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Adams, Thomas R. NON-CARTOGRAPHICAL MARITIME WORKS PUBLISHED BY MOUNT AND PAGE, A PRELIMINARY HANDLIST.
London The Bibliographical Society 1985 4to. stiff paper wrappers. xiv, 54 pages.
Study of this English publisher and their productions from the 17th century to the later part of the 18th century. Distributed for the Bibliographical Society.
Price: $ 15.00 other currencies Order nr. 60379

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Alston, R.C. HANDLIST OF LIBRARY CATALOGUES AND LISTS OF BOOKS AND MANUSCRIPTS IN THE BRITISH LIBRARY DEPARTMENT OF MANUSCRIPTS.
London The Bibliographical Society 1991 4to. stiff paper wrappers. iv, 87 pages.
Occasional Papers No.6. A handlist of this collection, with dates and a short description of the contents of each entry. Combined author/subject index. Distributed for the Bibliographical Society.
Price: $ 15.00 other currencies Order nr. 60383

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Bartram, Alan TYPEFORMS: A HISTORY.
New Castle, Delaware and London Oak Knoll Press and The British Library 2007 9.5 x 10 inches cloth, dust jacket 128 pages
First edition. This book is the long-awaited successor to the classic An Atlas of Typeforms, the great visually-led history of type that Alan Bartram and James Sutton produced in 1968. Much has changed in the last 40 years, not least the teaching of typography and the means by which it is created. Because current design methods do not require the drawing and tracing of letterforms in order to produce layouts, we have lost our close connection with them. Few understand their history, their appearance, and how and why they have developed as they have. Nearly 75 different types are shown in their original metal forms, just as they were in the Atlas of Typeforms. But an entirely new feature is the author's attempt to place the types in their historical context. By including photographs of contemporary inscriptions on buildings and monuments, Alan Bartram explores the relationship between printed and architectural letterforms and their parallel course from the Renaissance until Victorian times. The opportunities offered for graphic and type designers in the digital age are greater than ever before. But without an understanding of the visual make-up of letterforms and some knowledge of their fascinating history, designers cannot fully exploit the potential of type. In this book, Alan Bartram educates us in these critical areas. Co-published with The British Library.
Sales rights: North and South America; available elsewhere from The British Library
Price: $ 55.00 other currencies Order nr. 95866

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(Bates, H.E.) Eads, Peter H.E. BATES: A BIBLIOGRAPHICAL STUDY.
New Castle and London Oak Knoll Press and The British Library 2007 6 x 9 inches hardcover 240 pages
Reprint of the first edition. Back in print! As a schoolboy, H.E. Bates (1905-74) decided to devote his life to writing and at the age of twenty-one published his first novel. Thereafter he wrote steadily: short stories, novels and journal articles on gardening and country matters. His collections of essays were illustrated by leading contemporary wood engravers, including Agnes Miller Parker and John Nash. During World War Two, as "Flying Officer X," H.E. Bates' writings on the exploits of RAF pilots and other members of the Air Force were phenomenally successful in the UK and USA. The novel, Fair Stood the Wind for France published in 1943, was an immediate success; and again in 1958, The Darling Buds of May, the first of four novels about the Larkins family, was a bestseller. Peter Eads gives full details of first editions of all Bates' work and adds comments from reviews and the writer's autobiography. Short stories, poems, essays and articles are listed chronologically, with full details of the journals and collections in which they were published. Co-published with The British Library.
Price: $ 85.00 other currencies Order nr. 94209

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(Beckford, William) Millington, Jon. WILLIAM BECKFORD: A BIBLIOGRAPHY.
London The Beckford Soceity 2008 6 x 9 inches cloth, dust jacket 414 pages
First edition. William Beckford (1760-1844) is remembered as the author of Vathek and the creator of one of the most significant buildings of the Gothic Revival, Fonthill Abbey. He was a man of many facets: art collector, bibliophile, traveller, builder, and landscape gardener. Sensing his destiny, just before his coming of age celebrations, Beckford wrote, "I fear I shall never be half so sapient, not good for anything in this world, but composing airs, building towers, forming gardens, collecting old Japan, and writing a journey to China or the moon."

