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  • See More... (Bookbinding) Lindsay, Jen FINE BOOKBINDING: A TECHNICAL GUIDE
    New Castle, Delaware, and London Oak Knoll Press and The British Library 2009 9 x 9.75 inches paperback 216 pages
    The purpose of this book is to guide the reader through the sequence of operations involved in creating a book bound in leather, or a "fine binding." The author defines a fine binding as a book fully covered in leather, with leather-jointed endpapers, gilt edges, and leather doublures. Although a basic knowledge of bookbinding terms and techniques is assumed, this book is meant for both novice and experienced bookmakers.

    The book is intended to be used as an active guide during the process of fine binding. It is arranged into sixteen sections, listing the sequence of operations, beginning with preliminary work and ending with preparing and putting in leather doublures. Each section includes appropriately numbered instructions allowing the user to find his or her place in the sequence of operations with a reference for what step is next. There are also numbered explanatory sections that include a rationale (why you do it) and technique (how you do it). The work includes close to 300 black and white illustrations, four appendices, and a bibliography.

    Jen Lindsay is a bookbinder with extensive experience in teaching, lecturing, and writing on bookbinding and the history of the book. She first studied bookbinding at Camberwell School of Art and Crafts, London (1977-1979), and then worked as a freelance bookbinder. She was a bookbinding tutor and Program Convener for the BA Bookbinding and BA Calligraphy programs at Roehampton Institute, West London (1983-2001) and then bookbinding tutor at The City Literary Institute, London (2001-2005).

    Sales Rights: North and South America; available elsewhere from The British Library.

    Price: $ 59.95 other currencies Order nr. 102152

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    See More... (Bookbinding) Middleton, Bernard C. THE RESTORATION OF LEATHER BINDINGS.
    New Castle, Delaware Oak Knoll Press 2004 small 4to. cloth, dust jacket. xvi, 309 pages + 8 color plate pages.
    Fourth edition, revised and expanded from the 1998 edition. A welcome new addition in this book is a full-color section for the identification of leather and marbled papers. From the author of HISTORY OF ENGLISH CRAFT BOOKBINDING TECHNIQUE (also published by Oak Knoll & The British Library), this classic in the field of bookbinding is a practical guide to the restoration of leather bindings. Revised and expanded, this work reflects advances in techniques and materials, and contains current information on suppliers and related publications. The book has chapters concerning definition of terms, tools and materials, cleaning, removing the spine, resewing and alternatives; gluing, rounding and backing; headbanding, back lining, preparation of boards, rebacking, replacing the spine, repairing caps and outer joints, repairing caoutchoue bindings, repairing corners, blending new endpapers, straightening warped boards, rebinding pasteboards, salvaging old sides; staining, aging, tooling and refurbishing, recording repairs, and a section of selected reading. Alternative approaches are included for rebinding when the original covers have been lost or are beyond restoration, modern rebinding, and replication of original bindings by combining elements of both modern and historical binding techniques. Middleton's work is designed to be a comprehensive handbook for practitioner and student alike when formal training in restorative techniques are unavailable. Also included is an updated listing of binders' suppliers. With numerous photographs and line drawings. Co-published with The British Library. SALES RIGHTS: Available worldwide from Oak Knoll. Available in the UK from The British Library.
    Price: $ 45.00 other currencies Order nr. 75328

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    See More... (Bookbinding) Tidcombe, Marianne (editor) TWENTY-FIVE GOLD-TOOLED BOOKBINDINGS. AN INTERNATIONAL TRIBUTE TO BERNARD C. MIDDLETON'S RECOLLECTIONS.
    New Castle, Delaware Oak Knoll Press 1997 8vo. stiff paper wrappers 76 pages.
    Paperback edition. Includes an Introduction and Preface by Dr. Marianne Tidcombe and an essay on "The Use of Gold in Bookbinding" by Bernard C. Middleton. Fine bookbinding and gold-tooling enthusiasts will enjoy this exhibition catalogue of designer bindings honoring respected craftsman and noted bookbinding historian, Bernard C. Middleton. Each of the 25 gold-tooled contemporary bindings executed by some of the world's most talented bookbinders focus on Middleton's memoirs, Recollections, recently produced by the venerable Henry Morris at his Bird & Bull Press. The catalogue includes a short, one-page biography and photograph of each binder, and, on the facing page, a photograph of the binding and a description of the binding is included. The very words "gold-tooled bindings" bring to mind beauty, brilliance, and luxury. Gold-tooling is one of the most visible and striking of all the traditional techniques, but it has been less evident with each passing decade. This occasion gave binders the opportunity to show what they were still capable of. While enjoying the beauty of the bindings in this collection and reflecting on the skilled craftsmanship that has gone into making them, one soon regrets that this kind of work is such a rarity. By the end of the twentieth century, the number of hand-binders who regularly produced gold-tooled bindings had dwindled dramatically from even only 25 years earlier. This exhibition, which travelled from The British Library to the Rochester Institute of Technology and the San Francisco Library in the first half of 1997, and this catalogue, as a tribute to Bernard Middleton, will be successful if it encourages hand-binders to use more gold-tooling and lettering on their bindings and if it demonstrates to collectors and connoisseurs of fine bindings that beautiful gold-tool bindings will continue if there is a demand for them.
    Price: $ 45.00 other currencies Order nr. 46858

