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Auchincloss, Kenneth MAGNIFICENT OBSESSION, THE PRINTING OF THE BOSWELL PAPERS.
New York The Typophiles 1995 tall 8vo. stiff red paper wrappers, cord-tied. 23+(1) pages.
Typophiles Monograph - New Series Number 13. The story of the printing of the Boswell papers owned by Lt. Colonel Ralph Heyward Isham by Bruce Rogers. Limited to 800 copies printed at The Stinehour Press with design by Abraham Brewster at the Oliphant Press. Distributed for the Typophiles by Oak Knoll Press.
Price: $ 25.00 other currencies Order nr. 61930

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(Bookbinding) Greenfield, Jane ABC OF BOOKBINDING, A UNIQUE GLOSSARY WITH OVER 700 ILLUSTRATIONS FOR COLLECTORS AND LIBRARIANS
New Castle, Delaware and Nottingham, England Oak Knoll Press and the Plough Press 2002 8.5 x 11 inches hardcover, dust jacket 180 pages
Reprint of the first edition of 1997. For the first time, Jane Greenfield has provided a unique glossary of terms, styles, structures, and names related to conservation and bookbinding through the ages illustrated with over 700 line drawings. Locating accurate descriptions of bookbindings from various periods has previously been frustrating for those who work with rare and antiquarian books, especially conservators, librarians, book collectors and antiquarian book specialists. However, this frustration will abate as Greenfield's work takes place alongside John Carter's ABC For Book Collectors as well as Don Etherington's and Matt T. Roberts' Bookbinding and Conservation of Books. Ms. Greenfield, a master in the field of bookbinding and conservation, examines the book's development from the earliest periods and in different places. She has provided names and drawings for almost every conceivable part of the book as well as a multitude of styles, bindings, and decorations. She literally takes apart the structure of the book and illustrates the many and varied facets and definitions that clearly outline the historical development of the book's structures and styles.
Price: $ 49.95 other currencies Order nr. 49915

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(Bradley, Will H.) Bambace, Tony WILL H. BRADLEY: HIS WORK, A BIBLIOGRAPHICAL GUIDE.
Accompanied by an original copy of BRADLEY HIS BOOK. New Castle, Delaware and Boston, Massachusetts Oak Knoll Press and Thomas G. Boss Fine Books 1995 8vo. quarter leather with paste paper over boards, leather spine label. Booklet is stiff paper wrappers held in porfolio. Both inserted in a cloth-covered clamshell box. xxiii, 216 pages.
First edition. One of 44 special signed and numbered copies. Will H. Bradley (1868-1962) is widely regarded as one of the masters of design during the Art Nouveau and Arts & Crafts periods. His typographic and illustrative work pushed the boundaries of these fields into new directions. In addition, his re-introduction and use of Caslon type brought it back into popularity. The guide includes 261 illustrations, including his designer's marks to help identify his pieces. The guide includes a Book Work section containing three parts: one of 81 definite books of Bradley's own execution, one listing those exhibiting the Bradley stamp but with no confirming documentation, and one listing those using his designs but were probably not produced by him. The remaining sections document magazine covers, advertisements, illustrations, posters, and other works.
Price: $ 450.00 other currencies Order nr. 41679

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Bringhurst, Robert and Peter Rutledge Koch, et al. CARVING THE ELEMENTS: A COMPANION TO THE FRAGMENTS OF PARMENIDES
Berkeley Editions Koch 2004 6 x 9 inches Paperback 138 pages
First edition. This companion piece to The Fragments of Parmenides reveals the "blood, sweat and tears" the creators put into their original book. Carving the Elements tells the detailed story of the making of The Fragments of Parmenides, a grandiose book project meticulously crafted by: master letterpress printer Peter Koch; poet, translator and typographer Robert Bringhurst; punchcutter, type designer, typefounder and poet Dan Carr; master stonecutter and type designer Christopher Stinehour; master bookbinder Daniel Kelm; bookbinder, casemaker and printer Peggy Gotthold; and visual artist and master wood engraver Richard Wagener.
The text of the book, actually written by the book artists themselves, takes the reader through their journey in the making of The Fragmentswith essays including the following: "Philosophy & Printing in the Real West: or Herakleitos in Montana and Fly Fishing on Telegraph Avenue" by Peter Koch; "Deep in the Stone: A Conversation about Hand-Crafted Letters" by Christopher Stinehour; "Parmenides, Craft and Being: Designing and Cutting an Archaic Greek Typeface" by Dan Carr; "Finding the Form of an Ancient Text" by Robert Bringhurst; "A Dream of Pre-Socratic Color: From Joshua Tree to Baudelaire" by Richard Wagener; "How Is It Possible for the "One" to Have So Many Parts?" by Daniel E. Kelm; "Binding Parmenides" by Peggy Gotthold; and "Raven's Wine Cup" by Robert Bringhurst.
Well-illustrated and written by true bibliophiles, "This book is ... a guided tour of ... the philosophy of artisanship, in some of its many forms." Distributed for Editions Koch.
Price: $ 30.00 other currencies Order nr. 78258

