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Fine Press Books

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(APHA) VERSE INTO TYPE: THE APHA POETRY PORTFOLIO.
New York American Printing History Association 2006 8vo. contributions loosely inserted in cloth clamshell box, paper spine label.
Various typographic arrangements of seventeen poems, both contemporary and classic, using a variety of typefaces, colors, formats, and papers, all printed letterpress. The poems were selected by the printers. Contributors include Mindy Beloff, Robin Price, Sandy Connors, Barbara Henry, Ed Colker, Ron Gordon, David Pankow, Jerry Kelly, Kay Michael Kramer, Michael Peich, Gaylord Shanilec, Jack Stauffacher, Michael Russum and Carolee Campbell. The printed poems are housed in a handmade traycase made by Judi Conant. Limited to 225 copies.
Price: $ 200.00 other currencies Order nr. 97456

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Auchincloss, Kenneth FINE PRINTING IN THE TWENTIETH CENTURY: SELECTIONS FROM THE COLLECTION OF KENNETH AUCHINCLOSS
New York The Grolier Club 2005 6 x 9 inches paperback 32 pages
This catalogue contains some of the most beautiful books of the twentieth century from the collection of Kenneth Auchincloss. It includes a three page biographical sketch of Ken, by his wife Lee Auchincloss, as well as ten facsimiles. Gaylord Shanilec contributed the wood engraving, Bradley Hutchinson printed the cover, and Jerry Kelly contributed the design. The exhibition was held on May 19 to June 17, 2005.
Price: $ 25.00 other currencies Order nr. 106661

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Berger, Sidney E. PRINTING & THE MIND OF MERKER: A BIBLIOGRAPHICAL STUDY
Checklist by Kyle Schlesinger New York The Grolier Club 1997 8 x 11 inches paperback 142 pages
This book was produced to accompany the public exhibition held at the Grolier Club from March 4 to May 3, 1997. It is a bibliographical study of K.K. Merker and the subtle beauty of the books produced at his Windhover and Stone Wall presses. The bibliography covers books, pamphlets, occasional pamphlets, and ephemera. Contributors include Harry Duncan, Dana Gioia, and K.K. Merker. The book is illustrated and includes a frontispiece photograph of Kim Merker at his press. It also contains 16 full-page color illustrations.
Price: $ 40.00 other currencies Order nr. 106621

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(Bird & Bull Press) Macfarlane, Nigel PAPER JOURNEY, TRAVELS AMONG THE VILLAGE PAPERMAKERS OF INDIA AND NEPAL.
New Castle, DE Oak Knoll Books 1993 8vo. quarter cloth, paper over boards, leather spine label. 103, (i) pages.
First edition, limited to 210 numbered copies. This book is a fascinating and entertaining account of contemporary hand papermaking in India and Nepal. The reader is led on a journey from Rajasthan in the northwest of India to Pondicherry in the south, from the cotton growing country of Gujarat to the boulder-strewn plateau of the Deccan, from the Katmandu valley in Nepal to the foothills of the Himalayas. Hand papermaking in India and Nepal is steeped in history and interwoven with village life. Along this journey we learn many interesting details, not only of the techniques and methods of making paper, but also of everyday life in India and Nepal. We experience a ride in the second class carriage of an Indian train; an eight-hour car journey through the night in an Indian version of a 1950s Morris Oxford, with a retired army driver at the wheel; and a treacherous walk up the Nepalese mountains while being overtaken by barefoot porters carrying seventy-kilo loads! There are also, of course, detailed descriptions of the techniques used to make paper. In Sanganer, we learn the papermakers use a "mould" made of hollow grass stems called a chapri, and we experience the making of a chapri while sitting on a charpoy (a string bed) sipping tea. At the Kalam Kush paper mill, we watch rags being sorted, hollander beaters disintegrating fibre, and paper being made on European style moulds by papermakers who work from a standing position and pour the pulp onto the mould. It is an enjoyable way to learn about the different techniques used and the reasons why they were developed. Before commencing this journey, we are informed that a sheet of paper made by hand contains in the pattern of its fibers, in the texture of its surface, in its imperfections, the story of its own origin. The surface of a sheet of Nepalese handmade paper is full of tiny specks, which reflect and glitter in the sunlight, because it is made at three thousand meters in the mountains where the fast-flowing mountain stream contains mica, worn away from the rocks. A paper's origin is an underlying theme of this book, and it is a feature which is visually represented by twenty full-page, tipped-in samples of actual handmade papers from India and Nepal gathered by the author during his visits. These colorful papers provide the reader with a real appreciation of how a sheet of paper contains a message and reveals its own journey on the paper road. A fine book on paper history would not be complete unless it were produced by Henry Morris of the Bird & Bull Press. He has designed this book and printed it by letterpress on imported Arches mouldmade paper. Along with the twenty paper samples, this book contains thirty-one black-and-white illustrations, a chronology of papermaking in India and Nepal, and a select bibliography.
Price: $ 240.00 other currencies Order nr. 37908