This volume provides an annotated listing of all known publications, scholarly writings, traceable contemporary reviews, and published works related to the life and achievements of patron and collector, William Beckford. It also follows his numerous and diverse appearances in periodic literature, providing an essential reference tool for cross-disciplinary studies of Beckford. This bibliographic collection includes over 5,000 references to material published before 2006.

Serious interest in William Beckford has developed dramatically since the first exhibitions devoted to him (British Museum and Yale University Library) almost fifty years ago. He is now widely appreciated and studied not only for Vathek, which has been published in some 165 editions and in twenty languages since the first unauthorized edition in 1786, but also for his significant contributions to the history of collecting, artistic patronage, landscape gardening, architecture, and music.

Among the areas covered are contemporary accounts of and references to the long and troubled building of his legendary edifice, Fonthill Abbey. There is also a section dealing with the creation and history of Lansdown Tower, located in close proximity to his final residence in Bath. The bibliography includes references to the Beckford family, particularly Alderman William Beckford, Lord Mayor of London, and Beckford's circle of friends and contemporaries.

William Beckford: A Bibliography is the result of over thirty years of research executed by Jon Millington, the founding editor of The Beckford Journal, and a Beckford scholar.

Distributed for the Beckford Society.
Price: $ 100.00 other currencies Order nr. 99735

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(Bewick, Thomas) Tattersfield, Nigel THOMAS BEWICK, THE COMPLETE ILLUSTRATIVE WORK
3 volumes. New Castle, Delaware and London Oak Knoll Press and The British Library 2011 7.5 x 10.75 inches Hardcover, slipcase 1580 pages
Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors.

His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Thomas illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others.

Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons.

Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.

Nigel Tattersfield is the author of Bookplates by Beilby and Bewick, published by Oak Knoll Press and The British Library and John Bewick: Engraver on Wood, published by Oak Knoll Press.

Available outside North and South America from The British Library.
Price: $ 265.00 other currencies Order nr. 102274

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(Bookbinding) Foot, Mirjam M. BOOKBINDERS AT WORK: THEIR ROLES AND METHODS
London and New Castle The British Library and Oak Knoll Press 2006 8vo. cloth, dust jacket. 171 pages.
First edition. The role of the bookbinder in the production of saleable books and the significance of the binding in all its details, both structural and decorative, have often been disregarded or marginalised by bibliographers. In this book, Dr. Mirjam Foot sets out to reverse the trend by establishing working binders, and their materials and tools as an essential part of the production cycle. She reveals the inadequacy of bibliographical descriptions that lack essential binding information.
Price: $ 59.95 other currencies Order nr. 87274

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(Bookbinding) Foot, Mirjam M. THE HENRY DAVIS GIFT: A COLLECTION OF BOOKBINDINGS (VOL. III).
Volume III: A Catalogue of South-European Bindings New Castle, Delaware and London Oak Knoll Press and The British Library 2010 8.5 x 10.75 inches cloth with leather spine label. 528 pages
This much anticipated third and final volume of The Henry Davis Gift focuses on South and East European fine bindings, with additional sections on Oriental and American bindings. It includes many new identifications, and owners and binders are discussed comprehensively. Not only have the decorative features of every binding been described and illustrated, details of structure have also been described, and consequently, it is now possible to compare and contrast bookbinders' practices in the various countries, as evident from this splendid collection of fine bindings.

Although this volume focuses on Southern Europe, it also includes bindings from the Middle East, Mexico, and the United States. Two bindings overlooked in Volume II are also included. Similar to Volume II, this volume has been arranged according to country, and then further organized chronologically. In the introduction, Foot explains how her views and methods have changed, and as a result, she has altered specific descriptions and structural elements. The text also contains two indices: of binders and of owners. This is an invaluable book for all academic libraries, for antiquarian booksellers, for collectors and for all interested in the history of the book.

