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Antiquarian (59)

Fine Press Books - Twenty-First Century

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Fine Press Books - Twenty-First Century

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(Alembic Press) Bolton, Claire 14-LINE TUSCAN CONDENSED.
Marcham, England The Alembic Press 2001 miniature book (3 x 3 3/4 inches) paper-covered boards, paper cover label Two accordian folded strips fit together with slots
Limited to an edition of 40 numbered copies. The maker of the ornate wooden type used to create this small volume is unknown. The upper case letters were printed in blue and brown on separate strips of paper that were accordian folded and slotted together in a zig zag pattern. Designed, printed and bound by Claire Bolton.
Price: $ 65.00 other currencies Order nr. 64595

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(APHA) VERSE INTO TYPE: THE APHA POETRY PORTFOLIO.
New York American Printing History Association 2006 8vo. contributions loosely inserted in cloth clamshell box, paper spine label.
Various typographic arrangements of seventeen poems, both contemporary and classic, using a variety of typefaces, colors, formats, and papers, all printed letterpress. The poems were selected by the printers. Contributors include Mindy Beloff, Robin Price, Sandy Connors, Barbara Henry, Ed Colker, Ron Gordon, David Pankow, Jerry Kelly, Kay Michael Kramer, Michael Peich, Gaylord Shanilec, Jack Stauffacher, Michael Russum and Carolee Campbell. The printed poems are housed in a handmade traycase made by Judi Conant. Limited to 225 copies.
Price: $ 200.00 other currencies Order nr. 97456

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(Bird & Bull Press) Bachaus, Theodore THE BOOKSELLERS OF SAN SERRIFFE.
Port Clarendon San Serriffe Publishing Company 2001 8vo. quarter leather with green leather spine label, slipcase. 89, (10) pages with various leaves with tipped-in plates.
First edition, limited to 200 numbered copies. Those of you who were impressed by Dr. Bachaus's earlier book on the Private Presses of San Serriffe will be absolutely shattered by this in-depth survey of the booksellers of San Serriffe. The book has an historical introduction by Dr. Bachaus, which is followed by chapters on Hobart Flock of Hoki-Nol Books (hmm!), Ki-flongian Booksellers, Ltd., Grandiloquent Bookshop, Cloacina Books, St. Luke's Paper Mill and Bookshop, Contre Kook Mail Order Books, and Exterminator Books. Contains tipped-in photographs, a fold-out broadside, and three woodcuts by Wesley Bates (including one showing Robert and Mildred Flederbach in front of Hoki-Nol Press Books). The book is accompanied by a prospectus, and a letter from Dr. Bachaus to the purchaser of the book talking about the book, and enclosing four commemorative stamps from the Republic of San Serriffe inserted in an envelope with a canceled stamp.
Price: $ 300.00 other currencies Order nr. 62199

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(Bird & Bull Press) Bates, Wesley W. IN BLACK & WHITE
A wood engraver's odyssey Newtown, PA Bird & Bull Press 2005 8vo. Japanese cloth, cloth-covered slipcase (iv),74, (4)
Limited to an edition on 140 copies, the book is printed on Zerkall moldmade paper. It records in words and art Bates' journey from neophyte to master wood engraver. In addition to wood, Bates' work includes the medium of scraperboards, which produces an image that can appear to be a wood engraving. The process is explained and a comparative example is included. Also included is a fold-out 4-color woodcut print which was made for a book Bird & Bull published in 2001.
The wood engravings of Wesley Bates have reached an international audience. His works are held in collections in his native Canada, the US, Great Britan, Ireland, Australia, Spain and Japan. In 1999, nine of his works were presented to China by the province of Ontario. Beyond his numerous solo and group exhibitions, his pieces have illustrated books for several major publishing houses and fine press publishers.
Price: $ 275.00 other currencies Order nr. 79830

