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Bartram, Alan TYPEFORMS: A HISTORY.
New Castle, Delaware and London Oak Knoll Press and The British Library 2007 9.5 x 10 inches cloth, dust jacket 128 pages
First edition. This book is the long-awaited successor to the classic An Atlas of Typeforms, the great visually-led history of type that Alan Bartram and James Sutton produced in 1968. Much has changed in the last 40 years, not least the teaching of typography and the means by which it is created. Because current design methods do not require the drawing and tracing of letterforms in order to produce layouts, we have lost our close connection with them. Few understand their history, their appearance, and how and why they have developed as they have. Nearly 75 different types are shown in their original metal forms, just as they were in the Atlas of Typeforms. But an entirely new feature is the author's attempt to place the types in their historical context. By including photographs of contemporary inscriptions on buildings and monuments, Alan Bartram explores the relationship between printed and architectural letterforms and their parallel course from the Renaissance until Victorian times. The opportunities offered for graphic and type designers in the digital age are greater than ever before. But without an understanding of the visual make-up of letterforms and some knowledge of their fascinating history, designers cannot fully exploit the potential of type. In this book, Alan Bartram educates us in these critical areas. Co-published with The British Library.
Sales rights: North and South America; available elsewhere from The British Library
Price: $ 55.00 other currencies Order nr. 95866

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(Bates, H.E.) Eads, Peter H.E. BATES: A BIBLIOGRAPHICAL STUDY.
New Castle and London Oak Knoll Press and The British Library 2007 6 x 9 inches hardcover 240 pages
Reprint of the first edition. Back in print! As a schoolboy, H.E. Bates (1905-74) decided to devote his life to writing and at the age of twenty-one published his first novel. Thereafter he wrote steadily: short stories, novels and journal articles on gardening and country matters. His collections of essays were illustrated by leading contemporary wood engravers, including Agnes Miller Parker and John Nash. During World War Two, as "Flying Officer X," H.E. Bates' writings on the exploits of RAF pilots and other members of the Air Force were phenomenally successful in the UK and USA. The novel, Fair Stood the Wind for France published in 1943, was an immediate success; and again in 1958, The Darling Buds of May, the first of four novels about the Larkins family, was a bestseller. Peter Eads gives full details of first editions of all Bates' work and adds comments from reviews and the writer's autobiography. Short stories, poems, essays and articles are listed chronologically, with full details of the journals and collections in which they were published. Co-published with The British Library.
Price: $ 85.00 other currencies Order nr. 94209

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(Bewick, Thomas) Tattersfield, Nigel THOMAS BEWICK, THE COMPLETE ILLUSTRATIVE WORK
3 volumes. New Castle, Delaware and London Oak Knoll Press and The British Library 2011 7.5 x 10.75 inches Hardcover, slipcase 1580 pages
Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors.

His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Thomas illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others.

Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons.

Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.

Nigel Tattersfield is the author of Bookplates by Beilby and Bewick, published by Oak Knoll Press and The British Library and John Bewick: Engraver on Wood, published by Oak Knoll Press.

Available outside North and South America from The British Library.
Price: $ 265.00 other currencies Order nr. 102274

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(Bookbinding) Foot, Mirjam M. BOOKBINDERS AT WORK: THEIR ROLES AND METHODS
London and New Castle The British Library and Oak Knoll Press 2006 8vo. cloth, dust jacket. 171 pages.
First edition. The role of the bookbinder in the production of saleable books and the significance of the binding in all its details, both structural and decorative, have often been disregarded or marginalised by bibliographers. In this book, Dr. Mirjam Foot sets out to reverse the trend by establishing working binders, and their materials and tools as an essential part of the production cycle. She reveals the inadequacy of bibliographical descriptions that lack essential binding information.
Price: $ 59.95 other currencies Order nr. 87274

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(Bookbinding) Foot, Mirjam M. THE HENRY DAVIS GIFT: A COLLECTION OF BOOKBINDINGS (VOL. III).
Volume III: A Catalogue of South-European Bindings New Castle, Delaware and London Oak Knoll Press and The British Library 2010 8.5 x 10.75 inches cloth with leather spine label. 528 pages
This much anticipated third and final volume of The Henry Davis Gift focuses on South and East European fine bindings, with additional sections on Oriental and American bindings. It includes many new identifications, and owners and binders are discussed comprehensively. Not only have the decorative features of every binding been described and illustrated, details of structure have also been described, and consequently, it is now possible to compare and contrast bookbinders' practices in the various countries, as evident from this splendid collection of fine bindings.