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(Bird & Bull Press) Pfeiffer, Gordon (editor) AN ANTHOLOGY OF DELAWARE PAPERMAKING.
With an introduction by Gordon A. Pfeiffer and four wood engravings by John DePol. New Castle, DE The Delaware Bibliophiles and Oak Knoll Books 1991 8vo. quarter cloth, printed paper over boards, leather spine label. 81, (3) pages.
Limited to 200 numbered copies. Set in Bell and printed on mouldmade paper by Henry Morris at his Bird & Bull Press. This work is based on an original article written by Barbara Benson about the general history of papermaking in Delaware. To this has been added two previously published articles - "The Gilpins and their Endless Papermaking Machine" by H.B. Hancock and N.B. Wilkinson; and "Papermaker Joshua Gilpin introduces the Chemical Approach to Papermaking in the U.S." by Sidney M. Edelstein. Finally there is a previously unpublished thesis written by Patricia M. Brown outlining the history of the Curtis Paper Company in Newark, Delaware. This is an important article as little has previously been published about the history of this mill which eventually supplied paper to so many of America's fine book producers. The four original wood engravings by John DePol beautifully illustrate a number of the mills and a papermaking scene.
Price: $ 195.00 other currencies Order nr. 33045

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THE BOOKS OF PIERRE LECUIRE: FROM THE COLLECTIONS OF THE LIBRARY OF CONGRESS.
New York The Grolier Club 1994 7.5 x 9.5 inches paperback 86 pages
This catalogue describes the career of poet and publisher Pierre Lecuire. As one of France's most important contemporary publishers, Lecuire published nearly all of his own work. Deriving from elaborate philosophical and poetical reflections, his work often focused on the relationship between the book and the poem. Books of Pierre Lecuire examines Lecuire's work and contains a frontispiece and thirteen illustrations. Produced to accompany the exhibition that occurred at the Grolier Club in the summer of 1994, it is the first English language catalogue of this illustrious artist, poet, and publisher.
Price: $ 30.00 other currencies Order nr. 106604

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(Bradley, Will H.) Bambace, Tony WILL H. BRADLEY: HIS WORK, A BIBLIOGRAPHICAL GUIDE.
Accompanied by an original copy of BRADLEY HIS BOOK. New Castle, Delaware and Boston, Massachusetts Oak Knoll Press and Thomas G. Boss Fine Books 1995 8vo. quarter leather with paste paper over boards, leather spine label. Booklet is stiff paper wrappers held in porfolio. Both inserted in a cloth-covered clamshell box. xxiii, 216 pages.
First edition. One of 44 special signed and numbered copies. Will H. Bradley (1868-1962) is widely regarded as one of the masters of design during the Art Nouveau and Arts & Crafts periods. His typographic and illustrative work pushed the boundaries of these fields into new directions. In addition, his re-introduction and use of Caslon type brought it back into popularity. The guide includes 261 illustrations, including his designer's marks to help identify his pieces. The guide includes a Book Work section containing three parts: one of 81 definite books of Bradley's own execution, one listing those exhibiting the Bradley stamp but with no confirming documentation, and one listing those using his designs but were probably not produced by him. The remaining sections document magazine covers, advertisements, illustrations, posters, and other works.
Price: $ 450.00 other currencies Order nr. 41679