Mirjam Foot is Professor Emeritus of Library and Archive Studies at University College, London; she was formerly Director of Collections and Preservation at the British Library. Her publications include: The Henry Davis Gift Volumes I & II (1978 & 1983), Eloquent Witness: Bookbindings and their History (Oak Knoll Press, The Bibliographical Society and The British Library 2004), and Bookbinders at Work, their Roles and Methods (Oak Knoll Press and The British Library 2006).

Available outside North and South America from The British Library.
Price: $ 125.00 other currencies Order nr. 102273

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(Bookbinding) Foot, Mirjam M. THE HENRY DAVIS GIFT: A COLLECTION OF BOOKBINDINGS (VOL. II).
Volume II: A Catalogue of North-European Bindings. London The British Library (1983) 8.5 x 10.75 inches cloth with leather spine label. 368 pages.
First edition. The Henry Davis Gift, A Collection of Bookbindings, Volume II covers bindings made in the British Isles, the Netherlands (including Belgium), Germany, Austria and Denmark. There are 368 entries, arranged by country of origin, as well as chronologically, with excellent bibliographical notes on each binding and the binders who executed them. Each entry consists of a header, the author, title and imprint of the book, a brief description of the binding, its provenance, and references, comparative material, literature, and notes when available. The headings also provide the place and date the book was bound and the name of the binder and first owner if known.

Fully described and illustrated, the entries depict the kind of leather or covering material used, types of boards including paste board, pulp board, mill board, straw board, etc, spines, edges, doublures, leather joints, decorated end-papers, and the style of tooling. Also included is an introduction, list of locations, list of books and articles referred to, and indices of the binders and owners.

This second volume of The Henry Davis Gift is a reference to be used by binding historians, librarians, booksellers, collectors, and other book lovers who are interested in identifying undetermined bindings.
Price: $ 140.00 other currencies Order nr. 104824

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(Bookbinding) Lindsay, Jen FINE BOOKBINDING: A TECHNICAL GUIDE
New Castle, Delaware, and London Oak Knoll Press and The British Library 2009 9 x 9.75 inches paperback 216 pages
The purpose of this book is to guide the reader through the sequence of operations involved in creating a book bound in leather, or a "fine binding." The author defines a fine binding as a book fully covered in leather, with leather-jointed endpapers, gilt edges, and leather doublures. Although a basic knowledge of bookbinding terms and techniques is assumed, this book is meant for both novice and experienced bookmakers.

The book is intended to be used as an active guide during the process of fine binding. It is arranged into sixteen sections, listing the sequence of operations, beginning with preliminary work and ending with preparing and putting in leather doublures. Each section includes appropriately numbered instructions allowing the user to find his or her place in the sequence of operations with a reference for what step is next. There are also numbered explanatory sections that include a rationale (why you do it) and technique (how you do it). The work includes close to 300 black and white illustrations, four appendices, and a bibliography.

Jen Lindsay is a bookbinder with extensive experience in teaching, lecturing, and writing on bookbinding and the history of the book. She first studied bookbinding at Camberwell School of Art and Crafts, London (1977-1979), and then worked as a freelance bookbinder. She was a bookbinding tutor and Program Convener for the BA Bookbinding and BA Calligraphy programs at Roehampton Institute, West London (1983-2001) and then bookbinding tutor at The City Literary Institute, London (2001-2005).

Sales Rights: North and South America; available elsewhere from The British Library.
Price: $ 59.95 other currencies Order nr. 102152

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(Bookbinding) Marks, P.J.M. BEAUTIFUL BOOKBINDINGS: A THOUSAND YEARS OF THE BOOKBINDER'S ART
New Castle & London Oak Knoll Press & The British Library 2011 8.5 x 11 inches hardcover, dust jacket 190 pages
As a craft of more than 2,000 years, the art of bookbinding has been overlooked in history. Primarily seen for its practical purpose of protecting the pages of a book, it is sometimes hard to recognize the creative aspects of a bookbinding. Beautiful Bookbindings hopes to bring to light this artistic way of thinking by displaying the finest bookbindings as the objects of desire they were originally intended to be. As the great aesthete Oscar Wilde believed, bookbindings are beautiful and artistic in their own wonder.

