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THE DISSEMINATION OF THE WEALTH OF NATIONS IN FRENCH AND IN FRANCE 1776-1843.
Carpenter, Kenneth E.
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First edition. Adam Smith's great work of political economy reached French readers through reprints of English editions; a number of translations directed towards different audiences; and a host of summaries, extracts and reviews in magazines and journals. Combining cultural history and bibliographical analysis, Carpenter traces the transmission of this text and assesses the implications of its paratext - occurring in reviews and advertisements, and in the front matter, footnotes, format, and typography of more than thirty monographs and periodicals. He provides full bibliographical descriptions necessary for identifying these works and understanding their interpretative agenda, as well as extensive quotations showing how translators, commentators, editors, and publishers mediated Adam Smith's ideas. This publishing history also serves as an anthology of contemporary critical response to a text at first marginalized by the government and the book trade, then adopted by intellectuals seeking an ideological basis for the French Revolution, and ultimately established as a canonical work of economic thought requiring commentary and scholarly apparatus. An extensive introductory essay describes the textual transformation of the French editions and explains how French readers sought in them "a tool for creating a new society." With thirteen black-and-white illustrations and an index.
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> Brunet, Pierre Gustave, RECHERCHES SUR LES IMPRIMERIES IMAGINAIRES, CLANDESTINES ET PARTICULIERES, PUBLIEES PAR LES SOINS DE PHILOMNESTE JUNIOR.
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CATALOGUE OF THE FIFTY MANUSCRIPTS & PRINTED BOOKS BEQUEA...
Frontispiece portrait of Huth, introduction by F.G. Kenyon along with much text and illustrations including 18 separate plates done in collotype. Printed letterpress by Horace Hart at the University Press. Former library book from the Gloucestershire County Libraries with bookplate and pocket mounted on free endpaper. Paper label on spine.

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