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    See More... (Bookbinding) Tidcombe, Marianne WOMEN BOOKBINDERS 1880-1920.
    London & New Castle, Delaware The British Library & Oak Knoll Press (1996) 8vo. quarter cloth, marbled paper sides. 240 pages.
    First Edition. During the period 1880-1920, the number of women craft bookbinders in Britain increased dramatically. In this, the first major study of its kind, Marianne Tidcombe provides a timely and authoritative introduction to the role and work of women craft binders during the period. The foremost women binders - including Sarah Prideaux, Katherine Adams, Sybil Pye - are discussed at some length (as is the Guild of Women Binders), but all significant figures are included. The appendices illustrate the tools used by Prideaux, Adams and Pye, and provide a list of women in charge of bookbinding shops in Britain before 1900.
    Superbly illustrated throughout - with 32 color plates and over 100 black-and-white photographs - this handsomely produced book will make a significant contribution to the study of the role of women in the late nineteenth-century and early twentieth-century book trade. Sales rights: North and South America; available elsewhere from The British Library.

    Price: $ 58.00 other currencies Order nr. 43766

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    See More... (Boyle, Kay) Chambers, Clark KAY BOYLE: A BIBLIOGRAPHY.
    New Castle, DE Oak Knoll Press 2001 8vo. cloth 360 pages
    First edition. This is the first comprehensive bibliography on American author Kay Boyle. The political active Boyle was one of the so-called "Lost Generation" of American expatriate writers in Europe between the World Wars. She traveled in the literary circles of James Joyce, Ernest Hemingway and Gertrude Stein. She wrote fourteen novels, nine short-story collections, three children's books, five collections of poetry and two collections of essays. The gifted writer was awarded two Guggenheim Fellowships and was a member of the American Academy of Art. The Academy recognized Boyle for her "extraordinary contribution to contemporary American literature over a lifetime of creative work." For Clark Chambers, the author of this bibliography, the challenge of researching this work has been a labor of love for more than ten years. We are proud to add it to our Winchester Bibliographies of 20th Century Writers series. Co-published with St. Paul's Bibliographies.
    Price: $ 75.00 other currencies Order nr. 64134

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    See More... (Bradley, Will H.) Bambace, Tony WILL H. BRADLEY: HIS WORK, A BIBLIOGRAPHICAL GUIDE.
    Accompanied by an original copy of BRADLEY HIS BOOK. New Castle, Delaware and Boston, Massachusetts Oak Knoll Press and Thomas G. Boss Fine Books 1995 8vo. quarter leather with paste paper over boards, leather spine label. Booklet is stiff paper wrappers held in porfolio. Both inserted in a cloth-covered clamshell box. xxiii, 216 pages.
    First edition. One of 44 special signed and numbered copies. Will H. Bradley (1868-1962) is widely regarded as one of the masters of design during the Art Nouveau and Arts & Crafts periods. His typographic and illustrative work pushed the boundaries of these fields into new directions. In addition, his re-introduction and use of Caslon type brought it back into popularity. The guide includes 261 illustrations, including his designer's marks to help identify his pieces. The guide includes a Book Work section containing three parts: one of 81 definite books of Bradley's own execution, one listing those exhibiting the Bradley stamp but with no confirming documentation, and one listing those using his designs but were probably not produced by him. The remaining sections document magazine covers, advertisements, illustrations, posters, and other works.
    Price: $ 450.00 other currencies Order nr. 41679

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    See More... Brandt, William H. INTERPRETIVE WOOD-ENGRAVING: THE STORY OF THE SOCIETY OF AMERICAN WOOD-ENGRAVERS
    New Castle, Delaware Oak Knoll Press 2009 11.75 x 12.75 inches Hardcover, dust jacket 204 pages
    In the late nineteenth century, wood-engraving was the principle medium of illustration employed by publishers. From this beginning, print collector Bill Brandt goes on to recount the story of the Society of American Wood-Engravers. He reveals the medium's intricacies, the controversies sparked between traditional wood-engravers and America's New School, and the international acclaim rightly bestowed on these innovative American artists.

    The lost art of interpretive wood-engraving comes to life in Brandt's detailed account. Using tools the size of dental instruments, the movement's talented and resourceful men and women engraved award-winning works of art - both interpretations of famous masterpieces and striking original works. The fifty prints reproduced on these pages, scanned from Brandt's extensive collection with most produced at full size, highlight the astonishing skill and painstaking craftsmanship required of a wood-engraving artist of the golden age.

