Oak Knoll Books & Oak Knoll Press



Advanced Search >>

	Bibliography
	Book Collecting
	Book Design
	Book Illustration
	Book Selling
	Bookbinding
	Bookplates
	Cartography
	Children's Books
	Delaware Books
	Fine Press Books
	Forgery
	Graphic Design
	Images & Broadsides
	Libraries
	Literary Criticism
	Miniature Books
	Papermaking
	Printing History
	Publishing
	Typography
	Writing & Calligraphy

Antiquarian (36)

Search Result

Refine Result ?

Displaying 1-25 of 80

City=London and New Castle

Sort By :

Jump to page:

1 2 3 4

Page 1 of 4

Ashley, Mike THE AGE OF THE STORYTELLERS.
British Popular Fiction Magazines 1880-1950 New Castle, Delaware, and London, UK Oak Knoll Press and The British Library 2006 9.5 x 7.5 inches cloth 320 pages with 72 color and 60 b/w illustrations
The years from 1880 to 1950 were the golden age of storytelling, seeing the creation of such famous fictional characters as Sherlock Holmes, Fu Manchu, Father Brown, Hercule Poirot, even Winnie the Pooh. This was the age of Robert Louis Stevenson, Arthur Conan Doyle, John Buchan, A.E.W. Mason, Sapper, Rudyard Kipling, H.G. Wells, Arnold Bennett and so many more. It was an age that coincided with the glory of the popular monthly illustrated magazine, typified by The Strand, which set the standard for popular fiction with the Sherlock Holmes stories by Arthur Conan Doyle. The Strand soon encouraged rivals and imitators such as Pearson's Magazine, The Windsor, The Royal, Pall Mall, The Idler and many more.
This is the first reference guide to consider these magazines in detail, providing coverage of 144 titles, seventy in full-length entries, charting their contribution to and influence upon popular literature. There are illustrations reproducing covers and features from every magazine, with 72 color images, including many magazines that are now extremely rare. In addition to much new information this book also considers the collecting significance of these titles and will be of importance to collectors and bookdealers as well as literary researchers and bibliophiles.
The author has spent over forty years researching popular literature in all its forms. He has published over seventy books including the biography of Algernon Blackwood, Starlight Man, studies of the development of the science-fiction magazine, The Time Machines and Transformations, and the award-winning Mammoth Encyclopedia of Modern Crime Fiction.
Price: $ 160.00 other currencies Order nr. 89477

READ MORE...

Bartram, Alan TYPEFORMS: A HISTORY.
New Castle, Delaware and London Oak Knoll Press and The British Library 2007 9.5 x 10 inches cloth, dust jacket 128 pages
First edition. This book is the long-awaited successor to the classic An Atlas of Typeforms, the great visually-led history of type that Alan Bartram and James Sutton produced in 1968. Much has changed in the last 40 years, not least the teaching of typography and the means by which it is created. Because current design methods do not require the drawing and tracing of letterforms in order to produce layouts, we have lost our close connection with them. Few understand their history, their appearance, and how and why they have developed as they have. Nearly 75 different types are shown in their original metal forms, just as they were in the Atlas of Typeforms. But an entirely new feature is the author's attempt to place the types in their historical context. By including photographs of contemporary inscriptions on buildings and monuments, Alan Bartram explores the relationship between printed and architectural letterforms and their parallel course from the Renaissance until Victorian times. The opportunities offered for graphic and type designers in the digital age are greater than ever before. But without an understanding of the visual make-up of letterforms and some knowledge of their fascinating history, designers cannot fully exploit the potential of type. In this book, Alan Bartram educates us in these critical areas. Co-published with The British Library.
Sales rights: North and South America; available elsewhere from The British Library
Price: $ 55.00 other currencies Order nr. 95866

READ MORE...

(Bates, H.E.) Eads, Peter H.E. BATES: A BIBLIOGRAPHICAL STUDY.
New Castle and London Oak Knoll Press and The British Library 2007 6 x 9 inches hardcover 240 pages
Reprint of the first edition. Back in print! As a schoolboy, H.E. Bates (1905-74) decided to devote his life to writing and at the age of twenty-one published his first novel. Thereafter he wrote steadily: short stories, novels and journal articles on gardening and country matters. His collections of essays were illustrated by leading contemporary wood engravers, including Agnes Miller Parker and John Nash. During World War Two, as "Flying Officer X," H.E. Bates' writings on the exploits of RAF pilots and other members of the Air Force were phenomenally successful in the UK and USA. The novel, Fair Stood the Wind for France published in 1943, was an immediate success; and again in 1958, The Darling Buds of May, the first of four novels about the Larkins family, was a bestseller. Peter Eads gives full details of first editions of all Bates' work and adds comments from reviews and the writer's autobiography. Short stories, poems, essays and articles are listed chronologically, with full details of the journals and collections in which they were published. Co-published with The British Library.
Price: $ 85.00 other currencies Order nr. 94209

READ MORE...

