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Antiquarian (94)

Catalogue: CATALOGUE 300

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CATALOGUE 300

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CATALOGUE 300

Books about Books, Bibliography, Non Books about Books, Publishing and Distribution

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300AA-BOOKBINDING	300BB-BC,BS,PUB	300C-BKI
300D-CARTOGRAPHY	300E-DELAWARE	300F-BD,GRAPHIC DESIGN
300G-PRIV	300H-PM	300I-PRT
300J-REFERENCE	300K-TS	300L-WRI

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Catalogue section: 300AA-BOOKBINDING

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3 (Bookbinding) Nixon, Howard M. BROXBOURNE LIBRARY, STYLES AND DESIGNS OF BOOKBINDINGS FROM THE TWELFTH TO THE TWENTIETH CENTURY.
With an introduction by Albert Ehrman. London Maggs Bros. 1956 folio quarter vellum over blue cloth, blue leather spine label, top edge gilt. x, 251 pages.
S-K 1045. Limited to 300 copies printed by Brooke Crutchley at the University Press, Cambridge (Brenni no.301). An extremely important book and one of the most important authored by Nixon. The 199 books are described in such detail by Nixon that the annotations constitute a history of binding. Each book is illustrated. The binding collection was put together to show the history of binding and hence as many different styles as possible were added to the collection. All but a few of the books described have not been described elsewhere. Rubbing of covers and spine label. Original prospectus loosely inserted. Scarce book.
Price: $ 1,500.00 other currencies Order nr. 30302

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5 (Bookbinding) Rolland, Francisco Hueso EXPOSICIÓN DE ENCUADERNACIONES ESPAÑOLAS, SIGLOS XII AL XIX.
Madrid Sociedad Española de Amigos del Arte 1934 small folio cloth, dust jacket. 249, 61 full-page plates, (7) pages.
Text in Spanish. S-K 2022. First edition, one of 100 numbered copies. A scarce history of bookbinding in Spain from the 12th to the 19th century. Some of the 61 full-page plates of bindings are in color; each is protected by a tissue guard. Each of the color plates are tipped-in. These special copies are printed on much better paper and the volume is 50% thicker than the trade edition. The jacket is chipped with small tears.
Price: $ 1,500.00 other currencies Order nr. 101558

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6 (Stock, Wolfgang) [A COLLECTION OF NINE DESIGNER BOOKBINDINGS BY THIS GERMAN BINDER].
N.P. n.p. circa 1982
A unique collection of nine designer bindings, many of which were part of a 1982 exhibit at the Salzburg Werkstatte für Buchkunst. The display of these works was documented in an exhibition catalogue, printed in an edition of 500 numbered and signed copies, a copy of which is also included with the collection. The catalogue has two photographs of the binder, eleven black-and-white and twelve color illustrations of his work. The bindings in the collection demonstrate a wide range of technical prowess and decorative ingenuity. Three of the bindings are traditional contemporary designer bindings composed of full leather with colored leather inlays, which take the form of Miro like abstractions in two examples. Two other bindings demonstrate Stock's ability to create painted leather and parchment bindings. One binding demonstrates his use of contemporary marbled paper and vellum covered boards. Three other bindings demonstrate his ability to provide books with less traditional but more elemental book coverings. One has a simple loose leather covering with a simple gold rule bound by simple leather ties. Another covering loosely gathered in suede is fixed with a tie and a metal dagger. The other, a bit more artistic, is a similar loose vellum covering with ties, but is painted with an original abstract design. Two of the bindings are for blank books. A third covering is a prayer book, in a suitably ecclesiastical-looking binding with flaps and ties. One full leather binding with inlays is a German translation of a work by Walter Crane. The painted leather is the autobiography of Albert Schweitzer. The rest are works having something to do with binding or other aspects of book making. Unlike some art-bindings, Stock's are clearly meant as functional books, with texts intended to be used as texts. The collection of nine bindings together with the exhibition catalogue describing his work gives a remarkable sense of this man's range of binding ability and personal sense of style.
Price: $ 4,750.00 other currencies Order nr. 53959