Although this volume focuses on Southern Europe, it also includes bindings from the Middle East, Mexico, and the United States. Two bindings overlooked in Volume II are also included. Similar to Volume II, this volume has been arranged according to country, and then further organized chronologically. In the introduction, Foot explains how her views and methods have changed, and as a result, she has altered specific descriptions and structural elements. The text also contains two indices: of binders and of owners. This is an invaluable book for all academic libraries, for antiquarian booksellers, for collectors and for all interested in the history of the book.

Mirjam Foot is Professor Emeritus of Library and Archive Studies at University College, London; she was formerly Director of Collections and Preservation at the British Library. Her publications include: The Henry Davis Gift Volumes I & II (1978 & 1983), Eloquent Witness: Bookbindings and their History (Oak Knoll Press, The Bibliographical Society and The British Library 2004), and Bookbinders at Work, their Roles and Methods (Oak Knoll Press and The British Library 2006).

Available outside North and South America from The British Library.
Price: $ 125.00 other currencies Order nr. 102273

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(Bookbinding) Lindsay, Jen FINE BOOKBINDING: A TECHNICAL GUIDE
New Castle, Delaware, and London Oak Knoll Press and The British Library 2009 9 x 9.75 inches paperback 216 pages
The purpose of this book is to guide the reader through the sequence of operations involved in creating a book bound in leather, or a "fine binding." The author defines a fine binding as a book fully covered in leather, with leather-jointed endpapers, gilt edges, and leather doublures. Although a basic knowledge of bookbinding terms and techniques is assumed, this book is meant for both novice and experienced bookmakers.

The book is intended to be used as an active guide during the process of fine binding. It is arranged into sixteen sections, listing the sequence of operations, beginning with preliminary work and ending with preparing and putting in leather doublures. Each section includes appropriately numbered instructions allowing the user to find his or her place in the sequence of operations with a reference for what step is next. There are also numbered explanatory sections that include a rationale (why you do it) and technique (how you do it). The work includes close to 300 black and white illustrations, four appendices, and a bibliography.

Jen Lindsay is a bookbinder with extensive experience in teaching, lecturing, and writing on bookbinding and the history of the book. She first studied bookbinding at Camberwell School of Art and Crafts, London (1977-1979), and then worked as a freelance bookbinder. She was a bookbinding tutor and Program Convener for the BA Bookbinding and BA Calligraphy programs at Roehampton Institute, West London (1983-2001) and then bookbinding tutor at The City Literary Institute, London (2001-2005).

Sales Rights: North and South America; available elsewhere from The British Library.
Price: $ 59.95 other currencies Order nr. 102152

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(Bookbinding) Marks, P.J.M. BEAUTIFUL BOOKBINDINGS: A THOUSAND YEARS OF THE BOOKBINDER'S ART
New Castle & London Oak Knoll Press & The British Library 2011 8.5 x 11 inches hardcover, dust jacket 190 pages
As a craft of more than 2,000 years, the art of bookbinding has been overlooked in history. Primarily seen for its practical purpose of protecting the pages of a book, it is sometimes hard to recognize the creative aspects of a bookbinding. Beautiful Bookbindings hopes to bring to light this artistic way of thinking by displaying the finest bookbindings as the objects of desire they were originally intended to be. As the great aesthete Oscar Wilde believed, bookbindings are beautiful and artistic in their own wonder.

Because covering materials are prone to fading and deterioration, relatively few examples of early bookbindings have survived. In more recent times, the number of surviving examples has increased due to deliberate efforts to preserve ornate bindings. Despite the difficulty in preserving bindings, this book pieces together the history of bookbinding, using written sources where necessary to fill the gaps that the bindings themselves do not fill.

From exquisite medieval bookbindings made of precious metals and jewels to the unique and highly imaginative creations of contemporary bookbinders, this book celebrates over 100 of the most beautiful bookbindings of the last 1,000 years. Books bound by some of the greatest bookbinders including Mearne, Padeloup, Payne, Simier, Cobden-Sanderson, and others are showcased, further revealing the beauty and skill of this art form. Spanning over ten centuries, some of the books displayed were once owned by Francis I and Henry II of France, Jean Grolier, Thomas Mahieu, Queen Elizabeth I of England, and William Morris. Fully illustrated in color, with specially commissioned studio photography, Beautiful Bookbindings provides a visual overview of the development of this splendid art form. The book focuses on the craft of hand-bookbinding that existed until the Victorian era when mass-produced trade bindings took over. Bookbinding as a craft form never disappeared, however, and the second half of the twentieth century saw a significant revival. The introduction provides an engaging overview of the history and techniques of the craft and of its most important practitioners. Visually stunning, this book will have a wide appeal to anyone with an interest in visual arts, crafts, and book history.

Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 49.95 other currencies Order nr. 105519

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(Bookbinding) Middleton, Bernard C. A HISTORY OF ENGLISH CRAFT BOOKBINDING TECHNIQUE.
Foreword by Howard M. Nixon. New Castle and London Oak Knoll Press & The British Library 1996 (but 2000) 8vo. cloth, dust jacket. xiii, (i), 372 pages followed by 14 plates.
Fourth edition. This is a classic reference work about decorative and commercial English bookbinding techniques written by one of the foremost experts on bookbinding. Each chapter covers various aspects of bookbinding techniques as well as historical information. Each of the chapters describes the material of leaves and folding, beating and pressing, sewing endpapers, gluing the spine, rounding and backing, boards and their attachment, edge-trimming and decoration, headbands, back linings, covering, finishing siding and pasting down, equipment, book repairs and restoration. The book also includes appendices covering a variety of topics. Several sections describe the background and history of the London bookbinding trade around the beginning of the 19th century, its working conditions, and the growth of its binderies. Other sections discuss the specialization in book-edge gilding, the Arts & Crafts movement's influence on bookbinding styles, and the causes and prevention of leather decay. This book is an excellent background for those interested in the English technique. Illustrated with plates.
Price: $ 65.00 other currencies Order nr. 44862

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(Bookbinding) Tidcombe, Marianne WOMEN BOOKBINDERS 1880-1920.
London & New Castle, Delaware The British Library & Oak Knoll Press (1996) 8vo. quarter cloth, marbled paper sides. 240 pages.
First Edition. During the period 1880-1920, the number of women craft bookbinders in Britain increased dramatically. In this, the first major study of its kind, Marianne Tidcombe provides a timely and authoritative introduction to the role and work of women craft binders during the period. The foremost women binders - including Sarah Prideaux, Katherine Adams, Sybil Pye - are discussed at some length (as is the Guild of Women Binders), but all significant figures are included. The appendices illustrate the tools used by Prideaux, Adams and Pye, and provide a list of women in charge of bookbinding shops in Britain before 1900.
Superbly illustrated throughout - with 32 color plates and over 100 black-and-white photographs - this handsomely produced book will make a significant contribution to the study of the role of women in the late nineteenth-century and early twentieth-century book trade. Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 58.00 other currencies Order nr. 43766

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(Bookplates) Tattersfield, Nigel BOOKPLATES BY BEILBY & BEWICK, A BIOGRAPHICAL DICTIONARY
London and New Castle The British Library and Oak Knoll Press 1999 large 8vo. cloth, dust jacket. 384 pages.
Forty years before the turn of the 18th century, a small, prestigious bookplate workshop was established, the likes of which were never to be seen again after its employment of one man: Thomas Bewick. To this day, the works of the bookplate shop of Beilby & Bewick are highly collectible and valued in the antiques world. This account offers several hundred bookplates engraved on copper and wood, executed and printed in the workshop over a period of 89 years. It is quite the most extensive and thorough study of this subject in its use of primary sources. The author's lively enthusiasm and careful scholarship have combined to produce a valuable and truly pioneering work on a subject clouded by speculation and optimistic attribution until now. Nigel Tattersfield has taken full advantage of the recently-opened archives of Beilby & Bewick to reveal a vast range of work, from banknotes and inscriptions in silver, to the making of type punches and bottle moulds. The workshop's surviving records are unique in their diversity and quantity. In recent years, the records have been used in the study of engraved silver, pottery transfers, and the preparatory studies for Bewick's wood engravings. Bookplates is fully illustrated, with over 300 examples, and its wealth of biographical information on the owners of the bookplates represents an important contribution to the social history of the north of England.
Price: $ 95.00 other currencies Order nr. 54988

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Briggs, Asa. A HISTORY OF LONGMANS AND THEIR BOOKS, 1724-1990: LONGEVITY IN PUBLISHING.
New Castle, Delaware and London, England Oak Knoll Press and The British Library 2008 7.5 x 9.75 inches Hardcover, dust jacket 624 pages
First edition. Longmans is the oldest commercial publisher in the United Kingdom, founded in London in 1724 by Thomas Longman. Asa Briggs's history is told within the context not only of the book trade, but also of national and international social, economic, intellectual, and cultural history. It tells of the people who ran the firm, the principles they held, and their success as entrepreneurs.