(Bewick, Thomas) Tattersfield, Nigel THOMAS BEWICK, THE COMPLETE ILLUSTRATIVE WORK
3 volumes. New Castle, Delaware and London Oak Knoll Press and The British Library 2011 7.5 x 10.75 inches Hardcover, slipcase 1580 pages
Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors.

His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Thomas illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others.

Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons.

Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.

Nigel Tattersfield is the author of Bookplates by Beilby and Bewick, published by Oak Knoll Press and The British Library and John Bewick: Engraver on Wood, published by Oak Knoll Press.

Available outside North and South America from The British Library.
Price: $ 265.00 other currencies Order nr. 102274

READ MORE...

(Bewick, Thomas) Tattersfield, Nigel THOMAS BEWICK, THE COMPLETE ILLUSTRATIVE WORK
3 Volumes. New Castle, Delaware and London Oak Knoll Press and The British Library 2011 small 4to. cloth. 1580 pages
Thomas Bewick can be called one of the best English exponents of wood engraving. Born in 1753, he grew up on a small farm, where his chores came second to his interest in the countryside, fishing, and watching birds and animals. These early passions set the stage for his future endeavors.

His early work of cutting soft wood for woodcuts eventually turned into fine detailed designs into hard wood. Beginning in the late 1700s onwards, Bewick illustrated many children's books with one of his most famous books, The History of British Birds. The book contained bird engravings and wood cuts and was an immediate success. Other major publications that helped solidify Bewick's success include The Chillingham Bull, Waiting for Death, A General History of Quadrupeds, and The Fables of Aesop and Others.

Bewick's celebrated histories of quadrupeds and birds of 1790, 1797, and 1804 have obscured the immense number of other books of all denominations illustrated in his modest workshop. From its inception in 1765 until its demise in 1849, the workshop provided illustrations to books, pamphlets, periodicals, and newspapers. The range of illustrations encompassed natural histories, children's storybooks, cookery books, religious tracts, spelling books, mathematical treatises, Bibles, agricultural manuals, local town and county histories, joke books, and even a book of sermons.

Generously illustrated and arranged alphabetically, this book details some 750 titles, over 450 of which are unrecorded in earlier bibliographies. In addition it provides sections on newspaper mastheads, book cover designs, copy-book covers, maps, and large single prints. Whether appealing to the Bewick aficionado, book historian, art historian, provincial printing enthusiast, or admirer of engraving on wood or copper, this will be an indispensable work.

Nigel Tattersfield is the author of Bookplates by Beilby and Bewick, published by Oak Knoll Press and The British Library and John Bewick: Engraver on Wood, published by Oak Knoll Press.
No slipcase.
Price: $ 250.00 other currencies Order nr. 108593

READ MORE...

(Bookbinding) Bennett, Stuart TRADE BOOKBINDING IN THE BRITISH ISLES, 1660-1800
New Castle and London Oak Knoll Press and the British Library 2004 small 4to. cloth, dust jacket 176 pages
First edition. This book is the first illustrated guide to this complex and controversial subject. In 1930, in The Evolution of Publishers' Binding Styles, Michael Sadleir declared that "the bookseller-publisher of the decades from 1730 to 1770 issued his books either in loose quires, or stitched, or a most in a plain paper wrapper." This view is still generally accepted. Bennett, however, presents new documentary and visual evidence that books were predominantly sold ready-bound in sheep, calf, and goat as well as boards and wrappers. Over 200 color illustrations show what these bindings looked like, and how their styles evolved.
Price: $ 85.00 other currencies Order nr. 93908

READ MORE...

(Bookbinding) Foot, Mirjam M. BOOKBINDERS AT WORK: THEIR ROLES AND METHODS
London and New Castle The British Library and Oak Knoll Press 2006 8vo. cloth, dust jacket. 171 pages.
First edition. The role of the bookbinder in the production of saleable books and the significance of the binding in all its details, both structural and decorative, have often been disregarded or marginalised by bibliographers. In this book, Dr. Mirjam Foot sets out to reverse the trend by establishing working binders, and their materials and tools as an essential part of the production cycle. She reveals the inadequacy of bibliographical descriptions that lack essential binding information.
Price: $ 59.95 other currencies Order nr. 87274

READ MORE...

(Bookbinding) Foot, Mirjam M. THE HENRY DAVIS GIFT: A COLLECTION OF BOOKBINDINGS (VOL. III).
Volume III: A Catalogue of South-European Bindings New Castle, Delaware and London Oak Knoll Press and The British Library 2010 8.5 x 10.75 inches cloth with leather spine label. 528 pages
This much anticipated third and final volume of The Henry Davis Gift focuses on South and East European fine bindings, with additional sections on Oriental and American bindings. It includes many new identifications, and owners and binders are discussed comprehensively. Not only have the decorative features of every binding been described and illustrated, details of structure have also been described, and consequently, it is now possible to compare and contrast bookbinders' practices in the various countries, as evident from this splendid collection of fine bindings.