Because covering materials are prone to fading and deterioration, relatively few examples of early bookbindings have survived. In more recent times, the number of surviving examples has increased due to deliberate efforts to preserve ornate bindings. Despite the difficulty in preserving bindings, this book pieces together the history of bookbinding, using written sources where necessary to fill the gaps that the bindings themselves do not fill.

From exquisite medieval bookbindings made of precious metals and jewels to the unique and highly imaginative creations of contemporary bookbinders, this book celebrates over 100 of the most beautiful bookbindings of the last 1,000 years. Books bound by some of the greatest bookbinders including Mearne, Padeloup, Payne, Simier, Cobden-Sanderson, and others are showcased, further revealing the beauty and skill of this art form. Spanning over ten centuries, some of the books displayed were once owned by Francis I and Henry II of France, Jean Grolier, Thomas Mahieu, Queen Elizabeth I of England, and William Morris. Fully illustrated in color, with specially commissioned studio photography, Beautiful Bookbindings provides a visual overview of the development of this splendid art form. The book focuses on the craft of hand-bookbinding that existed until the Victorian era when mass-produced trade bindings took over. Bookbinding as a craft form never disappeared, however, and the second half of the twentieth century saw a significant revival. The introduction provides an engaging overview of the history and techniques of the craft and of its most important practitioners. Visually stunning, this book will have a wide appeal to anyone with an interest in visual arts, crafts, and book history.

Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 49.95 other currencies Order nr. 105519

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(Bookbinding) Middleton, Bernard C. A HISTORY OF ENGLISH CRAFT BOOKBINDING TECHNIQUE.
Foreword by Howard M. Nixon. New Castle and London Oak Knoll Press & The British Library 1996 (but 2000) 8vo. cloth, dust jacket. xiii, (i), 372 pages followed by 14 plates.
Fourth edition. This is a classic reference work about decorative and commercial English bookbinding techniques written by one of the foremost experts on bookbinding. Each chapter covers various aspects of bookbinding techniques as well as historical information. Each of the chapters describes the material of leaves and folding, beating and pressing, sewing endpapers, gluing the spine, rounding and backing, boards and their attachment, edge-trimming and decoration, headbands, back linings, covering, finishing siding and pasting down, equipment, book repairs and restoration. The book also includes appendices covering a variety of topics. Several sections describe the background and history of the London bookbinding trade around the beginning of the 19th century, its working conditions, and the growth of its binderies. Other sections discuss the specialization in book-edge gilding, the Arts & Crafts movement's influence on bookbinding styles, and the causes and prevention of leather decay. This book is an excellent background for those interested in the English technique. Illustrated with plates.
Price: $ 65.00 other currencies Order nr. 44862

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(Bookbinding) Tidcombe, Marianne WOMEN BOOKBINDERS 1880-1920.
London & New Castle, Delaware The British Library & Oak Knoll Press (1996) 8vo. quarter cloth, marbled paper sides. 240 pages.
First Edition. During the period 1880-1920, the number of women craft bookbinders in Britain increased dramatically. In this, the first major study of its kind, Marianne Tidcombe provides a timely and authoritative introduction to the role and work of women craft binders during the period. The foremost women binders - including Sarah Prideaux, Katherine Adams, Sybil Pye - are discussed at some length (as is the Guild of Women Binders), but all significant figures are included. The appendices illustrate the tools used by Prideaux, Adams and Pye, and provide a list of women in charge of bookbinding shops in Britain before 1900.
Superbly illustrated throughout - with 32 color plates and over 100 black-and-white photographs - this handsomely produced book will make a significant contribution to the study of the role of women in the late nineteenth-century and early twentieth-century book trade. Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 58.00 other currencies Order nr. 43766