From the start, the Longmans chose titles likely to have a long life. These included Roget's Thesaurus and Gray's Anatomy, which have gone through many editions. Early nineteenth-century Longman authors included William Wordsworth, Robert Southey, and Sir Walter Scott, and by the middle of the century they had become a publishing "Leviathan." Late Victorian authors included A.Conan Doyle, Robert Louis Stevenson, and H. Rider Haggard.

Throughout its history, the House of Longmans has published a variety of important works, covering religion, law, medicine, science, and sport and has been a major publisher of dictionaries and reference books. It has also always been renowned for its educational publishing.

In the twentieth century, it became increasingly international, with branches and subsidiary companies all over the world. Questions of how, why, and with what effectiveness are dealt with in the last chapters of this comprehensive and intriguing study.

Asa Briggs is a leading historian both of the Victorian Age and communications. He has written many books, among which are The Age of Improvement, Victorian People, Victorian Cities and Victorian Things and his magisterial four-volume history of broadcasting in the United Kingdom. Among posts he has held have been those of Vice-Chancellor of the University of Sussex and Chancellor of the Open University.

Co-published with The British Library. Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 110.00 other currencies Order nr. 96667

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(Carroll, Lewis) Lovett, Charles C. LEWIS CARROLL AND THE PRESS
New Castle and London Oak Knoll Press and The British Library 1999 6 x 9.5 inches cloth, dust jacket. 135 pages.
This comprehensive new work not only provides bibliographical details lacking from previous studies, but it describes Dodgson's letters, articles, games, mathematical problems, and stories in such a way that the scholar without access to these rare items will gain an understanding of where Dodgson stood on various subjects and the nature of his relationship with the public via the press.
Previously unknown Dodgson items are brought to light in this listing, and numerous early reprints are recorded for the first time. Dodgson's word puzzles "Doublets" and "Syzgies," which were published on a continuing basis in Vanity Fair and The Lady are fully described for the first time, and dozens of previously unknown Doublets and Syzygies are reprinted. Lovett's introductory essay discusses Dodgson's career as both a reader of periodicals and a contributor to them, and quotes extensively from one of the "lost" periodical contributions - Dodgson material which has not been reprinted. Its wealth of new material and full and proper description of what has so often been neglected in the past make LEWIS CARROLL & THE PRESS an invaluable reference for librarians, scholars, students, professors, collectors, and booksellers.
Price: $ 35.00 other currencies Order nr. 53904

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(Carroll, Lewis) Sewell, Byron and Clare Imholtz AN ANNOTATED INTERNATIONAL BIBLIOGRAPHY OF LEWIS CARROLL'S SYLVIE AND BRUNO BOOKS.
New Castle and London Oak Knoll Press and the British Library 2008 8.5 x 11 inches hardcover, dust jacket 274 pages
First edition. Byron Sewell and Clare Imholtz have compiled a comprehensive international bibliography of over 1000 entries listing all known editions of Lewis Carroll's Sylvie & Bruno books, their translations into foreign languages, excerpts from them, the appearance of their poems in anthologies, critical articles and studies, parodies, and much more. This book establishes for the first time the full bibliographic record of these long-neglected works by Carroll, including several little-known bibliographic rarities. Because this is a truly comprehensive bibliography, with a great breadth of citations, it will almost certainly become an important reference work, not only for Carrollians, but also for other bibliographers and students of Victorian and later literature. This descriptive bibliography will introduce many of its readers to the important techniques of the novels, with their multiple and shifting levels of reality, and the delightful nonsense of the Mad Gardener's song and other poems in the books. The bibliography includes a 30-page scholarly essay by Anne Clark Amor, one of Britain's foremost Carroll scholars, as well as a complete list of the recipients of Lewis Carroll's presentations of the two books, the latter compiled by Carroll scholar and editor of the acclaimed new unexpurgated edition of his diaries, Edward Wakeling. In identifying the riches to be found in the bibliographic outlands of Carroll's Sylvie & Bruno books, Sewell and Imholtz have demonstrated that there has been far greater interest in them than has generally been recognized. The bibliography reveals the many literary and cultural figures who have commented on, disparaged, imitated, parodied, quoted or in some other way drawn upon the Sylvie books, including: T.S. Eliot, Harold Bloom, Jorge Luis Borges, G.K. Chesterton, James Joyce, Ogden Nash, Elizabeth Sewell and Evelyn Waugh, among others.