Although this volume focuses on Southern Europe, it also includes bindings from the Middle East, Mexico, and the United States. Two bindings overlooked in Volume II are also included. Similar to Volume II, this volume has been arranged according to country, and then further organized chronologically. In the introduction, Foot explains how her views and methods have changed, and as a result, she has altered specific descriptions and structural elements. The text also contains two indices: of binders and of owners. This is an invaluable book for all academic libraries, for antiquarian booksellers, for collectors and for all interested in the history of the book.

Mirjam Foot is Professor Emeritus of Library and Archive Studies at University College, London; she was formerly Director of Collections and Preservation at the British Library. Her publications include: The Henry Davis Gift Volumes I & II (1978 & 1983), Eloquent Witness: Bookbindings and their History (Oak Knoll Press, The Bibliographical Society and The British Library 2004), and Bookbinders at Work, their Roles and Methods (Oak Knoll Press and The British Library 2006).

Available outside North and South America from The British Library.
Price: $ 125.00 other currencies Order nr. 102273

READ MORE...

(Bookbinding) Lindsay, Jen FINE BOOKBINDING: A TECHNICAL GUIDE
New Castle, Delaware, and London Oak Knoll Press and The British Library 2009 9 x 9.75 inches paperback 216 pages
The purpose of this book is to guide the reader through the sequence of operations involved in creating a book bound in leather, or a "fine binding." The author defines a fine binding as a book fully covered in leather, with leather-jointed endpapers, gilt edges, and leather doublures. Although a basic knowledge of bookbinding terms and techniques is assumed, this book is meant for both novice and experienced bookmakers.

The book is intended to be used as an active guide during the process of fine binding. It is arranged into sixteen sections, listing the sequence of operations, beginning with preliminary work and ending with preparing and putting in leather doublures. Each section includes appropriately numbered instructions allowing the user to find his or her place in the sequence of operations with a reference for what step is next. There are also numbered explanatory sections that include a rationale (why you do it) and technique (how you do it). The work includes close to 300 black and white illustrations, four appendices, and a bibliography.

Jen Lindsay is a bookbinder with extensive experience in teaching, lecturing, and writing on bookbinding and the history of the book. She first studied bookbinding at Camberwell School of Art and Crafts, London (1977-1979), and then worked as a freelance bookbinder. She was a bookbinding tutor and Program Convener for the BA Bookbinding and BA Calligraphy programs at Roehampton Institute, West London (1983-2001) and then bookbinding tutor at The City Literary Institute, London (2001-2005).

Sales Rights: North and South America; available elsewhere from The British Library.
Price: $ 59.95 other currencies Order nr. 102152

READ MORE...

(Bookbinding) Middleton, Bernard C. A HISTORY OF ENGLISH CRAFT BOOKBINDING TECHNIQUE.
Foreword by Howard M. Nixon. New Castle and London Oak Knoll Press & The British Library 1996 (but 2008) 8vo. cloth, dust jacket. xiii, (i), 372 pages followed by 14 plates.
Fourth edition. This is a classic reference work about decorative and commercial English bookbinding techniques written by one of the foremost experts on bookbinding. Each chapter covers various aspects of bookbinding techniques as well as historical information. Each of the chapters describes the material of leaves and folding, beating and pressing, sewing endpapers, gluing the spine, rounding and backing, boards and their attachment, edge-trimming and decoration, headbands, back linings, covering, finishing siding and pasting down, equipment, book repairs and restoration. The book also includes appendices covering a variety of topics. Several sections describe the background and history of the London bookbinding trade around the beginning of the 19th century, its working conditions, and the growth of its binderies. Other sections discuss the specialization in book-edge gilding, the Arts & Crafts movement's influence on bookbinding styles, and the causes and prevention of leather decay. This book is an excellent background for those interested in the English technique. Illustrated with plates.
Price: $ 65.00 other currencies Order nr. 44862

READ MORE...

