 and the rest during various times in the 20th century.
Price: $ 350.00 other currencies Order nr. 36707

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(Tideline Press) Fraser, James H. EXLIBRIS DESIGNS FOR SPECIAL COLLECTIONS
Tideline Press 2010 8vo cloth covered boards, paper spine, 4 leather cords over spine 53 pages
One of 21 copies. Signed by Leonard Seastone.
Price: $ 800.00 other currencies Order nr. 108202

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(Tideline Press) Seastone, Leonard GOOSEBERRY CREEK.
N.P. Tideline Press 1987 8vo. cloth folding case with ivory ties and pictorial paper-covered inner covers holding the book. The book was produced as a long accordion-shaped book with die cut areas and printing of the text on alternate pages with a background of the scenes along the creek and four mounted Platinotypes by David A. Hanson also showing scenes along the creek.
Limited to 65 numbered copies signed by Hanson and Jack Fitterer who provided the interesting binding and portfolio. Printed by Leonard Seastone at his Tideline Press. An excellent example of combining book printing, illustration, and binding.
Price: $ 350.00 other currencies Order nr. 41254

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(Verdigris) Rouanet, Marie MAGIE BLANCHE
(Octon) Verdigris 2006 folio loose sheets housed in a clamshell box not paginated
Limited to an edition of thirty, of which twenty-five were for sale. Marie Rouanet's text was inspired by ten mezzotints (eleven plates) by Judith Rothchild and the spirit of the restaurant, The Mimosa, created by Bridget and David Pugh. The book is comprised of a suite of prints and text in loose sheets of Hahnemuhle paper. The text was printed letterpress on an Albion press by Mark Lintott. The boxes are covered in Fabriano Ingres screen printed with mimosa leaves. The colophon is signed by the author and artist and the prints are initialed by the artist.
Price: $ 1,750.00 other currencies Order nr. 95958

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(Whittington Press) Anderson, Andrew A VISION OF ORDER, 32 LINOCUTS BY ANDREW ANDERSON.
(Lower Marston Farm, Risbury) Whittington Press 2011 22 x 15 inches quarter buckram and paper covered boards, slipcase 64 pages
Andrew Andersons astonishing linocuts are an arresting mix of image, lettering and symbolism. The images show strong influences of his background as an architect with a particular interest in mediaeval architecture; the lettering brings Eric Gill to mind, but with an added fluency and versatility; and much of the symbolism comes from his involvement with cathedral and church architecture. He has written about his work in MATRIX 28, pp. 9.

He combines these three elements with immense skill and with a rare dedication, and yet his images have an astonishing vibrance and magnetism. Little known or seen over the years, hampered perhaps because of their size and the artists preoccupation with his architectural work, they appear here for the first time in a readily accessible form, each with a note by the artist explaining its content and symbolism.

The large format of A VISION OF ORDER allows most of the prints to be tipped in unfolded. Like our Posters published in 1996, it will be a monumental volume in its own right, set in a large size of the Caslon type for which the Press has become renowned. Tom Mayo, who will be doing much of the printing of this large and unusual project, will be posting a blog giving an illustrated report of its progress.

Available Summer 2011
Price: $ 525.00 other currencies Order nr. 107015

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(Whittington Press) Bishop, Hal. LOST & FOUND
Risbury, Herefordshire Whittington Press, The. 2010 8vo. half-bound in buckram and paper 112
Trade edition, one of 225 copies. Lost and Found will show all sixteen of the blocks for The Mill on the Floss for the first time, as well as reconstructing the larger palimpsest images on the reverse of the blocks. As Hal Bishop remarked in Matrix 26, 'Despite the loss of the short central section of each block, Rachel's compositional whole is easily reconstructed by the eye.'

The book will also include eighteen of her wonderfully energetic earlier engravings, showing how her style developed before she began The Mill on the Floss. Lost and Found tells the story of sixteen powerful illustrations that have remained hidden for nearly sixty years, and the highly unusual images that were sacrificed unneccessarily in the process. It brings to light the work of one of the century's most original engravers, whose work is little known partly because her financial independence made her relatively unconcerned about publicising her work.

