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GEOFFREY WALES. Edited by Simon Brett.
Chapman, Hilary.
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First edition. This is first volume in a new series of monographs, entitled CONTEMPORARY WOOD ENGRAVERS, edited by Simon Brett, that profiles those involved in wood engraving, which involves printmakers, illustrators, and those working in fine book production. The series begins with artists from Britain and the United States, and others from around the world will be introduced in due course to present an international perspective. Wales, the artist featured in this volume, made prints which were a central part of the British response to modernism and used wood engraving, when it was least popular, to do so. He was one of the very few artists who have taken the medium of illustration all the way into abstraction - the shoreline of Norfolk and his native Kent served as an inspiration, the glimmer and beauty of the sea remaining with him all of his life. Wales experienced success from the 1930s through the 1950s during the private press movement, but his later, more adventurous work was rarely seen, much less appreciated, in his lifetime. This pioneer study places his work in the context of advanced printmaking of its time and pays tribute to an artist of quiet but revolutionary integrity. Illustrated with many wood engravings by Wales.
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More On This Subject - -
> BOOK ILLUSTRATION, TWENTIETH CENTURY
> UNITED KINGDOM
> WOOD ENGRAVING
> BRETT, SIMON
> WALES, GEOFFREY
> UNITED STATES
See other books from the same collection - -
> from the Inventory of Four Rivers Books
Books of related interests - -
> Bloomfield, Diana, ENGRAVER'S CUT, DIANA BLOOMFIELD, TWENTY-SIX WOOD ENGRAVINGS CHOSEN BY THE ARTIST WITH AN AUTOBIOGRAPHICAL NOTE AND BIBLIOGRAPHY.
> Brett, Simon., MR. DERRICK HARRIS 1919-1960.
> Tattersfield, Nigel, BOOKPLATES BY BEILBY & BEWICK, A BIOGRAPHICAL DICTIONARY

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ALMANACHS ILLUSTRÉS DU XVIIIE SIÈCLE.
by Savigny de Moncorps, Vicomte de
Text in French. Limited to 125 numbered copies. (Besterman I, 293). Author was a member of the Société des Bibliophiles François. Foreword by Georges Vicaire. Frontispiece. Description of almanacs published in France from the beginning of the 18th century into the early 19th. Introductory chapter gives an overview of almanac publication. Subsequent chapters look at almanacs through the 18th century, the Revolutionary era and the era of the Bourbon Restoration to 1830. Contains detailed descriptive information about all entries, organized by year of publication. Numerous attached illustrations throughout text. Alphabetic table of almanacs and index. Also a study of bookbinding as the original covers were often excellent examples of the craft. A well excecuted signed binding by E. Carayon. Small crack in front hinge along top.

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