(Bookbinding) Middleton, Bernard C. A HISTORY OF ENGLISH CRAFT BOOKBINDING TECHNIQUE.
Foreword by Howard M. Nixon. New Castle and London Oak Knoll Press & The British Library 1996 8vo. cloth, dust jacket. xiii, (i), 372 pages followed by 14 plates.
Fourth edition. This is a classic reference work about decorative and commercial English bookbinding techniques written by one of the foremost experts on bookbinding. Each chapter covers various aspects of bookbinding techniques as well as historical information. Each of the chapters describes the material of leaves and folding, beating and pressing, sewing endpapers, gluing the spine, rounding and backing, boards and their attachment, edge-trimming and decoration, headbands, back linings, covering, finishing siding and pasting down, equipment, book repairs and restoration. The book also includes appendices covering a variety of topics. Several sections describe the background and history of the London bookbinding trade around the beginning of the 19th century, its working conditions, and the growth of its binderies. Other sections discuss the specialization in book-edge gilding, the Arts & Crafts movement's influence on bookbinding styles, and the causes and prevention of leather decay. This book is an excellent background for those interested in the English technique. Illustrated with plates.
Price: $ 65.00 other currencies Order nr. 61841

READ MORE...

(Bookbinding) Tidcombe, Marianne THE DOVES BINDERY.
London and New Castle, Delaware The British Library and Oak Knoll Books 1991 4to. cloth. xiv, 490 pages.
First edition. This famous bindery was founded by T.J. Cobden-Sanderson in 1893 and over a period of 30 years it produced some of the finest bookbindings ever conceived. In its early years the bindery shared premises with William Morris's Kelmscott Press. The consequent collaboration resulted in a series of richly-decorated copies of the Kelmscott Chaucer. Later on the majority of the bindery's work was for the Doves Press, which Cobden-Sanderson founded with Emery Walker in 1900. Dr. Tidcombe's comprehensive work provides a detailed history of the Bindery and includes a complete catalogue of the books produced, over 120 of which are described in full and illustrated. The text is supported by indexes and appendices, including a discussion of fake bindings discovered by the author in collections all over the world. Well-illustrated with over 200 black-and-white illustrations and 16 pages in color. Some spotting along hinges.
Price: $ 195.00 other currencies Order nr. 53214

READ MORE...

(Bookplates) Tattersfield, Nigel BOOKPLATES BY BEILBY & BEWICK, A BIOGRAPHICAL DICTIONARY
London and New Castle The British Library and Oak Knoll Press 1999 large 8vo. cloth, dust jacket. 384 pages.
Forty years before the turn of the 18th century, a small, prestigious bookplate workshop was established, the likes of which were never to be seen again after its employment of one man: Thomas Bewick. To this day, the works of the bookplate shop of Beilby & Bewick are highly collectible and valued in the antiques world. This account offers several hundred bookplates engraved on copper and wood, executed and printed in the workshop over a period of 89 years. It is quite the most extensive and thorough study of this subject in its use of primary sources. The author's lively enthusiasm and careful scholarship have combined to produce a valuable and truly pioneering work on a subject clouded by speculation and optimistic attribution until now. Nigel Tattersfield has taken full advantage of the recently-opened archives of Beilby & Bewick to reveal a vast range of work, from banknotes and inscriptions in silver, to the making of type punches and bottle moulds. The workshop's surviving records are unique in their diversity and quantity. In recent years, the records have been used in the study of engraved silver, pottery transfers, and the preparatory studies for Bewick's wood engravings. Bookplates is fully illustrated, with over 300 examples, and its wealth of biographical information on the owners of the bookplates represents an important contribution to the social history of the north of England.
Price: $ 95.00 other currencies Order nr. 54988

READ MORE...

Briggs, Asa. A HISTORY OF LONGMANS AND THEIR BOOKS, 1724-1990: LONGEVITY IN PUBLISHING.
New Castle, Delaware and London, England Oak Knoll Press and The British Library 2008 7.5 x 9.75 inches Hardcover, dust jacket 624 pages
First edition. Longmans is the oldest commercial publisher in the United Kingdom, founded in London in 1724 by Thomas Longman. Asa Briggs's history is told within the context not only of the book trade, but also of national and international social, economic, intellectual, and cultural history. It tells of the people who ran the firm, the principles they held, and their success as entrepreneurs.

From the start, the Longmans chose titles likely to have a long life. These included Roget's Thesaurus and Gray's Anatomy, which have gone through many editions. Early nineteenth-century Longman authors included William Wordsworth, Robert Southey, and Sir Walter Scott, and by the middle of the century they had become a publishing "Leviathan." Late Victorian authors included A.Conan Doyle, Robert Louis Stevenson, and H. Rider Haggard.

Throughout its history, the House of Longmans has published a variety of important works, covering religion, law, medicine, science, and sport and has been a major publisher of dictionaries and reference books. It has also always been renowned for its educational publishing.

In the twentieth century, it became increasingly international, with branches and subsidiary companies all over the world. Questions of how, why, and with what effectiveness are dealt with in the last chapters of this comprehensive and intriguing study.

Asa Briggs is a leading historian both of the Victorian Age and communications. He has written many books, among which are The Age of Improvement, Victorian People, Victorian Cities and Victorian Things and his magisterial four-volume history of broadcasting in the United Kingdom. Among posts he has held have been those of Vice-Chancellor of the University of Sussex and Chancellor of the Open University.