    The author profiles many leading personalities on the American wood-engraving scene, including Alexander Anderson, a New York doctor who became the father of American wood-engraving; William J. Linton, a talented English wood-engraver who led the Old School's relentless but unsuccessful charge against New School engraving techniques; Anna Botsford Comstock, who created hundreds of original wood-engraved book illustrations from nature; General Rush C. Hawkins, a Civil War figure who, as U.S. Commissioner on Art, secured the prominent display of American wood-engravings at the 1889 Exposition Universelle in Paris; Timothy Cole, who traveled through Europe creating wood-engraved interpretations of paintings by the old masters; and Elbridge Kingsley, whose revolutionary direct-from-nature wood-engravings were created in rural New England from his horse-drawn sketching car. Includes over eighty illustrations, and printed in an edition of 600 numbered books.

    Brandt tells how the Society of American Wood-Engravers burned brightly for almost twenty years, and then faded away in the early days of photoreproductions. Readers, glimpsing the warm glow of a remarkable era, will take pride in this little-known period of American art history.

    Bill Brandt has served on the boards of directors of the American Historical Print Collectors Society, the Northwest Print Council, and the Friends of the Vivian and Gordon Gilkey Center for Graphic Arts at the Portland Art Museum.

    Price: $ 85.00 other currencies Order nr. 102011

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    See More... Briggs, Asa. A HISTORY OF LONGMANS AND THEIR BOOKS, 1724-1990: LONGEVITY IN PUBLISHING.
    New Castle, Delaware and London, England Oak Knoll Press and The British Library 2008 7.5 x 9.75 inches Hardcover, dust jacket 624 pages
    First edition. Longmans is the oldest commercial publisher in the United Kingdom, founded in London in 1724 by Thomas Longman. Asa Briggs's history is told within the context not only of the book trade, but also of national and international social, economic, intellectual, and cultural history. It tells of the people who ran the firm, the principles they held, and their success as entrepreneurs.

    From the start, the Longmans chose titles likely to have a long life. These included Roget's Thesaurus and Gray's Anatomy, which have gone through many editions. Early nineteenth-century Longman authors included William Wordsworth, Robert Southey, and Sir Walter Scott, and by the middle of the century they had become a publishing "Leviathan." Late Victorian authors included A.Conan Doyle, Robert Louis Stevenson, and H. Rider Haggard.

    Throughout its history, the House of Longmans has published a variety of important works, covering religion, law, medicine, science, and sport and has been a major publisher of dictionaries and reference books. It has also always been renowned for its educational publishing.

    In the twentieth century, it became increasingly international, with branches and subsidiary companies all over the world. Questions of how, why, and with what effectiveness are dealt with in the last chapters of this comprehensive and intriguing study.

    Asa Briggs is a leading historian both of the Victorian Age and communications. He has written many books, among which are The Age of Improvement, Victorian People, Victorian Cities and Victorian Things and his magisterial four-volume history of broadcasting in the United Kingdom. Among posts he has held have been those of Vice-Chancellor of the University of Sussex and Chancellor of the Open University.

    Co-published with The British Library. Sales rights: North and South America; available elsewhere from The British Library.

    Price: $ 110.00 other currencies Order nr. 96667

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    See More... (Burns, Robert) Watkins, Larissa P. BURNSIANA: A BIBLIOGRAPHY OF THE WILLIAM R. SMITH COLLECTION IN THE LIBRARY OF THE SUPREME COUNCIL, 33°, S.J.
    With a Foreword by Akram Elias, Grand Master of Free and Accepted Masons, Washington, D.C., Editor-in-Chief New Castle, Delaware and Washington, D.C. Oak Knoll Press & Library of the Supreme Council, 33°, S.J. 2008 8.5 x 11 inches hardcover 240 pages
    First edition. Published shortly before the 250th anniversary of the birth of Robert Burns in 2009, this bibliography presents the unparalleled Burnsiana collection held by the Library of the Supreme Council of the Ancient & Accepted Scottish Rite, Southern Jurisdiction, USA, the most complete collection of Burnsiana in the United States. The William Robertson Smith Collection is the second largest compilation of Burns materials in the world, ranking only behind the collection maintained in The Mitchell Library in Glasgow, Scotland. In terms of American material about Burns, the Library of Supreme Council has the world's largest collection. The contents of this collection, compiled over a lifetime by William Robertson Smith, are available to American and international scholars, historians, literary critics and linguists.

    For Masons, because both Robert Burns and William Robertson Smith were Masonic Brothers, this catalogue is meaningful as a living memorial to international Masonic fraternal and literary traditions. Because of the paucity of bibliographic literature illuminating Burns' involvement in Freemasonry, the work contains a biographic sketch entitled "Robert Burns-Freemason" written by Robert L.D. Cooper. From a historical, bibliographical, informational and aesthetic perspective, the Burnsiana catalogue has no analog among currently existing bibliographies. The catalogue is illustrated by the engravings of several generations of artists that provide an image of the Bard of Caledonia and the scenes of Scotland that he loved, and which inspired his creativity. This bibliography is a distinguished gift from the Fraternity of Freemasons in honor of the 250th anniversary of the birth of this distinguished Scottish poet and Mason, Robert Burns.