Limited to 185 trade editions which are bound in buckram and decorated paper sides.
Price: $ 216.00 other currencies Order nr. 105220

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(Whittington Press) Gerry, Leslie and Robin Llywelyn PORTMEIRION
DELUXE EDITION (Lower Marston Farm, Risbury Whittington Press 2008 4to. paper covered boards, clamshell box
This deluxe edition contains a 23" x 33" foldout illustration, 8 loose 12" x 16" illustrations, and a custom clamshell box.

Portmeirion is the extraordinary Italianate village created by the architect and town-planner Clough Williams-Ellis on a remote peninsula in North Wales.

The double-spread images in Portmeirion brilliantly capture its architectural eccentricities in a pageant of colour created by the artist in the form of a series of seven original prints drawn on an electronic tablet, a technique he has exploited that is in many ways the successor to the Jean Berte and pochoir processes in that it achieves its effects by superimposing layers of flat colour on top of one another.

Clough's grandson, Robin Llywelyn, who spent much of his childhood at Portmeirion, provides a vivid and concise commentary on each scene, tracing the development of the village from its beginnings in 1925 and describes how Clough put 'fallen buildings', rescued from demolition before and after the war, to brilliantly creative use in his uniquely bizarre concept of Portmeirion.

The images are printed by the artist on Somerset mould-made paper, and the text, on alternate openings, is set in 24-point Caslon and printed on a heavyweight Zerkall chamois geglattet mould-made paper in a threadless zig-zag binding.
Price: $ 440.00 other currencies Order nr. 103752

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(Whittington Press) Macgregor, Miriam MIDWINTER
Lower Marston Farm, Risbury Whittington Press 2012 large 8vo decorated paper covered boards, slipcase 32 pages
One of 185 numbered trade copies. In February 2009 the north Cotswolds were covered by a brief but deep fall of snow. A fairytale landscape of changing shapes and patterns appeared overnight. Beside the predictable snowman on the village green, there was even a habitable igloo. Miriam Macgregor at once ventured out into this unfamiliar snowscape with sketchbook and camera, and these engravings, mostly full-page, are the ideal medium for their subject. This is the third book of Miriam's engravings in which all the subjects are within walking distance of her cottage.

Hand-set in 16 point Centaur and printed on Zerkall mould-made paper, with 24 wood-engravings, in an edition of 255 copies.
Price: $ 216.00 other currencies Order nr. 115190

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(Whittington Press) MATRIX 21 WINTER 2001.
A review for printers and bibliophiles. Herefordshire Whittington Press 2001 small 4to. paper-covered limp boards, dust jacket with two color wood engraving (vi), 238 pages, with additional pages of plates and other materials
Printed in an edition limited to 825 copies, this being one of 745 copies which are bound in stiff paper wrappers. This issue of Matrix contains thirty articles including "Memories of an Apprentice Typefounder," by James Mosley, "Engraving a Dead Man," by Gaylord Schanilec, "Cockerel's Forgotten Partner, and Eric Gill's Last Commission," by Roderick Cave, "Frederic Prokosch: a Passion for Self-Publishing," by James Lorson, "Book-jackets," by Michael Harvey, "Earth Pigments in Plant Papers," by Maureen and Brian Richardson, "., ; : ' ( ) ! ?" by John Grice, "Private Press Books 2000: a Review," by David Chambers and more. Illustrated throughout with photographs, wood engravings, and sample papers as well as an extensive variety of tipped-in specimens printed on special papers. The two-color wood-engraving on the dust jacket is "Blacksmiths II," by Rachel Reckitt. Prospectus for the Matrix index scheduled for publication in 2002 is loosely laid-in.
Price: $ 202.50 other currencies Order nr. 69493

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(Whittington Press) MATRIX 28
(Lower Marston Farm, Risbury Whittington Press 2009) 4to. half leather, slipcase (vi), 180, (2) pages plus portfolio of photographs
One of 70 copies of the deluxe version bound thus. The separately issued portfolio contains a suite of photographs by Janet Stone of Myfanwy Piper, Lord David Cecil, Geoffrey Keynes, Sylvia Townsend Warner, Julian Huxley, Doublas Cleverdon, L.P. Hartley & Laurence Whistler. Matrix is the longest surviving and probably the last typographical journal to be printed by letterpress. It is an eclectic mix of fine printing, type design, and small press lore, forming a record of events and personalities whose memory would otherwise have died with their recorders. It is no exaggeration to say that in the future it will be impossible to research fine printing without reference to Matrix. This issue contains essays by Alan Powers on The Curwen Story, Andrew Anderson on Eric Gill, Humphrey Stone on the photographers, Janet Stone, David Hughes on the Baynard Press, James Fergusson on The Amate Press, Michael Harvey on Janet the Typeface, Hal Bishop on Ronald Salmond, John Randle on The Offizin Haag-Drugulin, Jerry Cinamon on Leipzig rambling, Andrew Dolinski on Poltawski, Barbara Henry on producing the Vandercook Book, Katherine McCanless-Ruffin on The Shinola Vandercook, and many more. Illustrated throughout with many tipped-in specimens on special paper, engravings, photographs. color plates, etc. Card regarding Matrix 29 loosely laid-in.
Price: $ 605.00 other currencies Order nr. 103108