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Bringhurst, Robert WHY THERE ARE PAGES AND WHY THEY MUST TURN.
Number one of the CODE(X) Monograph Series Berkeley, California CODEX Foundation 2008 5.5 x 7.75 inches paperback pamphlet 16 pages
Number one of the CODE(X)+1 Monograph Series. Adapted from The Surface of Meaning: Books and Book Design in Canada, published in fall 2008 by CCSP Press at Simon Fraser University, Vancouver. Robert Bringhurst's essay talks about book design and typography, as well as the future of the book.

This book was designed and printed in an edition of 500 copies on a Heidelberg cylinder press by Peter Koch, assisted by Jonathan Gerken and Shanna Mahan for the CODEX Foundation. The cover was printed from antique wood and metal types in the Koch collection.

Robert Bringhurst is a philosopher, poet, linguist, and typographer living in British Columbia.
Price: $ 25.00 other currencies Order nr. 102896

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(Center for Book Arts) THE ALTERED PAGE, SELECTIONS FROM THE RUTH AND MARVIN SACKNER ARCHIVE OF CONCRETE AND VISUAL POETRY.
New York Center for Book Arts 1988 small 4to. stiff paper wrappers, flaps on cover open to reveal title, (32) pages.
An exhibition of selections from the Ruth and Marvin Sackler Archive of Concrete and Visual Poetry was held at the Book Arts Gallery from February 6 to March 26, 1988. The artwork represented in this show breaks the barrier of traditional books, artists books and even the two dimensional page. The works of these artists and poets were grouped into the following seven categories of visual/verbal alterations: Hidden Meanings; Canceled; Cut, Torn, Crumpled, Perforated; Fragmented; Layered; Sculpted; Sewn and Woven. Illustrations are in black and white and in color. The introduction by Marvin Sackler describes the collection from which the works were selected and provides the background of several of the projects.
Price: $ 20.00 other currencies Order nr. 103185

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(Center for Book Arts) THE FIRST DECADE, CENTER FOR BOOK ARTS, AN EXHIBITION AT THE NEW YORK PUBLIC LIBRARY SEPTEMBER 7 - NOVEMBER 29, 1984.
New York Center for Book Arts 1984 4to. stiff paper wrappers with illustration on front cover 56 pages
An exhibition held at the New York Public Library from September 7 to November 29, 1994 celebrated the first ten years of the Center's existence. Including 132 works by 112 artists, it was not intended as a retrospective, but rather as an overview of traditional book forms, paper arts, bookbinding and art works based on, or alluding to, book forms. Introduction by Frances O. Mattson, curator of Rare Books at The New York Public Library. Each entry is accompanied by a black and white photograph.
Price: $ 15.00 other currencies Order nr. 103186

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Signed copy available upon request

Clouse, Doug MACKELLAR, SMITHS & JORDAN: TYPOGRAPHIC TASTEMAKERS OF THE LATE NINETEENTH CENTURY.
New Castle, Delaware Oak Knoll Press 2008 8.5 x 11 inches Hardcover, dust jacket. 176 pages
First edition. This is the first full-length study of the leading American type foundry of the nineteenth century. It is an interesting history of the foundry from both a business and a design point of view. The emphasis is on the design of the hundreds of typefaces that were produced by the foundry, from its inception in the 1860s until its merger with most other American foundries at the end of the century. The author describes (with many detailed photographic illustrations) how changing business conditions and technical improvements in typefounding interacted with changes in public taste to modify, over the decades, the appearance of the typefaces that Americans found in their publications. While this is a study of only one of many American foundries, in many ways MacKellar, Smiths & Jordan can stand as an exemplar of all the rest. It was the descendant of the first successful American type foundry, Binny and Ronaldson, started in Philadelphia in 1796. Extensive business records of the firm exist, as do scores of type specimen books and promotional publications of the foundry. All of these have been used extensively by the author. The scores of typefaces illustrated and described are considered as the ever-changing output of a corporation, with lesser emphasis on the individual creators of each typeface. At the turn of the twentieth century, taste turned away from the florid, ornamented style of the earlier decades. Mr. Clouse has shown in this well-written study that the earlier styles were very successful in their own time and should be judged on that basis. A completely illustrated appendix showing MS&J's patented typefaces is extremely helpful.
Price: $ 65.00 other currencies Order nr. 96669