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(Bird & Bull Press) Bregman, Alvan EMBLEMATA
The Emblem Books of Andrea Alciato. A Leaf Book with Eight New Emblems by Henricus de Nova Villa Newtown, PA Bird & Bull Press 2007 8vo. quarter morocco, Japanese cloth sides, cloth slipcase, leather spine label, paper label bearing emblem on top board (vi), 128, (14) pages plus leaf
One of 124 bound thus, of 140 copies, with an original leaf. The original leaves included are taken from the 1589 Paris edition of the Alciato emblem book. From the prospectus: "During the late Renaissance, the most famous professor of law in all of Europe was Andrea Alciato (1492-1550) of Milan. ...Almost accidentally, he was responsible for creating a whole new genre of publication consisting of text and image, known as the emblem book. Alciato's emblems were built upon the Latin epigrams he liked to write as a learned pastime. ...Surprisingly, however, there are few books in English devoted to Alciato or to his emblems. No separate overview of Alciato's life and writing is known. In addition to the history of the emblem books, the author provides much personal information that illuminates the character and personality of Alciato. Alvan Bergman has written an illustrated text on the subject usually directed to scholarly specialist, but he has done so in a way that is engaging and informative to the non-specialist reader. " The eight contemporary emblems are illustrated by Wesley Bates's wood engravings are included as an Appendix.
Price: $ 450.00 other currencies Order nr. 94029

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(Bird & Bull Press) Campbell, Gregor R. SON OF THE BOOKBINDER, WITH AN APPENDIX SHOWING SAMPLES OF SOME OF THE FINEST BOOKCLOTHS MANUFACTURED TODAY
Newtown, PA Bird & Bull Press 2004 8vo. full cloth imported from Japan, leather spine label with the appendix volume containing the cloth samples bound in a different fine cloth, both enclosed in a cloth-covered slipcase 81,(3); pages; appendix volume has five heavy board leaves on which are mounted the samples.
Limited to only 170 numbered copies printed on Frankfurt Mouldmade paper in Bell types composed by Michael and Winifred Bixler, bound by the Campbell-Logan Bindery and printed by hand by Henry Morris at his Bird & Bull Press. The fascinating story of edition binding in America seen through the eyes of the son and eventual owner of Allan Campbell's bookbinding business. Greg describes how the library binding and edition binding business has changed over the last 50 years through the mechanization of a business that had changed very little since the times of Gutenberg. Also mentioned are aspects of exhibition binding and restoration. There are interesting peeks at some of the noted fine binders, private press owners and other edition binders practicing over the last 50 years including Henry Morris, Harry Duncan, Gerry Lange, George Baer, Bill Anthony and many others. The book ends with a description of the fancy cloth import business that regularly has supplied the cloth for private press printers in America. The appendix volume contains 60 actual samples of these cloths imported from Japan, Holland, Germany and Italy. Sample portfolios of such bookcloths are costly to produce and are usually restricted to binders or publishers. The appendix offers a rare look at a collection of some of the finest book cloths made today. This book is sure to be of interest to anyone who collects press books or is interested in the development of this form of bookbinding.
Price: $ 450.00 other currencies Order nr. 75980

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(Bird & Bull Press) de Nova Villa, Henricus SO LONG, HOT-METAL MEN
The Comprehensive Bird & Bull Type Specimen Book Newtown, PA Bird & Bull Press 2007 small folio quarter morocco, slipcase (x), 117, (3) pages
Limited to an edition of 140 numbered copies. This book represents a full year of daily work creating a type specimen book that not only shows type faces ranging from the very rare to the common but also contains wonderful Henry Morris quotes composed in type. While there are serious entries, many, if not most, exhibit Morris's finely-tuned humor. How often does one get immense reading pleasure, to say nothing of a good laugh, from an exquisitely executed type specimen book? The alphabets shown range from the gargantuan 84-pt. to a miniscule 4-pt. There is ornamental material from the last days of the great German type founders, which is rarely seen in American private presses, much of which was designed by Hermann Zapf and others of equal ability. "I've seen many of the type specimen books of the twentieth century and I believe I have come up with a novel way of doing this. I predict the idea will be copied, but this is the original and no serious collection should be without it." (from the prospectus). Set in numerous types printed on Frankfurt paper.
Price: $ 550.00 other currencies Order nr. 93138