Both authors are well-known among Lewis Carroll collectors and scholars. In 1992, Byron Sewell published, in a very limited edition, Much of a Muchness: A Survey of the American Editions of the Alice Books Published from 1866-1960. He is one of the co-authors of a recent Lewis Carroll Comic Book Bibliography and has written numerous bibliographic articles. Clare Imholtz has written several articles on Carroll that have been published in Papers of the Bibliographical Society of America, The Carrollian, The Lewis Carroll Review and other journals. The extent and thoroughness of the bibliography is in no small part due to the wonderful cooperation the bibliographers received from Carroll collectors and scholars in Great Britain, Japan, Russia, Finland, France, the United States and elsewhere.

Sales rights: Worldwide except in the UK; available in the UK from The British Library.
Price: $ 95.00 other currencies Order nr. 94203

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Coakley, J.F. THE TYPOGRAPHY OF SYRIAC: A HISTORICAL CATALOGUE OF PRINTING TYPES, 1537-1958.
New Castle, Delaware and London Oak Knoll Press and The British Library 2006 7 x 10 inches hardcover 272 pages
Syriac, a dialect of the ancient Aramaic language, has a remarkable Christian literature spanning a thousand years from the fourth to the thirteenth century, including important versions of the Bible. It remains the liturgical language of several churches in the Middle East, India, and the west, and 'Modern Syriac' is a vernacular still in use today. It is no wonder that this language has a long and rich printing history. The challenge of conveying the beautiful cursive Syriac script, in one or another of its three varieties, was taken up by many well-known type-designers in the letterpress era, from Robert Granjon in the sixteenth century to the Monotype and Linotype corporations in the twentieth, as well as by many lesser-known ones. This study records and abundantly illustrates no fewer than 129 different Syriac types, using archival documents, type-specimens, and the often scattered evidence of the print itself. The Typography of Syriac will be of interest not only to scholars of Middle Eastern languages and scripts but also to all historians of type and printing.
J. F. Coakley is Senior Lecturer in the Department of Near Eastern Languages and Civilizations, and on the staff of Houghton Library, at Harvard University. His private press, the Jericho Press, occasionally makes use of Syriac and other exotic types.
Price: $ 75.00 other currencies Order nr. 91843

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Cooke, Simon ILLUSTRATED PERIODICALS OF THE 1860S: CONTEXTS & COLLABORATIONS.
New Castle, Delaware, Pinner and London, England Oak Knoll Press, The Private Libraries Association, The British Library 2010 7.25 x 10.75 inches Hardcover, dust jacket 224 pages
The 1860s are considered the "Golden Age" of illustrated periodicals, a time when the "knockabout" humor of the 1840s, which was dominated by illustrators such as Cruikshank, Doyle, and Phiz, gave way to a more considered style grounded in serious artistic principles, allowing for deeper expression and emotion in artistic output. The first book of its kind, Illustrated Periodicals of the 1860s, focuses extensively on the illustrated magazine as a distinct form.

Illustrated Periodicals provides a new and informative approach to the study of "sixties" periodicals, revealing the previously unstudied area of the complex interrelationships between the various parties involved in the production of these magazines: publishers, editors, artists, engravers, and authors. The book considers the effects of these relationships on creative output, both artistic and literary, and in so doing provides a detailed, historical reconstruction of the essential character of the periodicals of that era. The book includes over 120 reproductions of engravings and preparatory drawings, almost all of them original size.

Additionally, the text contains two appendices; the first includes a reflection of the work that goes into collecting and researching these periodicals. The second lists the key illustrators, engravers, publishers, editors, as well as magazines mentioned throughout the text, each including a brief description. This work is an informative and colorful choice for those interested in the history of periodicals, the production of magazines, and art.

Simon Cooke has written widely on the subject of Victorian art and literature. He received his doctorate from Exeter and his teaching qualifications from the Open University and the University of Leicester. Cooke is currently a teacher of English language and literature.