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Bringhurst, Robert WHY THERE ARE PAGES AND WHY THEY MUST TURN.
Number one of the CODE(X) Monograph Series Berkeley, California CODEX Foundation 2008 5.5 x 7.75 inches paperback pamphlet 16 pages
Number one of the CODE(X)+1 Monograph Series. Adapted from The Surface of Meaning: Books and Book Design in Canada, published in fall 2008 by CCSP Press at Simon Fraser University, Vancouver. Robert Bringhurst's essay talks about book design and typography, as well as the future of the book.

This book was designed and printed in an edition of 500 copies on a Heidelberg cylinder press by Peter Koch, assisted by Jonathan Gerken and Shanna Mahan for the CODEX Foundation. The cover was printed from antique wood and metal types in the Koch collection.

Robert Bringhurst is a philosopher, poet, linguist, and typographer living in British Columbia.
Price: $ 25.00 other currencies Order nr. 102896

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Buff, Jerome H. (curator) JAMES L. WEIL: MASTER OF FINE PRINTING AND POETRY
New York The Grolier Club 2009 6 x 9 inches paperback 32 pages
This book contains a catalogue of the work of James L. Weil, master of fine printing and poetry. His collection of poetry contained short and thought provoking poems, while his publishing work represented his harmonious personality, artistic sensibility, and poetic taste. This checklist also provides brief biographical profiles of Jim Weil and other poets of the Elizabeth Press. Four black-and-white illustrations are included.
Price: $ 12.00 other currencies Order nr. 107548

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(Center for Book Arts) Addonizio, Kim ANOTHER DAY ON EARTH
New York Center for Book Arts 2009 20.25 x 13.5 inches masa paper, waxed ururyu cover, vellum wrapper 2 large sheets
Designed and printed by Delphi Basilicato as the judge's book from the 2009 chapbook competition. The edition is 100 signed and numbered copies. It is printed on masa paper with a waxed Ururyu cover a vellum wrapper, set in Franklin Book and Centaur.

A series of four poems, "Storm Catechism," "Half-Blind Elegy," "November 11: 2004," and "Another Day on Earth: Tsunami, December 26, 2004," which reference the horrors of natural disasters.
Price: $ 100.00 other currencies Order nr. 105207

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(Center for Book Arts) THE ALTERED PAGE, SELECTIONS FROM THE RUTH AND MARVIN SACKNER ARCHIVE OF CONCRETE AND VISUAL POETRY.
New York Center for Book Arts 1988 small 4to. stiff paper wrappers, flaps on cover open to reveal title, (32) pages.
An exhibition of selections from the Ruth and Marvin Sackler Archive of Concrete and Visual Poetry was held at the Book Arts Gallery from February 6 to March 26, 1988. The artwork represented in this show breaks the barrier of traditional books, artists books and even the two dimensional page. The works of these artists and poets were grouped into the following seven categories of visual/verbal alterations: Hidden Meanings; Canceled; Cut, Torn, Crumpled, Perforated; Fragmented; Layered; Sculpted; Sewn and Woven. Illustrations are in black and white and in color. The introduction by Marvin Sackler describes the collection from which the works were selected and provides the background of several of the projects.
Price: $ 20.00 other currencies Order nr. 103185

