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(American Antiquarian Society) Gura, Philip F. THE AMERICAN ANTIQUARIAN SOCIETY, 1812-2012: A BICENTENNIAL HISTORY.
Worcester, Massachusetts American Antiquarian Society 2012 6.75 x 10 inches hardcover, dust jacket 454 pages
Founded in Worcester, Massachusetts, in 1812 by Isaiah Thomas, the patriot printer and leading publisher of the new nation, the American Antiquarian Society reflects his vision for the printed record of America's history-its preservation and its interpretation. Over two centuries, beginning with Thomas's gift of his own extensive library of books and newspapers, this learned society has become widely recognized as a national treasure. The collections are an indispensable resource for everyone interested in studying the United States to 1876. Scholars, artists, and writers benefit from the library collections and its fellowship programs to conduct research resulting in books and other works that frequently earn national awards. The Society also offers lectures, seminars and conferences, programs for teachers, and a rich website for diverse audiences.

This volume traces the development of the library and the role the Society's librarians have played as collectors, scholars of American writing and publishing, and stewards of the nation's history. Readers will meet Isaiah Thomas and his successors at the Society's helm: Christopher Columbus Baldwin, Samuel Foster Haven, Edmund Mills Barton, Clarence Brigham, Clifford K. Shipton, Marcus A. McCorison, and Ellen S. Dunlap. Each has moved the Society forward by deftly matching the institution's needs with local and national developments. The Society celebrates its bicentennial as a leading independent research library, a pioneer in the digitization of its collections, and a center of scholarship for the study of American history and culture.

The American Antiquarian Society-pride and joy of its founder Isaiah Thomas-holds the DNA of our shared national patrimony. On the occasion of its bicentennial, this uniquely American library has published a copiously illustrated history that is at once scholarly in purpose, rich in probing insight, and brimming with narrative detail. While keenly alert to the evolution of the Society, Philip F. Gura's guiding approach has been more finely focused on its intellectual development as a cultural repository of extraordinary consequence, with careful attention given to the people who have shaped and nurtured it into the twenty-first century. The founding spirit of this remarkable institution-a bookman for the ages "touched early by the gentlest of infirmities, bibliomania"-would be mightily pleased, I am certain, with this magisterial tribute to his enduring legacy.
-Nicholas A. Basbanes, author of A World of Letters: Yale University Press, 1908-2008 and A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books.

Philip F. Gura, William S. Newman Distinguished Professor of American Literature and Culture since 2000, has taught at the University of North Carolina at Chapel Hill since 1987. Widely recognized for his scholarship, Gura, who first visited the American Antiquarian Society as a reader in 1971, considers his election to membership in 1988 one of his highest honors. He is the author of many books, including American Transcendentalism: A History (2007), finalist for the National Book Critics Circle Award (nonfiction) and Truth's Ragged Edge: The Rise of the American Novel (forthcoming in 2013).
Price: $ 60.00 other currencies Order nr. 108979

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(Baldwin, Christopher Columbus) Larkin, Jack and Caroline Sloat (editors) A PLACE IN MY CHRONICLE: A NEW EDITION OF THE DIARY OF CHRISTOPHER COLUMBUS BALDWIN, 1829-1835.
Introduction and Transcription by Jack Larkin Worcester, Massachusetts American Antiquarian Society 2010 8.5 x 11.5 hardcover, dust jacket 322 pages
The text of Baldwin's diary is a virtual trip back in time, and this edition with its lively illustrations and helpful identification of the hundreds of people he meets along the way, takes the reader back into Massachusetts in the years between 1829 and 1835. Numerous illustrations and pictures expand the descriptions Baldwin gives readers in his entries. Additionally, Larkin and Sloat use footnotes to explain information, such as dates or places, that audiences may be unfamiliar with. Baldwin's entries detail a wide variety of subjects, including everyday occurrences, such as the weather and places he visited, as well as the obscure and unusual things that amused him. Also discussed are people Baldwin met (with an index in the back describing every person in detail) in addition to his feelings on important subjects, such as slavery and religion, and his passions for books and reading. Larkin and Sloat have restored Baldwin's diary to its most original form, including the format, style and language in which he wrote. Readers will have a thorough understanding of life in Massachusetts in the early republic after reading Baldwin's diary.