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Currie, Kit, et al. ABE LERNER 1908-2002
New York The Typophiles 2003 8vo. stiff paper wrappers, cord-tied. 31+(1) pages.
Typophiles Monograph New Series #20. Known throughout the world of typography, Abe Lerner was a highly respected and talented typographer/book designer with links to the likes of the great Bruce Rogers. With a meticulous eye for detail and clean design, he was constantly working on new projects. With a career that landed him as the Director of Design and Production at Macmillan, President of the Typophiles, and lecturer at the Grolier Club in New York, Abe Lerner was certainly one of our finest typographic designers of the 20th century. Published as a tribute to this great typographer/book designer, this monograph is made up of nine short, nostalgic stories written about the man by friends and colleagues alike. They include Kit Currie, Ronald Gordon, Howard Gralla, Jonathan Hill, Eric Holzenberg, Roland Hoover, Martin Hunter, Herbert Johnson and Jerry Kelly. Also included is a poem written by Kenneth Auchincloss for a dinner honoring Abe Lerner at the Grolier Club, September 16, 1993. Distributed for the Typophiles.
Price: $ 30.00 other currencies Order nr. 75326

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(Czech Design) THE CZECH AVANT-GARDE AND CZECH BOOK DESIGN: THE 1920S AND 1930.
AN EXHIBITION DRAWN FROM THE EMMA LINEN DANA CZECH AVANT-GARDE BOOK COLLECTION Madison, NJ Fairleigh Dickinson University n.d. (1996) 8.5 x 11.75 inches stiff paper wrappers. 50 pages, with a 5-page typescript index laid in the back.
The exhibition that formed the basis for this catalogue was commissioned by the Ginza Graphic Gallery in Tokyo in 1996 and drawn from the Fairleigh Dickinson University Library's Emma Dana Collection, as well as private collections. The exhibition and resulting catalogue examine one stream in Czech publishing between the wars - the work of the avant-garde. The examples on display demonstrate the links between Czech artists and the European avant-garde, which largely inspired them, and also make clear the Czechs' own special contributions to the international avant-garde movement. In addition, the exhibition places the work of the Czech avant-garde in context by the inclusion of a number of works by artists working in more traditional styles.

Includes a preface by James Howard Fraser and an introductory comment by Blanka Stehlikova, who also wrote an essay on "The Czech Avant-garde and Book Design: An Overview," and the catalogue of the exhibition. Includes full color reproductions of 89 items.
Price: $ 45.00 other currencies Order nr. 104056

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Dreyfus, John (compiler). THE HERITAGE OF THE GRAPHIC ARTS LECTURE SERIES: A COMPLETE LISTING.
New York The Typophiles 1994 small 8vo. stiff paper wrappers. 42, (4) pages.
Limited to 500 copies. A Typophile Monograph, New Series Number Eleven. A listing of the lectures, which ran in various series from 1965 to 1982, arranged by Dr. Robert L. (Doc) Leslie, the topics being typography, printing, paper, book design, calligraphy, and other aspects of the graphic arts. Illustrated by Lili Cassel Wronker. Distributed for the Typophiles by Oak Knoll Press.
Price: $ 25.00 other currencies Order nr. 61090

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Duncan, Harry DOORS OF PERCEPTION, ESSAYS IN BOOK TYPOGRAPHY
Austin, TX W. Thomas Taylor 1987 8vo. stiff paper wrappers. (ii), 99, (3) pages.
Second printing, reprinted from the first edition which was limited to only 325 copies. Five provocative essays describe Duncan's ideal in his own life and explores its implications for today's hand-printer and for future generations interested in typography and printing. This popular book contains essays on the Cummington Press, The Technology of Hand Printing, The Art of the Printed Book, My Master Victor Hammer and The Permanence of Books.
Price: $ 16.50 other currencies Order nr. 19647