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(Whittington Press) MATRIX 29
(Lower Marston Farm, Risbury Whittington Press 2010 4to. stiff paper wrappers 200 pages
One of 725 copies. MATRIX 29 is already overflowing with plans for topics that include the Hunt type designed by Hermann Zapf (with a specimen of the type in its three sizes on mould-made paper); wood-engravings from a pilgrimage to the south of France; the Firefly Press in Massachusetts; the Architectural Review; Monotype at the Bixlers; wood-type in America; David Godine, the Letterpress Years; Stinehour Press; Tirzah Ravilious; letterpress in Brazil; Robert Harling; Scotch Roman; the Occasional Print Club; Italian Futurist types; the creative possibilities of ad hoc letterpress printing; the golden age of 1960s publishing; and an item currently being vetted by MI5. A particular feature of MATRIX 29 will be the many letterpress inserts from around the world (Italy, USA, Canada, Brazil, UK).
Price: $ 250.00 other currencies Order nr. 105545

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(Whittington Press) MATRIX 30
Herefordshire Whittington Press 2012 small 4to stiff paper wrappers 109 pages
Trade edition. Matrix 30, which celebrates the fourth decade of the series. Its customary diverse range of topics includes Kenneth Tynan, the diaries of Tirzah Ravilious, letters from Edward Gordon Craig to his grandson, the Septentrio Press, wood type from the Hamilton Type Museum, printers obituaries, Brazilian favela printing, the Art and Technics series, Klingspor Typefoundry, engraving on the Mississippi, Rowley Atterbury and the Westerham Press, the wood-engravings of Geoffrey Miller, and much else besides, including a rich and varied mixture of broadsides, engravings and prints.

Matrix...a clear and spacious attic, whose dormer windows overlook fields and trees, and in which one comes across new or forgotten, sometimes exotic, treasures.
LINDSAY NEWMAN

...that annual miracle. THE BOOK COLLECTOR

Matrix describes doings by people with great skill. But the real, and enduring strength and greatness is there is not a whisper of greed or commercialism. WILLIAM MASLAND, ARIZONA

Hello again Rosalind, ... I woke up tonight and panicked...I thought Matrix 29 should have been out already and that I missed it!! What a nightmare ... Anyway, I look forward to it, now that I have calmed down...
ULF ENGLEHARDT, STOCKHOLM
Price: $ 250.00 other currencies Order nr. 109175

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(Whittington Press) Pissarro, Lucien PASTORALE, WOOD-ENGRAVINGS BY LUCIEN PISSARRO, WITH AN INTRODUCTION BY JOHN BIDWELL, & A MEMOIR BY MIRIAM MACGREGOR.
(Lower Marston Farm, Risbury) Whittington Press 2011 8vo quarter cloth, paper-covered boards 24 pages
One of 160 copies made on Batchelors Crown and Sceptre paper, quarter-bound in pre-war Fabriano Ingres printed sides, in a slipcase. In 1965, Orovida, the daughter of Lucien Pissarro who started the Eragny Press with his wife Esther in 1894, presented most of her father's wood-engravings, and his book of proofs, to the Ashmolean Museum in Oxford. This edition of some of Lucien's finest engravings was printed at the Whittington Press from the original blocks and was issued to mark an exhibition of the work of the Eragny Press at the Ashmolean in early 2011. Four engravings are printed in colour using a technique pioneered by Lucien using pale and subdued colours to build up images of great charm and subtlety. A unique memento of a much loved and collected early private press, whose small editions are increasingly hard to find.
Price: $ 250.00 other currencies Order nr. 107017

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