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(Bookplates) Butler, William E.(editor). THE BOOKPLATE JOURNAL.
London The Bookplate Society 8vo. paper wrappers. 8 volumes in 16 numbers.
Complete set of THE BOOKPLATE JOURNAL from its first issue to September 1990. Includes index. Filled with information on artists of bookplates, bibliographies and other facts for the collector. Always well-illustrated.
Price: $ 280.00 other currencies Order nr. 33697

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(Bookplates) Lee, Brian North THE EX-LIBRIS OF PHILIP HAGREEN.
London The Bookplate Society/Forlaget Exlibristen 1987 4to. stiff paper wrappers. 28 pages.
Trade edition. Limited to 650 numbered copies. This work contains a biographical essay and one-hundred sixty-eight descriptions of Hagreen's bookplates. Well-illustrated with reproductions of the bookplates in different colors.
Price: $ 22.00 other currencies Order nr. 33694

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(Bookplates) Tattersfield, Nigel BOOKPLATES BY BEILBY & BEWICK, A BIOGRAPHICAL DICTIONARY
London and New Castle The British Library and Oak Knoll Press 1999 large 8vo. cloth, dust jacket. 384 pages.
Forty years before the turn of the 18th century, a small, prestigious bookplate workshop was established, the likes of which were never to be seen again after its employment of one man: Thomas Bewick. To this day, the works of the bookplate shop of Beilby & Bewick are highly collectible and valued in the antiques world. This account offers several hundred bookplates engraved on copper and wood, executed and printed in the workshop over a period of 89 years. It is quite the most extensive and thorough study of this subject in its use of primary sources. The author's lively enthusiasm and careful scholarship have combined to produce a valuable and truly pioneering work on a subject clouded by speculation and optimistic attribution until now. Nigel Tattersfield has taken full advantage of the recently-opened archives of Beilby & Bewick to reveal a vast range of work, from banknotes and inscriptions in silver, to the making of type punches and bottle moulds. The workshop's surviving records are unique in their diversity and quantity. In recent years, the records have been used in the study of engraved silver, pottery transfers, and the preparatory studies for Bewick's wood engravings. Bookplates is fully illustrated, with over 300 examples, and its wealth of biographical information on the owners of the bookplates represents an important contribution to the social history of the north of England.
Price: $ 95.00 other currencies Order nr. 54988

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(Bowyer) Maslen, Keith and John Lancaster (editor) BOWYER LEDGERS, THE PRINTING ACCOUNTS OF WILLIAM BOWYER FATHER AND SON REPRODUCED ON MICROFICHE WITH A CHECKLIST OF BOWYER PRINTING 1699-1777, A COMMENTARY, INDEXES AND APPENDIXES.
London and New York The Bibliographical Society and The Bibliographical Society of America 1991 tall 8vo. cloth. lxxv, (1), 616, (4) pages. Accompanied by 70 microfiche enclosed in a separate box
The Bowyer ledgers, kept by William Bowyer, father and son, between 1710 and 1777, offer vast new information concerning authorship, book production and book distribution in eighteenth-century London. They are among the few surviving from this period and for London, the center of the British book trade. More than 5,000 works by some 1,000 authors were commissioned by some 500 customers, including booksellers, institutions and private gentlemen, and were produced by several hundreds of workmen. Copies were delivered to more than 1,500 persons, members of the trade or representatives of the reading public at large. The ledgers record what happened to the text as it moved through the printing house, noting paper, types, format, corrections, number printed and the like. This edition of the Bowyer ledgers presents the records themselves in photo-facsimile on microfiche, accompanied by a volume of editorial material. The microfiches reproduce the four surviving ledgers and associated papers, prefixed with detailed descriptions of the originals. Distributed for The Bibliographical Society of America. SALES RIGHTS: Available in the US from Oak Knoll Books. Available outside the US from The Bibliographical Society of America.
Price: $ 25.00 other currencies Order nr. 44064