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Fichtenberg, M. NEW AND COMPLETE MANUAL ON THE MAKING OF FANCY PAPERS BY M. FICHTENBERG
Edited by Richard J. Wolfe New Castle, Delaware Oak Knoll Press 2010 5 x 7.25 inches hardcover 242 pages
New and Complete Manual on the Making of Fancy Papers was originally written in French by M. Fichtenberg in 1852. Richard Wolfe has translated the book into English and added a new preface.

The craft of marbling paper was introduced into Europe and the Middle East from Turkey and Germany during the last two decades of the sixteenth century, and then into France in the first decade of the seventeenth century. England, Italy, Spain, Sweden, and other European countries began marbling as well, but the production outside of England still remained small. It was not until its introduction into the British Isles in 1750 that marbling increased in popularity.

In France, marbling was first performed by bookbinders who catered mainly to the needs of the book trade. This often meant marbled papers were used for decorating "extra" bindings, or even sometimes made for people who restricted their output to wallpaper. Fortunately, the nineteenth century saw a change in French marbling, as they were introduced to a Turkish pattern containing an infusion of turpentine in the final color. This created an appearance of a network of fine, lacey holes.

New and Complete Manual on the Making of Fancy Papers documents the changes and innovations in French marbling, and describes the marbling and fancy paper trades of the mid-nineteenth century. It also provides technical details on the manufacture of these papers and is a key source for information that couldn't be found anywhere else at the time.

This manual describes many steps in the marbling process. It describes the methods of making colors and the preparation of the aluminum serving to give body to the colors including reds and violets, yellows, blues, and greens. It discusses the preparation of hide glue, paste, glue, glazing, polishers, workshops, troughs, papers that are quilted, papers exhibiting the grain of wood, granite papers, printing, varnishing, sealing wax, and a variety of other details. Four pages of color illustrations complete the book.
Price: $ 85.00 other currencies Order nr. 106047

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Giroud, Vincent MARINETTI'S METAL BOOK.
Berkeley, California CODEX Foundation 2012 5.5 x 7.75 inches paperback pamphlet 24 pages
Number one of the CODE(X)+2 Monograph Series. This book discusses the Italian art movement, Futurism, and its impact on book design. It focuses on the metal book Parole in Liberta Olfattive Tattili-Termiche, a collection of futurist Filippo Tommaso Marinetti's poetry, made by Tullio d'Albisola and Vincenzo Nosenzo in 1932.

This limited edition of 500 copies was designed and printed by Peter Koch with the assistance of Jonathan Gerken and Max Koch.
Price: $ 25.00 other currencies Order nr. 115571

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(Goudy, Frederic W.) Goudy, Frederic W GOUDY'S TYPE DESIGNS, HIS STORY AND SPECIMENS.
New Rochelle The Myriade Press 1978 small 8vo. Paperback 285+(1) pages.
This book is not only Goudy's autobiography, but it is the most complete record to date of his typographic contribution, which has had a major worldwide effect. First published in 1946 as one of the Typophile Chapbooks XIII and XIV, entitled A HALF-CENTURY OF TYPE DESIGN AND TYPOGRAPHY, this second edition is available as the student and professional typographer's working tool, as well as a work of insight into Goudy's designs.
Goudy begins his work with how he entered the world of type design, chronicling his introduction to lettering as a boy, and then moving on to his early years. He then follows by describing each of his typefaces, over 100 of them are included, along with a story behind their design. Many of the stories are accompanied by type specimens, mostly in full or in part. Slight changes from the Typophiles edition are listed in a separate section. An index of the types and a bibliography of Goudy's writings are also included.
Price: $ 14.95 other currencies Order nr. 47020

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THE GROLIER CLUB CREATES: BOOK ARTS BY CLUB MEMBERS.
New York The Grolier Club 2009 6 x 9 inches paperback 44 pages
The Grolier Club membership consists of private and institutional collectors; the antiquarian book trade; book scholars; and practitioners in the book arts, both amateurs and professional. No matter the reason for their interest, all Grolier Club members appreciate good design, fine bindings, letterforms, quality paper, and all the other facets of books. This book celebrates the 125th anniversary of the Club by displaying the work of twenty-nine members who are active in the fields of printing, book design, bookbinding, printmaking, illustration, calligraphy, and the production of artists books. The Grolier Club Creates showcases the work of each member, provides a brief description of the work, and a small essay written by the member. It is beautifully illustrated with a photograph or illustration for each entry.
Price: $ 12.00 other currencies Order nr. 107103