Available outside North and South America from The British Library.
Price: $ 75.00 other currencies Order nr. 103919

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Gardner-Medwin, David (editor) BEWICK STUDIES, ESSAYS IN CELEBRATION OF THE 250TH ANNIVERSARY OF THE BIRTH OF THOMAS BEWICK 1753-1828
New Castle and London Oak Knoll Press and The British Library 2003 large 8vo. cloth, dust jacket. 160 pages.
First edition. This well-researched book was published in celebration of the 250th anniversary of the birth of Thomas Bewick, one of the foremost wood engravers in Britain. Eight revealing essays by leading Bewick scholars capture a wealth of untapped archival sources on Bewick and his world. The first three essays provide a new synopsis of his life and the growth of his reputation. Other essays shed new light on his character, library, colleagues, family and other hitherto neglected dimensions of his life. Another essay covers Bewick's relationship with the Beilbys, his American admirer Alexander Anderson, and the fate of his woodblocks. For those interested in this unique art form, this work will be most interesting. Co-published with The Bewick Society and The British Library.
Price: $ 45.00 other currencies Order nr. 75718

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Garnett, Richard RUPERT HART-DAVIS LIMITED A BRIEF HISTORY WITH A CHECKLIST OF PUBLICATIONS
New Castle and London Oak Knoll Press and The British Library 2004 5.5 x 8.75 inches Paperback 94 pages.
This 96-page booklet was reprinted from the pages of The Book Collector. The work begins with a detailed history of the eclectic British publishing firm founded in 1946 by Rupert Hart-Davis. From each title they published to the company's finances, this book tells the story of Rupert Hart-Davis, revealing much about the man as well as the business. The success of his firm was not measured financially but in well-edited and well-produced non-fiction books. The second half of the work consists of an invaluable 637-title bibliographical check list of all the books published by the firm from 1947 to 1963. This book would be of interest to all enthusiasts of publishing history, especially those focussing on post-World-War II Britain. Co-published with The British Library. SALES RIGHTS: Worldwide except the UK; available in the UK from The British Library.
Price: $ 24.95 other currencies Order nr. 79505

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Goldman, Paul BEYOND DECORATION, THE ILLUSTRATIONS OF JOHN EVERETT MILLAIS.
New Castle, Delaware & London, England & Middlesex, England Oak Knoll Press & The British Library & Private Libraries Association 2005 7 x 12 inches Hardcover, dust jacket 337 pages
First edition. John Everett Millais is admired as one of the most celebrated of Pre-Raphaelite painters. Perhaps less known is the major contribution he made both to book and periodical illustration between 1852 and 1883. Many of these book illustrations remain little known today, largely due to the fact that they are scattered in hundreds of 19th century books and periodicals. This important new work brings together over 300 examples of Millais illustrations, enabling this part of his work to be viewed and appreciated by new generations. This work will be an important reference to any scholar interested in Victorian book illustration.
Paul Goldman was a curator in the Department of Prints and Drawings at the British Museum. He is the author of Victorian Illustrated Books 1850-1870 - The Heyday of Wood-Engraving (British Museum Press, 1994) and Victorian Illustration - The Pre-Raphaelites, The Idyllic School and The High Victorians (Scolar Press, 1996). Co-Published with the Private Libraries Association and The British Library. Sales rights North and South America.
Price: $ 65.00 other currencies Order nr. 76550

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Hinks, John and Catherine Armstrong (editors) BOOK TRADE CONNECTIONS FROM THE SEVENTEENTH TO THE TWENTIETH CENTURIES.
Delivered at the Twenty-second Conference on the History of the British Book Trade Birmingham, July 2005 New Castle, Delaware and London, England Oak Knoll Press and The British Library 2008 6 x 9 inches Hardcover, dust jacket. 281 pages
First edition. This ninth volume of the Print Networks series contains twelve exciting chapters from scholars working on the connections between the parties involved in the production of print artifacts; from author to printer, publisher, bookseller and reader. Chronologically, the offerings range from the seventeenth to the twentieth century as they track the developing trade in England, Scotland, Wales and Ireland. Publishers and readers who spent part of their lives in North America are also featured in several of the chapters. The main theme emerging from this volume is the significance of cheap print, including newspapers and journals. The social, cultural, political and economic significance of these artifacts is highlighted by an in-depth examination of the lives of those men and women who participated in the book trade. Co-published with The British Library.

