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Printing History
 
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Printing History
 
   
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See More... (Aldine Press) Kallendorf, Craig W. and Maria X. Wells. ALDINE PRESS BOOKS AT THE HARRY RANSOM HUMANITIES RESEARCH CENTER, THE UNIVERSITY OF TEXAS AT AUSTIN, A DESCRIPTIVE CATALOGUE.
(Mansfield Centre, MA Martino Publishing 2010 small 4to. paper covered boards. (vi), 415 pages.
Reprint of the scarce 1998 first edition now issued by Martino Publishing with the permission of the Harry Ransom Humanities Research Center at the University of Texas. Contains 33 pages of plates depicting bindings, inscriptions, and shelf marks. A total of 526 entries containing information on author, title, illustrations, full collation, colophon, author index, binder index, provenance index, bibliography of Aldine Quincentenary Catalogues. One page foreword by H. George Fletcher.
Price: $ 110.00 other currencies Order nr. 104989

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See More... (Aldine Press) Renouard, Antoine-Augustin ANNALES DE L'IMPRIMERIE DES ALDE OU HISTOIRE DES TROIS MANUCE ET DE LEURS ÉDITIONS.
New Castle, Delaware Oak Knoll Books 2003 thick 8vo. cloth. 688 pages.
Reprint of the third edition which was originally published in Paris in 1834 in only 350 copies. (Besterman p.5153; Breslauer and Folter no.115 for first edition). This famous bibliography of the output of the Manutius family and their Aldine Press, 1494-1598, has remained the standard work on the subject and has been praised as a classic of its kind. Over 1500 entries given.
Price: $ 95.00 other currencies Order nr. 32240

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(American Antiquarian Society) Gura, Philip F. THE AMERICAN ANTIQUARIAN SOCIETY, 1812-2012: A BICENTENNIAL HISTORY.
Worcester, Massachusetts American Antiquarian Society 2012 6.75 x 10 inches hardcover, dust jacket 454 pages
Founded in Worcester, Massachusetts, in 1812 by Isaiah Thomas, the patriot printer and leading publisher of the new nation, the American Antiquarian Society reflects his vision for the printed record of America's history-its preservation and its interpretation. Over two centuries, beginning with Thomas's gift of his own extensive library of books and newspapers, this learned society has become widely recognized as a national treasure. The collections are an indispensable resource for everyone interested in studying the United States to 1876. Scholars, artists, and writers benefit from the library collections and its fellowship programs to conduct research resulting in books and other works that frequently earn national awards. The Society also offers lectures, seminars and conferences, programs for teachers, and a rich website for diverse audiences.

This volume traces the development of the library and the role the Society's librarians have played as collectors, scholars of American writing and publishing, and stewards of the nation's history. Readers will meet Isaiah Thomas and his successors at the Society's helm: Christopher Columbus Baldwin, Samuel Foster Haven, Edmund Mills Barton, Clarence Brigham, Clifford K. Shipton, Marcus A. McCorison, and Ellen S. Dunlap. Each has moved the Society forward by deftly matching the institution's needs with local and national developments. The Society celebrates its bicentennial as a leading independent research library, a pioneer in the digitization of its collections, and a center of scholarship for the study of American history and culture.

The American Antiquarian Society-pride and joy of its founder Isaiah Thomas-holds the DNA of our shared national patrimony. On the occasion of its bicentennial, this uniquely American library has published a copiously illustrated history that is at once scholarly in purpose, rich in probing insight, and brimming with narrative detail. While keenly alert to the evolution of the Society, Philip F. Gura's guiding approach has been more finely focused on its intellectual development as a cultural repository of extraordinary consequence, with careful attention given to the people who have shaped and nurtured it into the twenty-first century. The founding spirit of this remarkable institution-a bookman for the ages "touched early by the gentlest of infirmities, bibliomania"-would be mightily pleased, I am certain, with this magisterial tribute to his enduring legacy.
-Nicholas A. Basbanes, author of A World of Letters: Yale University Press, 1908-2008 and A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books.