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7 (Bookbinding) Bennett, Stuart TRADE BOOKBINDING IN THE BRITISH ISLES, 1660-1800
New Castle and London Oak Knoll Press and the British Library 2004 small 4to. cloth, dust jacket 176 pages
First edition. This book is the first illustrated guide to this complex and controversial subject. In 1930, in The Evolution of Publishers' Binding Styles, Michael Sadleir declared that "the bookseller-publisher of the decades from 1730 to 1770 issued his books either in loose quires, or stitched, or a most in a plain paper wrapper." This view is still generally accepted. Bennett, however, presents new documentary and visual evidence that books were predominantly sold ready-bound in sheep, calf, and goat as well as boards and wrappers. Over 200 color illustrations show what these bindings looked like, and how their styles evolved. Co-published with the British Library.
Price: $ 85.00 other currencies Order nr. 75432

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8 (Bookbinding) Etherington, Don BOOKBINDING & CONSERVATION: A SIXTY-YEAR ODYSSEY OF ART AND CRAFT
Foreword by Bernard Middleton New Castle, Delaware Oak Knoll Press 2010 8.5 x 11 inches hardcover, dust jacket 180 pages
This new autobiography by renowned bookbinder Don Etherington takes the reader through his lifelong journey of bookbinding and conservation. Etherington documents his experiences teaching these trades and traveling throughout Europe and to the United States. He tells of his generous contribution to the conservation effort in Florence, Italy, following the great flood that caused incredible damage to thousands of books. Bookbinding and Conservation is a unique account of the personal and professional life of this important figure in the world of binding and conservation. Etherington's memoirs contain numerous personal photographs that richly illustrate his story. The autobiography is followed by a pictorial catalogue of many of Etherington's fine bindings. This book is an excellent pick for anyone interested in bookbinding and the lives of major bookbinders.

Don Etherington began bookbinding at the age of thirteen as a student at the Central School of Arts and Crafts and later went on to study bookbinding and design at the London School of Printing. Since then, he has held positions at the Biblioteca Nazionale in Florence, The Library of Congress, the Harry Ransom Humanities Research Center at the University of Texas at Austin, and Information Conservation, Inc. In 1982, he co-authored with Matt Roberts Bookbinding and the Conservation of Books: A Dictionary of Descriptive Terminology, the first comprehensive attempt to compile terminology from all the bookmaking and conservation fields. More recently, he received honorary membership awards from the American Institute for Conservation and the Guild of Book Workers. His work can be found in collections worldwide.
Price: $ 49.95 other currencies Order nr. 102815

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9 (Bookbinding) Foot, Mirjam M. BOOKBINDERS AT WORK: THEIR ROLES AND METHODS
London and New Castle The British Library and Oak Knoll Press 2006 8vo. cloth, dust jacket. 171 pages.
First edition. The role of the bookbinder in the production of saleable books and the significance of the binding in all its details, both structural and decorative, have often been disregarded or marginalised by bibliographers. In this book, Dr. Mirjam Foot sets out to reverse the trend by establishing working binders, and their materials and tools as an essential part of the production cycle. She reveals the inadequacy of bibliographical descriptions that lack essential binding information.
Price: $ 59.95 other currencies Order nr. 87274

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10 (Bookbinding) Greenfield, Jane ABC OF BOOKBINDING, A UNIQUE GLOSSARY WITH OVER 700 ILLUSTRATIONS FOR COLLECTORS AND LIBRARIANS
New Castle, Delaware and Nottingham, England Oak Knoll Press and the Plough Press 2002 8.5 x 11 inches hardcover, dust jacket 180 pages
Reprint of the first edition of 1997. For the first time, Jane Greenfield has provided a unique glossary of terms, styles, structures, and names related to conservation and bookbinding through the ages illustrated with over 700 line drawings. Locating accurate descriptions of bookbindings from various periods has previously been frustrating for those who work with rare and antiquarian books, especially conservators, librarians, book collectors and antiquarian book specialists. However, this frustration will abate as Greenfield's work takes place alongside John Carter's ABC For Book Collectors as well as Don Etherington's and Matt T. Roberts' Bookbinding and Conservation of Books. Ms. Greenfield, a master in the field of bookbinding and conservation, examines the book's development from the earliest periods and in different places. She has provided names and drawings for almost every conceivable part of the book as well as a multitude of styles, bindings, and decorations. She literally takes apart the structure of the book and illustrates the many and varied facets and definitions that clearly outline the historical development of the book's structures and styles.
Price: $ 49.95 other currencies Order nr. 49915

