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PRINTING TYPES, THEIR HISTORY, FORMS AND USE
Updike, Daniel Berkeley
Two volumes in one.
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Third edition, reprinted with new introduction by Martin Hutner. This extraordinary work explores the art of typography from the dawn of printing to the twentieth century. By tracing the development of type design, Updike discusses the importance of each historic period and the lessons they contain for today's designers. The original two-volume set has been combined into one book containing the original 367 typographical illustrations selected from rare and beautiful books. Updike's well-written text constitutes a running commentary on the historical and artistic significance of these illustrations, which exemplify the best work of printers and type founders from Gutenberg to Bruce Rogers. In Volume I, Mr. Updike discusses the Latin alphabet, the invention of printing, the cutting and casting of types, fifteenth-century types in Germany, Italy, France, Spain, and England, as well as German, Italian and French types of the sixteenth, seventeenth, and eighteenth centuries. Volume II continues the discussion of types to the beginning of the nineteenth century and then describes American types and nineteenth-century types in general. The closing chapters on choice of type and the industrial conditions of the past and their relationship to problems printers face are very informative. Co-published with The British Library.
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Books of related interests - -
> Coakley, J.F., THE TYPOGRAPHY OF SYRIAC: A HISTORICAL CATALOGUE OF PRINTING TYPES, 1537-1958.
> Lieberman, J. Ben, TYPE AND TYPEFACES

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GENEALOGICAL AND HERALDIC HISTORY OF THE EXTINCT AND DORM...
by Burke, John and John Bernard Burke
Second Edition. Illustrated throughout with coats-of-arms. The frontis is an engraving of a portrait of James I. Between the frontispiece and the actual title page is a lovely color (chromolithography?) title page from the 1838 edition published by Scott Webster and Geary. It is the only color plate. There is occasional marginalia, some quite interesting. The leather is worn at the extremities with the upper front hinge split about 2". A scarce title.

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