Philip F. Gura, William S. Newman Distinguished Professor of American Literature and Culture since 2000, has taught at the University of North Carolina at Chapel Hill since 1987. Widely recognized for his scholarship, Gura, who first visited the American Antiquarian Society as a reader in 1971, considers his election to membership in 1988 one of his highest honors. He is the author of many books, including American Transcendentalism: A History (2007), finalist for the National Book Critics Circle Award (nonfiction) and Truth's Ragged Edge: The Rise of the American Novel (forthcoming in 2013).

Price: $ 60.00 other currencies Order nr. 108979

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See More... Annenberg, Maurice TYPE FOUNDRIES OF AMERICA AND THEIR CATALOGS
With additions and an introduction by Stephen O. Saxe and an index by Elizabeth K. Lieberman. New Castle, Delaware Oak Knoll Press 1994 4to. cloth, dust jacket. xviii, 276 pages.
Reprint of the first edition with an added appendix. Recognized by booksellers, collectors, librarians and bibliographers for its great usefulness as the definitive bibliography of American type specimen books. This edition contains an appendix listing 73 type specimen books unknown at the time of the first edition, more than 10 percent of the former total. TYPE FOUNDRIES contains historical accounts of each foundry, a list of their specimen books with size and number of pages and countless tidbits of fascinating historical and typographical information. Oak Knoll's edition has been updated and amended by the well-known printing historian, Stephen O. Saxe. He has added eight appendixes to the book, as well as a four-page introduction and a biographical sketch of the author. In addition, one new type foundry, Abraham Riggs of New York City, has been discovered and is described in a separate appendix. There are also listings of the complete type specimen holdings of the New York Public Library, the Smithsonian Institution and Stephen O. Saxe's personal collection. The appendixes conclude with a list of errata, omissions and duplications in the first edition; and a select bibliography. Also, of the greatest importance, the much-lamented lack of an index has now been corrected through the efforts of Elizabeth Lieberman.
Price: $ 49.95 other currencies Order nr. 40614

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See More... (APHA) VERSE INTO TYPE: THE APHA POETRY PORTFOLIO.
New York American Printing History Association 2006 8vo. contributions loosely inserted in cloth clamshell box, paper spine label.
Various typographic arrangements of seventeen poems, both contemporary and classic, using a variety of typefaces, colors, formats, and papers, all printed letterpress. The poems were selected by the printers. Contributors include Mindy Beloff, Robin Price, Sandy Connors, Barbara Henry, Ed Colker, Ron Gordon, David Pankow, Jerry Kelly, Kay Michael Kramer, Michael Peich, Gaylord Shanilec, Jack Stauffacher, Michael Russum and Carolee Campbell. The printed poems are housed in a handmade traycase made by Judi Conant. Limited to 225 copies.
Price: $ 200.00 other currencies Order nr. 97456

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See More... Barnes, Robert C. and Judith M. Pfeiffer PRESS, POLITICS & PERSEVERANCE, EVERETT C. JOHNSON AND THE PRESS OF KELLS.
New Castle, DE Oak Knoll Press 1999 8vo. cloth, dust jacket. 320 pages.
This long-awaited biography brings to life the remarkable printer, politician and sage, Everett Johnson. Inspired by the work of Elbert Hubbard's Roycrofters, Johnson established the indomitable Press of Kells in Newark, Delaware. The fortress-like stone building that became home to the "Newark Post" still stands, and as of 1999, this lively paper celebrates its 90th year. For the next generation, through his books, newspaper articles, and public service, he struggled to champion a series of social causes and became known as the "Conscience of Delaware." This very readable book includes Robert Barnes' comprehensive bibliography of Johnson's works.
Price: $ 35.00 other currencies Order nr. 54276

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Barnhill, Georgia B. (editor) WITH A FRENCH ACCENT: AMERICAN LITHOGRAPHY TO 1860.
Worcester, Massachusetts American Antiquarian Society 2012 8.5 x 11 inches paperback 100 pages
With a French Accent: American Lithography to 1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill, Lauren B. Hewes, Catherine Wilcox-Titus, Marie-Stéphanie Delamaire, and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together, the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century.