Co-published with The British Library. Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 110.00 other currencies Order nr. 96667

READ MORE...

Buchanan-Brown, John EARLY VICTORIAN ILLUSTRATED BOOKS: BRITAIN, FRANCE AND GERMANY 1820-1860.
New Castle and London Oak Knoll Press and the British Library 2005 small 4to. cloth, dust jacket 320 pages.
First edition. Writing over fifty years ago, the bibliographer Percy Muir noted that the 'immediate post-Bewick period' had been 'unduly neglected,' and this is still true today. In this major new study, John Buchanan-Brown remedies this neglect and demonstrates the importance of the period from 1820 to 1860 in the history of the illustrated book. These years saw the establishment of the technique of end-grain wood-engraving as the dominant medium of graphic reproduction. Its great advantage was that, as a relief process, it could reproduce both the image and the text simultaneously, and this allowed the publishing industry to feed what had become an insatiable appetite for illustrated books and journals.
Although end-grain engraving was an English phenomenon, it was the French who first applied the process to book design. In turn, German illustrators were to influence the style of British illustrators. Thus, wood-engraving naturally plays a leading role in this study, but it does not overshadow the other means of graphic reproduction employed during this period: lithography, chromolithography, and steel-engraving and etching.
The study illustrates the work of French and German artists and their influence upon their British counterparts. The pioneering study also includes appendices on aspects of wood- and steel-engraving in England, notes on French and German illustrators, and a glossary of technical terms. It is illustrated by some 250 reproductions in black-and-white, and eight pages in color.
Price: $ 98.00 other currencies Order nr. 88728

READ MORE...

Buchanan-Brown, John EARLY VICTORIAN ILLUSTRATED BOOKS: BRITAIN, FRANCE AND GERMANY 1820-1860.
New Castle and London Oak Knoll Press and the British Library 2005 small 4to. cloth, dust jacket 320 pages.
First edition. Writing over fifty years ago, the bibliographer Percy Muir noted that the 'immediate post-Bewick period' had been 'unduly neglected,' and this is still true today. In this major new study, John Buchanan-Brown remedies this neglect and demonstrates the importance of the period from 1820 to 1860 in the history of the illustrated book. These years saw the establishment of the technique of end-grain wood-engraving as the dominant medium of graphic reproduction. Its great advantage was that, as a relief process, it could reproduce both the image and the text simultaneously, and this allowed the publishing industry to feed what had become an insatiable appetite for illustrated books and journals.
Although end-grain engraving was an English phenomenon, it was the French who first applied the process to book design. In turn, German illustrators were to influence the style of British illustrators. Thus, wood-engraving naturally plays a leading role in this study, but it does not overshadow the other means of graphic reproduction employed during this period: lithography, chromolithography, and steel-engraving and etching.
The study illustrates the work of French and German artists and their influence upon their British counterparts. The pioneering study also includes appendices on aspects of wood- and steel-engraving in England, notes on French and German illustrators, and a glossary of technical terms. It is illustrated by some 250 reproductions in black-and-white, and eight pages in color. Heavily bumped along top corner.
Price: $ 45.00 other currencies Order nr. 97934

READ MORE...

(Carroll, Lewis) Lovett, Charles C. LEWIS CARROLL AND THE PRESS
New Castle and London Oak Knoll Press and The British Library 1999 6 x 9.5 inches cloth, dust jacket. 135 pages.
This comprehensive new work not only provides bibliographical details lacking from previous studies, but it describes Dodgson's letters, articles, games, mathematical problems, and stories in such a way that the scholar without access to these rare items will gain an understanding of where Dodgson stood on various subjects and the nature of his relationship with the public via the press.
Previously unknown Dodgson items are brought to light in this listing, and numerous early reprints are recorded for the first time. Dodgson's word puzzles "Doublets" and "Syzgies," which were published on a continuing basis in Vanity Fair and The Lady are fully described for the first time, and dozens of previously unknown Doublets and Syzygies are reprinted. Lovett's introductory essay discusses Dodgson's career as both a reader of periodicals and a contributor to them, and quotes extensively from one of the "lost" periodical contributions - Dodgson material which has not been reprinted. Its wealth of new material and full and proper description of what has so often been neglected in the past make LEWIS CARROLL & THE PRESS an invaluable reference for librarians, scholars, students, professors, collectors, and booksellers.
Price: $ 35.00 other currencies Order nr. 53904

READ MORE...

