|
< 
Go back
DISPOSITIVES D'OEUVRES D'ART
Five boxed sets
Five plastic boxes containing 150 color slides from the former collection of H.P. Kraus. Each box with 30 color slides and a descriptive pamphlet in French, English, and Spanish with historical background and description of each slide in each series. With Unesco, Series 4, which contains Iranian illuminated manuscripts from c. 1410-1596; Series 14, which contains slides of 12 Czech illuminated manuscripts from c. 1085-1364; Series 17, which contains slides of 6 Ethiopian illuminated manuscripts c. 1350-1450; Series 18, which contains slides of 11 Turkish illuminated manuscripts from c.1200-1730; Series 24, which contains slides of Austrian Medieval wall paintings from c. 1089-1280. All of the slides have faded and turned pink.
E-mail/Export ?
More On This Subject - -
> ILLUMINATED MANUSCRIPTS
> CZECH REPUBLIC
> TURKEY
> IRAN
> ETHIOPIA
> AUSTRIA
> MANUSCRIPTS
> SLIDES
> ART
> UNESCO
See other books from the same collection - -
> from the H.P. Kraus reference library
Books of related interests - -
> Jantzen, Hans., OTTONISCHE KUNST.
> GENERAL CATALOGUE.

 |
PASTORALE, WOOD-ENGRAVINGS BY LUCIEN PISSARRO, WITH AN IN...
by Pissarro, Lucien
One of 160 copies made on Batchelors Crown and Sceptre paper, quarter-bound in pre-war Fabriano Ingres printed sides, in a slipcase. In 1965, Orovida, the daughter of Lucien Pissarro who started the Eragny Press with his wife Esther in 1894, presented most of her father's wood-engravings, and his book of proofs, to the Ashmolean Museum in Oxford. This edition of some of Lucien's finest engravings was printed at the Whittington Press from the original blocks and was issued to mark an exhibition of the work of the Eragny Press at the Ashmolean in early 2011. Four engravings are printed in colour using a technique pioneered by Lucien using pale and subdued colours to build up images of great charm and subtlety. A unique memento of a much loved and collected early private press, whose small editions are increasingly hard to find.

|
|
|