The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans, New York, Philadelphia, and Boston from the mid-1830s to 1860.

The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market, and there is a selection of sentimental prints and portraits that were printed in the United States, but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study, Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience.

Next, the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil, Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences, he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum.

Illustrated with black-and-white and color prints, this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States.

Price: $ 25.00 other currencies Order nr. 109010

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See More... (Basson, Thomas) Dorsten, J.A. van THOMAS BASSON 1555-1613, ENGLISH PRINTER AT LEIDEN.
Leiden HES & DE GRAAF 1961 8vo cloth x, 126 pages.
Contains a checklist of works printed by Thomas Basson at Leiden (180 entries). With 5 plates and 5 figures.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 65.00 other currencies Order nr. 103387

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See More... (Belgium) Cockx-Indestege, G., E. Cockx-Indestege BELGICA TYPOGRAPHICA 1541-1600. CATALOGUS LIBRORUM IMPRESSORUM AB ANNO 1541 AD ANNUM 1600 IN REGIONIBUS QUAE NUNC REGNI BELGARUM PARTES SUNT.
4 volumes Nieuwkoop HES & DE GRAAF 1968 28x22 cm cloth xxvi,612; xx,495; xvi,236; xiv,634 pages.
A short-title catalogue of altogether 9,755 Belgian editions 1541-1600 in the Royal Library, Brussels and in 93 other Belgian libraries. Numerous cross references. Introductions trilingual (Dutch, French, English). The work is enhanced with very extensive Indices (vol. IV).

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 1,850.00 other currencies Order nr. 103255

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See More... Bell, Bill, Jonquil Bevan and Philip Bennett. ACROSS BOUNDARIES: THE BOOK IN CULTURE AND COMMERCE.
New Castle, Delaware Oak Knoll Press 2000 8vo. cloth. 176 pages.
This series of scholarly essays focuses on the book as it helped felicitate commerce and culture over the last five centuries. Leading scholars explore the unique relationships that have existed for centuries between economics and literary culture. Co-published with St. Paul's Bibliographies, Ltd.
Price: $ 39.95 other currencies Order nr. 59092

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See More... Bigmore, E.C. and C.W.H. Wyman A BIBLIOGRAPHY OF PRINTING.
New Castle, DE Oak Knoll Press 2001 small 8vo. cloth, dust jacket 1070 pages
In the long and distinguished history of bibliographical scholarship, few works stand equal to E.C. Bigmore and C.W.H. Wyman's monumental classic, A Bibliography of Printing. The original three volumes were published from 1880 to 1886 by the famed British bookman and publisher, Bernard Quaritch. Quickly recognized as a treasure house of information on books dealing with publishing and the printing arts, this ground-breaking catalogue quickly established itself as the premier bibliography in its field. A new introduction has been written by Henry Morris of Bird & Bull Press. Beautifully illustrated, with hundreds of original woodcuts depicting portraits, printers' marks, topographical scenes, and foliated initials graced many of its thousand-plus pages. Unlike many of its unannotated predecessors, Bigmore and Wymans analytical descriptions give a unique and strong-willed voice to this well-researched book. The original work contained one major drawback: it lacked a comprehensive index. This edition has corrected this oversight. Reprint of the 1880/82/86 three-volume edition with a comprehensive index. Co-published with The British Library.
Price: $ 85.00 other currencies Order nr. 63624

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See More... Bissels, Paul HUMANISMUS UND BUCHDRUCK. VORREDEN HUMANISTISCHER DRUCKE IN KÖLN IM ERSTEN DRITTEL DES 16. JAHRHUNDERTS.
Nieuwkoop HES & DE GRAAF 1965 16x23.8 cm stiff paper wrappers. 46 pages.
First edition. The study of printing and humanism in Cologne during the 16th century.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 25.00 other currencies Order nr. 103598