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Hutner, Martin A CENTURY FOR THE CENTURY, FINE PRINTED BOOKS FROM 1900 TO 1999.
New York The Grolier Club 1999 9 x 12 inches paperback 144 pages
This catalogue contains 100 of the most beautiful, finely printed books produced during the twentieth century. To choose just 100 out of an immense number of books, the selection was limited to books printed in England and America containing the Roman alphabet. Books as objects and more sculptural books are not included in the publication. The introduction is divided into two parts including: The Resurgence of Fine Printing: Tradition and Change, 1900-1949, and The Advance of Technology and the Continuity of Tradition: Fine Printing 1949-1999. The book contains 100 full-page examples of title-pages, facsimiles, and illustrations, as well as a list of illustrations, authors and titles, designers and presses, and a bibliography.
Price: $ 35.00 other currencies Order nr. 106628

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Janssen, Frans A. TECHNIQUE & DESIGN IN THE HISTORY OF PRINTING.
`t Goy-Houten HES & DE GRAAF 2004 7 x 9.75 inches hardcover, dust jacket 380 pages
Containing 26 selected and thoroughly rewritten essays and articles (all written by Janssen and published previously between 1976 and 2002 in yearbooks and periodicals) all dedicated to the history of printing and book production, this work draws systematically attention to the typographical design of the book. The articles are mainly divided into two fields of attention: the analytical bibliography of the printed book (book production, studies of the technical aspects of type-setting and printing, type founding, printing presses, paper etc.) and the typographical design of books (its functions and its influence on how texts are read). With illustrations. Cover design, typography, and lay-out by Bram de Does.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 220.00 other currencies Order nr. 103672

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Johnson, A.F. SELECTED ESSAYS ON BOOKS AND PRINTING. EDITED BY PERCY H. MUIR.
Amsterdam HES & DE GRAAF 1970 small folio cloth xi, 489 pages.
Forty extensive essays on the history of printing, publishing, typefounding, type design, etc. Emphasis is on the sixteenth century. A very beautifully produced book: Designed by Giovanni Mardersteig and printed at the Stamperia Valdonega, Verona. With numerous plates and illustrations.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 340.00 other currencies Order nr. 103257

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Kelly, Jerry. THE FIRST FLOWERING: BRUCE ROGERS AT THE RIVERSIDE PRESS, 1896-1912, WITH A CHECKLIST OF THE RIVERSIDE PRESS EDITIONS.
Boston Thomas G. Boss Fine Books 2008 5.75 x 8.75 inches cloth-backed paper covered boards, stamped in gilt with the Riverside Press logo. 95 pages
As Daniel Berkley Updike's successor, from 1896-1912, Bruce Rogers worked at Houghton Mifflin's Riverside Press. This history of Bruce Rogers' work while at the Riverside Press was taken directly from the archives of his letters. Included in this book is how Rogers came to produce the series called Riverside Press Editions, as well as other special and limited editions. These books were made with handmade paper and the finest ink available. This work includes a checklist of 102 books and broadsides Rogers designed for Houghton Mifflin and other publishers, including publication date and publication price, typeface, and edition size. Thirty-six color plates are printed in the final part of the book. Beautifully designed by Kelly and printed in a digital version of the Brimmer typeface. Edition of 500 of which 323 copies with this imprint were produced.
Price: $ 75.00 other currencies Order nr. 100315

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Kelly, Jerry GOTTHARD DE BEAUCLAIR: ART AND LITERATURE THROUGH TYPOGRAPHY AND DESIGN
With an Introduction by Hermann Zapf New York The Typophiles 2006 6 x 9 inches paperback 48 pages
Born in 1907, Gotthard de Beauclair spent most of his life learning about calligraphy, printing, typography, and book design. With his expertise and skillful technique, he produced some of the finest examples of limited edition books. Even now, his work stands as a model for superior bookmaking.