(Carroll, Lewis) Sewell, Byron and Clare Imholtz AN ANNOTATED INTERNATIONAL BIBLIOGRAPHY OF LEWIS CARROLL'S SYLVIE AND BRUNO BOOKS.
New Castle and London Oak Knoll Press and the British Library 2008 8.5 x 11 inches hardcover, dust jacket 274 pages
First edition. Byron Sewell and Clare Imholtz have compiled a comprehensive international bibliography of over 1000 entries listing all known editions of Lewis Carroll's Sylvie & Bruno books, their translations into foreign languages, excerpts from them, the appearance of their poems in anthologies, critical articles and studies, parodies, and much more. This book establishes for the first time the full bibliographic record of these long-neglected works by Carroll, including several little-known bibliographic rarities. Because this is a truly comprehensive bibliography, with a great breadth of citations, it will almost certainly become an important reference work, not only for Carrollians, but also for other bibliographers and students of Victorian and later literature. This descriptive bibliography will introduce many of its readers to the important techniques of the novels, with their multiple and shifting levels of reality, and the delightful nonsense of the Mad Gardener's song and other poems in the books. The bibliography includes a 30-page scholarly essay by Anne Clark Amor, one of Britain's foremost Carroll scholars, as well as a complete list of the recipients of Lewis Carroll's presentations of the two books, the latter compiled by Carroll scholar and editor of the acclaimed new unexpurgated edition of his diaries, Edward Wakeling. In identifying the riches to be found in the bibliographic outlands of Carroll's Sylvie & Bruno books, Sewell and Imholtz have demonstrated that there has been far greater interest in them than has generally been recognized. The bibliography reveals the many literary and cultural figures who have commented on, disparaged, imitated, parodied, quoted or in some other way drawn upon the Sylvie books, including: T.S. Eliot, Harold Bloom, Jorge Luis Borges, G.K. Chesterton, James Joyce, Ogden Nash, Elizabeth Sewell and Evelyn Waugh, among others.

Both authors are well-known among Lewis Carroll collectors and scholars. In 1992, Byron Sewell published, in a very limited edition, Much of a Muchness: A Survey of the American Editions of the Alice Books Published from 1866-1960. He is one of the co-authors of a recent Lewis Carroll Comic Book Bibliography and has written numerous bibliographic articles. Clare Imholtz has written several articles on Carroll that have been published in Papers of the Bibliographical Society of America, The Carrollian, The Lewis Carroll Review and other journals. The extent and thoroughness of the bibliography is in no small part due to the wonderful cooperation the bibliographers received from Carroll collectors and scholars in Great Britain, Japan, Russia, Finland, France, the United States and elsewhere.

Sales rights: Worldwide except in the UK; available in the UK from The British Library.
Price: $ 95.00 other currencies Order nr. 94203

READ MORE...

(Children's Books) Darton, F.J. Harvey CHILDREN'S BOOKS IN ENGLAND, FIVE CENTURIES OF SOCIAL LIFE
New Castle, Delaware and London Oak Knoll Press and The British Library 1999 tall 8vo. cloth, dust jacket. 416 pages.
Third edition. "Not a collection of queer facts or antiquarian scripts" said Harvey Darton of his book when it was first published in 1932, but "a chronicle of the English people in their capacity of parents, guardians and educators of children." Certainly, literature was his central theme, but through it, he wove biography and the facts of social and commercial history. Now available again, this third (corrected) edition is at pains to provide a text that will sustain Darton's reputation for a new generation of readers. Brian Alderson has checked every detail in an effort to ensure that the work is accurate by the standards of modern scholarship and has added a number of biographical notes. In a supplementary chapter, he has filled out the discussion of children's books during the late Victorian and Edwardian periods which formed a natural end point to Darton's history, and more than sixty illustrations expand upon the text. All these changes have been made in an attempt to support the message of Darton's original work, that "children's books were always the scene of a battle between instruction and amusement, between restraint and freedom, between hesitant morality and spontaneous happiness."
Price: $ 50.00 other currencies Order nr. 53551

READ MORE...

Coakley, J.F. THE TYPOGRAPHY OF SYRIAC: A HISTORICAL CATALOGUE OF PRINTING TYPES, 1537-1958.
New Castle, Delaware and London Oak Knoll Press and The British Library 2006 7 x 10 inches hardcover 272 pages
Syriac, a dialect of the ancient Aramaic language, has a remarkable Christian literature spanning a thousand years from the fourth to the thirteenth century, including important versions of the Bible. It remains the liturgical language of several churches in the Middle East, India, and the west, and 'Modern Syriac' is a vernacular still in use today. It is no wonder that this language has a long and rich printing history. The challenge of conveying the beautiful cursive Syriac script, in one or another of its three varieties, was taken up by many well-known type-designers in the letterpress era, from Robert Granjon in the sixteenth century to the Monotype and Linotype corporations in the twentieth, as well as by many lesser-known ones. This study records and abundantly illustrates no fewer than 129 different Syriac types, using archival documents, type-specimens, and the often scattered evidence of the print itself. The Typography of Syriac will be of interest not only to scholars of Middle Eastern languages and scripts but also to all historians of type and printing.
J. F. Coakley is Senior Lecturer in the Department of Near Eastern Languages and Civilizations, and on the staff of Houghton Library, at Harvard University. His private press, the Jericho Press, occasionally makes use of Syriac and other exotic types.
Price: $ 75.00 other currencies Order nr. 91843

READ MORE...