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Briggs, Asa. A HISTORY OF LONGMANS AND THEIR BOOKS, 1724-1990: LONGEVITY IN PUBLISHING.
New Castle, Delaware and London, England Oak Knoll Press and The British Library 2008 7.5 x 9.75 inches Hardcover, dust jacket 624 pages
First edition. Longmans is the oldest commercial publisher in the United Kingdom, founded in London in 1724 by Thomas Longman. Asa Briggs's history is told within the context not only of the book trade, but also of national and international social, economic, intellectual, and cultural history. It tells of the people who ran the firm, the principles they held, and their success as entrepreneurs.

From the start, the Longmans chose titles likely to have a long life. These included Roget's Thesaurus and Gray's Anatomy, which have gone through many editions. Early nineteenth-century Longman authors included William Wordsworth, Robert Southey, and Sir Walter Scott, and by the middle of the century they had become a publishing "Leviathan." Late Victorian authors included A.Conan Doyle, Robert Louis Stevenson, and H. Rider Haggard.

Throughout its history, the House of Longmans has published a variety of important works, covering religion, law, medicine, science, and sport and has been a major publisher of dictionaries and reference books. It has also always been renowned for its educational publishing.

In the twentieth century, it became increasingly international, with branches and subsidiary companies all over the world. Questions of how, why, and with what effectiveness are dealt with in the last chapters of this comprehensive and intriguing study.

Asa Briggs is a leading historian both of the Victorian Age and communications. He has written many books, among which are The Age of Improvement, Victorian People, Victorian Cities and Victorian Things and his magisterial four-volume history of broadcasting in the United Kingdom. Among posts he has held have been those of Vice-Chancellor of the University of Sussex and Chancellor of the Open University.

Co-published with The British Library. Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 110.00 other currencies Order nr. 96667

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(Calligraphy) Drucker, Johanna. THE ALPHABETIC LABYRINTH, THE LETTERS IN HISTORY AND IMAGINATION.
London Thames and Hudson Ltd (1995) small 4to. cloth, dust jacket. 320 pages.
First edition. An examination of the history of lettering, printing and calligraphy. It covers the many imaginative, often idiosyncratic ways in which the letters of the alphabet have been assigned value in political, spiritual, or religious ways over thousands of years. It is richly illustrated with images never used before and includes a chapter which will be fascinating to historians and to those who are interested in typography. Indexed.
Price: $ 45.00 other currencies Order nr. 60338

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(Carroll, Lewis) Lovett, Charles C. LEWIS CARROLL AND THE PRESS
New Castle and London Oak Knoll Press and The British Library 1999 6 x 9.5 inches cloth, dust jacket. 135 pages.
This comprehensive new work not only provides bibliographical details lacking from previous studies, but it describes Dodgson's letters, articles, games, mathematical problems, and stories in such a way that the scholar without access to these rare items will gain an understanding of where Dodgson stood on various subjects and the nature of his relationship with the public via the press.
Previously unknown Dodgson items are brought to light in this listing, and numerous early reprints are recorded for the first time. Dodgson's word puzzles "Doublets" and "Syzgies," which were published on a continuing basis in Vanity Fair and The Lady are fully described for the first time, and dozens of previously unknown Doublets and Syzygies are reprinted. Lovett's introductory essay discusses Dodgson's career as both a reader of periodicals and a contributor to them, and quotes extensively from one of the "lost" periodical contributions - Dodgson material which has not been reprinted. Its wealth of new material and full and proper description of what has so often been neglected in the past make LEWIS CARROLL & THE PRESS an invaluable reference for librarians, scholars, students, professors, collectors, and booksellers.
Price: $ 35.00 other currencies Order nr. 53904