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12 Krupp, Andrea BOOKCLOTH IN ENGLAND AND AMERICA, 1823-50
New Castle and London Oak Knoll Press and The British Library 2008 8vo. stiff paper wrappers 102 pages
This volume offers a new edition of Andrea Krupp's groundbreaking article, which first appeared in the Papers of the Bibliographical Society of America, and includes an expanded Catalogue of Bookcloth Grains, with illustrations in a larger format and, for the first time, in color. Sue Allen has written the preface for the book. Ms. Krupp's three-part essay, with several illustrations, covers the introduction of bookcloth and the early decades of its use, discusses bookcloth grain nomenclature and concludes with detailed observations on several cloth grain patterns. The first of three appendices is an information-dense table that lists each grain pattern with date range and frequency and provides cross references to previous nomenclature. Appendices 2 and 3, which together comprise the Catalogue of Nineteenth-Century Bookcloth Grains, include images of the various grains, reproduced at actual size. In this edition, the number of catalogue entries has been expanded from 222 to 248. The swatches are printed in color, and many of the ribbon-embossed patterns in Appendix 3 are formatted to represent the patterns more completely than when first published. Co-published with the Bibliographical Society of America and The British Library.
Sales rights: Worldwide except in the UK; available in the UK from The British Library.
Price: $ 35.00 other currencies Order nr. 94204

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13 Leutz, Pamela Train THE THREAD THAT BINDS: INTERVIEWS WITH PRIVATE PRACTICE BOOKBINDERS.
New Castle, Delaware Oak Knoll Press 2010 6 x 9 inches Hardcover, dust jacket 352 pages
Comprised of 21 interviews of independent bookbinders, The Thread That Binds documents Pamela Leutz's quest to learn about the lives of representatives of this field. Each chapter tells a different story as Leutz discovers the challenges, successes, and "common threads" among each of the binders. Includes images offering a closer look at these bookbinders' studios, as well as photographs of the bookbinders themselves. All introductions are by Pamela Leutz, and also included is a special interview with bookbinder Don Etherington. An excellent pick for those considering working on their own in the field of bookbinding or for those simply interested in its history.

A native of Chicago, Pamela Leutz studied at The Craft Guild of Dallas. She later studied in Switzerland and the Czech Republic. Pamela taught bookbinding in Dallas for over 15 years and her bindings have been exhibited and are in collections in the USA and the Czech Republic. She currently lives and works in Colorado Springs, CO.
Price: $ 55.00 other currencies Order nr. 103924

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14 (Bookbinding) Lhotka, Edward R. ABC OF LEATHER BOOKBINDING: A MANUAL FOR TRADITIONAL CRAFTSMANSHIP.
New Castle, Delaware Oak Knoll Press 2005 large 8vo. Paperback. 142 pages. Illus.
First Edition. This work is an illustrated manual that shows step-by-step the art and science of fine leather bookbinding. The author learned the ancient craft from one of England's foremost binders, Alfred de Sauty. In this important work, he takes the reader through the intricacies of traditional leather binding. SALES RIGHTS: Worldwide except in the UK; available in the UK from The British Library.
Price: $ 19.95 other currencies Order nr. 79690

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15 (Bookbinding) Lindsay, Jen FINE BOOKBINDING: A TECHNICAL GUIDE
New Castle, Delaware, and London Oak Knoll Press and The British Library 2009 9 x 9.75 inches paperback 216 pages
The purpose of this book is to guide the reader through the sequence of operations involved in creating a book bound in leather, or a "fine binding." The author defines a fine binding as a book fully covered in leather, with leather-jointed endpapers, gilt edges, and leather doublures. Although a basic knowledge of bookbinding terms and techniques is assumed, this book is meant for both novice and experienced bookmakers.

