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STUDIES IN BIBLIOGRAPHY, PAPERS OF THE BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA. VOLUME 27
Edited by Fredson Bowers.
Article Towards a Critical Text of James Joyce's A Portrait of the Artist as a Young Man
by Hans Walter Gabler [pp. 1-53]
Article Bibliography and Science
by G. Thomas Tanselle [pp. 55-89]
Article Justification and Spelling in Jaggard's Compositor B
by S. W. Reid [pp. 91-111]
Article Beggars Bush: A Reconstructed Prompt-Book and Its Copy
by Fredson Bowers [pp. 113-136]
Article The Printers and the Beaumont and Fletcher Folio of 1647: Section 1 (Thomas Warren's)
by Robert K. Turner, Jr. [pp. 137-156]
Article The American Edition of Mrs. Dalloway
by E. F. Shields [pp. 157-175]
Article Press-Variants and Proofreading in the First Quarto of Othello (1622)
by Millard T. Jones [pp. 177-184]
Article John Norton the Printer: an Attribution (1622)
by Wayne Franklin [pp. 185-187]
Article The Chief Substantive Editions of Oldham's Poems, 1679-1684: Printer, Compositors, and Publication
by Harold F. Brooks [pp. 188-226]
Article English Editions of French Contes De Fees Attributed to Mme D'Aulnoy
by Nancy and Melvin Palmer [pp. 227-232]
Article Museum Attributions in John Cooper's Unpublished Letters
by James E. Tierney [pp. 232-235]
Article Further Additions to Bond's Register of Burlesque Poems
by A. B. England [pp. 236-240]
Article Warburton's List and Edmond Malone: a Non-Existent Relationship
by Anne Lancashire [pp. 240-248]
Article Thomas Carlyle's Libraries at Chelsea and Ecclefechan
by Rodger L. Tarr [pp. 249-265]
Article Ellen Glasgow's Virginia: Preliminary Notes
by Oliver Steele [pp. 265-289]
Article Owen Wister's Roosevelt: A Case Study in Post-Production Censorship
by Elizabeth A. Swaim [pp. 290-293]
Article Stephen Crane and "Corporal O'Connor's Story"
by Gillian G. M. Kyles [pp. 294-295]
Checklist A Selective Check List of Bibliographic Scholarship for 1972 [pp. 296-319]
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A MEDITATION IN ROME.
by Gehl, Paul F.
Limited to 110 numbered copies of which ten are proofs. Comprises the script from which the author read his address "How Can Type History Be Good History?" to the plenary session of ATypI Roma on September 20, 2002. An exploration of historical honesty in typographic revivalism. Frontispiece foldout color photograph of the Pantheon in Rome. Color illustrations tipped in throughout text. Printed on Hahnemühle Biblio paper by Maret and Nancy Loeber in the digital versions of Rusell's Gremolata and Cancellaresca Milanese typefaces. Covers feature a paper printed from a new metal type ornament designed by Maret, engraved and cast for this book by Micah Currier. Listing of the author's references and credits. Prospectus and card from the publisher laid in.
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