    Larissa P. Watkins is Assistant to the Librarian at the Library of the Supreme Council in Washington, D.C. Educated in the Russian Federation as a journalist and librarian, she holds an honors degree in Library Science from the Cultural Sciences Institute of Higher Learning in Ussurisk, Primorskiy Krai, and was Director of Acquisition and Automation at the State Scientific Library in the Maritime Provinces in Vladivostok. In this capacity, she represented the Library administration at annual national conferences in Moscow and Leningrad. In Russia, her book The Men of Dal'zavod was written as the official history for the 100th anniversary of the Dal'zavod, the largest shipyard in the Russian Far East. In the USA, Larissa is a member of Masonic Library and Museum Association and the author of three fundamental bibliographies published by Oak Knoll Press and the Library of the Supreme Council: American Masonic Periodicals: 1811-2001; International Masonic Periodicals: 1738-2005; and Our Very Illustrious Brother, Abraham Lincoln.

    Price: $ 65.00 other currencies Order nr. 96673

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    See More... Cagle, William R. and Lisa Killion Stafford. AMERICAN BOOKS ON FOOD AND DRINK, 1739-1950.
    New Castle, Delaware Oak Knoll Press 1998 8vo. cloth. 862 pages.
    First edition. This comprehensive bibliography describes the American cookbooks in the Gernon Collection housed at the Lilly Library. AMERICAN BOOKS and its British/European counterpart, A MATTER OF TASTE, fully describe over 2,300 works in gastronomic literature and are testaments to the collecting achievements of Dr. and Mrs. John Talbot Gernon. The collection was donated to the Lilly Library in 1979 by Dr. and Mrs. Gernon, and their European collection of cookbooks were added in 1984. A MATTER OF TASTE, which describes the collection's British and European works, was published in 1990. The Gernon Collection also includes books on agriculture and gardening, brewing, distilling and wine-making, health and diet, household management, and the operation of restaurants and hotels. Famous American cookbooks include a first edition of Amelia Simmons' AMERICAN COOKERY (1796), a second edition of Mary Randolph's THE VIRGINIA HOUSEWIFE (1825), Robert Roberts' THE HOUSE SERVANT'S DIRECTORY (1827), the first book by an African-American to be commercially published; and Eliza Leslie's SEVENTY-FIVE RECEIPTS FOR PASTRY, CAKES, AND SWEETMEATS (1828) among many others. The publication of A MATTER OF TASTE marked a closure for Dr. Gernon regarding British and European cookbooks, but it encouraged his interest in American books, which he continued to purchase and donate to the Library until his declining health took its toll. His last gift was the first edition of Elizabeth Kirkland's SIX LITTLE COOKS (1877) in May 1993. However, the Lilly Library has been able to add over 300 more American works since the Gernon collection first arrived. In addition to rare and famous cookbooks, the collection's depth and breadth are also of great importance. Many 19th-century popular works are represented in multiple editions, providing bibliographers and culinary historians with publishing histories of these books. Since the collection documents many aspects of culinary customs and traditions, it also provides a social history of the United States. Books on food and drink from the 18th and early 19th centuries and the early years of this country originated mostly from America or Britain. European cooking, including German, Swedish, Czech, and Polish, was only introduced after 1840 when upheavals overseas brought these new cultures into American society. Regional tastes, such as New England, Southern and, Southwestern, are also represented. Illustrated.
    Price: $ 95.00 other currencies Order nr. 52922

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    See More... (Calligraphy) Henning, William E. AN ELEGANT HAND, THE GOLDEN AGE OF AMERICAN PENMANSHIP & CALLIGRAPHY.
    Edited by Paul Melzer New Castle, DE Oak Knoll Press 2006 4to. cloth, dust jacket 320 pages
    This work chronicles the history of the Golden Age of American penmanship and calligraphy. The author guides the reader through the lives and careers of some of the most important American penmen, including Platt Rogers Spencer, the Father of American Handwriting, and Spencer's gifted student, George A. Gaskell, whose books and periodicals reached hundreds of thousands of students throughout the second half of the 1800s. Paul Melzer, the editor of this work, added more than 400 examples taken from original specimens to handsomely illustrate Henning's manuscript.
    Price: $ 59.95 other currencies Order nr. 68991

