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MUSIC AND THE BOOK TRADE FROM THE SIXTEENTH TO THE TWENTIETH CENTURY.
Myers, Robin, Michael Harris and Giles Mandelbrote, eds.
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The history of music printing and publishing has generally formed a self-contained area of research within the study of book history. Bibliographers and book historians have tended to overlook the trade in printed music, partly because the means of production (reproducing notation rather than letter forms) and of distribution (often through the specialist sellers of musical instruments and equipment) were themselves distinct. On the other hand, musicologists have until recently paid less attention to the commercial aspects of printed music, concentrating more on the technicalities of composition and performance.
The original contributions contained in this newest addition to the Publishing Pathways series map some of the common ground between music and other forms of print, exploring the ways in which the organization of production and the process of publication of printed music have developed over time. From the production and sale of missals in Renaissance Spain to the complexities of Gustav Mahlers copyrights in late nineteenth-century Vienna, these essays raise issues and demonstrate methods of approach that will be of wider relevance to many areas of book history. How composers and publishers worked out their respective financial interests is just one of the recurring themes which will strike a chord with those who study the business of print. Co-published with The British Library. Available in the UK from The British Library.
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> Twyman, Michael, EARLY LITHOGRAPHED BOOKS, A STUDY OF THE DESIGN AND PRODUCTION OF IMPROPER BOOKS IN THE AGE OF THE HAND PRESS, WITH A CATALOGUE.
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REPORT OF THE COMMITTEE OF THE SOCIETY OF ARTS, &C, TOGET...
First edition (Levis, p. 468; Bridson & Wakeman B48; Goldsmith 22503; Kress C. 414). All six plates present. With the bookplate of Gavin Bridson. An important comment on the prevention of forgery. Contains a number of articles including: one by T.C. Hansard who proposed the use of Diamond type arranged in patterns (including an example plate); by T. Ransom recommending copper plate engraving (including a sample bank note showing the work of three different engravers); by R.H. Sully also recommending copper plate engraving (with a sample bank note and an engraved plate showing the design for a new copper plate printing machine); and by Richard Williamson recommending steel engraving (with two fine steel engraved plates). Old ink stamp of Mercantile Library of Philadelphia on a number of the pages and all the plates. The plates are faintly water-stained.
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