The book is intended to be used as an active guide during the process of fine binding. It is arranged into sixteen sections, listing the sequence of operations, beginning with preliminary work and ending with preparing and putting in leather doublures. Each section includes appropriately numbered instructions allowing the user to find his or her place in the sequence of operations with a reference for what step is next. There are also numbered explanatory sections that include a rationale (why you do it) and technique (how you do it). The work includes close to 300 black and white illustrations, four appendices, and a bibliography.

Jen Lindsay is a bookbinder with extensive experience in teaching, lecturing, and writing on bookbinding and the history of the book. She first studied bookbinding at Camberwell School of Art and Crafts, London (1977-1979), and then worked as a freelance bookbinder. She was a bookbinding tutor and Program Convener for the BA Bookbinding and BA Calligraphy programs at Roehampton Institute, West London (1983-2001) and then bookbinding tutor at The City Literary Institute, London (2001-2005).

Sales Rights: North and South America; available elsewhere from The British Library.
Price: $ 59.95 other currencies Order nr. 102152

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16 (Bookbinding) Marks, P.J.M. BEAUTIFUL BOOKBINDINGS: A THOUSAND YEARS OF THE BOOKBINDER'S ART
New Castle & London Oak Knoll Press & The British Library 2011 8.5 x 11 inches hardcover, dust jacket 190 pages
As a craft of more than 2,000 years, the art of bookbinding has been overlooked in history. Primarily seen for its practical purpose of protecting the pages of a book, it is sometimes hard to recognize the creative aspects of a bookbinding. Beautiful Bookbindings hopes to bring to light this artistic way of thinking by displaying the finest bookbindings as the objects of desire they were originally intended to be. As the great aesthete Oscar Wilde believed, bookbindings are beautiful and artistic in their own wonder.

Because covering materials are prone to fading and deterioration, relatively few examples of early bookbindings have survived. In more recent times, the number of surviving examples has increased due to deliberate efforts to preserve ornate bindings. Despite the difficulty in preserving bindings, this book pieces together the history of bookbinding, using written sources where necessary to fill the gaps that the bindings themselves do not fill.

From exquisite medieval bookbindings made of precious metals and jewels to the unique and highly imaginative creations of contemporary bookbinders, this book celebrates over 100 of the most beautiful bookbindings of the last 1,000 years. Books bound by some of the greatest bookbinders including Mearne, Padeloup, Payne, Simier, Cobden-Sanderson, and others are showcased, further revealing the beauty and skill of this art form. Spanning over ten centuries, some of the books displayed were once owned by Francis I and Henry II of France, Jean Grolier, Thomas Mahieu, Queen Elizabeth I of England, and William Morris. Fully illustrated in color, with specially commissioned studio photography, Beautiful Bookbindings provides a visual overview of the development of this splendid art form. The book focuses on the craft of hand-bookbinding that existed until the Victorian era when mass-produced trade bindings took over. Bookbinding as a craft form never disappeared, however, and the second half of the twentieth century saw a significant revival. The introduction provides an engaging overview of the history and techniques of the craft and of its most important practitioners. Visually stunning, this book will have a wide appeal to anyone with an interest in visual arts, crafts, and book history.

Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 49.95 other currencies Order nr. 105519

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17 (Bookbinding) Middleton, Bernard C. A HISTORY OF ENGLISH CRAFT BOOKBINDING TECHNIQUE.
Foreword by Howard M. Nixon. New Castle and London Oak Knoll Press & The British Library 1996 (but 2000) 8vo. cloth, dust jacket. xiii, (i), 372 pages followed by 14 plates.
Fourth edition. This is a classic reference work about decorative and commercial English bookbinding techniques written by one of the foremost experts on bookbinding. Each chapter covers various aspects of bookbinding techniques as well as historical information. Each of the chapters describes the material of leaves and folding, beating and pressing, sewing endpapers, gluing the spine, rounding and backing, boards and their attachment, edge-trimming and decoration, headbands, back linings, covering, finishing siding and pasting down, equipment, book repairs and restoration. The book also includes appendices covering a variety of topics. Several sections describe the background and history of the London bookbinding trade around the beginning of the 19th century, its working conditions, and the growth of its binderies. Other sections discuss the specialization in book-edge gilding, the Arts & Crafts movement's influence on bookbinding styles, and the causes and prevention of leather decay. This book is an excellent background for those interested in the English technique. Illustrated with plates.
Price: $ 65.00 other currencies Order nr. 44862