Available in the UK from The British Library.
Price: $ 49.95 other currencies Order nr. 96655

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Hinks, John and Catherine Armstrong (editors) PRINTING PLACES: LOCATIONS OF BOOK PRODUCTION & DISTRIBUTION SINCE 1500
New Castle, DE and London, UK Oak Knoll Press and The British Library 2005 5.75 x 8.25 inches cloth 222 pages
This seventh Print Networks volume is a collection of essays presented at the 2002 Conference on the History of the Book Trade. The theme reinforces the importance of studying specific local factors alongside the wider picture of printing history. As with the other volumes in the Print Networks series, the scope of these scholarly essays is wide-ranging: the book trade in Britain, including links with the former colonies, in early modern and modern times. This collection of essays clearly reflects the book-trade history and is a lively engagement with other historical approaches: cultural, social, economic and intellectual. Edited by John Hinks and Catherine Armstrong to noted scholars in this field. Co-published with the British Library. Available in the UK from The British Library.
Price: $ 45.00 other currencies Order nr. 88192

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Hinks, John and Matthew Day (editors) FROM COMPOSITORS TO COLLECTORS: ESSAYS ON BOOK-TRADE HISTORY
New Castle, Delaware and London Oak Knoll Press and The British Library 2012 6 x 9 inches hardcover, dust jacket 400 pages
The essays in this collection trace texts from their creation and printing through to their publication, dissemination, and collection. In doing so, they show how production processes change texts and how collectors subsequently appropriate them for their own ends. By examining the diverse activities of those involved in both textual creation and collection over a long period, these essays highlight both continuities and changes in the book trade. Taken together, this collection offers considerable new insights into many facets of the book trade, ranging from creation to consumption. This newest addition to the Print Networks series includes nineteen essays from leading book history scholars, including Mariko Nagase, Daniel Cook, Stephen Brown, Brian Hillyard, Catherine Delafield, Rob Allen, Rachel Bower, Iain Beavan, and more. The "compositors" section covers everything from The Mayor of Quinborough, published in 1661, to My Name is Salma, published in 2007. Essays on "collectors" include Dr. James Fraser, Titus Wheatcroft, Sir Walter Scott, the USA Armed Services, and more. The book is illustrated throughout in black and white.

Available in the UK from The British Library.
Price: $ 75.00 other currencies Order nr. 105524

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Howard-Hill, T.H. THE BRITISH BOOK TRADE, 1475-1890: A BIBLIOGRAPHY.
New Castle, Delaware, and London, England Oak Knoll Press and The British Library 2009 7.5 x 9.75 inches Hardcover, 2 volumes 1,876 pages in 2 volumes, plus index on CD-ROM
This superbly comprehensive and detailed bibliography of the British book trade, the product of research in over three hundred libraries in the UK and USA, supersedes all bibliographies on British authors and authorship, bibliography itself, book collecting, bookbinding, book illustration, bookselling, censorship, copyright, libraries, literacy, papermaking, printing, publishing, textual criticism, and typography until 1890. More than 24,000 items (notably articles in trade journals) are lightly annotated and arranged in classified chronological order to illustrate the social and technological development of British book crafts and industries. Items are minutely indexed on the accompanying CD-ROM. Large areas of the history and practices of the British book trades are opened to scholarly study for the first time. British Book Trade, 1475-1890 belongs in every research library: no-one who works in the fields of British literature, bibliography, or book trade history should neglect this work.

Trevor Howard-Hill is Distinguished Professor of English Emeritus at the University of South Carolina, Columbia, SC. Besides his many publications on Shakespearean texts, Renaissance dramatic manuscripts, and textual scholarship are eight volumes of the Index of British Literary Bibliography (Oxford 1969-99).

Published by Oak Knoll Press and The British Library, in association with The Bibliographical Society and The Bibliographical Society of America.
Price: $ 175.00 other currencies Order nr. 96665

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Hudson, Graham THE DESIGN AND PRINTING OF EPHEMERA IN BRITAIN AND AMERICA, 1720-1920.
New Castle, Delaware and London Oak Knoll Press and The British Library 2008 8.5 x 11 inches Hardcover, dust jacket 160 pages
First edition. Ephemera has been collected for many years, but only recently has it become widely accepted as material for academic study. This is the first book to discuss ephemera as an aspect of design history, showing how function, production process and period have affected the changing appearance of billheads, trade cards, flyers, playbills and other ephemera. This book explores the closely interwoven printing histories of Britain and America. American colonial printers and engravers imported British type and equipment, took instruction from the same manuals and were guided by the same exemplars as their British counterparts, a relationship that continued through the first half of the nineteenth century. Following the Civil War, American graphic design and typography began to establish distinctive identities, with developments in color printing bringing an efflorescence of color-rich trade cards, cigar-box labels and other chromolithographed ephemera that was essentially American. Nevertheless, ideas continued to be shared across the Atlantic. American foundries devised entirely original typefaces that were imported into Britain, yet the development of expertise in designing with these new faces depended on printers learning from one another, and the scheme of specimen exchange that successfully achieved this was wholly devised and administered from London. Richly illustrated with letterforms, engravings, drawings and the reproduction of over 200 items of ephemera, many in full color, this is a book for collectors, students, design historians and all with an interest in the visual arts. Graham Hudson is secretary and a founding member of the Ephemera Society and a member of the Ephemera Society of America. His published articles on aspects of ephemeral printing include contributions to the Journal of the Printing Historical Society, Art Libraries Journal, the Journal of the Writing Equipment Society, Industrial Archaeology and numerous articles in The Ephemerist..

