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Bookplates

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Bookplates


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(Bookplates) Butler, William E.(editor). THE BOOKPLATE JOURNAL.
London The Bookplate Society 8vo. paper wrappers. 8 volumes in 16 numbers.
Complete set of THE BOOKPLATE JOURNAL from its first issue to September 1990. Includes index. Filled with information on artists of bookplates, bibliographies and other facts for the collector. Always well-illustrated.
Price: $ 280.00 other currencies Order nr. 33697

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(Bookplates) Tattersfield, Nigel BOOKPLATES BY BEILBY & BEWICK, A BIOGRAPHICAL DICTIONARY
London and New Castle The British Library and Oak Knoll Press 1999 large 8vo. cloth, dust jacket. 384 pages.
Forty years before the turn of the 18th century, a small, prestigious bookplate workshop was established, the likes of which were never to be seen again after its employment of one man: Thomas Bewick. To this day, the works of the bookplate shop of Beilby & Bewick are highly collectible and valued in the antiques world. This account offers several hundred bookplates engraved on copper and wood, executed and printed in the workshop over a period of 89 years. It is quite the most extensive and thorough study of this subject in its use of primary sources. The author's lively enthusiasm and careful scholarship have combined to produce a valuable and truly pioneering work on a subject clouded by speculation and optimistic attribution until now. Nigel Tattersfield has taken full advantage of the recently-opened archives of Beilby & Bewick to reveal a vast range of work, from banknotes and inscriptions in silver, to the making of type punches and bottle moulds. The workshop's surviving records are unique in their diversity and quantity. In recent years, the records have been used in the study of engraved silver, pottery transfers, and the preparatory studies for Bewick's wood engravings. Bookplates is fully illustrated, with over 300 examples, and its wealth of biographical information on the owners of the bookplates represents an important contribution to the social history of the north of England.
Price: $ 95.00 other currencies Order nr. 54988

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Einstein, Milton I.D. & Max A. Goldstein COLLECTORS' MARKS.
Mansfield Centre Martino Publishing 2007 large 8vo. cloth. (xiv), 128, x, 34, (3) pages, with 50 additional pages of plates.
Reprint of the 1918 edition which was limited to 300 numbered copies. The first part (Coll. Marks), by Louis Fagan of the British Museum, first appeared in 1883 and contains 671 "marks" for book owners (individuals or institutions): Signatures, initials, monograms, stamps, stars, crosses, coats of arms, intertwined forms and "other marks and devices," all reproduced in facsimile. The accompanying list indicates, to the extent known, the collector or owner to whom the mark refers and gives information on the sale of the collection to which the mark pertains. Fagan identifies about three-fourths of the marks with regard to ownership, with auction information for perhaps one-half. With index. A following "supplement" lists fifty variants of the marks already reproduced. The last part ("new contributions") is an addition by the editors of this edition, Milton Einstein and Max Goldstein, and lists 205 additional marks, many of them from America (e.g. M. Cassatt, J.P. Morgan), following the format of part one, although a smaller portion of marks are identified.
Price: $ 65.00 other currencies Order nr. 97064

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Holzenberg, Eric THREE GOLD BEZANTS, THREE SILVER STARS: THE ARMS OF THE GROLIER CLUB 1884-1984
New York The Grolier Club 1999 5.5 x 8.5 inches hardcover 62 pages
The arms of Jean Grolier are extremely recognizable in book collecting. He used them on bindings, opening leafs, and other leafs of his texts. Now, visitors to the Grolier Club see Jean Grolier's arms in carved stone at the Street entrance, in plaster over the fireplace, and in various other places throughout the Club.

This book has divided the Grolier arms into two categories: the Grolier arms used in publications and the arms used in ex libris. They are roughly grouped chronologically by date of original publication and each illustration is accompanied by a short explanation of when the device first appeared, and by whom it was designed. It contains a history of the arms of the Grolier Club since 1884, and Kit Currie provides a prefatory essay titled, "The Arms of Jean Grolier."

The book includes 22 illustrations, many printed from the original blocks, with three tipped in bookplates. A preface by Eric Holzenberg, club publications, and club bookplates are also presented. It was written in Herman Zapf's Renaissance roman and italic types. Design and typography were by Jerry Kelly.
Price: $ 100.00 other currencies Order nr. 106630

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Pearson, David PROVENANCE RESEARCH IN BOOK HISTORY: A HANDBOOK.
New Castle, DE Oak Knoll Press 1998 6 x 9 inches cloth, dust jacket. xiv, 326 pages.
Reprint of the first edition with a new introductory section containing additional references to update the original text. This book has quickly become established as a standard work in a field of rapidly growing interest. At a time when more and more people are studying private book ownership, this handbook offers a compendium of information on the ways of recognizing and identifying marks of ownership, and on placing that knowledge in a wider context. Topics covered include inscriptions; mottoes; bookplates; book labels and book stamps; armorials; sales catalogues; catalogues and lists of private libraries; provenance indices; heraldry and paleography. Co-published with the British Library.
Price: $ 49.95 other currencies Order nr. 53851

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Reese, William S. NINETEENTH CENTURY AMERICAN COLOR PLATE BOOKS
New York The Grolier Club 1999 8.5 x 11 inches hardcover, dust jacket 120 pages
Published in two parts in 1799 and 1800, The City of Philadelphia ...As it Appeared in the Year 1800 by William Birch was the first American color plate book to be published. During the mid 1890s, there was widespread use of the trichromatic half-tone process. This was quickly replaced with new mediums that dominated the twentieth century, providing the basis for this publication. Because production moved from hand-colored plate engravings and lithographs to the development of chromolithography, the nineteenth century shows the birth, rise, and eventual demise of methods of production in the culture of American printed books.

Color in books represented luxury during the nineteenth century. Color was never cheap, and although technology made color plates available to a wider audience, the big color plate books were still only available to the rich because of their high cost. As the demand for color became stronger, publishers were more eager to supply it. To do this, it often meant hand finishing was replaced by mechanical work, and quality was therefore reduced.

This exhibition takes a closer look at the world of lost processes and skills. This book traces the progression of production processes and the careers of some of the leading specialists. Aiming to show the diversity of color plate work among the leading titles, the exhibition displays highlights of the century and provides insight into the tastes and interests of those producing in the nineteenth century. Beautifully illustrated, Stamped with a National Character: Nineteenth Century American Color Plate Books shows the production techniques used in creating color plate books in America.
Price: $ 39.00 other currencies Order nr. 107112

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Warnecke, Friedrich BÜCHERZEICHEN (EX-LIBRIS) DES XV. UND XVI. JAHRHUNDERTS VON DÜRER, BURGMAIER, BEHAM, VIRGIL SOLIS, JOST AMMAN, U.A.
Nieuwkoop HES & DE GRAAF 1970 8vo cloth (ii), 16 pages of text plus plates
Reprint of the 1894 edition published in Berlin. Documentation on German ex-libris by outstanding artists of the 15th-16th centuries. With 100 full-page facsimiles.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 100.00 other currencies Order nr. 103268

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