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From the collection of the artist Franz Rechberger

CATALOGUE RAISONNÉ DE L'OEUVRE DE FEU GEORGE FREDERIC SCHMIDT, GRAVEUR DU ROI DE PRUSSE, MEMBRE DES ACADÉMIES ROYALES DE PEINTURE DE BERLIN ET DE PARIS, ET DE L'ACADÉMIE IMPÉRIALE DE ST. PETERSBOURG
Crayen, Auguste Guillaume

   

- London : n.p. 1789
- small 8vo.
- full tree calf, red leather spine label.
- (xxviii), 122, (2) pages with a frontispiece portrait of the artist.
- Order Nr. 75843
- Price: $ 1,250.00



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First edition signed by the author at the end of the introduction. Dedicated to Monsieur Wille, graveur du roi de France, de L'Académie Royale de peinture et de plusiers autres académies. This copy of the book carries the signature and annotations of Franz Rechberger (1771-1841), a painter and engraver who was the personal curator of the Austrian collector, patron, and bibliophile le Comte Moritz von Fries (1777-1826). (For further information on Rechberger see Bénézit, 8 p.639, and Nagler, Die Monogrammisten II p.863.) The Comte de Fries was a patron of Ludwig van Beethoven and friend of Franz Schubert. He had amassed a collection of over 16,000 books (mostly large, illustrated works of the 18th century), 300 paintings and 100,000 drawings and prints representing all schools, before it had to be sold as a result of his bankruptcy in 1826. The collection is now dispersed throughout various public and private European collections. This book is annotated by Rechberger with notations of which prints were owned by Fries. Includes a complete catalogue of the prints and bookplates made by Schmidt. The book opens with a fine etching of Schmidt by "Wagner à Leipsic." Head and tail of spine with small chips, some rubbing to hinges. Bookplate on front pastedowns of Theodor Noderer and one indicating that this book came from the reference library and stock of H. P. Kraus. A commemorative booklabel which indicates that this set came from the reference library of H.P. Kraus purchased by Oak Knoll Books at the auction sale is loosely inserted. Covers cracked along front hinge.

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Limited to only 170 numbered copies printed on Frankfurt Mouldmade paper in Bell types composed by Michael and Winifred Bixler, bound by the Campbell-Logan Bindery and printed by hand by Henry Morris at his Bird & Bull Press. The fascinating story of edition binding in America seen through the eyes of the son and eventual owner of Allan Campbell's bookbinding business. Greg describes how the library binding and edition binding business has changed over the last 50 years through the mechanization of a business that had changed very little since the times of Gutenberg. Also mentioned are aspects of exhibition binding and restoration. There are interesting peeks at some of the noted fine binders, private press owners and other edition binders practicing over the last 50 years including Henry Morris, Harry Duncan, Gerry Lange, George Baer, Bill Anthony and many others. The book ends with a description of the fancy cloth import business that regularly has supplied the cloth for private press printers in America. The appendix volume contains 60 actual samples of these cloths imported from Japan, Holland, Germany and Italy. Sample portfolios of such bookcloths are costly to produce and are usually restricted to binders or publishers. The appendix offers a rare look at a collection of some of the finest book cloths made today. This book is sure to be of interest to anyone who collects press books or is interested in the development of this form of bookbinding.




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