This catalogue includes an Introduction by Hermann Zapf and a brief history of de Beauclair's work as a student, typographer, designer, and bookmaker. It lists his endeavors at the Insel Verlag, the Stempel Typefoundry, various publishers, the Trajanus Presse, and others. A section of illustrations is also included. The book was set in Aldus, a typeface designed by Hermann Zapf (Gotthard de Beauclair was also instrumental in the font's conception).

While the leading book designer in Gernmany, Beauclair is not as well known in the United States. Many presses in Germany and around the world have given up the tradition of printing from metal type by letterpress. Run now as industrial companies, publishing companies are often merged focusing on mass production over quality. This book brings to light the typographic work used in Beauclair's exceptional publications in hopes of demonstrating that fine editions can still be produced today in exquisite detail, even despite the ever-growing technologies.
Price: $ 20.00 other currencies Order nr. 108921

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Lathem, Edward Connery and Elizabeth French Lathem (Editors) D.B.U. AND R.R.: SELECTED EXTRACTS FROM CORRESPONDENCE BETWEEN DANIEL BERKELEY UPDIKE AND RUDOLPH RUZICKA, 1908-1941
New York American Printing History Association 1997 tall 8vo. cloth, dust jacket. vi, 181+(1) pages.
D.B.U and R.R. prints for the first time extracts from the important correspondence between these major figures of American graphic arts, revealing a little-known closeness between the Merrymount Press fine printer Updike and the artist Ruzicka. The two men collaborated on a number of important books, including Newark and the Grolier Club's Irving, as well the exquisite series of Merrymount annual keepsakes. Ruzicka also played a substantial advisory role in the writing of Updike's monumental Printing Types. This touching and candid thirty-three year correspondence is put in context by the Lathems' elucidating commentary. This work includes an index and two tipped-in facsimiles, as well as illustrations reproduced in the original colors. Printed by the Stinehour Press, in an edition of 500 copies.
Price: $ 50.00 other currencies Order nr. 97458

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(Lensvelt, Frits) Berg, T. van den, H. Wijmenga, J. Storm van Leeuwen, and R. van der Zalm LICHT ALS LEIDRAAD. LEVEN EN WERK VAN FRITS LENSVELT (1886-1945). MET EEN VOORWOORD VAN FRANS LEIDELMEIJER
`t Goy-Houten HES & DE GRAAF 2007 22 x 27.5 cm stiff paper wrappers. 176 pages.
Published on the occasion of two exhibitions (in Amsterdam and in Assen) on the life and works of Frits Lensvelt. This versatile and influential Dutch designer and artist, who is probably best known in the world of theatre for his designs of stage decors, also made a name for himself as a book decorator and illustrator, a designer of decorative lamps, and as an interior architect. Licht als leidraad consists of contributions by Tuja van den Berg (`Leven en werk van Frits Lensvelt`), Rob van der Zalm (`Frits Lensvelt en het toneel`), Henriëtte Wijmenga (`Frits Lensvelt als ontwerper van lampen en als binnenhuisarchitect`) en Jan Storm van Leeuwen (`Frits Lensvelt en het boek`). Richly illustrated.

Sales rights: Available outside North America from HES & DE GRAAF Publishers.
Price: $ 50.00 other currencies Order nr. 103204

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Lerner, Abe. DESIGNING A BOOK.
New York The Typophiles 1993 small 8vo. paper wrappers. (16) pages.
Printed in an edition limited to 800 copies printed at the Stinehour Press. Typophile Monograph, New Series, No. 10. Abe Lerner discuss the making of the Typophile Chap Books Bibliography. Distributed for the Typophiles by Oak Knoll Press.
Price: $ 25.00 other currencies Order nr. 61089

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Loney, Alan EACH NEW BOOK.
Number three of the CODE(X) Monograph Series Berkeley, California CODEX Foundation 2008 5.5 x 7.75 inches paperback pamphlet 24 pages
Number three of the CODE(X)+1 Monograph Series. Loney's essay discusses his thoughts on both the physical value as well as the textual value of books and libraries.

This book was designed and printed in an edition of 500 copies on a Heidelberg cylinder press by Peter Koch assisted by Jonathan Gerken and Shanna Mahan for the CODEX Foundation. The cover was printed from antique wood and metal types in the Koch collection.

Alan Loney is a poet/printer living in Melbourne, Australia, where he runs Electio Editions.
Price: $ 25.00 other currencies Order nr. 102903

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