|
< 
Go back
HEURES NOUVELLES DEDIEES A MADAME LA DAUPHINE.
Senault, Louis.
|
|
|
- Paris : chez l'Autheur n.d (1680's)
- 8vo.
- full 19th-century polished calf with gilt panels, red morocco label (a signed binding by de Haas with his label).
- (iv), 260 pages.
- Order Nr. 52742
- Price: $ 2,250.00
|
|
A calligraphic book of hours "dedicated" to Marie Anne Christine Victoire de Bauirre [Bavaria] (d.1690), the daughter-in-law of Louis XIV, written and engraved by Louis Senault (fl. 1660's-1680's) between 1680 (date of the lady's marriage to the Dauphin) and 1690. Senault produced different versions of books of hours dedicated to various members of French royalty. This copy does not correspond exactly to any reference which we have found. It has some similarity to Bonacini no. 1689 and OCLC 26677688, both of which are perhaps for an earlier version. The missing page number (p. 47 omitted), however, is noted only for a much later work (1740) using Senault's plates but bearing a different title. The book is printed from engraved plates, with each page written in a clear cursive (with headers and highlights sometimes in other styles) inside a simple border of double rules. The decorative scheme is more elaborate, generally combining floral elements and calligraphy, with some geometric elements or landscape vignettes. The title page and the eight subtitle pages have more ornate floral borders or subdivisions within the double rules, generally surrounding a calligraphic center panel. The groups of prayers usually begin with a floral or landscape headpiece, followed by some calligraphic flourishing, and an illuminated first initial consisting of a Roman capital over a square background of floral or geometric design, or a landscape vignette. Similarly constructed but smaller initials also appear at the beginnings of individual prayers: no two initials are the same. Sections frequently conclude with flourishes, and strings of calligraphic fleurons, each unique, appear throughout the text. Some headpieces and some backgrounds of initials incorporate landscape engravings which seem rather faint, as if made from worn plates. Other landscapes are clearly printed, as is all of the other matter. Joints repaired at head and foot, paper repair to head of title-page not affecting text. Worn at the joints.
E-mail/Export ?
More On This Subject - -
> WRITING & CALLIGRAPHY, SEVENTEENTH CENTURY
> FRANCE
> BOOK OF HOURS
> HEVRES NOUVELLES
Books of related interests - -

 |
MATRIX 23, WINTER 2003, A REVIEW FOR PRINTERS & BIBLIOPHILES
by Randle, John & Rosalind (editors)
Printed in an edition limited to 800 copies, this being one of 715 trade copies. Matrix is the longest surviving and probably the last typographical journal to be printed by letterpress. It is an eclectic mix of fine printing, type design, and small press lore, forming a record of events and personalities whose memory would otherwise have died with their recorders. It is no exaggeration to say that in the future it will be impossible to research fine printing without reference to Matrix. This issue contains twenty-five articles and additional book reviews, including: Anthony Dowd, "Fine Press and the Bookbinder"; Miriam MacGregor, "The Forgotten Pleasure of Hand-Printing"; Lucy Archer, "Working with Olive Cook"; Michael Caine, "My Concatenation of Types"; Dennis Gould, "Latterday Letterpress Printer"; and Simon Lawrence, "Aspects of Golden Gockerel." Illustrated throughout with many tipped-in specimens on special paper, engravings, photographs. color plates, etc. and a 1937 Matisse, "Woman's Head," as frontispiece.

|
|
|