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    See More... (Calligraphy) Knight, Stan HISTORICAL SCRIPTS FROM CLASSICAL TIMES TO THE RENAISSANCE.
    New Castle, Delaware Oak Knoll Press and John Neal, Bookseller (2009) 4to. hardcover, dust jacket 112 pages.
    Reprint with minor corrections of second edition. The craft of calligraphy has a 2000-year history in the Western world. Up to the time of the Renaissance, calligraphy was the only means of preserving literature, and so, it played a vital role in the spread of learning, culture, and religion. Historical scripts were not rigidly-fixed "styles;" they represented the high peaks in an endlessly shifting landscape. Throughout centuries, styles of writing were continually being modified and developed in response to a multitude of influences encompassing political, religious, aesthetic, intellectual, sociological, and pragmatic changes in the ways that books were made and scripts were written. The modern calligrapher, typographer, historian, and anyone interested in western lettering and documents benefits from studying the methods, skills, and attitudes of generations of historical scribes who produced such outstanding and accomplished works for so many centuries.
    Revised and expanded, this book is an excellent survey of bookhands with its full-page, enlarged illustrations and solidly researched sources. It is a useful text for studying the history of manuscripts as well as the details of letter construction. This work also helps one make judgments about the technical condition of letter writing and its qualities of rhythm and movement, possible only when consulting an original manuscript. The author has gone to considerable lengths to obtain photographs that are well-focused and lit so that the tactile qualities of surfaces, ink tone, and flow are revealed. The author has chosen examples of formal writing that show a coherent and reasonably consistent relationship between methods of tool use and letter formation, making the construction of a script much easier to grasp in practice. He has also made the effort of selecting writing without idiosyncrasies of style.

    Price: $ 39.95 other currencies Order nr. 52752

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    See More... Carbonell, John THE EARLY PRINTINGS OF ABRAHAM LINCOLN'S GETTYSBURG ADDRESS AND WHAT THEY REVEAL ABOUT HIS SPOKEN WORDS.
    New Castle, Delaware Oak Knoll Press 2008 8.5 x 11 inches Stiff paper covers, stapled 52 pages
    The opening words of Lincoln's Gettysburg Address are familiar to many, but the exact wording of the rest of his speech has been contested over the years. Soon after Lincoln spoke at Gettysburg on November 19, 1863, variations of what he said were printed in a number of publications. Generations of commentators have since puzzled over these, wanting to know which one is the most accurate. This short book continues that quest, first by cataloguing and annotating a sequence of key printings published in the six months after he spoke and by investigating their sources, with reference to the five surviving manuscripts of the Address in Lincoln's hand as well as other documents. John Carbonell concludes that not only is a certain printing the most accurate, as many have thought, but more controversially, that there is no compelling reason to believe that a single word in it is mistaken.

    John Carbonell is an antiquarian book and print dealer specializing in nineteenth-century American and Canadian printed ephemera. He was born in Malaysia, grew up in Australia, and graduated from universities in England and the United States before moving to Canada and becoming a Canadian citizen. He now lives in Virginia with his wife and two children.

    Price: $ 19.95 other currencies Order nr. 100110

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    See More... Carter, John & Nicolas Barker ABC FOR BOOK COLLECTORS 8TH ED. (U.S.)
    Eighth US Edition With Corrections, Additions and an Introduction by Nicolas Barker. New Castle, Delaware Oak Knoll Press 2006 tall 12mo. cloth, dust jacket. 232 pages
    Eighth edition, completely revised and re-set, with additional information and an Introduction by Nicolas Barker. Shaken, Unsophisticated, Harleian Style, Fingerprint, E-book, Dentelle. Can you define these terms? If not, this is the book for you! John Carter's ABC for Book Collectors has long been established as the most enjoyable as well as the most informative reference book on the subject. Here, in over 490 alphabetical entries, ranging in length from a single line to several pages, may be found definition and analysis of the technical terms used in book collecting and bibliography, interspersed with salutary comments on such subjects as auctions, condition, facsimiles and fakes, 'points', rarity, etc. This eighth edition has been revised by Nicolas Barker, editor of The Book Collector and incorporates additional words created by the introduction of web-based collecting. ABC for Book Collectors retains its humorous character as the one indispensable guide to book collecting while also keeping us up-to-date with modern terminology.
    Price: $ 29.95 other currencies Order nr. 75338

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    See More... Chanin, Eileen BOOK LIFE: THE LIFE AND TIMES OF DAVID SCOTT MITCHELL.
    New Castle, Delaware Oak Knoll Press 2012 6 x 9.25 inches paperback 496 pages
    Australia's greatest book collector, David Scott Mitchell, gave his extraordinary library and a bequest for its development to the people of Sydney and the world. Book Life: The Life and Times of David Scott Mitchell, by Eileen Chanin, is the first comprehensive account of his life and collecting, told through books, readings, and contemporary correspondence.

    Mitchell was a man of astoundingly diverse interests whose collection was not merely for show or posterity, but was, in fact, his own personal reading library. Thus, we can learn much about him by examining his books. Previously labeled as an enigma and portrayed as recluse, Mitchell's true self is revealed through this book. Many books in his collection were written by people he knew, and letters reveal a more socially connected Mitchell than ever seen before. Chanin also delves into the historical events he lived through and their impact on his life and collection.

    The growth of Australia from an island of criminals to a legitimate nation happened almost literally during Mitchell's lifetime. Mitchell collected books on Australian history before it was even studied at Melbourne University. Without his contributions, it is unlikely that a full history of Australia could be written.

    In the foreword, Bob Carr, former Premier of New South Wales, praises Mitchell's benevolence and hails the Mitchell Library as the "DNA of Australia." The story of his life and collection is important to the story of Australia as a nation and is "in danger of slipping from history."