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(Center for Book Arts) ARTIST AS PUBLISHER
(New York Center for Book Arts 2008) large 8vo. stiff paper wrappers 32 pages
Organized by Omar Lopez-Chahoud, Independent Curator, and held in New York from July 9 to September 13, 2008, this exhibition examines art publications produced by artists and collaboratives. The publications selected for the exhibitions each embody a spirit of collaboration and experimentation and a DIY ethos. Independent publication allows artists to bypass the gallery system, and to make art cheaply and distribute it on their own terms. The curator invited several groups to set up reading rooms throughout the Center where viewers could engage directly with their work. Digitally printed with color illustrations.
Price: $ 20.00 other currencies Order nr. 103172

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(Center for Book Arts) Blocker, Mare ISTORIATO.
(New York Center for Book Arts 2001) 11" x 11" Round shaped, case bound concertina, with printed navy Iris cloth on both the book covers and lidded clamshell box n.p.
Limited to an edition of 50 signed and numbered copies. Istoriato is an Italian narrative style of pottery decoration which uses the pottery body solely as support for a purely pictorial effect. Originating about 1500 in Faenza, Italy, paintings comparable in seriousness to Italian Renaissance easel paintings were applied to Maiolica ware. The subjects, biblical, historical, and mythological scenes, are executed with a realism (including the use of perspective) quite unlike any previous pottery decoration. Although violating aesthetic rules in their subordination of shape to decoration, such wares remain works of great skill, as well as beauty.

During her Sally R. Bishop residency at the Center, Mare Blocker explored how the design of this pottery changed with the invention of the printing press. Multiple color linoeleum blocks and type were printed on Magnani Pescia. Produced at the Center for Book Arts, each boxed set also includes a unique plate decorated in the style of Maiolica pottery.
Price: $ 1,250.00 other currencies Order nr. 103051

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(Center for Book Arts) BOOKWORKS BY TOM PHILLIPS, AN EXHIBITION AT THE CENTER FOR BOOK ARTS.
New York Center for Book Arts 1986 8vo. stiff paper wrappers. (52) pages.
An exhibition, curated by Richard Minsky, was held in New York from April 3 to May 16, 1986. This show of Phillips original manuscripts and small editions helped bridge the boundary between book art and artists' books. It included 37 works by the London artist from 1970-1986. Filled with illustrations including many in color.
Price: $ 15.00 other currencies Order nr. 103173

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(Center for Book Arts) Bringhurst, Robert NEW WORLD SUITE NUMBER THREE
(New York Center for Book Arts 2005) 17" x 17", four 8.5 x 11 books black cloth with paper label three 28 pages, one at 20 pages
Edition limited to 75 signed and numbered copies, including five artist proofs, with only 25 copies for sale. This innovative interdisciplinary work intersects at the pinnacle of creative writing, graphic design, book art, and performance. This is a poem for three voices, meant to be read by three people at once. In addition to the poem, the author has written an afterword articulating the evolution of his polyphonic poetry, documenting for the reader a history of this definitive edition. The work is made to be performed, and his essay concludes, "The printed text should be as fine as it can be, but it should never be the final incarnation. A book must be a place where things begin."

The display type was set by hand, and the text was printed by the Center's Master Printer, Barbara Henry at their Jane Mead Timken Printshop in three separate colors in Monotype Dante by, with composition by the Bixler Foundry in Skaneateles, NY.The text was then hand word and line spaced at the Center by Ms. Henry to Robert Bringhurst's exacting specifications. Mr. Bringhurst created the typographic design for the book, as well as the text. Hedi Kyle designed the innovative binding structure specifically for New World Suite Number Three. When opened, each volume within the book forms its own lectern. The poetry for each voice has been bound in heavy blue cardstock, while the afterword was done in burnt orange. When closed, the book has a stunning three dimensional architectural presence. It was produced at the Center for Book Arts under the supervision of Master Binder, Mirah von Wicht, who studied traditional bookbinding in Germany, book conservation in the USA, and worked at the Metropolitan Museum of Art in New York, and by artists Jennifer Bantz Biddle, Ana Cordeiro, Nancy Loeber and Linda Trimbath.
Price: $ 3,500.00 other currencies Order nr. 103052