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(Bird & Bull Press) Hopkins, Richard L. (editor) PRIVATE TYPECASTERS, PRESERVING THE CRAFT OF HOT-METAL TYPE INTO THE TWENTY-FIRST CENTURY.
Newtown, PA Bird & Bull Press 2008 small 4to. quarter morocco with Japanese cloth sides, leather spine label. 194 pages.
First edition, limited to 150 numbered copies. The private press has been with us in one form or another for 200 years or more. The equipment for a small private press was inexpensive, required little space and almost anyone could learn to do basic printing in a short time. Private typecasting is entirely different. A single machine weighs almost a ton and a lot of practice and experience is required in order to decently produce the most basic work. This once-costly equipment came into the hands of printing enthusiasts when hot-metal typesetting was forced into decline by the computer. The members of this hot-metal fraternity comprise a network of small shops using the machines and matrices which once supported the hot-metal letterpress era. They are, in effect, a group of small, working museums. The work of fifteen of these typecasters has been gathered into the pages of this book. Here you will see unknown, newly-created types, ancient types cast from 200-year-old matrices, proprietary types and a beautiful Civilité face designed by Hermann Zapf, which was never released to the commercial market. There are five fold-out pages, two of which open together to make a 32-inch spread. One of the fold-outs is a recreated page from the 36-line Gutenberg Bible with rubrication. It took six months to turn the printed images on the original page into a complete font of hand-fitted metal types. Printed on dampened handmade paper, this leaf required a week's work, and handling it is as close as most of us will get to experiencing the genuine page.
A biographical sketch of each contributor precedes his alphabets and the specimen pages which show the alphabets in use. Produced over a 14-month period, the labor and expense lavished on this work exceeds any previous book from Bird & Bull Press.
The Private Typecasters, a 194-page small folio printed on Zerkall mould-made paper, is beautifully bound in quarter morocco with Japanese cloth sides and leather spine label. The same cloth and spine label are used on the clamshell case which houses the book.
Price: $ 900.00 other currencies Order nr. 100094

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(Bird & Bull Press) JOHN DEPOL: A PORTFOLIO OF HIS WOOD ENGRAVINGS.
Newtown, PA Bird & Bull Press 2012 4to. stiff paper wrappers in clamshell box 15+(1) pages with 22 engravings loosely laid in.
Limited to only 99 numbered copies. A collection of John DePol's (1913-2004) woodcut engravings. Prefatory note by Henry Morris with a note by DePol on his pattern papers. Listing of individuals and corporations for whom engravings in this portfolio were made. Engravings tipped in introductory volume with 22 tipped-in engravings loosely laid in portfolio. This collection of engravings comes from Oak Knoll Press of New Castle, Delaware, and includes many engravings printed by DePol with some signed and dated by him. Also includes a group of prints of Lynd Ward's wood engravings, made for an exhibition at the Barbizon-Plaza Art Gallery in New York. A wood engraving of DePol by Wesley Bates also included.
Price: $ 400.00 other currencies Order nr. 112211

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(Bird & Bull Press) JOHN DEPOL: A PORTFOLIO OF HIS WOOD ENGRAVINGS.
Newtown, PA Bird & Bull Press 2012 4to. stiff paper wrappers in clamshell box 15+(1) pages with 22 engravings loosely laid in.
Limited to only 99 numbered copies. A collection of John DePol's (1913-2004) woodcut engravings. Prefatory note by Henry Morris with a note by DePol on his pattern papers. Listing of individuals and corporations for whom engravings in this portfolio were made. Engravings tipped in introductory volume with 22 tipped-in engravings loosely laid in portfolio. This collection of engravings comes from Oak Knoll Press of New Castle, Delaware, and includes many engravings printed by DePol with some signed and dated by him. Also includes a group of prints of Lynd Ward's wood engravings, made for an exhibition at the Barbizon-Plaza Art Gallery in New York. A wood engraving of DePol by Wesley Bates also included. Corners of clamshell box are bumped.
Price: $ 380.00 other currencies Order nr. 117135