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See More... (Bowyer) Maslen, Keith and John Lancaster (editor) BOWYER LEDGERS, THE PRINTING ACCOUNTS OF WILLIAM BOWYER FATHER AND SON REPRODUCED ON MICROFICHE WITH A CHECKLIST OF BOWYER PRINTING 1699-1777, A COMMENTARY, INDEXES AND APPENDIXES.
London and New York The Bibliographical Society and The Bibliographical Society of America 1991 tall 8vo. cloth. lxxv, (1), 616, (4) pages. Accompanied by 70 microfiche enclosed in a separate box
The Bowyer ledgers, kept by William Bowyer, father and son, between 1710 and 1777, offer vast new information concerning authorship, book production and book distribution in eighteenth-century London. They are among the few surviving from this period and for London, the center of the British book trade. More than 5,000 works by some 1,000 authors were commissioned by some 500 customers, including booksellers, institutions and private gentlemen, and were produced by several hundreds of workmen. Copies were delivered to more than 1,500 persons, members of the trade or representatives of the reading public at large. The ledgers record what happened to the text as it moved through the printing house, noting paper, types, format, corrections, number printed and the like. This edition of the Bowyer ledgers presents the records themselves in photo-facsimile on microfiche, accompanied by a volume of editorial material. The microfiches reproduce the four surviving ledgers and associated papers, prefixed with detailed descriptions of the originals. Distributed for The Bibliographical Society of America. SALES RIGHTS: Available in the US from Oak Knoll Books. Available outside the US from The Bibliographical Society of America.
Price: $ 25.00 other currencies Order nr. 44064

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See More... Boynton, Henry Walcott ANNALS OF AMERICAN BOOKSELLING, 1638-1850
New Castle Oak Knoll Books 1991 8vo. cloth. (13), x, 209 pages.
Reprint of the first edition, with a new introduction by Joseph Rosenblum. This work first appeared in 1932 to celebrate the 125th anniversary of its publisher, John Wiley and Sons. Boynton was interested in the colorful figures that populated the book world of early America and tells their fascinating story in an entertaining manner. His account begins with the establishment of the Cambridge Press in Massachusetts Bay in 1638 and ends in 1850, by which time the production and distribution of the book had entered the modern age. This is one of the best accounts of early American bookselling, printing and publishing.
Price: $ 35.00 other currencies Order nr. 32807

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See More... (Bradley, Will H.) Bambace, Tony WILL H. BRADLEY: HIS WORK, A BIBLIOGRAPHICAL GUIDE.
Accompanied by an original copy of BRADLEY HIS BOOK. New Castle, Delaware and Boston, Massachusetts Oak Knoll Press and Thomas G. Boss Fine Books 1995 8vo. quarter leather with paste paper over boards, leather spine label. Booklet is stiff paper wrappers held in porfolio. Both inserted in a cloth-covered clamshell box. xxiii, 216 pages.
First edition. One of 44 special signed and numbered copies. Will H. Bradley (1868-1962) is widely regarded as one of the masters of design during the Art Nouveau and Arts & Crafts periods. His typographic and illustrative work pushed the boundaries of these fields into new directions. In addition, his re-introduction and use of Caslon type brought it back into popularity. The guide includes 261 illustrations, including his designer's marks to help identify his pieces. The guide includes a Book Work section containing three parts: one of 81 definite books of Bradley's own execution, one listing those exhibiting the Bradley stamp but with no confirming documentation, and one listing those using his designs but were probably not produced by him. The remaining sections document magazine covers, advertisements, illustrations, posters, and other works.
Price: $ 450.00 other currencies Order nr. 41679

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See More... Briels, J.G.C.A. ZUIDNEDERLANDSE BOEKDRUKKERS EN BOEKVERKOPERS IN DE REPUBLIEK DER VERENIGDE NEDERLANDEN OMSTREEKS 1570-1630. EEN BIJDRAGE TOT DE KENNIS VAN DE GESCHIEDENIS VAN HET BOEK. 
Nieuwkoop HES & DE GRAAF 1974 24.5x16.5 cm cloth xvi, 649 pages.
This bio-bibliographical study concentrates on printers, publishers and booksellers, who originated in the Southern Netherlands and who were active in the Dutch Republic c. 1570-1630. It is largely based on archive materials and numerous new data are brought to light. By far the greater part of this book (pp. 16-554) is occupied by a bio- bibliographical Dictionary of printers, publishers, booksellers, active in the Republic of the United Netherlands c. 1570-1630. With 38 illustrations and 160 facsimiles of printer's marks.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 185.00 other currencies Order nr. 103307