    This book features dozens of color illustrations and black-and-white photographs. Also included are notes, bibliography, index, a list of dramatis personae and several family trees.

    The first edition sold out within six months - ahead of news that the book was awarded the 2011 Alex Buxo Prize and shortlisted for the prestigious Waverley Library Award for Literature sponsored by the Copyright Agency Limited's Cultural Fund. The book was also one of five books shortlisted for the 2012 Magarey Medal for Biography, awarded by the Australian Historical Association.

    Available in Australia from Australian Scholarly Publishing

    Price: $ 59.95 other currencies Order nr. 108954

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    See More... (Children's books) Alderson, Brian & Felix de Marez Oyens BE MERRY AND WISE: ORIGINS OF CHILDREN'S BOOK PUBLISHING IN ENGLAND, 1650-1850
    New Castle, Delaware Oak Knoll Press & The British Library 2006 9 x 12 inches hardcover, dust jacket 320 pages
    When was it that someone decided that books might be written and published for child readers? It's fair to say that some kinds of text-alphabets, fables, the Lord's Prayer, may have been seen as fundamental to the process of learning to read from the beginning of book making, but when did children come to be seen as a readership for whom special provision should be made? The child as the audience for books in the English language is the subject of this bibliographical study, which had its origins in an exhibition held at the Pierpont Morgan Library in New York. From this beginning, Felix de Marez Oyens and Brian Alderson have compiled Be Merry and Wise and shown how certain creative talents, driven by a sense of purpose, or a wish to make some money, attempted to appeal directly to children, and how the publishing industry came to realize that this audience might prove to constitute a profitable market.
    In conducting their survey, which is centered upon the books themselves, mostly drawn from the holdings of the Morgan Library, the authors not only plot the chronological development of children's book publishing from almost random beginnings to the diversity of the early Victorian period, they also show how publishers adapted their trade methods to exploit this new market. Sweetness and light did not prevail everywhere, but, even in some of the most forbidding examples presented here, there was a commercial optimism that both merriment and wisdom might be happily combined, within the pages of children's literature. Co-published with the Pierpont Morgan Library, The Bibliographical Society of America, and The British Library.

    Sales rights: North and South America; available elsewhere from The British Library.

    Price: $ 115.00 other currencies Order nr. 90644

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    Signed copy available upon request

    Clouse, Doug MACKELLAR, SMITHS & JORDAN: TYPOGRAPHIC TASTEMAKERS OF THE LATE NINETEENTH CENTURY.
    New Castle, Delaware Oak Knoll Press 2008 8.5 x 11 inches Hardcover, dust jacket. 176 pages
    First edition. This is the first full-length study of the leading American type foundry of the nineteenth century. It is an interesting history of the foundry from both a business and a design point of view. The emphasis is on the design of the hundreds of typefaces that were produced by the foundry, from its inception in the 1860s until its merger with most other American foundries at the end of the century. The author describes (with many detailed photographic illustrations) how changing business conditions and technical improvements in typefounding interacted with changes in public taste to modify, over the decades, the appearance of the typefaces that Americans found in their publications. While this is a study of only one of many American foundries, in many ways MacKellar, Smiths & Jordan can stand as an exemplar of all the rest. It was the descendant of the first successful American type foundry, Binny and Ronaldson, started in Philadelphia in 1796. Extensive business records of the firm exist, as do scores of type specimen books and promotional publications of the foundry. All of these have been used extensively by the author. The scores of typefaces illustrated and described are considered as the ever-changing output of a corporation, with lesser emphasis on the individual creators of each typeface. At the turn of the twentieth century, taste turned away from the florid, ornamented style of the earlier decades. Mr. Clouse has shown in this well-written study that the earlier styles were very successful in their own time and should be judged on that basis. A completely illustrated appendix showing MS&J's patented typefaces is extremely helpful.
    Price: $ 65.00 other currencies Order nr. 96669

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    See More... Coakley, J.F. THE TYPOGRAPHY OF SYRIAC: A HISTORICAL CATALOGUE OF PRINTING TYPES, 1537-1958.
    New Castle, Delaware and London Oak Knoll Press and The British Library 2006 7 x 10 inches hardcover 272 pages
    Syriac, a dialect of the ancient Aramaic language, has a remarkable Christian literature spanning a thousand years from the fourth to the thirteenth century, including important versions of the Bible. It remains the liturgical language of several churches in the Middle East, India, and the west, and 'Modern Syriac' is a vernacular still in use today. It is no wonder that this language has a long and rich printing history. The challenge of conveying the beautiful cursive Syriac script, in one or another of its three varieties, was taken up by many well-known type-designers in the letterpress era, from Robert Granjon in the sixteenth century to the Monotype and Linotype corporations in the twentieth, as well as by many lesser-known ones. This study records and abundantly illustrates no fewer than 129 different Syriac types, using archival documents, type-specimens, and the often scattered evidence of the print itself. The Typography of Syriac will be of interest not only to scholars of Middle Eastern languages and scripts but also to all historians of type and printing.
    J. F. Coakley is Senior Lecturer in the Department of Near Eastern Languages and Civilizations, and on the staff of Houghton Library, at Harvard University. His private press, the Jericho Press, occasionally makes use of Syriac and other exotic types.