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18 (Bookbinding) Middleton, Bernard C. THE RESTORATION OF LEATHER BINDINGS.
New Castle, Delaware Oak Knoll Press 2004 small 4to. cloth, dust jacket. xvi, 309 pages + 8 color plate pages.
Fourth edition, revised and expanded from the 1998 edition. A welcome new addition in this book is a full-color section for the identification of leather and marbled papers. From the author of HISTORY OF ENGLISH CRAFT BOOKBINDING TECHNIQUE (also published by Oak Knoll & The British Library), this classic in the field of bookbinding is a practical guide to the restoration of leather bindings. Revised and expanded, this work reflects advances in techniques and materials, and contains current information on suppliers and related publications. The book has chapters concerning definition of terms, tools and materials, cleaning, removing the spine, resewing and alternatives; gluing, rounding and backing; headbanding, back lining, preparation of boards, rebacking, replacing the spine, repairing caps and outer joints, repairing caoutchoue bindings, repairing corners, blending new endpapers, straightening warped boards, rebinding pasteboards, salvaging old sides; staining, aging, tooling and refurbishing, recording repairs, and a section of selected reading. Alternative approaches are included for rebinding when the original covers have been lost or are beyond restoration, modern rebinding, and replication of original bindings by combining elements of both modern and historical binding techniques. Middleton's work is designed to be a comprehensive handbook for practitioner and student alike when formal training in restorative techniques are unavailable. Also included is an updated listing of binders' suppliers. With numerous photographs and line drawings. Co-published with The British Library. SALES RIGHTS: Available worldwide from Oak Knoll. Available in the UK from The British Library.
Price: $ 45.00 other currencies Order nr. 75328

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19 (Bookbinding) Spawn, Willman and Thomas E. Kinsella AMERICAN SIGNED BINDINGS THROUGH 1876
New Castle and Bryn Mawr Oak Knoll Press & Bryn Mawr College Library 2007 4to. cloth 300 pages
First edition. In this the first major study of American signed bookbindings, Willman Spawn and Thomas E. Kinsella describe and illustrate 315 bookbinder's tickets, stamps, and engraved designations dating from the 1750s through 1876. The details of the study reveal a vibrant segment of the book trade, deeply enmeshed with the related trades of booksellers, stationers and publishers. Two hundred and thirty-three binders are represented, many with multiple designations. Locations of binders cluster up and down the east coast from Maine to Virginia, with tickets as far south as New Orleans and as far west as Little Rock. The study identifies binders from 19 states and 84 cities and towns. Brief descriptions of bindings are provided, along with explanatory notes for many binders, especially in the binding centers of Boston, New York and Philadelphia. The strength of the study is in its attention to nineteenth-century trade binders such as Benjamin Bradley and Peter Low of Boston, George W. Alexander and Colton & Jenkins of New York, and Benjamin Gaskill and Joseph T. Altemus of Philadelphia.

Spawn, a retired conservator at the American Philosophical Society, has written numerous articles on early American bookbinding. Since 1985 he has served as honorary Curator of Bookbindings at Bryn Mawr College where he has helped to build the splendid collection of signed bindings described here. Kinsella is the Associate Professor of British Literature at The Richard Stockton College of New Jersey. He has written on Samuel Johnson and James Boswell, among other subjects, and, for the past 20 years, has collaborated with Spawn researching the history of bookbinding.

The volume has two introductory essays and is well-indexed. Co-published with Bryn Mawr College Library.
Price: $ 85.00 other currencies Order nr. 93148

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20 (Bookbinding) Spawn, Willman and Thomas E. Kinsella TICKETED BOOKBINDINGS FROM NINETEENTH-CENTURY BRITAIN WITH AN ESSAY BY BERNARD MIDDLETON
Bryn Mawr Bryn Mawr College Library & Oak Knoll Press 1999 small 4to. cloth. 206 pages.
First edition, the hardbound variant. Well-illustrated exhibition catalogue including plates in color. Foreword by Elliot Shore, Director of Libraries, followed by historical information on binding. The first 219 bindings are described in great detail, including information on the binder. This is followed by shorter descriptions of 485 ticketed bindings also in the collection but not pictured. An important reference book in the study of English binding.
Price: $ 65.00 other currencies Order nr. 54990