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See More... Bristol, Roger Pattrell. INDEX OF PRINTERS, PUBLISHERS, AND BOOKSELLERS INDICATED BY CHARLES EVANS IN HIS AMERICAN BIBLIOGRAPHY.
Mansfield Centre, CT Martino Publishing 2005 8vo. cloth. iv, 172 pages.
Reprint of the 1961 first edition published by the Bibliographical Society of America (Besterman 5196). This useful bibliography is a tool for use in conjunction with Evans, American Bibliography. Bristol has provided an index of printers, publishers, and booksellers to help navigate Evans when author-title information is not clear, or not properly transcribed. Bristol suggests that Evans made many attributions of author, publisher, and place of publication which have been found to be poor hunches. The index is an attempt to correct some of these errors. Names of printers and publishers are brought together under place, with no attempt to establish relationships or to differentiate between the individuals of the same name. Bristol was involved in updating Evans even further through supplements and indexes intended to make the information provided in Evans more accurate and accessible.
Price: $ 60.00 other currencies Order nr. 89018

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  Brun, Robert LE LIVRE ILLUSTRÉ EN FRANCE AU XVIe SIECLE.
Mansfield Centre, CT Martino Publishing 2005 large 8vo. cloth (iv), 336 pages followed by 32 plates.
Reprint of the 1930 first edition (Besterman 3010). Brun provides ten chapters followed by an annotated bibliographical catalogue of the principal books illustrated in France during the sixteenth century. Illustrated and indexed. In all, 1250 books are described. Never reprinted, this remains a difficult title to find. Includes 32 illustrations, mostly of title pages.
Price: $ 75.00 other currencies Order nr. 87551

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See More... Buchholtz, Arend GESCHICHTE DER BUCHDRUCKERKUNST IN RIGA, 1588-1888.
Nieuwkoop HES & DE GRAAF 1965 27.5x20.5 cm cloth viii, 377 pages.
Reprint of the 1890 first edition. Only comprehensive work about the history of printing at Riga (Latvia). pp. 253-310 : Verzeichnis der Mollynschen Drucke und Kupferstiche 1588-1625. Ca. 160 entries, fully described. With 6 facsimiles.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 120.00 other currencies Order nr. 103702

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See More... Carbonell, John THE EARLY PRINTINGS OF ABRAHAM LINCOLN'S GETTYSBURG ADDRESS AND WHAT THEY REVEAL ABOUT HIS SPOKEN WORDS.
New Castle, Delaware Oak Knoll Press 2008 8.5 x 11 inches Stiff paper covers, stapled 52 pages
The opening words of Lincoln's Gettysburg Address are familiar to many, but the exact wording of the rest of his speech has been contested over the years. Soon after Lincoln spoke at Gettysburg on November 19, 1863, variations of what he said were printed in a number of publications. Generations of commentators have since puzzled over these, wanting to know which one is the most accurate. This short book continues that quest, first by cataloguing and annotating a sequence of key printings published in the six months after he spoke and by investigating their sources, with reference to the five surviving manuscripts of the Address in Lincoln's hand as well as other documents. John Carbonell concludes that not only is a certain printing the most accurate, as many have thought, but more controversially, that there is no compelling reason to believe that a single word in it is mistaken.

John Carbonell is an antiquarian book and print dealer specializing in nineteenth-century American and Canadian printed ephemera. He was born in Malaysia, grew up in Australia, and graduated from universities in England and the United States before moving to Canada and becoming a Canadian citizen. He now lives in Virginia with his wife and two children.

