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AMERICAN BOOK DESIGN AND WILLIAM MORRIS With a new Foreword by Jean-Francois Vilain.
Thompson, Susan Otis

   

- New Castle, Delaware and London : Oak Knoll Press and The British Library 1996
- 4to.
- stiff paper wrappers.
- 318 pages with 113 illustrations.
- ISBN 9781884718267 ; 1884718264 / Order Nr. 44931
- Price: $ 34.95

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Paperback edition. Reprint of the first edition with additional illustrations and new introduction. With his Kelmscott Press and associations with the Arts & Crafts Movement, William Morris helped raise the public's awareness of fine books to new heights. Morris inspired and influenced a generation of other designers and those working in American typography and book design, including Updike, Rogers, Goudy, Bradley, Cleland, Dwiggins, Ransom, Nash and Collins.
This landmark study documents the true extent of Morris's influence on American bookmaking. Now republished by Oak Knoll Press and The British Library, this edition comes with a new Foreword by Jean-François Vilian and contains 111 illustrations of bindings, title pages, type and decorations reproduced from the originals, as well as an extensive bibliography. This book is a vital contribution to the history of American design, intellectualism and culture, appealing not only to those interested in the history of book design, art, graphic art and typography, but also to librarians, book collectors and those studying the literature of the period. Sales Rights: Available worldwide outside the UK from Oak Knoll Books. Available in the UK from The British Library.

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PATENTS FOR INVENTIONS, THE SOURCES OF MODERN PHOTOGRAPHY

Reprint of the 1861 edition printed in London. Volume I contains three parts and covers patents for inventions, and abridgments of specifications relating to photography for the years 1839-1861, part II 1860-1866 and part III 1867-1876. Each part is indexed. Volume two covers the period 1877-83. and contains abridgments of specifications, class 98 photography. This volume contains five parts covering the years 1877-83, 1884-88, 1889-92, 1893-96 and 1897-1900. Volume II has black-and-white illustrations throughout. Both volumes have the bookplates and signature of Gavin Bridson.




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