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(Carroll, Lewis) Sewell, Byron and Clare Imholtz AN ANNOTATED INTERNATIONAL BIBLIOGRAPHY OF LEWIS CARROLL'S SYLVIE AND BRUNO BOOKS.
New Castle and London Oak Knoll Press and the British Library 2008 8.5 x 11 inches hardcover, dust jacket 274 pages
First edition. Byron Sewell and Clare Imholtz have compiled a comprehensive international bibliography of over 1000 entries listing all known editions of Lewis Carroll's Sylvie & Bruno books, their translations into foreign languages, excerpts from them, the appearance of their poems in anthologies, critical articles and studies, parodies, and much more. This book establishes for the first time the full bibliographic record of these long-neglected works by Carroll, including several little-known bibliographic rarities. Because this is a truly comprehensive bibliography, with a great breadth of citations, it will almost certainly become an important reference work, not only for Carrollians, but also for other bibliographers and students of Victorian and later literature. This descriptive bibliography will introduce many of its readers to the important techniques of the novels, with their multiple and shifting levels of reality, and the delightful nonsense of the Mad Gardener's song and other poems in the books. The bibliography includes a 30-page scholarly essay by Anne Clark Amor, one of Britain's foremost Carroll scholars, as well as a complete list of the recipients of Lewis Carroll's presentations of the two books, the latter compiled by Carroll scholar and editor of the acclaimed new unexpurgated edition of his diaries, Edward Wakeling. In identifying the riches to be found in the bibliographic outlands of Carroll's Sylvie & Bruno books, Sewell and Imholtz have demonstrated that there has been far greater interest in them than has generally been recognized. The bibliography reveals the many literary and cultural figures who have commented on, disparaged, imitated, parodied, quoted or in some other way drawn upon the Sylvie books, including: T.S. Eliot, Harold Bloom, Jorge Luis Borges, G.K. Chesterton, James Joyce, Ogden Nash, Elizabeth Sewell and Evelyn Waugh, among others.

Both authors are well-known among Lewis Carroll collectors and scholars. In 1992, Byron Sewell published, in a very limited edition, Much of a Muchness: A Survey of the American Editions of the Alice Books Published from 1866-1960. He is one of the co-authors of a recent Lewis Carroll Comic Book Bibliography and has written numerous bibliographic articles. Clare Imholtz has written several articles on Carroll that have been published in Papers of the Bibliographical Society of America, The Carrollian, The Lewis Carroll Review and other journals. The extent and thoroughness of the bibliography is in no small part due to the wonderful cooperation the bibliographers received from Carroll collectors and scholars in Great Britain, Japan, Russia, Finland, France, the United States and elsewhere.

Sales rights: Worldwide except in the UK; available in the UK from The British Library.
Price: $ 95.00 other currencies Order nr. 94203

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(Cleveland, John) Morris, Brian JOHN CLEVELAND (1613-1658) A BIBLIOGRAPHY OF HIS POEMS
London The Bibliographical Society 1967 8vo. cloth. 54 pages.
First edition. Distributed for the Bibliographical Society.
Price: $ 25.00 other currencies Order nr. 60369

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Coakley, J.F. THE TYPOGRAPHY OF SYRIAC: A HISTORICAL CATALOGUE OF PRINTING TYPES, 1537-1958.
New Castle, Delaware and London Oak Knoll Press and The British Library 2006 7 x 10 inches hardcover 272 pages
Syriac, a dialect of the ancient Aramaic language, has a remarkable Christian literature spanning a thousand years from the fourth to the thirteenth century, including important versions of the Bible. It remains the liturgical language of several churches in the Middle East, India, and the west, and 'Modern Syriac' is a vernacular still in use today. It is no wonder that this language has a long and rich printing history. The challenge of conveying the beautiful cursive Syriac script, in one or another of its three varieties, was taken up by many well-known type-designers in the letterpress era, from Robert Granjon in the sixteenth century to the Monotype and Linotype corporations in the twentieth, as well as by many lesser-known ones. This study records and abundantly illustrates no fewer than 129 different Syriac types, using archival documents, type-specimens, and the often scattered evidence of the print itself. The Typography of Syriac will be of interest not only to scholars of Middle Eastern languages and scripts but also to all historians of type and printing.
J. F. Coakley is Senior Lecturer in the Department of Near Eastern Languages and Civilizations, and on the staff of Houghton Library, at Harvard University. His private press, the Jericho Press, occasionally makes use of Syriac and other exotic types.
Price: $ 75.00 other currencies Order nr. 91843