Cooke, Simon ILLUSTRATED PERIODICALS OF THE 1860S: CONTEXTS & COLLABORATIONS.
New Castle, Delaware, Pinner and London, England Oak Knoll Press, The Private Libraries Association, The British Library 2010 7.25 x 10.75 inches Hardcover, dust jacket 224 pages
The 1860s are considered the "Golden Age" of illustrated periodicals, a time when the "knockabout" humor of the 1840s, which was dominated by illustrators such as Cruikshank, Doyle, and Phiz, gave way to a more considered style grounded in serious artistic principles, allowing for deeper expression and emotion in artistic output. The first book of its kind, Illustrated Periodicals of the 1860s, focuses extensively on the illustrated magazine as a distinct form.

Illustrated Periodicals provides a new and informative approach to the study of "sixties" periodicals, revealing the previously unstudied area of the complex interrelationships between the various parties involved in the production of these magazines: publishers, editors, artists, engravers, and authors. The book considers the effects of these relationships on creative output, both artistic and literary, and in so doing provides a detailed, historical reconstruction of the essential character of the periodicals of that era. The book includes over 120 reproductions of engravings and preparatory drawings, almost all of them original size.

Additionally, the text contains two appendices; the first includes a reflection of the work that goes into collecting and researching these periodicals. The second lists the key illustrators, engravers, publishers, editors, as well as magazines mentioned throughout the text, each including a brief description. This work is an informative and colorful choice for those interested in the history of periodicals, the production of magazines, and art.

Simon Cooke has written widely on the subject of Victorian art and literature. He received his doctorate from Exeter and his teaching qualifications from the Open University and the University of Leicester. Cooke is currently a teacher of English language and literature.

Available outside North and South America from The British Library.
Price: $ 75.00 other currencies Order nr. 103919

READ MORE...

Dowding, Geoffrey INTRODUCTION TO THE HISTORY OF PRINTING TYPES, AN ILLUSTRATED SUMMARY OF THE MAIN STAGES IN THE DEVELOPMENT OF TYPE DESIGN FROM 1440 UP TO THE PRESENT DAY, AN AID TO TYPE FACE IDENTIFICATION.
New Castle, Delaware and London Oak Knoll Press & The British Library (1998) large 8vo. cloth, dust jacket. xxiv, 277 pages.
Reprint of the 1961 edition. This work is a succinct and authoritative account, lavishly illustrated, of the evolution of type design from the earliest Blackletters to present day forms. The book is divided into two parts, "Book Types" and "Display Types," and each is treated chronologically and arranged in groups with similar characteristics which are defined and illustrated. Reference is made to current equivalents. Practically all illustrations have been reproduced in facsimile and many sources have been searched to obtain representative examples. Fully documented notes accompany each typeface and provide the reader with a wealth of material for study, while appendixes cover elements of design such as stress and serif.
For everyone concerned the with proper use of the hundreds of type faces now available, this book provides the essential framework on which can be built an appreciative understanding of the rich heritage of expressive letter design that lies in the printer's case. It simplifies the problem of identifying unfamiliar types and encourages that confidence in handling a variety of type faces which comes from an understanding of their origins, history and uses. This work belongs on the bookshelf of every printer, publisher, graphic designer, and student of the printing and publishing arts. Illustrated. Slightly bumped.
Price: $ 65.00 other currencies Order nr. 50314

READ MORE...

Dowding, Geoffrey INTRODUCTION TO THE HISTORY OF PRINTING TYPES, AN ILLUSTRATED SUMMARY OF THE MAIN STAGES IN THE DEVELOPMENT OF TYPE DESIGN FROM 1440 UP TO THE PRESENT DAY, AN AID TO TYPE FACE IDENTIFICATION.
New Castle, Delaware and London Oak Knoll Press & The British Library 1997 large 8vo. stiff paper wrappers. xxiv, 277 pages.
Reprint of the 1961 edition. This work is a succint and authoritative account, lavishly illustrated, of the evolution of type design from the earliest Blackletters to present day forms. The book is divided into two parts, "Book Types" and "Display Types," and each is treated chronologically and arranged in groups with similar characteristics which are defined and illustrated. Reference is made to current equivalents. Practically all illustrations have been reproduced in facsimile and many sources have been searched to obtain representative examples. Fully documented notes accompany each typeface and provide the reader with a wealth of material for study, while appendixes cover elements of design such as stress and serif. For everyone concerned with the proper use of the hundreds of type faces now available, this book provides the essential framework on which can be built an appreciative understanding of the rich heritage of expressive letter design that lies in the printer's case. It simplifies the problem of identifying unfamiliar types and encourages that confidence in handling a variety of type faces which comes from an understanding of their origins, history and uses. This work belongs on the bookshelf of every printer, publisher, graphic designer, and student of the printing and publishing arts. Illustrated. Pages show some wrinkling along bottom.
Price: $ 25.00 other currencies Order nr. 117645

READ MORE...

