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OPERA MEDICINALIA. PRINTED IN MEXICO, 1570. WITH A BIOGRAPHICAL AND BIBLIOGRAPHICAL INTRODUCTION BY FRANCISCO GUERRA.
Bravo, Francisco
2 volumes.
Limited to 250 numbered copies. The first volume contains the text by Guerra in English. The second is a facsimile reprint of the first medical book to be published in the New World taken from the only known complete copy. From the reference library of the Zaehnsdorf Company with a commemorative booklabel loosely inserted. With the bookplate of the Zaehnsdorf Company.
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More On This Subject - -
> MEDICINE
> MEXICO
> PRINTING HISTORY, SIXTEENTH CENTURY
> PUBLISHING HISTORY, SIXTEENTH CENTURY
> GUERRA, FRANCISCO
> FACSIMILES, SIXTEENTH CENTURY
Books of related interests - -
> Johns, Adrian, THE NATURE OF THE BOOK. PRINT AND KNOWLEDGE IN THE MAKING.
> Crutchley, Brian, THE UNIVERSITY PRINTING HOUSES AT CAMBRIDGE FROM THE SIXTEENTH TO THE TWENTIETH CENTURY.

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PRAKTISCHER LEITFADEN FÜR BUNTBUCHDRUCK.
by Müller, J. and M. Dethleffs
A book meant to give "those printers and pressmen who have little opportunity for on-the-job training in this branch [i.e. color printing] a way of doing all color printing, of whatever sort, effectively and with full assurance of a good result, and of mixing colors for the work at hand correctly and efficiently" (pp.vii-viii). A brief chapter on the theory of color is followed by chapters on color jobbing printing, printing of multicolored illustrations, and halftone three- and four-color printing. Following this is an explanation of the color tables and then the tables: thirty-three tables of color samples composed and arranged by various methods, four plates of the same picture in different color combinations, and several examples of monochromatic halftone illustration. Tables 1-3 display seventy-two standard colors. Tables 4-33 form a coherent set of colors and color combinations using inks supplied by Berger & Wirth. There are about 600 colors presented in related groups in finely nuanced sequences, including various degrees of gloss. Inks or mixtures used are identified for each color. Each color sample also appears in three degrees of brightness: the solid color, the color in thick parallel lines alternating with thin white lines (imitating dark halftone), and the color in thin lines alternating with white (light halftone), making 1,800 color possibilities in all! A bright copy. An eight page brochure which is supposed to be in a pocket in the back is not present. Remnant of paper label at bottom of spine. Preliminary pages foxed.

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