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(Center for Book Arts) Campbell, Bonnie Jo LOVE LETTERS TO SONS OF BITCHES
New York Center for Book Arts 2010 7.5 x 10 inches paperback 28 pages
22 poems.The manuscript for this book won the 2009 Poetry Chapbook Competition at The Center for Book Arts. Set in French Round Face with titling in Flash by Ed Rayher at Swamp Press. Designed and printed on a Vandercook Proof Press by Barbara Henry. The edition is 100 signed and numbered copies.
Price: $ 75.00 other currencies Order nr. 105208

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(Center for Book Arts) Campos, Alexander and Lois Morrison THREADS: INTERWEAVING TEXTU(R)AL MEANING
New York Center for Book Arts 2009 5.75 x 8.25 inches boards 28 pages
This exhibition explores the use of thread in 35 works, many multi-part presenting anywhere from 3 to 13 pieces of the entire series, by 38 different artists. It examines how thread is used as a design element to convey content and form. Featured artworks include books, sculptures, mixed-media installation, and video. Samplers, Stitches, and Swatches are the three general themes of the exhibition work focused on throughout. An artist talk at the Museum of Art and Design in February 2008 was the catalyst for this exhibition.
Price: $ 25.00 other currencies Order nr. 105204

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) rectangular 4to. lavender Fabriano Tiziano paper covered storage box with deep rose cloth spine, cream color paper title label with rose colored lettering, Velcro closure not paginated.
This special limited edition portfolio features the work of the artist members of The Center for Book Arts. Each participating artist submitted a broadside in an edition of 100. The theme of the project was the celebration of the contributions of the artist members, past and present, to the growth of the Center and the field of book arts over the past 30 years. Includes the catalogue, which opens to a poster where each of the 58 broadsides is illustrated. It also includes an essay by Nina Schneider and a curatorial statement by Roni Gross, Artist Member, who organized the project. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Benjamin D. Rinehart.
Price: $ 1,500.00 other currencies Order nr. 103041

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) rectangular 4to. binders board storage box covered with black cloth and blue Zerkall paper with black ribbon tie closure, tag with black and red lettering not paginated.
This special limited edition portfolio features the work of the artist members of The Center for Book Arts. Each participating artist submitted a broadside in an edition of 100. The theme of the project was the celebration of the contributions of the artist members, past and present, to the growth of the Center and the field of book arts over the past 30 years. Includes the catalogue, which opens to a poster where each of the 58 broadsides is illustrated. It also includes an essay by Nina Schneider and a curatorial statement by Roni Gross, Artist Member, who organized the project. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Benjamin D. Rinehart.
Price: $ 1,500.00 other currencies Order nr. 103042

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) rectangular 4to. museum board storage box covered with Moriki paper in a variety of colors, button and tag on flap not paginated.
This limited edition portfolio features the work of the artist members of the Center for Book Arts. Each artist submitted a broadside in an edition of 100, the theme of which is a celebration of the contributions of artist members to the growth of the CBA and the field of book arts over the past 30 years. Each portfolio also includes the catalogue of broadsides, an essay by Nina Schneider, and a curatorial statement by Roni Gross, artist member and project organizer. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Barbara Mauriello.
Price: $ 1,500.00 other currencies Order nr. 103043

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(Center for Book Arts) CELEBRATING ARTIST MEMBERS: 30TH ANNIVERSARY BROADSIDE PORTFOLIO.
(New York Center for Book Arts 2005) oblong 4to. Canford cardstock folding portfolio in multiple colors with overlapping closure, separate pocket for exhibition catalogue not paginated.
This limited edition portfolio features the work of the artist members of the Center for Book Arts. Each artist submitted a broadside in an edition of 100, the theme of which is a celebration of the contributions of artist members to the growth of the CBA and the field of book arts over the past 30 years. Each portfolio also includes the catalogue of broadsides, an essay by Nina Schneider, and a curatorial statement by Roni Gross, artist member and project organizer. Nancy Loeber, Barbara Mauriello, Benjamin Rinehart, and Peter Schell each designed a unique portfolio (edition of 25 each) to house the contributions; this one was designed by Peter Schell.
Price: $ 1,500.00 other currencies Order nr. 103044

