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STUDIES IN BIBLIOGRAPHY, PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA. VOLUME 34
Edited by Fredson Bowers.
Article A Rationale of Literary Annotation: The Example of Fielding's Novels
by Martin C. Battestin [pp. 1-22]
Article Recent Editorial Discussion and the Central Questions of Editing
by G. Thomas Tanselle [pp. 23-65]
Article A Fifteenth-Century Copyist at Work Under Authorial Scrutiny: An Incident from John Capgrave's Scriptorium
by Peter J. Lucas [pp. 66-95]
Article The Shrinking Compositor A of the Shakespeare First Folio
by Gary Taylor [pp. 96-117]
Article The Printing, Proof-reading, and Publishing of Thackeray's Vanity Fair: The First Edition
by Peter L. Shillingsburg [pp. 118-145]
Article The Publication of Tennyson's "Lucretius"
by Edgar F. Shannon, Jr. [pp. 146-186]
Article Verdict on GW 2182 and 2183
by Dennis E. Rhodes [pp. 187-189]
Article Establishing Shakespeare's Text: Poins and Peto in 1 Henry IV
by Fredson Bowers [pp. 189-198]
Article Astrological Analysis as an Editorial Tool: The Case of Fletcher's The Bloody Brother
by J. C. Eade [pp. 198-204]
Article John Nourse and His Authors
by John Feather [pp. 205-226]
Article The Library of George Tollet, Neglected Shakespearean
by Arthur Sherbo [pp. 227-238]
Article William Cowper and the European Magazine
by Arthur Sherbo [pp. 238-241]
Article William Blake's Techniques of Engraving and Printing
by G. E. Bentley, Jr. [pp. 241-253]
Article Signatures and Dashes in Novels Printed by T. C. Newby in the Eighteen-Forties
by G. D. Hargreaves [pp. 253-258]
Article A George Eliot Notebook
by Valerie A. Dodd [pp. 258-262]
Article Tennyson's The New Timon, R. H. Shepherd, and Harry Buxton Forman
by the late W. D. Paden [pp. 262-267]
Article Additional Manuscripts of Faulkner's "A Dead Dancer"
by Louis Daniel Brodsky [pp. 267-270]
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JOHN ANDERSON AND THE PICKERING PRESS. DePOL, FAULKNER LE...
by Fraser, James H. & Renee I. Weber
John Anderson and the Pickering Press is limited to 90 numbered copies of which this is one of the first 40 copies that was issued in portfolio form and contained the ephemera. Printed by Leonard Seastone at his Tideline Press, this work also contains wood-engravings by John DePol.
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