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21 (Bookbinding) Tidcombe, Marianne WOMEN BOOKBINDERS 1880-1920.
London & New Castle, Delaware The British Library & Oak Knoll Press (1996) 8vo. quarter cloth, marbled paper sides. 240 pages.
First Edition. During the period 1880-1920, the number of women craft bookbinders in Britain increased dramatically. In this, the first major study of its kind, Marianne Tidcombe provides a timely and authoritative introduction to the role and work of women craft binders during the period. The foremost women binders - including Sarah Prideaux, Katherine Adams, Sybil Pye - are discussed at some length (as is the Guild of Women Binders), but all significant figures are included. The appendices illustrate the tools used by Prideaux, Adams and Pye, and provide a list of women in charge of bookbinding shops in Britain before 1900.
Superbly illustrated throughout - with 32 color plates and over 100 black-and-white photographs - this handsomely produced book will make a significant contribution to the study of the role of women in the late nineteenth-century and early twentieth-century book trade. Sales rights: North and South America; available elsewhere from The British Library.
Price: $ 58.00 other currencies Order nr. 43766

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22 (Bookbinding) Young, Laura S. BOOKBINDING & CONSERVATION BY HAND: A WORKING GUIDE.
New Castle Oak Knoll Press 1995 7 x 10 inches paperback 288 pages
This book is designed as a working guide in the field of hand bookbinding and book conservation. It is intended as a practical manual for teachers and their students; as an instruction guide to be followed by the beginner attempting to learn binding on his or her own; and as a ready reference for experienced binders, book collectors, book dealers, and librarians. Hand bookbinding in the United States has been influenced primarily by the English, French, and German schools of binding. The techniques described in this volume follow in principle the German school and, to the best of the author's knowledge, this is the first book in which these binding practices have appeared in English. German techniques move in a logical sequence and can be executed efficiently. The heart of this working guide is the three chapters dealing with techniques and the chapter on conservation. "Basic Techniques" details the fundamental skills that are applicable to all hand bookbinding. "General Techniques" includes those practices that, with minor variations, cover the early stages in all types of bindings. "Specific Techniques" describes the steps primarily used in producing a specific type of hand binding. The basic principles of conservation work cover one of the more important areas in the field of hand bookbinding today. All instructions throughout this book have been tested at the bench by at least one person, in addition to the author, for clarity and completeness. Where feasible, a list of materials needed precedes the step-by-step instructions for a given section or techniques. These lists will allow the binder to gather together all materials and equipment to be used before beginning work on any phase of the project. Originally published in 1981, Oak Knoll's edition has a revised bibliography and a new list of supply sources.
Price: $ 24.95 other currencies Order nr. 42513

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Catalogue section: 300BB-BC,BS,PUB

23 SOLD

24 Cole, John BIBLIOGRAPHICAL AND DESCRIPTIVE TOUR FROM SCARBOROUGH TO THE LIBRARY OF A PHILOBIBLIST, IN ITS NEIGHBORHOOD.
Scarborough John Cole et al. 1824 8vo. modern quarter calf, five raised bands, maroon calf gilt spine label, marbled paper-covered boards, uncut. (ii), iv, 92+(1) pages.
First edition, a large paper copy. The total edition size was 158 copies, of which 100 were printed on small paper, 50 copies on large paper, and 8 on colored paper (Lowndes p.491). The large paper copies are different from the small paper copies in the following ways: the book block measures 22 cm rather than 20 cm; the title page contains a view of Hunmanby, rather than a quote from Dibdin; the verso of the title page contains the Dibdin quote and is blank in the small paper copy. Illustrated with original wood engravings by Thomas Bewick (Hugo no.4335). A bibliographical guide of the rare English folio and quarto volumes preserved in the library of the book collector and member of the Roxburghe Club, Francis Wrangham. Describes 100 items with lengthy annotations. Light spotting to endpapers; a very few isolated areas of browning to text; a couple of contemporary pencil amendments and remarks in margins; last two leaves mispaginated.
Price: $ 2,950.00 other currencies Order nr. 45049

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