    Price: $ 75.00 other currencies Order nr. 91843

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    See More... Cohen, Ben THE DELAWARE RIVER AND BAY 1600-1999: A SELECTIVE BIBLIOGRAPHY.
    New Castle, Delaware Oak Knoll Press 2008 8.5 x 11 inches Hardcover 276 pages
    First edition. This work is a new bibliography on the Delaware River and Bay by Ben Cohen, the author of similar bibliographies on the Thames and the Clyde. The author first became interested in the Delaware River when he read D.B. Tyler's The Bay and River Delaware, which refers to the Delaware as the "American Clyde." Tyler writes poetically of the Delaware: "Its upper reaches have the beauty and vigor of youth. When, at Trenton, it turns adventurously westward, growing bigger and straighter, it has the solidity and single-mindedness of maturity. At the end, when it swings southward to lose itself in the greater ocean, it takes on the grandeur and dignity of age conscious of its past." This comparison to the Clyde in Scotland, where Cohen was born, ignited the bibliographer's interest in the Delaware. The Delaware River and Bay bibliography includes chapters on photographs, bridges, maps, fish, ports and commerce of the Delaware, containing hundreds of annotated entries, and concludes with four useful appendices, including one on Delaware River shipwrecks. As with his other books, original title spellings have been retained for historical purposes. Author Ben Cohen, F.R.C.S., is a graduate of Glasgow University and bibliographer of The Thames, 1580-1980: A General Bibliography, first published in 1985, and The River and Firth of Clyde, 1549-1993: A Selective Bibliography, first published in 1995.
    Price: $ 95.00 other currencies Order nr. 95869

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    See More... Cohen, Ben THE RIVER AND FIRTH OF CLYDE 1549-1993: A SELECTIVE BIBLIOGRAPHY.
    New Castle, Delaware Oak Knoll Press 2008 8.5 x 11 inches cloth 290 pages
    Reprint of the out-of-print 1995 first edition, with index revised to include place names. This bibliography of the River Clyde and Firth of Clyde covers a period of over four centuries. The material derives from collections in libraries and institutions in London, Edinburgh, Glasgow, Clydeside and on the Firth. All items are collated in full, illustrations are itemized and engravings are described with details of measurements and the identification of artists. There are numerous annotations and many excerpts from the texts. Original spellings have been retained throughout, adding to the authenticity and general interest of the work. The contents, including five appendices, are alphabetically arranged in fourteen sections. An author, title and place name index facilitates the identification of particular items.
    Price: $ 95.00 other currencies Order nr. 95871

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    See More... Cohen, Ben THE THAMES 1580-1980: A GENERAL BIBLIOGRAPHY.
    New Castle, Delaware Oak Knoll Press 2008 8.5 x 11 inches cloth 400 pages
    Reprint of the out-of-print 1985 first edition with the addition of an index which was lacking from the first edition. This book represents the first bibliographic attempt to record the vast amount of literature on the River Thames written between 1580 and 1980. Annotations are grouped by topic and arranged alphabetically by author, when available. Topics include floods, bridges, fishing, frost fairs, journals and river police. For historical purposes, original spellings of titles have been retained. The section on Guides and Maps includes an appendix listing the Thames map list for the British library and additional maps from the Bodleian and Cambridge University Libraries. The index added to this edition includes authors, titles and place names.
    Price: $ 125.00 other currencies Order nr. 95870

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    See More... Cooke, Simon ILLUSTRATED PERIODICALS OF THE 1860S: CONTEXTS & COLLABORATIONS.
    New Castle, Delaware, Pinner and London, England Oak Knoll Press, The Private Libraries Association, The British Library 2010 7.25 x 10.75 inches Hardcover, dust jacket 224 pages
    The 1860s are considered the "Golden Age" of illustrated periodicals, a time when the "knockabout" humor of the 1840s, which was dominated by illustrators such as Cruikshank, Doyle, and Phiz, gave way to a more considered style grounded in serious artistic principles, allowing for deeper expression and emotion in artistic output. The first book of its kind, Illustrated Periodicals of the 1860s, focuses extensively on the illustrated magazine as a distinct form.

    Illustrated Periodicals provides a new and informative approach to the study of "sixties" periodicals, revealing the previously unstudied area of the complex interrelationships between the various parties involved in the production of these magazines: publishers, editors, artists, engravers, and authors. The book considers the effects of these relationships on creative output, both artistic and literary, and in so doing provides a detailed, historical reconstruction of the essential character of the periodicals of that era. The book includes over 120 reproductions of engravings and preparatory drawings, almost all of them original size.

