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Jackson Burke's Copy
REGULAE TRIUM ORDINUM LITERARUM TYPOGRAPHICORUM OR THE RULES OF THE THREE ORDERS OF THE PRINT LETTERS: VIZ. {THE ROMAN ITALICK, ENGLISH} CAPITALS AND SMALL.
Moxon, Joseph
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First separate appearance. (Bigmore & Wyman, Vol. II, p. 62; Burke no.810; Wing M3020). This edition of the work gives every appearance of having been made from leftover sheets. The text appears to be from the same setting of type as the first edition of 1676. The plates are printed on thin paper, with the exception of Plate I, which looks like new work for this edition. They correspond exactly with the like-numbered plates from the section on letter-cutting in Moxon's Mechanick Exercises of 1683. . ." (Burke catalogue). This last work, subtitled The Doctrine of Handyworks, was the first published manual describing printer's tools and the various processes of printing. In this present Regulae Trium Ordinum, as in the 1676 original, Moxon models his types on Elzevir's, but modifies them with his mathematician's sense of rigid geometrical proportion (Bigmore & Wyman). Lacking title and dedication leaves and one of the seven plates. Title, dedication to Christopher Wrenn, and plate thirteen supplied in photo facsimile. From the Library of Jackson Burke.
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More On This Subject - -
> TYPE SPECIMENS
> BURKE, JACKSON
> GRAPHIC DESIGN
Books of related interests - -
> Bliss, Anthony S., PRINTING HISTORY, FORMS AND USE, A CATALOGUE IN THREE PARTS OF THE COLLECTION FORMED BY JACKSON BURKE.
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THE SWIMMER.
by Butler, S.J.
One of 100 numbered and signed copies by the author and artist. The Swimmer tells the story of a writer working in her room overlooking a river during a long, hot summer. Overcoming her initial fear of the river with its power and strength to overwhelm a swimmer, she steps into the water and into an unexplored realm of emotion. Words and pictures swim together in the cooling water past tree-lined banks, under a bridge and around curving bends. Later, a richly inventive photographer reads the story and is inspired to create a suite of images to accompany it, employing both ancient and modern photographic techniques. At this point the book designer/printer feels that the storys sense of flow and the photographers images, which float as if in the water alongside the swimmer, could happily be brought together in a book where type has been chosen for slow contemplative reading and the cover design places the whole in the heart of nature.
The story curls across the page slowing the reader to the pace of the swimmer. Emotions crowd in as initial fear moves to exhilaration, apprehension turns to pleasure. S.J. Butler's words and Steffi Puschs pictures together create an atmosphere in which the reader too can share the emotion of the story. They each write a preface to introduce their approach to storytelling and its presentation through photography.
The Swimmer first appeared in The Warwick Review and was then selected for The Best British Short Stories 2011 published by Salt. This is its first publication together with Steffi Puschs photographs. Photographs by Steffi Pusch.
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