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Cooke, Simon ILLUSTRATED PERIODICALS OF THE 1860S: CONTEXTS & COLLABORATIONS.
New Castle, Delaware, Pinner and London, England Oak Knoll Press, The Private Libraries Association, The British Library 2010 7.25 x 10.75 inches Hardcover, dust jacket 224 pages
The 1860s are considered the "Golden Age" of illustrated periodicals, a time when the "knockabout" humor of the 1840s, which was dominated by illustrators such as Cruikshank, Doyle, and Phiz, gave way to a more considered style grounded in serious artistic principles, allowing for deeper expression and emotion in artistic output. The first book of its kind, Illustrated Periodicals of the 1860s, focuses extensively on the illustrated magazine as a distinct form.

Illustrated Periodicals provides a new and informative approach to the study of "sixties" periodicals, revealing the previously unstudied area of the complex interrelationships between the various parties involved in the production of these magazines: publishers, editors, artists, engravers, and authors. The book considers the effects of these relationships on creative output, both artistic and literary, and in so doing provides a detailed, historical reconstruction of the essential character of the periodicals of that era. The book includes over 120 reproductions of engravings and preparatory drawings, almost all of them original size.

Additionally, the text contains two appendices; the first includes a reflection of the work that goes into collecting and researching these periodicals. The second lists the key illustrators, engravers, publishers, editors, as well as magazines mentioned throughout the text, each including a brief description. This work is an informative and colorful choice for those interested in the history of periodicals, the production of magazines, and art.

Simon Cooke has written widely on the subject of Victorian art and literature. He received his doctorate from Exeter and his teaching qualifications from the Open University and the University of Leicester. Cooke is currently a teacher of English language and literature.

Available outside North and South America from The British Library.
Price: $ 75.00 other currencies Order nr. 103919

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Cope, Peter & Dawn DEAN'S RAG BOOKS & RAG DOLLS
London New Cavindish Books 2008 4to Cloth, dust jacket 255 pages
Peter Cope trained as a graphic designer at the Central School of Art & Design in the 1960s and during that time became interested in the late-19th and 20th century book illustration. His career in design has spanned forty years, during which time he created corporate identities of many national and international organizations and taught typography in universities and art colleges around the United Kingdom. He is not focusing on writing and designing books.

Dawn Cope's love and literature and sense of history was instilled into her at an early age. Memories of books read in her formative years, an interst in illustration and a spell as a book dealer led to a fascination for researching the lives and backgrounds of children's book illustrators. In 1980 their collection of children's illustrated postcards, and ephemera went on display at the Museum of Childhood, Bethnal Green. 20 years later, in 2000, they produced Postcards from the Nursery which chronicles children's postcards published between 1900 and 1940, accompanied by short biographies of many popular children's artists.

In 2001 the opportunity arose to research the now dispersed archive of the Dean's Rag Book Company with the kind permission of its owners Neil Miller and his wife Barbara. As well as manufacture's samples of rag books and toys, they found in the collection original contracts, catalogues, ephemeral leaflets and scrap books full of contemporary cuttings revealing the acclaim with which rag books were received in their heyday by the press and public alike.

In this volume and its accompanying DVD, Peter and Dawn record in detail the fascinating range of over 350 Dean's Rag Books published before World War II, created by some of the best-loved artists of the day, along with Dean's 'Knockabout Toy Scheets' and around 2500 toys and dolls from the same period.
Price: $ 100.00 other currencies Order nr. 101939

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