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(Bird & Bull Press) Morris, Henry THE ART OF INTAGLIO. PRODUCED ON A LETTERPRESS WITH A COLLECTION OF TWELVE PRINTS OF 18TH CENTURY LONDON TRADESMEN'S CARDS with SCHLOCKER & THE FISHES.
Newtown, PA Bird & Bull Press 2010 8vo. quarter Morocco and Japanese cloth, slipcase 33, 12 plates, 12 pages
Limited to 115 numbered copies. Engravings and etchings (intaglios) are printed on special presses which exert the far greater pressure needed for this kind of printing.

"I had been told that intaglio could not be printed satisfactorily on a letterpress, which is generally true. But in 2009 I tried my hand, printing two intaglio plates successfully by letterpress, albeit not very large ones. In this new book I have printed by letterpress, twelve intaglio plates, some as large as 5" x 6.5".

These images were made from Ambrose Heal's privately published 1925 London Tradesmen's Cards of the Eighteenth Century, which showed 101 collotype prints of old engravings advertising the wares, goods and services offered about 250 years ago. I have been attracted to these "cards"-they are really papers of differing sizes-ever since I got Heal's book fifteen years ago. Thanks to my recent introduction to intaglio, I have returned twelve of these prints to their original 18th century state: you can run your finger over the print and feel the image. Students and collectors of ephemera are acquainted with these cards, but for those who are not, some of Heal's comments may enlighten:

...To anyone with a liking for old things the Trade Card must make an irresistible appeal. It is so convincingly of its own time.
...The old signs that hung over the ship doors and are reproduced on the Traders' Cards are of great antiquity and interest. The names of the old streets, many of which have long since been swept away, such as 'Knaves' Acre,' 'Rosemary Lane,' 'Wendegaynlane,' take one's imagination quite apart from their historical or topographical connections.
...The lettering is invariably well drawn and well spaced and the designing of the devices, if sometimes crude, is always direct and interesting.
They reflect the art of the engraver through two centuries.

A foeword and texts on the Origin of Intaglio, The Process, and background information on Heal and his book, precede the twelve engravings.

But wait-There's More!
On an entirely unrelated subject, a 16-page addition relates an unforgettable event in the early life of Henry Morris, entitled Schlocker & The Fishes, thus making this book my first dos-a-dos binding. This brief account is illustraded with two full-page wood engravings by Wesley Bates. Such accounts generally become booklets but I dislike the impermanence of the booklet, and have long wanted to see this in print."
Price: $ 500.00 other currencies Order nr. 105233

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(Bird & Bull Press) Morris, Henry CONSERVATORY FOR MY PROSPECTUSES AND SPECIMEN LEAVES
Newtown, PA Bird & Bull Press 2008 small folio cloth, leather spine label, clamshell case with leather spine label 90, (8) pages
Limited to only 100 numbered copies and out of print upon publication. This book combines Henry's brief descriptions of the books that he has published over 50 years complemented by bound-in examples of original prospectuses and leaves in Henry Morris's possession. Included are many scarce early prospectuses, of which he had kept a small hoard. There are 36 pages of brief commentaries on the books, facsimiles of relevant letters plus leaves from books which will be unknown to Morris's subscribers. The 46 inserts are bound-in and not removable, thus providing a permanent record of the progression and variety of works produced over a fifty-year period. As the inserts are so varied and quantities limited, no two copies are alike. This book is a perfect example of the value of doing leaf books as it demonstrates the progression of the Bird & Bull Press through actual examples of its work through 50 years. The prospectus for the present volume is loosely laid-in. We are offering this book at its publication price for a period of time even though it is now out of print.
Price: $ 500.00 other currencies Order nr. 98953