Price: $ 19.95 other currencies Order nr. 100110

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See More... CATALOGUS DER BIBLIOTHEEK VAN DE VEREENIGING TER BEVORDERING VAN DE BELANGEN DES BOEKHANDELS TE AMSTERDAM.
`s Gravenhage HES & DE GRAAF 1965 23.5 x 15 cm Wrappers XV, 943 pp
This volume lists all New Acquisitions 1949-1964 of publications in the field of History of the Book, Bibliography, History of Typography, and allied subjects. Articles from periodicals, yearbooks, etc. are also included. Fully indexed.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.

Price: $ 95.00 other currencies Order nr. 103323

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See More... (Caxton, William) De Ricci, Seymour CENSUS OF CAXTONS.
(Mansfield Centre Martino Publishing 2000) tall 8vo. cloth. xvi, 196 pages.
Reprint of the 1909 first edition published in Oxford by the Bibliographical Society (Not in Besterman). Illustrated Monograph XV issued by the Society. With a frontispiece and a number of other illustrations. De Ricci discusses the books printed at Bruges, Westminster, and books printed for Caxton. Bibliographical descriptions are given followed by location of known copies and additional facts on each copy, such as provenance.
Price: $ 50.00 other currencies Order nr. 59550

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See More... (Center for Book Arts) THE ALTERED PAGE, SELECTIONS FROM THE RUTH AND MARVIN SACKNER ARCHIVE OF CONCRETE AND VISUAL POETRY.
New York Center for Book Arts 1988 small 4to. stiff paper wrappers, flaps on cover open to reveal title, (32) pages.
An exhibition of selections from the Ruth and Marvin Sackler Archive of Concrete and Visual Poetry was held at the Book Arts Gallery from February 6 to March 26, 1988. The artwork represented in this show breaks the barrier of traditional books, artists books and even the two dimensional page. The works of these artists and poets were grouped into the following seven categories of visual/verbal alterations: Hidden Meanings; Canceled; Cut, Torn, Crumpled, Perforated; Fragmented; Layered; Sculpted; Sewn and Woven. Illustrations are in black and white and in color. The introduction by Marvin Sackler describes the collection from which the works were selected and provides the background of several of the projects.
Price: $ 20.00 other currencies Order nr. 103185

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See More... (Center for Book Arts) THE FIRST DECADE, CENTER FOR BOOK ARTS, AN EXHIBITION AT THE NEW YORK PUBLIC LIBRARY SEPTEMBER 7 - NOVEMBER 29, 1984.
New York Center for Book Arts 1984 4to. stiff paper wrappers with illustration on front cover 56 pages
An exhibition held at the New York Public Library from September 7 to November 29, 1994 celebrated the first ten years of the Center's existence. Including 132 works by 112 artists, it was not intended as a retrospective, but rather as an overview of traditional book forms, paper arts, bookbinding and art works based on, or alluding to, book forms. Introduction by Frances O. Mattson, curator of Rare Books at The New York Public Library. Each entry is accompanied by a black and white photograph.
Price: $ 15.00 other currencies Order nr. 103186

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See More... (Center for Book Arts) MASTERS OF THE CRAFT: WORKS BY INSTRUCTORS OF BOOK ARTS.
New York Center for Book Arts 1994 square 12mo. stiff paper wrappers 24 pages.
This is a catalogue for an exhibition held in New York from January 14 to March 25, 1994, which contained the work of printers, bookbinders and papermakers who are all instructors of the book arts, as well as artists in their own right. Some of the participating artists were Marcia Ciro, Nadja Press, Peter and Donna Thomas, and Mary Phelan. Contemporary book artists have long appreciated the great value of learning bookmaking from an accomplished master of the form, yet recognized that the best teacher is not the one who merely has the technical expertise to create a well made object, but rather the artist who is able to reveal an original sensibility in his or her work. Though this exhibition affirmed a collective respect for the traditions of bookmaking among all whose book works are shown, it also demonstrated the power of the book to express the unique vision of each artist. These works were created by the craftspeople that link us to the history of the book as they inspire a new generation to define the book in their own time. Photocopied catalogue with translucent endpaper and blue paper covers.
Price: $ 15.00 other currencies Order nr. 103179

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