Sales rights: North and South America; available elsewhere from The British Library
Price: $ 65.00 other currencies Order nr. 95868

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(Johnston, Edward) Holliday, Peter EDWARD JOHNSTON: MASTER CALLIGRAPHER
New Castle and London Oak Knoll Press and the British Library 2007 8.5 x 11 inches hardcover 412 pages
First edition. Edward Johnston (1872-1944) was a man of letters - master calligrapher, typeface designer and creator of the lettering and branding for the London Underground. He was also a great teacher and philosopher. Many were, and still are, influenced by his down-to-earth ideas on calligraphy and lettering, and those who studied in his classes at the Central School of Art and the Royal College of Art in London took his ideas and views into their own classes and to their own students. Great calligraphers and letterers of today throughout the world are still influenced by Edward Johnston's work.

This detailed book by art and design historian Peter Holliday looks afresh at Johnston's work and legacy. It considers his friendships and his philosophy, the people he worked with and the influence he had on them and others. Importantly it gives details of the setting up of the craft community at Ditchling in Sussex and the craftspeople who were all drawn to the village as a result. During his career, Peter Holliday taught at Ravensbourne College of Design and worked at Ditchling Museum. He contributed to and edited the book Eric Gill in Ditchling published by Oak Knoll in 2002. Holliday passed away in November 2003 while creating this book, and the task of completing it passed to his sister, Susan Skinner. As a fellow calligrapher, she recognized the importance of this book on Johnston. With the information left to her by Holliday, Skinner contacted Sam Mullen to help her complete this book. Skinner and Mullen lightly edited Holliday's work using his impeccable research and have left the original Preface, written in 2002, untouched.
Co-published with The British Library. Sales Rights: Worldwide except in the UK; available in the UK from The British Library.
Price: $ 49.95 other currencies Order nr. 92516

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(King, Jessie M.) White, Colin A GUIDE TO THE PRINTED WORK OF JESSIE M. KING.
With the CD "Illustrations: Supplement to the Book" New Castle and London Oak Knoll Press and the British Library 2007 7 x 10 inches cloth, dust jacket. 230 pages plus 8 pages of plates
Jessie M. King (1875-1949) was the foremost Scottish book designer and illustrator of the 20th century. Her work reflected the mixture of Symbolism and Arts & Crafts practiced by Charles Rennie Mackintosh and the others of "The Four" in Glasgow where she was trained. During the 50 years of her career she designed and illustrated some 250 books, over 100 greeting cards, bookplates and assorted items of ephemera.

A Guide to the Printed Work of Jessie M. King attempts to bring order to this enormous output. Every known item has been annotated, classified and catalogued, and a further section lists over 100 publications containing reproductions of other works by the artist. An appendix by Dr. A.D. Portno discusses her work for the German publishers, Globus. A second appendix investigates her designs for Routledge's series of children's classics.

In order to do justice to Jessie M. King's talent, besides the selection of items illustrated in the book, a substantial part of her work is illustrated in color on an accompanying CD-Rom. On the CD, every significant item is present, with each illustration numbered according to the corresponding entry in the text.

Colin White is an art historian specializing in the early 20th century. His published works include biographies of Edmund Dulac and Jessie M. King and a history of objects of artistic interest found in nurseries. He is at work on a biography of Kay Nielsen. He has written books on Sentimentality in Art, Decorative Headpieces and Tailpieces, and one on the influence of the Japanese No on the plays of W.B. Yeats. He has published articles on the bookplates of Jessie M. King and of Edward Ardizzone, as well as a survey for the Wolfson Foundation of the art of Thomas Mackenzie.

Available worldwide from Oak Knoll Press.
Price: $ 90.00 other currencies Order nr. 93073

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