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(Bird & Bull Press) Morris, Henry MY LOG & DIARY, 1994-2005.
Interspersed with anecdotes and observations on book collecting, printing, private presses and other bookish matters. Newtown, PA Bird & Bull Press 2005 4to. quarter leather with blue cloth stamped in gilt with the Bird & Bull logo, blue leather spine label, slipcase. 105, (5) pages.
Limited to 160 numbered copies printed by hand on Arches Mouldmade paper by Henry Morris at his Bird & Bull Press in Dante types composed by Michael and Winifred Bixler and bound by the Campbell-Logan Bindery. The sometimes hilarious, sometimes sad but always amusing log kept by Henry Morris while printing and writing his private press books. Filled with tipped-in color photographs and other ephemera. Learn about Waterlow & Sons and their specimen books, Gaylord Schanilec, Bernard Middleton, Dard Hunter (I, II, and III), the mythical kingdom of San Serriffe and Karli Frigge's marbling with samples (and yes, even a mention or two of Bob Fleck). With prospectus.
Price: $ 450.00 other currencies Order nr. 90233

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(Bird & Bull Press) Morris, Henry SCHLOCKER & THE FISHES
Newtown, Pa Bird & Bull Press 2010 8vo stiff paper wrappers 16 pages
One of 115 copies. Relates an unforgettable event in the early life of Henry Morris, entitled Schlocker & The Fishes. This brief account is illustrated with two full-page wood engravings by Wesley Bates.
Price: $ 65.00 other currencies Order nr. 105377

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(Bird & Bull Press) Twiss, Richard A TRIP TO PARIS IN JULY & AUGUST 1799.
Newtown, PA Bird & Bull Press 2012 8vo quarter morocco, blut cloth covered boards, gilt lettering on spine (4), 82 pages
One of 120 copies. Richard Twiss (1747-1821) was an 18th century travel writer of some renown. He went out of his way to stir up controversy as the resulting publicity increased the sale of his books. His second book, A tour of Ireland in 1775, full of disparaging remarks, sneers and ridicule, earned him universal dislike in the country, but made the book a best-seller. Irish anger was visibly expressed by the production and sale of thousands of chamberpots ("Twiss-pots") with a picture of Twiss printed on the bottom.

In 1793, he published A Trip to Paris in July and August, 1792, which is the basis for the present book. Twiss' tendency to be overly-critical appears here and there in the Paris book, but alongside the mundane details of transport, sight-seeing, food and lodging and currency exchange, which all travelers want to know, he is on the ground reporting the bloody events of a violent revolution in progress.

A Trip to Paris is printed on Arches laid paper and quarterbound in morocco with Japanese cloth sides. Four wood engravings by Wesley Bates illustrate the text. Two tipped in specimens and prospectus are also included.
Price: $ 400.00 other currencies Order nr. 109163

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(Bird & Bull Press) Voorn, Henk HENK VOORN TO HENRY MORRIS, SELECTED CORRESPONDENCE, JUNE 1967--JULY 1981.
Newtown, PA Bird & Bull Press 2003 small 4to. cloth, slipcase 56, (4) pages
Printed on Zerkall mouldmade paper in an edition limited to 150 numbered copies. Composed in Garamond types by Michael and Winifred Bixler, bound by the Campbell-Logan bindery in Japanese cloth and enclosed in a cloth covered slipcase. Sixteen colored illustrations are tipped-in throughout. Henk Voorn (b. 1921), publisher and editor of De Papierwereld (The Paper World) since 1949, is well known to all those interested in papermaking history, and considered by Leonard Schlosser to be the leading paper historian of his time. The earlier letters include personal details and information concerning the planning and publication of Old Ream Wrappers (1969), the Voorns' first trip to the U.S. and the Morris' first trip to Holland and England in 1967. Subsequent letters are concerned with trips to IPH Congresses, books published Bird & Bull, and related matters of papermaking history. Scholars of paper history and the private press will find these letters informative and enjoyable. Prospectus loosely inserted.
Price: $ 200.00 other currencies Order nr. 73386

