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A HISTORY OF THE GOLDEN COCKEREL PRESS, 1920-1960.
Cave, Roderick and Sarah Manson
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First edition. The Golden Cockerel Press, one of the foremost publishers of illustrated books, was the most important and productive of the English private presses during the period of 1920-1960. This notable work is the first extensive study of the press, based on interviews and the Press' widely-scattered archives. Richly illustrated with sixteen pages of color illustrations and over 150 black-and-white illustrations, this work delves into the history of the press and discusses and assesses its important private press books. Closely associated with the revival of wood-engraving, the Golden Cockerel Press books were vehicles for the work of such artists as Robert Gibbings, Eric Gill, David Jones, Agnes Miller Parker, Eric Ravilious, John Buckland-Wright and others. Unlike other fine presses that succumbed to the Depression or closed during the Second World War, Golden Cockerel continued to produce outstanding books. The Press' literary achievement was as significant as its artistic contribution through its publication of original manuscripts by writers such as H.E. Bates, A.E. Coppard and T.E. Lawrence. This work also reveals how the market for fine books was created and sustained, and it provides many insights into other aspects of the British publishing scene. A bibliography of all books printed by the Golden Cockerel Press is included. SALES RIGHTS: Available in North & South America from Oak Knoll Books. Available outside North & South America from The British Library.
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> Bambace, Tony, WILL H. BRADLEY: HIS WORK, A BIBLIOGRAPHICAL GUIDE.
> Gill, Evan R., ERIC GILL, A BIBLIOGRAPHY.
> Annenberg, Maurice, TYPE FOUNDRIES OF AMERICA AND THEIR CATALOGS
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EARLY AMERICAN PAPERMAKING: TWO TREATISES ON MANUFACTURIN...
by Bidwell, John (editor)
First edition, limited to 180 copies of which this is one of the 35 special copies bound thus and containing a folded piece of original Robeson handmade paper with watermark referred to in the text as "exhibiting the typical characteristics of handmade stock produced in the middle or late 1830s, when many American mills had already adopted mass production methods." The watermark and countermark in this paper are also reproduced as illustrations. Editor John Bidwell has located the first known account of hand papermaking to define American practice in relation to its European heritage. This text first appeared in James Cutbush's The American Artist's Manual (Philadelphia: 1814) and has been reprinted, including an original sample of Gilpin machine-made paper. A lengthy and well-researched introduction by John Bidwell examines the early history of papermaking in America, the English and French sources used by Cutbush, and the specific American papermaking techniques. The introduction has been printed by Henry Morris of the Bird & Bull Press on Frankfurt paper. The facsimile reprint has been printed by lithography and the book has been bound by Campbell-Logan Bindery.
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