Available Fall 2013

Edwards, A.S.G. NICOLAS BARKER AT EIGHTY: A LIST OF HIS PUBLICATIONS TO MARK HIS 80TH BIRTHDAY IN 2012.
New Castle and London Oak Knoll Press and Bernard Quaritch Ltd. 2013 5.5 x 8.75 inches paperback 96 pages
Published in celebration of Nicolas Barker's eightieth birthday, this bibliography serves both as a collection of his writings and as a tribute to one who has inspired so wide and deep affection in so many.

Nicolas Barker's first bibliographical articles and reviews appeared in 1959. John Hayward, then the Editor of The Book Collector, was quick to grasp his potential. His first reviews appeared in that journal, and his first article for the journal, 'The Aesthetic Investor's Guide to Current Literary Values. An Essay in Bibliometry', had, Hayward reported, "called forth more favourable comment than almost anything we've published." It was the beginning of an unbroken association with a journal that he has made so distinctively an extension of himself, particularly since he became Editor in 1965. The extraordinary number of his articles, reviews, leaders, obituaries, and 'News and Comment' pieces in the journal has often shaped current bibliographical thinking.

But Nicolas's writings have increasingly ramified in their range and form. He has written extensively for more than fifty years for the Times Literary Supplement and for the Roxburghe Club, the bibliography of whose publications formed his first book. He has been a prolific obituarist, chiefly, but by no means only, for the Independent. The range of topics that has engaged him in other books and articles is astonishingly wide: medieval manuscripts, calligraphy, forgery, the book trade, typography, bibliophily, bookbinding are simply some of the more recurrent interests that his publications reflect. The cumulated record of his publications represents an achievement of extraordinary scope.
Price: $ 45.00 other currencies Order nr. 118364

READ MORE...

(Foulis, T.N.) Elfick, Ian and Paul Harris. T.N. FOULIS, THE HISTORY AND BIBLIOGRAPHY OF AN EDINBURGH PUBLISHING HOUSE.
New Castle, Delaware and London Oak Knoll Press & Werner Shaw Ltd. 1998 small 8vo. cloth, dust jacket 277 pages.
First edition. Operating from Edinburgh and London, the firm, T. N. Foulis, published more than 400 titles during the period 1904-25. The vast majority of their books were produced to the most exacting of standards. In recent times, the hallmarks of a Foulis book in the form of colored buckram bindings, tipped-in color plates, the elegant Auriol typeface, and rose-watermarked paper have drawn collectors to these elegant volumes. Today, such features are virtually unheard of in a world of generally uniform book production. Once handled, any true bibliophile must find it difficult to put down a Foulis-produced book. From the handsome classics sturdily bound in buckram to the charming so-called envelope books developed in the first decade of the century, essentially as gift books, the Foulis output is quite unique, and they are now being increasingly sought after. Although it is still relatively easy to obtain a handsomely produced copy of the publisher's bestselling, Reminiscences of Scottish Life and Character by Dean Ramsay, well-preserved copies of the charming and fragile envelope books, many of them illustrated by artists of the caliber of Jessie M. King, W. Russell Flint, Frank Brangwyn, and F. Cayley Robinson, are now very difficult to find. The authors, both longstanding collectors of Foulis productions, have faced many complexities in preparing this history and bibliography. The publisher, Thomas Noble Foulis, is something of an enigma, born and raised in Edinburgh and dying in obscurity in Essex after the failure of the firm to which he devoted himself. Foulis listed many books which were never published in advertisements and catalogues. Those which were published appeared in many puzzling variants of bindings and formats, sometimes in different series from those announced and in very small editions. Descendants of Thomas Foulis have no records today of their now illustrious forbear. No official records or letter books of the firm survive. All these circumstances have contributed to painstaking detective work by the authors, both collectors and witnesses to all copies of the books listed in the bibliography. Illustrated.
Price: $ 55.00 other currencies Order nr. 50318

READ MORE...

E-mail/Export ?

Jump to page:

1 2 3 4

Page 1 of 4

Refine Result
Within This List:

New search of entire database?

	Include		Exclude
Author		Author
Title		Title
Keyword		Keyword

Clear all entries and click "Go" button to return to original search result.

Technology by Rockingstone
Viewed best in Internet Explorer 7

Copyright © 2009 Oak Knoll. All rights reserved.