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(Book Club of California) Chandler, Robert J. (editor) PACIFIC MAIL STEAMSHIPS.
San Francisco The Book Club of California 2011 4to. stiff paper wrappers 47+(1) pages
Keepsake designed for members of the Book Club of California. Descriptions, with color illustrations, of steamships of the Pacific Mail Steamship Company. Table of contents, introductory essay by the editor, list of contributors.
Price: $ 25.00 other currencies Order nr. 115929

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(Boss Dog Press) A CATALOG OF BOOKBINDING TOOLS AND EQUIPMENT FORMERLY BELONGING TO DR. LOYD HABERLY.
N.P. Boss Dog Press 2012 4to. quarter leather, decorated paper-covered boards, top edge cut, other edges uncut, slipcase. unpaginated
Limited to 70 copies signed by designer, printer and binder Dan Rash; this is one of the 20 lettered copies bound thus and printed on handmade paper. A "small bit of book arts history" designed to provide a "resource for collectors and scholars of Loyd Haberly's bindings." Tipped-in color illustrations throughout include equipment, finishing tools, hand tools and supplies. Text includes descriptions of the tools in the illustrations. Includes a center fold-out reproduced from an original page of finishing tool smoke proofs.
Price: $ 235.00 other currencies Order nr. 114255

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(Boss Dog Press) A CATALOG OF BOOKBINDING TOOLS AND EQUIPMENT FORMERLY BELONGING TO DR. LOYD HABERLY.
N.P. Boss Dog Press 2012 4to. stiff paper wrappers, title and author on label on front wrapper unpaginated
Limited to 70 copies signed by designer, printer and binder Dan Rash. This is one of the 50 numbered copies bound thus and printed on white Bugra paper. A "small bit of book arts history" designed to provide a "resource for collectors and scholars of Loyd Haberly's bindings." Tipped-in color illustrations throughout include equipment, finishing tools, hand tools and supplies. Text includes descriptions of the tools in the illustrations. Includes a center fold-out reproduced from an original page of finishing tool smoke proofs.
Price: $ 95.00 other currencies Order nr. 114256

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(Center for Book Arts) Addonizio, Kim ANOTHER DAY ON EARTH
New York Center for Book Arts 2009 20.25 x 13.5 inches masa paper, waxed ururyu cover, vellum wrapper 2 large sheets
Designed and printed by Delphi Basilicato as the judge's book from the 2009 chapbook competition. The edition is 100 signed and numbered copies. It is printed on masa paper with a waxed Ururyu cover a vellum wrapper, set in Franklin Book and Centaur.

A series of four poems, "Storm Catechism," "Half-Blind Elegy," "November 11: 2004," and "Another Day on Earth: Tsunami, December 26, 2004," which reference the horrors of natural disasters.
Price: $ 100.00 other currencies Order nr. 105207

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(Center for Book Arts) Blocker, Mare ISTORIATO.
(New York Center for Book Arts 2001) 11" x 11" Round shaped, case bound concertina, with printed navy Iris cloth on both the book covers and lidded clamshell box n.p.
Limited to an edition of 50 signed and numbered copies. Istoriato is an Italian narrative style of pottery decoration which uses the pottery body solely as support for a purely pictorial effect. Originating about 1500 in Faenza, Italy, paintings comparable in seriousness to Italian Renaissance easel paintings were applied to Maiolica ware. The subjects, biblical, historical, and mythological scenes, are executed with a realism (including the use of perspective) quite unlike any previous pottery decoration. Although violating aesthetic rules in their subordination of shape to decoration, such wares remain works of great skill, as well as beauty.