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(Center for Book Arts) CENTER BROADSIDES 2002 READING SERIES.
(New York Center for Book Arts 2002) 11 ¼" x 16" handmade paste paper covered boards with a blue cloth spine, blue grosgrain ribbon ties, title label on front cover 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Thomas Glave, Rodney Terich Leonard, Marie Ponsot, Lila Zemborain, Bill Luoma, Martha Rhodes, Patricia Spears Jones, Kristin Prevallet, Brenda Coultas, L.B. Thompson, Linda Gregg and Peter Covino. Produced in a signed limited edition of 150, the broadsides are reserved for the yearly portfolios. The 2002 portfolio is covered in paper printed with a combed texture with a quarter blue cloth spine and blue grosgrain ribbon ties.
Price: $ 500.00 other currencies Order nr. 103152

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(Center for Book Arts) CENTER BROADSIDES 2004 READING SERIES.
(New York Center for Book Arts 2004) 11 ¼" x 16" handmade paste paper covered boards with an ivory cloth spine, brown cotton ties, title label on front cover 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Tony Hoagland, Trapeta B. Mayson, Renee Gladman, Kenneth Hart, Eugene Ostashevsky, Mary DiLucia, Linda Susan Jackson, Tsitsi Jaji, Rachel Levitsky, Phillis Levin, Joe Elliot and Jeanne Marie Beaumont. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2004 portfolio is covered in paper printed with a dotted swirled texture with a quarter ivory cloth spine and brown cotton ties.
Price: $ 500.00 other currencies Order nr. 103153

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(Center for Book Arts) CENTER BROADSIDES 2005 READING SERIES.
(New York Center for Book Arts 2005) 11 ¼" x 16" hand-dyed paper printed with a gold cloth spine and gold grosgrain ribbon ties, title label on front cover 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Joan Larkin, Elizabeth Alexander, Elaine Equi, Laure-Anne Bosselaar, Tony Towle, Douglas Goetsch, Angelo Verga, Mark Nickels, M.J. Bender, Garrett Kalleberg, Jeff Friedman and Daniel Nester. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The 2005 portfolio is covered in paper printed with a rectangular pattern with a quarter gold cloth spine and gold grosgrain ribbon ties.
Price: $ 500.00 other currencies Order nr. 103154

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(Center for Book Arts) CENTER BROADSIDES 2006 READING SERIES.
(New York Center for Book Arts 2006) 13" x 15" paper letterpress pressure-printed with a freeform design, front flaps open to form a box shape made from lavender book cloth faced with blue paper, title printed on tan cardstock attached to the sky blue grosgrain ribbon loop that is part of the tie 12 broadsides of various sizes
Twelve broadsides, each representing the work of an individual poet who gave a reading at the Center for Book Arts in New York, are enclosed in an artistic portfolio that not only provides protection but also appeals to the eye. As part of the Broadside Reading Series, each author creates a broadside of one of their poems that captures the essence of the verse and the story they are telling. Includes works by Sheila Maldonado, Sharon Mesmer, Jan Heller Levi, Karen Garthe, Rachel Wetzsteon, David Trinidad, Elizabeth Frost, Erica Ehrenberg, Patricia Carlin, Lynn Wagner, Baron Wormser and Grace Paley. Produced in a signed limited edition of 100, the broadsides are reserved for the yearly portfolios. The design of the 2006 portfolio, which varies significantly from those of past years, features a center opening that fastens with sky blue grosgrain ribbon. Covered in paper printed with a freeform design in shades of blue, green and pale orange, the front cover flaps open to reveal a pop-up box that contains the individual broadsides.
Price: $ 500.00 other currencies Order nr. 103155

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