    Additionally, the text contains two appendices; the first includes a reflection of the work that goes into collecting and researching these periodicals. The second lists the key illustrators, engravers, publishers, editors, as well as magazines mentioned throughout the text, each including a brief description. This work is an informative and colorful choice for those interested in the history of periodicals, the production of magazines, and art.

    Simon Cooke has written widely on the subject of Victorian art and literature. He received his doctorate from Exeter and his teaching qualifications from the Open University and the University of Leicester. Cooke is currently a teacher of English language and literature.

    Available outside North and South America from The British Library.

    Price: $ 75.00 other currencies Order nr. 103919

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    See More... Cruz, Laura THE PARADOX OF PROSPERITY: THE LEIDEN BOOKSELLERS' GUILD AND THE DISTRIBUTION OF BOOKS IN EARLY MODERN EUROPE.
    With a Foreword by Jan de Vries New Castle, Delaware Oak Knoll Press 2009 6 x 9 inches hardcover, dust jacket 256 pages
    First edition. In The Paradox of Prosperity, Laura Cruz explores the world of the book trades as it was constructed in Leiden in the decades after the Revolt against Spanish rule. She traces the migration of printers from the Southern Netherlands to Leiden and observes how they congregated within the city and sought contracts with the city's new university. But this is only the beginning of a multifaceted analysis of the development of a market-driven industry that eventually is organized under the protective umbrella of a guild. And this guild, in turn, is something other than the traditional guilds of medieval origins. Rather than a bulwark against market forces, the guild of the printers was an instrument to exercise market power. This book offers a fresh look at the role of an institution that is often dismissed, even in the early modern period, as a relic of an earlier time.

    Leiden's book trade was unique, exhibiting a specific quality that calls for a specific explanation. Laura Cruz addresses this historical specificity, but goes a step further. Leiden publishing emerged as an industry with a European scope and with national and international competitors. Distinguishing the particular from the general and the accidental or providential from the systematic forces at play within early modern European society is an historian's duty, but one that is often neglected. Savoring the particular is often thought to be enough, indeed, to be the only real purpose of history. Laura Cruz goes further, harnessing her rich historical material to the methods of economic and social history. From this vantage point, she addresses questions that give new insights to the culture of the young Republic that are based not only on the thoughts and dreams of individuals, but also on the behavior and aspirations of groups and the constraints and opportunities presented by institutions.

    Laura Cruz is an Associate Professor of History at Western Carolina University. She earned her PhD from the University of California at Berkeley in 2001. Her publications include multiple articles on book markets, social networking and death practices in the seventeenth-century Netherlands. She currently serves as the President of the Society for Netherlandic History and the book review editor for the journal Itinerario.

    Price: $ 55.00 other currencies Order nr. 96671

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    See More... (Davies, W.H.) Harlow, Sylvia W.H. DAVIES: A BIBLIOGRAPHY.
    New Castle, Delaware and Winchester Oak Knoll Books and St Paul's Bibliographies 1993 8vo. cloth. xii, 259 pages.
    First edition. The third volume in the Winchester Bibliographies of Twentieth Century Writers series. W.H. Davies is best remembered as the author of THE AUTOBIOGRAPHY OF A SUPER-TRAMP first published in 1908, and still in print, but his reputation is based on his poetry which was published in over fifty books and has appeared continuously in anthologies ever since. This bibliography provides the opportunity for a comprehensive study of this important twentieth-century writer, and it will also be a vital guide to collectors of his work. The sections cover Books, Anthologies edited by Davies and those containing his work, Articles, Broadcasts by and about Davies, and Articles and Books about him. The book also contains a Chronology and Index. Illustrated.
    Price: $ 78.00 other currencies Order nr. 36407

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    See More... Davison, Peter (editor) THE BOOK ENCOMPASSED.
    New Castle, Delaware and Winchester, England Oak Knoll Press & St. Paul's Bibliographies 1998 tall 8vo. paper wrappers. 336 pages.
    Reprint of the first edition. The techniques and approaches fostered in the first half of this century by the "New Bibliography" have spread throughout the world, developing and expanding in association with bodies, such as the Bibliographical Societies of Britain and America. These essays, specially commissioned for this book, take "New Bibliography" into the 21st century. Surveying bibliographic and textual studies in some thirty fields, they discuss major issues and developments. Areas covered include manuscript studies and the analysis of handwriting; the physical characteristics of the book - its paper, type, and binding; enumerative and descriptive bibliography, incunabula, cartography, book illustration, book catalogues, and the Stationers' Company. This work also discusses bibliographical developments in the history of science and in many countries - the British Isles, France, Germany, Italy, North America, Japan and Asia, Australia and New Zealand. Developments in the theory and practice of editing texts (including biblical texts); the history of the book and the implications of the computer for bibliography are also focused on in this volume. These essays open possible research proposals by students and scholars, ensuring the vitality of bibliography in to the next century. These collections provide a landmark, taking stock of developments in a vast and vital area of study, and maps out its future parameters.
    Price: $ 29.95 other currencies Order nr. 52297

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