During her Sally R. Bishop residency at the Center, Mare Blocker explored how the design of this pottery changed with the invention of the printing press. Multiple color linoeleum blocks and type were printed on Magnani Pescia. Produced at the Center for Book Arts, each boxed set also includes a unique plate decorated in the style of Maiolica pottery.
Price: $ 1,250.00 other currencies Order nr. 103051

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(Center for Book Arts) Bringhurst, Robert NEW WORLD SUITE NUMBER THREE
(New York Center for Book Arts 2005) 17" x 17", four 8.5 x 11 books black cloth with paper label three 28 pages, one at 20 pages
Edition limited to 75 signed and numbered copies, including five artist proofs, with only 25 copies for sale. This innovative interdisciplinary work intersects at the pinnacle of creative writing, graphic design, book art, and performance. This is a poem for three voices, meant to be read by three people at once. In addition to the poem, the author has written an afterword articulating the evolution of his polyphonic poetry, documenting for the reader a history of this definitive edition. The work is made to be performed, and his essay concludes, "The printed text should be as fine as it can be, but it should never be the final incarnation. A book must be a place where things begin."

The display type was set by hand, and the text was printed by the Center's Master Printer, Barbara Henry at their Jane Mead Timken Printshop in three separate colors in Monotype Dante by, with composition by the Bixler Foundry in Skaneateles, NY.The text was then hand word and line spaced at the Center by Ms. Henry to Robert Bringhurst's exacting specifications. Mr. Bringhurst created the typographic design for the book, as well as the text. Hedi Kyle designed the innovative binding structure specifically for New World Suite Number Three. When opened, each volume within the book forms its own lectern. The poetry for each voice has been bound in heavy blue cardstock, while the afterword was done in burnt orange. When closed, the book has a stunning three dimensional architectural presence. It was produced at the Center for Book Arts under the supervision of Master Binder, Mirah von Wicht, who studied traditional bookbinding in Germany, book conservation in the USA, and worked at the Metropolitan Museum of Art in New York, and by artists Jennifer Bantz Biddle, Ana Cordeiro, Nancy Loeber and Linda Trimbath.
Price: $ 3,500.00 other currencies Order nr. 103052

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(Center for Book Arts) Campos, Alexander and Lois Morrison THREADS: INTERWEAVING TEXTU(R)AL MEANING
New York Center for Book Arts 2009 5.75 x 8.25 inches boards 28 pages
This exhibition explores the use of thread in 35 works, many multi-part presenting anywhere from 3 to 13 pieces of the entire series, by 38 different artists. It examines how thread is used as a design element to convey content and form. Featured artworks include books, sculptures, mixed-media installation, and videos. Samplers, Stitches, and Swatches are the three general themes of the exhibition work focused on throughout. An artist talk at the Museum of Art and Design in February 2008 was the catalyst for this exhibition.
Price: $ 25.00 other currencies Order nr. 105204

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) rectangular 4to. lavender Fabriano Tiziano paper covered storage box with deep rose cloth spine, cream color paper title label with rose colored lettering, Velcro closure not paginated.
This special limited edition portfolio features the work of the artist members of The Center for Book Arts. Each participating artist submitted a broadside in an edition of 100. The theme of the project was the celebration of the contributions of the artist members, past and present, to the growth of the Center and the field of book arts over the past 30 years. Includes the catalogue, which opens to a poster where each of the 58 broadsides is illustrated. It also includes an essay by Nina Schneider and a curatorial statement by Roni Gross, Artist Member, who organized the project. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Benjamin D. Rinehart.
Price: $ 1,500.00 other currencies Order nr. 103041

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) rectangular 4to. binders board storage box covered with black cloth and blue Zerkall paper with black ribbon tie closure, tag with black and red lettering not paginated.
This special limited edition portfolio features the work of the artist members of The Center for Book Arts. Each participating artist submitted a broadside in an edition of 100. The theme of the project was the celebration of the contributions of the artist members, past and present, to the growth of the Center and the field of book arts over the past 30 years. Includes the catalogue, which opens to a poster where each of the 58 broadsides is illustrated. It also includes an essay by Nina Schneider and a curatorial statement by Roni Gross, Artist Member, who organized the project. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Benjamin D. Rinehart.
Price: $ 1,500.00 other currencies Order nr. 103042

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