"The diaries of Christopher Columbus Baldwin have long been among the American Antiquarian Society's nineteenth-century treasures. Baldwin's 'chronicle' now has a modern edition worthy of its invaluable contents, richly illustrated and superbly annotated thanks to the labors of Jack Larkin and Caroline Sloat. In these pages, everyday life in central Massachusetts- courtship and death, career and travel- shares the stage with key national developments of the early republic, from party politics to temperance to phrenology. Through it all, Baldwin reveals the passion for reading and collecting books that made him AAS's ideal librarian at the time and a forebear to all the men and women who have built America's great research collections." - Scott Casper, professor of history, University of Nevada, Reno
Price: $ 55.00 other currencies Order nr. 104667

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Barnhill, Georgia B. (editor) WITH A FRENCH ACCENT: AMERICAN LITHOGRAPHY TO 1860.
Worcester, Massachusetts American Antiquarian Society 2012 8.5 x 11 inches paperback 100 pages
With a French Accent: American Lithography to 1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill, Lauren B. Hewes, Catherine Wilcox-Titus, Marie-Stéphanie Delamaire, and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together, the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century.

The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans, New York, Philadelphia, and Boston from the mid-1830s to 1860.

The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market, and there is a selection of sentimental prints and portraits that were printed in the United States, but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study, Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience.

Next, the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil, Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences, he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum.

Illustrated with black-and-white and color prints, this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States.
Price: $ 25.00 other currencies Order nr. 109010

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Felcone, Joseph J. PRINTING IN NEW JERSEY 1754-1800: A DESCRIPTIVE BIBLIOGRAPHY
Worcester, Massachusetts American Antiquarian Society 2012 8.5 x 11 inches hardcover, dust jacket 544 pages
The first permanent printing office in New Jersey was established in 1754 by James Parker. Laws, proceedings of the assembly, and proclamations of the royal governors all came from Parker's press, as did numerous works for the fledgling College of New Jersey (now Princeton University). Other printers soon saw opportunity in New Jersey, so that by 1800, forty-four individuals had been either proprietors or partners in printing offices spread across the state from Sussex County to Cumberland County. Printing in New Jersey contains full descriptions of all of the known products of every eighteenth-century New Jersey press.

As a descriptive bibliography of early American imprints, this book sets a new standard for comprehensiveness. Of the 1,265 books, pamphlets, periodicals, newspapers, and broadsides included, almost a quarter of them are recorded here for the first time. Every entry receives detailed bibliographical treatment: full collations are provided, paper and type are identified, contemporary bindings are described, and advertisements in newspapers are recorded. Every located copy has been collated, and full copy-specific data, including eighteenth-century provenance, is presented. Extensive notes identify anonymous authors, provide biographical and historical context, attribute unsigned printing, and establish press runs.

The second part of the text is devoted to items that may have been printed in New Jersey but for which insufficient documentation has been found to permit a clear attribution to a New Jersey press. A third part contains works incorrectly attributed to a New Jersey press by earlier bibliographers and now removed from the New Jersey printing canon. The rich back matter supports the bibliography. The first of three appendices lists the alphabetical, chronological, and geographical distribution of printing offices in eighteenth-century New Jersey. The second appendix is a register of the New Jersey book trade that records printers, publishers, booksellers, newspaper proprietors, bookbinders, papermakers, and others engaged in any aspect of the book trade or allied arts in New Jersey from 1754 through 1800. The third appendix contains six concordances. An extensive list of manuscript collections and printed resources essential to the study of eighteenth-century New Jersey printing documents the work. The volume concludes with three indexes: an index of printers and publishers, a provenance index, and a comprehensive general index.

Joseph J. Felcone has spent a lifetime collecting, studying, and writing about New Jersey books and the early New Jersey book trade. To compile this comprehensive work, he visited and fully surveyed 115 libraries, from the major repositories in the United States and England to county and local historical societies in New Jersey, and physically examined and recorded every eighteenth-century New Jersey imprint.
Price: $ 125.00 other currencies Order nr. 108913

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